Delphi Complete Works of Sir Arthur Conan Doyle (Illustrated)

by SIR ARTHUR CONAN DOYLE

  Every morning I walked from the lodgings at Montague Place, reached my consulting-room at ten and sat there until three or four, with never a ring to disturb my serenity. Could better conditions for reflection and work be found? It was ideal, and so long as I was thoroughly unsuccessful in my professional venture there was every chance of improvement in my literary prospects Therefore when I returned to the lodgings at tea-time I bore my little sheaves with me, the first-fruits of a considerable harvest.

  A number of monthly magazines were coming out at that time, notable among which was “The Strand,” then as now under the editorship of Greenhough Smith. Considering these various journals with their disconnected stories it had struck me that a single character running through a series, if it only engaged the attention of the reader, would bind that reader to that particular magazine. On the other hand, it had long seemed to me that the ordinary serial might be an impediment rather than a help to a magazine, since, sooner or later, one missed one number and afterwards it had lost all interest. Clearly the ideal compromise was a character which carried through, and yet instalments which were each complete in themselves, so that the purchaser was always sure that he could relish the whole contents of the magazine. I believe that I was the first to realise this and “The Strand Magazine “the first to put it into practice.

  Looking round for my central character I felt that Sherlock Holmes, whom I had already handled in two little books, would easily lend himself to a succession of short stories. These I began in the long hours of waiting in my consulting-room. Greenhough Smith liked them from the first, and encouraged me to go ahead with them. My literary affairs had been taken up by that king of agents, A. P. Watt, who relieved me of all the hateful bargaining, and handled things so well that any immediate anxiety for money soon disappeared. It was as well, for not one single patient had ever crossed the threshold of my room.

  I was now once more at a crossroads of my life, and Providence, which I recognise at every step, made me realise it in a very energetic and unpleasant way. I was starting off for my usual trudge one morning from our lodgings when icy shivers passed over me, and I only got back in time to avoid a total collapse. It was a virulent attack of influenza, at a time when influenza was in its deadly prime. Only three years before my dear sister Annette, after spending her whole life on the family needs, had died of it at Lisbon at the very moment when my success would have enabled me to recall her from her long servitude. Now it was my turn, and I very nearly followed her. I can remember no pain or extreme discomfort, and no psychic experiences, but for a week I was in great danger, and then found myself as weak as a child and as emotional, but with a mind as clear as crystal. It was then, as I surveyed my own life, that I saw how foolish I was to waste my literary earnings in keeping up an oculist’s room in Wimpole Street, and I determined with a wild rush of joy to cut the painter and to trust for ever to my power of writing. I remember in my delight taking the handkerchief which lay upon the coverlet in my enfeebled hand, and tossing it up to the ceiling in my exultation.

  I should at last be my own master. No longer would I have to conform to professional dress or try to please any one else. I would be free to live how I liked and where I liked. It was one of the great moments of exultation of my life. The date was in August, 1891.

  Presently I was about, hobbling on a stick and reflecting that if I lived to be eighty I knew already exactly how it would feel. I haunted house-agents, got lists of suburban villas, and spent some weeks, as my strength returned, in searching for a new home. Finally I found a suitable house, modest but comfortable, isolated and yet one of a row. It was 12 Tennison Road, South Norwood. There we settled down, and there I made my first effort to live entirely by my pen. It soon became evident that I had been playing the game well within my powers and that I should have no difficulty in providing a sufficient income. It seemed as if I had settled into a life which might be continuous, and I little foresaw that an unexpected blow was about to fall upon us, and that we were not at the end, but really at the beginning, of our wanderings.

  I could not know this, however, and I settled down with a stout heart to do some literary work worthy of the name. The difficulty of the Holmes work was that every story really needed as clear-cut and original a plot as a longish book would do. One cannot without effort spin plots at such a rate. They are apt to become thin or to break. I was determined, now that I had no longer the excuse of absolute pecuniary pressure, never again to write anything which was not as good as I could possibly make it, and therefore I would not write a Holmes story without a worthy plot and without a problem which interested my own mind, for that is the first requisite before you can interest any one else. If I have been able to sustain this character for a long time and if the public find, as they will find, that the last story is as good as the first, it is entirely due to the fact that I never, or hardly ever, forced a story. Some have thought there was a falling off in the stories, and the criticism was neatly expressed by a Cornish boatman who said to me, “I think, sir, when Holmes fell over that cliff, he may not have killed himself, but all the same he was never quite the same man afterwards.” I think, however, that if the reader began the series backwards, so that he brought a fresh mind to the last stories, he would agree with me that, though the general average may not be conspicuously high, still the last one is as good as the first.

