A Darker Shade of Blue

by John Harvey

  ‘The wife’s out,’ Peters said. ‘Dropping off our other girl at school. Usually goes and does a bit of shopping after that.’

  Our other girl, Will was thinking. Of course, to them she’s still alive.

  ‘You know why we’re here?’ Helen asked.

  ‘Something to do with that bastard getting shot, I imagine.’

  ‘You know about it, then?’

  ‘Not at first, no. One of neighbours come round and told us. Saw it, like, on TV.’

  ‘And you didn’t know anything about it till then?’

  ‘Course not, what d’you think?’

  ‘To be frank, Mr Peters,’ Will said, ‘we think someone paid to have Fraser killed.’

  ‘You reckon?’ Peters laughed. ‘Well, I’ll tell you what, if they’d come round here asking for a few quid toward it, I’d have shelled out double-quick. What he did to our Sharon, shooting’s too good for him.’ Looking at Will, he narrowed his eyes. ‘Quick was it?’

  ‘I think so, yes.’

  ‘More’s the sodding pity.’

  They talked to him for three-quarters of an hour, pushing and prodding, back and forth over the same ground, but if he had anything to give away, it never showed.

  Just as they were on the point of leaving, a key turned in the front door and Mrs Peters stepped through into the hall, shopping bags in both hands. One look at her husband, another at Will and Helen and the bags dropped to the floor. ‘Oh Christ, they know, don’t they? They bloody know.’

  Will contacted the local police station and arranged for an interview room to be placed at their disposal. Donald and Lydia Peters were questioned separately and together, always with a lawyer present. After her initial outburst, Lydia would say nothing; Donald, brazening it out, would not say a great deal more. Without an admission, without tangible evidence — letters, emails, recordings of phone calls — their involvement in Fraser’s murder would be difficult to prove. All they had was the wife’s slip of the tongue. They know, dont they? In a court of law, it could have meant anything.

  Their one chance was a court order to examine the Peterses’ bank records, turn their finances inside out. If they had, indeed, paid to have Fraser killed, the money would have had to have come from somewhere. Unless they’d been especially careful. Unless it had come from other sources. Family. Friends.

  Will knew full well that if he went to the Crown Prosecution Service with what they had now, they’d laugh in his face.

  It had taken a little time for Malkin to gain Lisa’s confidence enough for her to take him to see Jermaine. Jermaine having served his time for attempted burglary and been released into the care of his probation officer, one of the conditions that he move away from where he’d been living, steer clear of his former friends. Where Lisa took Malkin was no more than ten miles away, Sutton-in-Ashfield, Jermaine’s gran’s.

  Jermaine and Malkin sat in the small front room, the parlour his gran had called it, Lisa and the old lady in the other room, watching TV.

  Jermaine was fidgeting constantly, never still.

  ‘What you said in court,’ Malkin asked, ‘about having been to Silver’s place before, was that true?’

  ‘Course it was true. No one fuckin’ believed it, though, did they?’

  ‘You’d both been there? You and Wayne?’

  ‘Yeah. What’s this all about, anyway? What’s it matter now?’

  ‘Why were you there, Jermaine?’

  ‘What d’you mean, why?’

  ‘I mean Alan Silver’s a has-been in his sixties and you’re what? Seventeen. I wouldn’t have thought you’d got a lot to talk about, a lot of common ground.’

  Jermaine’s head swung from side to side. ‘He was all right, you know, not stuck up, not tight. Plenty to drink, yeah? Southern Comfort, that’s what he liked.’

  ‘And money? He gave you money?’

  Now Jermaine was staring at the floor, not wanting to look Malkin in the eye.

  ‘He gave you money?’ Malkin said again.

  ‘He gave Wayne money.’ Jermaine’s voice was little more than a whisper.

  ‘Why did he give Wayne money, Jermaine? Why did he give-’

  ‘For sucking his cock,’ Jermaine suddenly shouted. ‘Why d’you think?’

  Just for an instant, Malkin closed his eyes. ‘And that’s why you went back?’ he said.

  ‘No. We went back to rip him off, didn’t we? Fucking queer!’

