Alone with the Horrors

by Ramsey Campbell

  Its humming blotted out the other sound. She didn't think that was on television after all; the nearest houses were too distant for their sets to be heard. Perhaps a whim of the wind was carrying sounds of a football match or a fair, except that there was no wind, but in any case what did it matter? "Here we are in Italy," Harry said.

  He pronounced it "Eyetally," lingeringly. They could just about deduce that it was, from one random word of a notice in the airport terminal where the Hodges were posing stiffly, smiling, out of focus, while a porter with a baggage trolley tried to gesticulate them out of the way. Presumably his Italian had failed, since they understood hardly a word of the language. After a few minutes Richard sighed, realising that nothing but a comment would get rid of the slide. "One day we'd like to go. We're very fond of Italian opera."

  "You'd like it," Deirdre said, and the visitors steeled themselves for Harry's automatic rejoinder: "It you'd like." "Ooh, he's a one," Deirdre's mother squealed, as she always did, and began to sing "Funiculi, Funicula." She seemed to know only the title, to which she applied various melodies for several minutes. "You never go anywhere much, do you?" Deirdre said. ------------------------------------370

  "I'd hardly say that," Richard retorted, so sharply that Angela squeezed his hand.

  "You couldn't say you've seen the world. Nowhere outside England. It's a good thing you came tonight," Deirdre said.

  Angela wouldn't have called the slides seeing the world, nor seeing much of anything. A pale blob which she assumed to be a scoopful of the nice ice cream proved to be St Peter's at night; Venice was light glaring from a canal and blinding the lens. "That's impressionistic," she had to say to move St Peter's and "Was it very sunny?" to shift Venice. She felt as if she were sinking under the weight of so much banality, the Hodges' and now hers. Here were the Hodges posing against a flaking life-size fresco, Deirdre couldn't remember where, and here was the Tower of Pisa, righted at last by the camera angle. Angela thought that joke was intentional until Deirdre said "Oh, it hasn't come out. Get on to the proper ones."

  If she called the next slide proper, Angela couldn't see why. It was so dark that at first she thought there was no slide at all. Gradually she made out Deirdre, wheeling her mother down what appeared to be a tunnel. "That's us in the catacombs," Deirdre said with what sounded like pride.

  For some reason the darkness emphasised the smell of earth. In the projector's glow, most of which nestled under Harry's chin, Angela could just make out the women in front of the screen. Something about the way they were sitting: that was what she'd noticed subconsciously, but again the sound beneath the projector's hum distracted her, now that it was audible once more. "Now we go down," Deirdre said.

  Harry changed the slide at once. At least they were no longer waiting for responses. The next slide was even darker, and both Angela and Richard were leaning forward, trying to distinguish who the figure with the outstretched arms was and whether it was shouting or grimacing, when Harry said "What do you do when the cat starts moulting?"

  They sat back, for he'd removed the slide. "I've no idea," Richard said.

  "Give the cat a comb."

  "Ooh, he's a one, isn't he," Deirdre's mother shrieked, then made a sound to greet the next slide. "This is where we thought we were lost," Deirdre said.

  This time Angela could have wished the slide were darker. There was no mistaking the fear in Deirdre's face and her mother's as they turned to stare back beyond Harry and the camera. Was somebody behind him, holding the torch which cast Harry's malformed shadow over them? "Get it?" he said. "Cat a comb."

  Angela wondered if there was any experience they wouldn't reduce to ------------------------------------371

  banality. At least there weren't many more slides in the magazine. She glanced at the floor to rest her eyes, and thought she knew where the sound of many voices was coming from. "Did you leave a radio on in the basement?"

  "No." All the same, Harry seemed suddenly distracted. "Quick," Deirdre said, "or we won't have time."

  Time before what? If they were ready for bed, they had only to say. The next slide jerked into view, so shakily that for a moment Angela thought the street beyond the gap in the curtains had jerked. All three Hodges were on this slide, between two ranks of figures. "They're just like us really," Deirdre said, "when you get to know them."