  I was weary, however, of inventing plots and I set myself now to do some work which would certainly be less remunerative but would be more ambitious from a literary point of view. I had long been attracted by the epoch of Louis XIV and by those Huguenots who were the French equivalents of our Puritans. I had a good knowledge of the memoirs of that date, and many notes already prepared, so that it did not take me long to write “The Refugees.” It has stood the acid test of time very well, so I may say that it was a success. Soon after its appearance it was translated into French, and my dear old mother, herself a great French scholar, had the joy when she visited Fontainebleau to hear the official guide tell the drove of tourists that if they really wanted to know about the Court of the great monarch, they would find the clearest and most accurate account in an Englishman’s book, “The Refugees.” I expect the guide would have been considerably astonished had he then and there been kissed by an elderly English lady, but it was an experience which he must have narrowly missed. I used in this book, also, a great deal which was drawn from Parkman, that great but neglected historian, who was in my opinion the greatest serious writer that America has produced.

  There was an amusing episode connected with “The Refugees,” when it was read aloud in some strict Irish convent, the innocent Reverend Mother having mistaken my name and imagined that I was a canon, and therefore of course a holy man. I am told that the reading was a tremendous success and that the good sisters rejoiced that the mistake was not found out until the story was completed. My first name has several times led to mistakes, as when, at a big dinner at Chicago, I was asked to say Grace, as being the only ecclesiastic present. I remember that at the same dinner one of the speakers remarked that it was a most sinister fact that though I was a doctor no living patient of mine had ever yet been seen.

  During this Norwood interval, I was certainly working hard, for besides “The Refugees” I wrote “The Great Shadow,” a booklet which I should put near the front of my work for merit, and two other little books on a very inferior plane—” The Parasite “and “Beyond the City.” The latter was of a domestic type unusual for me. It was pirated in New York just before the New Copyright Act came into force, and the rascal publisher thinking that a portrait — any sort of portrait — of the author would look well upon the cover, and being quite ignorant of my identity, put a very pretty and over-dressed young woman as my presentment. I still preserve a copy of this most flattering representation. All these books had some decent success, though none of it was remarkable. It was still the Sherlock Holmes stories for which the public clamoured, and these from time to time I e
ndeavoured to supply. At last, after I had done two series of them I saw that I was in danger of having my hand forced, and of being entirely identified with what I regarded as a lower stratum of literary achievement. Therefore as a sign of my resolution I determined to end the life of my hero. The idea was in my mind when I went with my wife for a short holiday in Switzerland, in the course of which we saw there the wonderful falls of Reichenbach, a terrible place, and one that I thought would make a worthy tomb for poor Sherlock, even if I buried my banking account along with him. So there I laid him, fully determined that he should stay there — as indeed for some years he did. I was amazed at the concern expressed by the public. They say that a man is never properly appreciated until he is dead, and the general protest against my summary execution of Holmes taught me how many and how numerous were his friends. “You Brute “was the beginning of the letter of remonstrance which one lady sent me, and I expect she spoke for others besides herself. I heard of many who wept. I fear I was utterly callous myself, and only glad to have a chance of opening out into new fields of imagination, for the temptation of high prices made it difficult to get one’s thoughts away from Holmes.

  That Sherlock Holmes was anything but mythical to many is shown by the fact that I have had many letters addressed to him with requests that I forward them. Watson has also had a number of letters in which he has been asked for the address or for the autograph of his more brilliant confrère. A press-cutting agency wrote to Watson asking whether Holmes would not wish to subscribe. When Holmes retired several elderly ladies were ready to keep house for him and one sought to ingratiate herself by assuring me that she knew all about bee-keeping and could “segregate the queen.” I had considerable offers also for Holmes if he would examine and solve various family mysteries. Once the offer — from Poland — was that I should myself go, and my reward was practically left to my own judgment. I had judgment enough, however, to avoid it altogether.

  I have often been asked whether I had myself the qualities which I depicted, or whether I was merely the Watson that I look. Of course I am well aware that it is one thing to grapple with a practical problem and quite another thing when you are allowed to solve it under your own conditions. I have no delusions about that. At the same time a man cannot spin a character out of his own inner consciousness and make it really life-like unless he has some possibilities of that character within him — which is a dangerous admission for one who has drawn so many villains as I. In my poem “The Inner Room,” describing our multiplex personality, I say:

  “There are others who are sitting, Grim as doom, In the dim ill-boding shadow Of my room. Darkling figures, stern or quaint, Now a savage, now a saint, Showing fitfully and faint In the gloom.”

  Among those figures there may perhaps be an astute detective also, but I find that in real life in order to find him I have to inhibit all the others and get into a mood when there is no one in the room but he. Then I get results and have several times solved problems by Holmes’ methods after the police have been baffled. Yet I must admit that in ordinary life I am by no means observant and that I have to throw myself into an artificial frame of mind before I can weigh evidence and anticipate the sequence of events.

  CHAPTER XI. SIDELIGHTS ON SHERLOCK HOLMES

  “The Speckled Band” — Barrie’s Parody on Holmes — Holmes on the Films — Methods of Construction — Problems — Curious Letters — Some Personal Cases — Strange Happenings.

  I MAY as well interrupt my narrative here in order to say what may interest my readers about my most notorious character.