  Malkin leaned, almost imperceptibly, forward. ‘Silver’s house,’ he said. ‘If I gave you some paper, paper and a pencil, d’you think you could draw me some kind of plan of the inside?’

  ‘Look,’ Will called across the office. ‘Take a look at this.’

  Helen pushed aside what she was doing and made her way to where Will was sitting at the computer.

  ‘There, you see. This has been nagging at me and there it is. Two years ago. Lincoln. This man Royston Davies. Nightclub bouncer. Found dead in the back of a taxi. Single bullet through the head. 9mm.’

  ‘All right,’ Helen said. ‘I see the connection.’

  ‘Just wait. There’s more.’ Will scrolled down the page. ‘See. That was February. The August before there was a fracas outside the club where Davies was working. Nineteen-year-old youth was struck with something hard enough to put him into hospital. Bottle, baseball bat. Went into a coma and never came out of it.’ Will closed the file. ‘I rang someone I know at Lincoln this morning. Seems Davies was brought in for questioning, quite a few witnesses pointing the finger, but they never got enough to make a case.’

  ‘Wait, wait. Wait a minute.’ Helen held both hands in front of her, palms out, as if to ward off the idea. ‘What you’re suggesting, unless I’ve got this wrong, what you’re saying, there’s someone out there, some professional assassin, some hitman, specialising in taking out people who’ve killed and got away with it. Is that it?’

  ‘That’s it exactly.’

  ‘You’re crazy.’

  ‘Why? Look at it, look at the evidence.’

  ‘Will, there is no evidence. Not of what you’re saying.’

  ‘What is it then?’

  ‘Coincidence.’

  ‘And if I could show otherwise?’

  ‘How?’

  ‘If these weren’t the only two instances, would you believe me then?’

  ‘You telling me there are more?’

  ‘I don’t know yet. But I can find out.’

  Helen laughed and pushed a hand back through her hair. ‘Tell you what, Will, when you do, let me know.’

  He watched her walk, still laughing, back across the room.

  Alan Silver’s house was pitched between Colston Bassett and Harby, on the western edge of the Vale of Belvoir. Nice country. Hunting country, when the time was right.

  Malkin had driven past it several times, learning the lie of the land. Earlier that evening, the light fading, he had parked close by the canal and made his way across the fields. Now he was there again, close to midnight, tracing a path back between the trees.

  Cold, he thought, pausing at a field end to glance up at the sky. Cold enough for snow.

  At just about the time Malkin had made his first visit to Alan Silver’s house, Lorraine had been sitting with her feet up on the settee, watching television, one of those chat shows Will abhorred. Richard amp; Judy? Richard amp; Jane?

  He was in the other room, leafing through the paper, when she called him.

  ‘Look. That man who shot the boy trying to burgle him. The one there was all the fuss about, remember?’

  Will remembered.

  ‘He’s on now.’

  As Will came into the room a black-and-white image of a young Alan Silver was on the screen. White suit, straw hat and cane.

  ‘My God!’ said Silver in mock surprise. ‘Was that me? I’d never have known.’

  ‘But that was how you started?’ said Richard. ‘A bit of a song-and-dance man.’

  ‘Absolutely.’

  ‘You don
’t suppose,’ said Jane or Judy, ‘you could still do a few steps for us now?’

  Sprightly for a man of his years, Silver sprang to his feet and did a little tap dance there and then. Jane or Judy marvelled and the studio audience broke into spontaneous applause.

  ‘Not bad for sixty-odd,’ Lorraine said.

  Will said something non-committal and walked back out of the room.

  Alan Silver plumped up his pillows and reached for the glass of water he kept beside the bed. He was tired; his legs ached. The show had gone well, though, he thought. Sparkled, that’s what he’d done. Sparkled. Still smiling, he switched out the bedside light. It wouldn’t take him long to get to sleep tonight.

  A short while later he was wide awake.

  Something had woken him but what?

  A dream? A noise on the stairs?

  Imagination, surely?

  But no, there it was again.

  Silver felt his skin turn cold.

  It couldn’t be happening twice.