  She must mean Italians, Angela thought, not the ranks of leathery figures baring their teeth and their ribs. Their guide must have taken the photograph, of course. "You managed to make yourself understood enough to be shown the way out then," she said.

  "Once you go deep enough," Harry said, "it comes out wherever you want it to."

  It was the manner--offhand, unimpressed--as much as his words that made her feel she'd misheard him. "When you've been down there long enough," Deirdre corrected him as if that helped.

  Before Angela could demand to know what they were talking about, the last slide clicked into place. She sucked in her breath but managed not to cry out, for the figure could scarcely be posing for the camera, reaching out the stumps of its fingers; it could hardly do anything other than grin with what remained of its face. "There he is. We didn't take as long as him," Deirdre said with an embarrassed giggle. "You don't need to. Just long enough to make your exit," she explained, and the slide left the screen a moment before Harry switched off the projector.

  In the dark Angela could still see the fixed grin breaking through the face. She knew without being able to see that the Hodges hadn't stopped smiling since Harry had opened the door. At last she realised what she'd seen: Deirdre and her mother, she was certain, were sitting exactly as they had been when their record had wakened her--as they had been when she and Richard had come home. "We thought of you," Harry said. "We knew you couldn't afford to go places. That's why we came back."

  She found Richard's hand in the dark and tugged at it, trying to tell him both to leave quickly and to say nothing. "You'll like it," Deirdre said.

  "It you'll like," Harry agreed, and as Angela pulled Richard to his feet and put her free hand over his mouth to stifle his protests, Deirdre's mother said "Takes a bit of getting used to, that's all." ------------------------------------372

  For a moment Angela thought, in the midst of her struggle with panic, that Harry had put on another slide, then that the street had jerked. It was neither: of course the street hadn't moved. "I hope you'll excuse us if we go now," Richard said, pulling her hand away from his mouth, but it didn't matter, the Hodges couldn't move fast, she was sure of that much. She'd dragged him as far as the hall when the chanting under the house swelled up triumphantly, and so did the smell of earth from the ditch that was more than a ditch. Without further ado, the house began to sink. ------------------------------------373

  373

  Old Clothes

  "Come on, lad, let `so be having you," Charlie shouted, and let the back of the van down with a clatter that sent pigeons flying from the cracked roadway. "Anyone'd think it were Fort Knox."

  "Don't call me lad," Eric muttered, shoving all his weight against the door of the house. The July sunlight on his shoulders felt like a weight too, but the door didn't budge, not until Charlie stumped along the weedy path and threw his weight against the door. It cracked, then stuttered inwards, crumpling bills and final reminders and circulars and advertising newspapers, which trailed along the greyish hall towards the ragged staircase. "Go on, lad," Charlie urged. "What are you waiting for?"

  "Christmas. Christmas, and the fairy to come off the tree and give me a million pounds." Eric was waiting for his eyes to adjust, that was all. Specks of light, dust that had found sunlight, rose above the stairs, but the house seemed darker than it ought to be.

  Charlie gave him a push. "Don't be going to sleep, lad. Time enough for a rest when we've cleared the house."

  I'm forty years old, Eric snarled inside himself, and I don't like being pushed. "Try finding someone else who'll put up with you," he muttered as Charlie threw o
pen the first door. "We'll start in here," Charlie said.

  The room didn't look as if it had been cleaned for months. Plants with grey fur wilted in pots; cobwebs hung beneath the round table, draped the lopsided chairs. Nevertheless, someone had been in the house since the old lady had died, for the drawers of a bureau had been pulled out, spilling letters. Charlie stuffed the letters into the drawers. "Take the chairs," he said over his shoulder. "You can manage them."

  Eric resented being made to feel he'd said he couldn't. By the time he'd finished shifting the chairs, he was wearing grey gloves and a wig. Charlie stared at him as if he'd made a stupid joke. "Give us a hand with the table," he growled.

  They had to dance back and forth along the hall and up and down the ------------------------------------374

  stairs. As they manhandled the table into the sunlight, Eric thought he glimpsed a pattern round the edge, of pairs of hands or the prints of hands. "Get a move on, lad," Charlie panted, glancing at the darkening sky.