  The impression that Holmes was a real person of flesh and blood may have been intensified by his frequent appearance upon the stage. After the withdrawal of my dramatization of “Rodney Stone “from a theatre upon which I held a six months’ lease, I determined to play a bold and energetic game, for an empty theatre spells ruin. When I saw the course that things were taking I shut myself up and devoted my whole mind to making a sensational Sherlock Holmes drama. I wrote it in a week and called it “The Speckled Band “after the short story of that name. I do not think that I exaggerate if I say that within a fortnight of the one play shutting down I had a company working upon the rehearsals of a second one, which had been written in the interval. It was a considerable success. Lyn Harding, as the half epileptic and wholly formidable Doctor Grimesby Rylott, was most masterful, while Saintsbury as Sherlock Holmes was also very good. Before the end of the run I had cleared off all that I had lost upon the other play, and I had created a permanent property of some value. It became a stock piece and is even now touring the country. We had a fine rock boa to play the title-role, a snake which was the pride of my heart, so one can imagine my disgust when I saw that one critic ended his disparaging review by the words “The crisis of the play was produced by the appearance of a palpably artificial serpent.” I was inclined to offer him a goodly sum if he would undertake to go to bed with it. We had several snakes at different times, but they were none of them born actors and they were all inclined either to hang down from the hole in the wall like inanimate bell-pulls, or else to turn back through the hole and get even with the stage carpenter who pinched their tails in order to make them more lively. Finally we used artificial snakes, and every one, including the stage carpenter, agreed that it was more satisfactory.

  This was the second Sherlock Holmes play. I should have spoken about the first, which was produced very much earlier, in fact at the time of the African war. It was written and most wonderfully acted by William Gillette, the famous American. Since he used my characters and to some extent my plots, he naturally gave me a share in the undertaking, which proved to be very successful. “May I marry Holmes?” was one cable which I received from him when in the throes of composition. “You may marry or murder or do what you like with him,” was my heartless reply. I was charmed both with the play, the acting and the pecuniary result. I think that every man with a drop of artistic blood in his veins would agree that the latter consideration, though very welcome when it does arrive, is still the last of which he thinks.

  Sir James Barrie paid his respects to Sherlock Holmes in a rollicking parody. It was really a gay gesture of resignation over the failure which we had encountered with a comic opera for which he undertook to write the libretto. I collaborated with him on this, but in spite of our joint efforts, the piece fell flat. Whereupon Barrie sent me a parody on Holmes, written on the fly leaves of one of his books. It ran thus: —

  The Adventure of the Two Collaborators In bringing to a close the adventures of my friend Sherlock Holmes I am perforce reminded that he never, save on the occasion which, as you will now hear, brought his singular career to an end, consented to act in any mystery which was concerned with persons who made a livelihood by their pen. “I am not particular about the people I mix among for business purposes,” he would say, “but at literary characters I draw the line.”

  We were in our rooms in Baker Street one evening. I was (I remember) by the centre table writing out “The Adventure of the Man without a Cork Leg “(which had so puzzled the Royal Society and all the other scientific bodies of Europe), and Holmes was amusing himself with a little revolver practice. It was his custom of a summer evening to fire round my head, just shaving my face, until he had made a photograph of me on the opposite wall, and it is a slight proof of his skill that many of these portraits in pistol shots are considered admirable likenesses.

  I happened to look out of the window, and perceiving two gentlemen advancing rapidly along Baker Street asked him who they were. He immediately lit his pipe, and, twisting himself on a chair into the figure 8, replied:

  “They are two collaborators in comic opera, and their play has not been a triumph.”

  I sprang from my chair to the ceiling in amazement, and he then explained:

  “My dear Watson, they are obviously men who follow some low calling. That much even you should be able to read in their faces. Those little pieces of blue paper which they fli
ng angrily from them are Durrant’s Press Notices. Of these they have obviously hundreds about their person (see how their pockets bulge). They would not dance on them if they were pleasant reading.”

  I again sprang to the ceiling (which is much dented), and shouted: “Amazing! but they may be mere authors.”

  “No,” said Holmes, “for mere authors only get one press notice a week. Only criminals, dramatists and actors get them by the hundred.”

  “Then they may be actors.”

  “No, actors would come in a carriage.”

  “Can you tell me anything else about them?”

  “A great deal. From the mud on the boots of the tall one I perceive that he comes from South Norwood. The other is as obviously a Scotch author.”

  “How can you tell that?”

  “He is carrying in his pocket a book called (I clearly see) ‘Auld Licht Something.’ Would any one but the author be likely to carry about a book with such a title?”

  I had to confess that this was improbable.

  It was now evident that the two men (if such they can be called) were seeking our lodgings. I have said (often) that my friend Holmes seldom gave way to emotion of any kind, but he now turned livid with passion. Presently this gave place to a strange look of triumph.

  “Watson,” he said, “that big fellow has for years taken the credit for my most remarkable doings, but at last I have him — at last!”

  Up I went to the ceiling, and when I returned the strangers were in the room.

  “I perceive, gentlemen,” said Mr. Sherlock Holmes, “that you are at present afflicted by an extraordinary novelty.”