  Carefully, he eased back the heavy covers and rolling on to his stomach, reached beneath the bed.

  It wasn’t there. The bloody thing wasn’t there.

  The bedroom door swung open and Silver, turning clumsily, jabbed on the light.

  ‘Looking for something?’ Malkin said, levelling the shotgun towards the centre of the bed.

  PROMISE

  The way it would usually be: Kiley would be in the pub enjoying a quiet drink when someone would walk over to him or intercept him on his way to the bar. ‘Excuse me, but aren’t you that bloke…’ And then it would start and Kiley would nod and grin and hear it all again, some blurred version of it anyway, before signing whatever scrap of paper was within reach and shaking hands. ‘Always wondered what happened to you.’

  Jack Kiley at forty. A tall man with a barely discernible limp as he carried his pint of Worthington back to his corner table. The face fuller now, the hair as thick, though touched with grey; the eyes a safer shade of blue. His body softer, but not soft, some fifteen pounds heavier than when he came from nowhere to score that hat-trick in extra time. The FA Cup quarter final, 1989.

  ‘Hey, aren’t you…?’

  Kiley had been a police officer at the time, a detective in the Met, CID. Seven years in. He’d never stopped playing soccer since he was a kid. Turned out for the force, of course he did. And as an amateur, without contract, for a string of semi-pro clubs, Kidderminster Harriers, Canvey Island, Gravesend. When Stevenage Borough in the Conference came in for him, needing cover for an injured striker, an understanding detective superintendent cleared Kiley’s rota for most Saturdays in the season, only for him to spend the best part of each game on the bench, waiting to be thrown on in the dying stages — ‘Go get ’em, Jack. Show ‘em what you can do.’ — Kiley clogging through the churned-up mud in search of an equalising goal.

  Each year the Cup threw up its giant killer, a team from the lower reaches riding their luck and ground advantage to harry and chase the top pros with their fancy boots and trophy wives, each earning more in a month than Kiley’s team would graft in a brace of years. And in ’89 it was Stevenage, a home draw against the Villa promising them a place in the last four. One all at the end of the ninety and five minutes into extra time, Kiley, frustrated and cold inside his tracksuit, got the call. ‘Go get ‘em, Jack.’

  With his first touch he played the ball straight into the path of the opposing centre half, the second slid beneath his boot and skidded out of touch; his third, a rising shot struck full off the meat of the right boot on the run, swerved high and wide past the goalie’s outstretched hand and Kiley’s side were in the lead, nineteen minutes to go.

  Five minutes later Villa drew level, and then, from the midst of a nine-man goal-mouth melee, Kiley toe-poked the ball blindly over the line.

  Kiley’s marker, who’d already been trying to kick six shades of shit out of him, clattered against him as they headed back towards the centre circle. ‘Don’t think that makes you fucking clever. ’Cause you’re not, you’re fuckin’ shite!’ And as the ball arced away towards the left wing, unobserved, he elbowed Kiley in the kidneys and left him face down in the dirt.

  Which is why Kiley was unmarked, moments later, when the ball came ballooning towards him out of the Villa defence, Kiley thirty yards from goal, open space in front of him and he met it on the half-volley, sweet like driving a passing shot down the line on Centre Court, or pulling a six head-high to the boundary at Lord’s, that rare and perfect combination of technique and relaxation, and he knew, even before the roar of the crowd or the sight of his own players cartwheeling in pleasure, that he had scored.

  At the final whistle, with the home crowd chanting his name, his marker sought him out, and with a toothless grin, threw an arm around his shoulder. ‘No hard feelings, eh?’ And when Kiley looked back at him, ‘Swap shirts, then? What d’you say?’

  Kiley nodded and waited till the player had lifted his arms above his head. And punched him once, a short right to the ribs that dropped the man, breathless, to his knees.

  The referee red-carded him for that, which meant Kiley was ineligible for the semi-final, which they lost seven-one to Liverpool, a necessary corrective to their uppity behaviour. In professional soccer, each giant-killer — so valuable for filling column inches and the turnstiles both — is only allowed so many sacrificial giants.