  The old lady's relatives must have kicked the papers along the hall, Eric decided as he stooped to a wad of letters that had been wedged behind the bureau. They were thank-you letters, one from a woman who lived a few streets away from Eric: thank you for putting me in touch with my father; thank you, said another, for my wife, for my son. ... "Never mind prying," Charlie said. "I don't care if she's dead, some things are private."

  They were starting on the dining-room--spiders fled when Charlie lifted the fat tablecloth--before Eric realised what the letters meant. "What was she, anyway? You never said."

  "You never bloody asked, lad. What difference does it make? One of them spiritists, if it's any of your business."

  Perhaps it offended him, or maybe he felt that it should, as Eric's father had after Eric's mother died. Eric remembered his father on his knees in church and at bedtime, praying for a sign. They were both dead now, but he'd never felt tempted to contact them, had never been interested in that kind of thing. All the same, he couldn't help peering into each room as he followed Charlie, couldn't help feeling like an intruder as they stripped the beds and unbolted the frames. Venturing into her bedroom, he almost expected to see her or her shape made of dust in the bed. He flinched when something moved, scraping, behind him. It was a raincoat hanging on the door.

  The sky was darker when they carried out the bed. By the time they took out the wardrobe, the sky was black. The downpour began as they were about to clear the attic, and so they sat in the cab of the van and ate the sandwiches Charlie's wife had made. She always made half for Eric since she'd taken pity on him, though Charlie gave him less than half. They drank coffee from Charlie's flask, too sweet for Eric's taste, and then Charlie said "Can't wait all day. Back to work."

  The grey road looked like a river of tar now, jumping with rain. Charlie shrugged into his plastic raincoat; too bad for Eric if he hadn't brought one. Swallowing the words he would have liked to say, Eric ran out of the cab and into the house. Hall and rooms were squirming with large vague shadows of rain; he thought of the ectoplasm mediums were supposed to ooze, but he grabbed the raincoat from the hook on the bedroom door.

  A few shakes and the dust almost blinded him. At least the coat was wearable. He fumbled in the pockets to make sure they were empty. A hint of ------------------------------------375

  clamminess in the sleeves made him shiver, but it had gone by the time he'd buttoned the coat on the man's side. Charlie watched him from the bedroom doorway with a kind of dull contempt. "My God, what do you look like."

  Eric didn't care, or so he told himself. They cleared the attic. Then he slammed the door of the house. For a moment he thought he heard movement inside; it must be the papers flapping. Charlie was already starting the van, and he had to run.

  Charlie left him in the drizzle while he drove along the coast to sell the vanload of furniture and ornaments. Eric strolled around town, reading job advertisements that always asked for people younger or more qualified than he was; then he climbed the streets above the factories that nobody wanted to rent, to his flat.

  He reached in the right-hand pocket of the raincoat without thinking. Of course his key wasn't in there, but neither was the pocket empty, though the object was only a flower, easy enough to overlook. Nevertheless, he'd never seen a flower like it, especially one looking so fresh when it must have been in the pocket for weeks. He found an old glass and stood the flower in water.

  Later he bought chips in the next street and fried himself an egg; then he tried to watch a film about Hawaii through the snow on the television Charlie had given him from one of the houses. Exhausted by the day's work, he was in bed before it was dark. He saw handprints dancing around a table, heard his parents calling to each other, almost saw a shape with arms that could reach around the world. Once he thought he heard metal jingling further down the room he lived and ate and slept in.

  The morning was colder. He waited for Charlie to ring the shaky bell and watched newspapers chasing along the back alleys, birds darting out of the steep slate roofs. He changed the water in the glass on the mantelpiece-- the flower was already drooping--then he decided to wait downstairs in case the bell had stopped working. He opened the door of his flat, and metal jingled among the coats on the hook.

  He'd hung the borrowed raincoat on top. In the left-hand pocket he found two tarnished coins of a kind he'd never seen before. On an impulse he put one in his mouth and bit timidly. The metal was soft to his teeth.

  He was gazing at the bite-mark when Charlie rang the bell. He hid the coins under the glass on the mantelpiece and searched the pockets twice to make sure they were empty; then, abruptly, his mind a tangle of half-formed thoughts--Long John Silver, nothing up my sleeve--he buttoned himself into the raincoat. He didn't want to leave it when he could take it with him. ------------------------------------376

  Charlie looked as if he mightn't even let him in the van. "Slept in it, did you?" he said in disgust. "I'm having my doubts about you."

  "I thought it'd keep the dust off."

  "No dust where we're going." Nor was there, neither in the house they were clearing nor the one to which the young couple were moving. The wife fussed around them all day, telling them to be careful and not to put that there, and Eric seldom had a chance to feel in the raincoat pockets. There was never anything. Soon he felt more like a stooge than ever, especially when he realised that somehow he'd managed to button the coat on the wrong side, though he remembered buttoning it properly. No wonder the husband avoided looking at him.

  Eric half expected the flower and the coins to have vanished: he'd remembered his mother reading him a bedtime story about fairy gold. No, the coins were still there, and the wilting flower. He hung up the coat and tried not to watch it, then made himself go out to the Weights & Scales for a drink. An hour of listening to people decades younger than he complaining about unemployment and immigrants and governments and prophesying the football match up the hill next Saturday, and he went home. The pockets were empty, and so, when he slept, were his dreams.

  As soon as he got up, he rummaged in the pockets. Still empty. Much more groping in the old material and he would be finding holes. He put the coat on, out of defiance to Charlie if nothing else, and plunged his hands into the pockets so as to look uncaring as he waited on the doorstep. The right-hand pocket contained a diamond as big as his thumbnail.

  He ran upstairs and hid the diamond under his pillow. He ran down, then back up, and hid the coins next to the diamond. The van was just drawing up. Charlie gave him a look that made words superfluous, and took his time in handing over Eric's wages, which were supposed to include Eric's cut from the sale of the contents of the cleared house. The cut seemed smaller than it ought to be. Remembering the diamond, he didn't care. Charlie stared at him when he unbuttoned the raincoat to stow the money in his shirt, but he didn't want to put anything in those pockets in case it might be spirited away.

  The diamond made him careless, and so did the old lad
y whose house they were clearing. "That's not mine," she kept crying as they lifted furniture. "Someone's trying to play a trick on me. Don't bother taking it, I won't have it in my house." They carried on doggedly, hoping her son would arrive soon, and Eric almost dropped a tea-chest full of crockery for reaching in his pocket when he thought he felt it move, and kept on reaching in there for something that would make the day worthwhile. ------------------------------------377

  The son, a middle-aged man with pinched eyes and a woeful mouth, arrived as they started on the bedrooms, and calmed his mother down as best he could while they brought down a wardrobe. "Where have you been? I thought you were never coming," she cried as Eric hurried back to the house, missing a step when something rattled in his pocket. It was a pearl necklace. "That's mine. Look at him," the old lady screeched, "you've brought a thief into my house."

  "I don't think that's one of yours, Mummy."

  "It is, it is. You all want to rob me."

  Before Eric could think what to say, Charlie snatched the necklace. "So that's what you've been up to with your bloody silly coat. I ought to give you your cards right now." He handed the necklace to the old lady. "Of course it's yours, ma'am. Please accept my apologies. I've never had anything like this happen before in thirty-eight years of removals."

  "Go on then, give me my cards." Eric was sure there must be plenty more where the necklace had come from. "Don't you be making out I'm a thief. You're a thief."

  "Watch your tongue, lad, or I'll knock you down." Charlie nodded fiercely at the son as if to tell him to be angry. "And he will, too."

  "Don't call me lad. I'm not a lad, I'm forty, and I'm not a thief--you are. You steal my money you get from selling stuff I carried. And he steals my sandwiches," he told the old lady, thinking that should show her--she was a mother, after all.