  For Kiley, though, fame lingered on, his hat-trick the stuff of innumerable sports-show repeats, and it was no surprise when someone offered him the chance to turn professional a few months short of his twenty-ninth birthday. The manager of Charlton Athletic had something of a reputation for making silk purses from sow’s ears, turning grit into gold. And Kiley knew it was the only chance he would get. With too few second thoughts, he resigned from the Met.

  Most of his first season was spent in the reserves or on the bench: in all he made just three first team starts, scoring once. The following summer he trained hard, determined; played in all three pre-season friendlies, looking sharp; in the first league game he hit a volley from twenty-five yards that slammed against the bar, and narrowly missed with a diving header inside the box. The second game, away, he was stretching for a ball that was never really his when the tackle came in, two-footed, late, and broke his leg. Some legs, young legs, mend. After two operations, rest, light training, lots of physio, Kiley called it a day. The club were more generous than many, the insurance settlement better than he might have hoped. For months he did little or nothing, left books half-read, watched afternoon movies, moped. Considered a civilian job with the Met. Then a former colleague from the force offered him work with the security firm he was running. ‘No uniform, Jack. No bullshit. Just wear a suit, look large and smile.’ For the best part of three years, he was a paid bodyguard to B-list celebrities, obscure overseas royals, sports personalities and their hangers-on.

  At Wimbledon, Kiley found himself sharing overpriced strawberries and champagne with Adrian Costain, a sports agent he’d brushed up against a few times in his soccer days, and when Costain rang him a week later with the offer of some private work, he thought, why not?

  So here he was, ten years down the line from his twenty-five minutes of fame, a private investigator with an office, a computer, pager, fax and phone; a small but growing clientele, a backlog of successfully resolved, mostly sports-associated cases.

  Jack Kiley, whatever happened to him?

  Well, now you know.

  Kiley was alone in his office, August third. Two rooms above a bookshop in Belsize Park. A bathroom he shared with the financial consultant whose office was on the upper floor.

  ‘So what d’you think?’ Kate had asked him the first time they’d looked round. ‘Perfect, no?’ Kate having been tipped off by her friend, Lauren, who managed the shop below.

  ‘Perfect, maybe. But rents in this part of London… There’s no way I could afford it.’

  ‘Jack!’

  ‘It’s all I can do to keep up w
ith the payments on the flat.’

  ‘Then let it go.’

  ‘What?’

  ‘The flat, let it go.’

  Kiley had stared around. ‘And live here?’

  ‘No, fool. Move in with me.’

  So now Kiley’s name was there in neat lettering, upper and lower case, on the glass of the outer door. The office chair behind the glass-topped desk was angled round, suggesting his secretary had just popped out and would be back. As she might, were she to exist. In her stead, there was Irena, a young Romanian who waited on tables across the street, and two mornings a week did Kiley’s filing for him, a little basic word processing, talked to him of the squares and avenues of Bucharest, excursions to the Black Sea, of storks that nested by the sides of country roads.

  In Kiley’s inner sanctum were a smaller desk, oak-faced, an easy chair, a couch on which he sometimes napped, a radio, a TV whose screen he could span with one outstretched hand. There was a plant, jasmine, tiny white flowers amongst a plethora of glossed green leaves; a barely troubled bottle of single malt; a framed print Kate had presented him with when he moved in: two broad bands of cream resting across a field of mottled grey, the lines between hand-drawn and slightly wavering.

  ‘It’ll grow on you,’ she’d said.

  He was still waiting.

  The phone chirruped and he lifted it to his ear.

  ‘Busy, Jack?’ Costain’s voice was two-thirds marketing, one-third market stall.

  ‘That depends.’

  ‘Victoria Clarke.’

  ‘What about her?’

  ‘Get yourself down to Queen’s. Forty-five minutes to an hour from now, she should be towelling down.’

  Kiley was enough of a Londoner to know car owning for a mug’s game. Within three minutes, he’d picked up a cab travelling south down Haverstock Hill and they’d set off on the zigzag course that would shuttle them west, Kiley wondering how many billboards of Victoria Clarke they would pass on the way.