Silver

by Steven Savile

  The needle on the speedometer only dipped below ninety twice on the thirty-mile drive out to Ashmoor and Nonesuch Manor. He cranked the volume up louder as the road opened up and lost himself in the music. Noah left the main road a mile short of Ashmoor proper, and took a bridle path up that jounced and juddered along the side of the grazing land toward the trailing avenue of lime trees that marked the way to Nonesuch. Out of the city the night was absolute. There were no stars. The branches trailed low, whispering in the Austin's wake. Up ahead of him rose the towering iron gates of Nonesuch Manor House. Two grotesque gargoyles perched on the gateposts watched him drive up. Their eyes had been hollowed out and replaced with surveillance cameras.

  Noah decelerated, tires spitting gravel as he followed the drive up to the house. The drive was spotlighted. All around him the powerful lights conjured shadow demons that bent and bowed with the wind. He pulled up alongside Ronan Frost's Ducati Monster 696. It was the only bike in the courtyard. The rest were cars, and every one of them was something special. There was a Lamborghini Diablo with mud splashes up its sides, a flame-red E-Type Jaguar, a Bugatti Veyron, a canary-yellow Lotus Elan, Sir Charles' own Daimler, a timeless classic, and pick of the bunch, a silver v12 Aston Martin Vanquish. As Frost liked to say, if you had no life, the very least you could do was drive a nice car.

  Noah lifted himself out of the bucket seat. He left the keys in the ignition.

  No one was going to steal the Austin from outside of Nonesuch.

  He walked toward the house, though calling it a house was a misnomer. In truth it looked more like a castle. The left wing was even crenellated, part of which had crumbled where the climbing plants had undermined the masonry and worked their way deep into the crevices between the bricks. The ring wing appeared to be a huge gemstone, opalescent in the night. It was the old man's atrium with his hundreds of rare plants. The glass turned the night on itself. Lights burned in three of the windows on the ground floor, the rest covered with wooden shutters.

  The old man's butler, Max, was waiting for him beneath the portico. "I trust you had a pleasant drive, sir?" Noah nodded. There was no love lost between the two. "Sir Charles is waiting for you with the others in the drawing room. May I take your coat, sir?" Noah shrugged out of his leather jacket and handed it over. "Thank you, sir. Will you be requiring anything else?" And then, almost as an afterthought, the butler added, "Toothpaste, perhaps? Your breath reeks of whoever had the misfortune of sitting on your face tonight."

  Noah ignored him and went inside.

  Nonesuch was a huge, sprawling old house with narrow passages, mezzanine levels and servants' staircases. The foyer was oak paneled. They showed signs of water damage. The old man's family crest stood above a huge open fireplace. There was no sign that a fire had burned in the grate in the last decade.

  On a small table beside the empty fire, an exquisitely carved chess set played out the Saavedra position. It was a beautiful endgame and a wonderful example of how one move could make someone famous well outside their own lifetime. It was a salutary lesson to every man who didn't understand the nature of war. Sometimes subtlety is more important than might.

  A granite and iron staircase rose in three tiers to the upstairs. The center of each riser was worn smooth by the scuffing of thousands of footsteps over the three hundred years since the old house had been built. There was a wheelchair stair-lift and wear marks along the wall where the old man's chair had bumped up against it. Somehow he couldn't imagine Sir Charles enduring the humiliation of the stair-lift. He wasn't that kind of man. No, he was more likely to claw his way up on his hands and knees. That was the kind of man that he was.

  For all the grandeur of the entrance hall there was an almost tired air to it, like the staircase and the cracked oak shutters covering the windows. There were no priceless works of art on display, no old masters, no precious antiquities. The casual visitor would have been forgiven for thinking the old man was broke. He wasn't; he just invested his money elsewhere.

  Noah crossed the foyer. The drawing room was the first door on the right, opposite the library.

  He didn't knock.

  He pushed the door open and walked inside.

  The drawing room was anything but the classic Englishman's retreat. The old man called it the crucible. Noah thought of it in military terms: it was the debriefing room. The vast room was essentially the gloss of glass and the sharp lines of steel juxtaposed against Old World England's conservative charm. Everything in the room was laid out with Sir Charles' disability in mind.

  One entire wall comprised twelve huge high-definition plasma displays capable of showing either a single image as a visual mosaic orspliced into a dozen individual ones. On the second wall there were two bookcases: one filled with priceless first editions--Bunyon, Marlowe, Fielding and Goethe on the first shelf, folio editions of Lavater and Glanvil, Maturin and Collins, each annotated with corrections in the author's own hand--and the other with worthless antiqued faux leather books. If Noah didn't already know which was which, he never would have been able to guess.

  Behind the fake books was a service elevator down to an area they called the nest. It was the nerve center of Nonesuch. It housed the servers and their zettabytes of stored information, harvested newswires, ran surveillance equipment, monitored satellite signals and maintained emergency power for the manor. It was the beating heart beneath the floorboards. The ruse wouldn't fool a halfway decent intruder--wheelchair tracks in the deep pile of the carpet disappeared beneath the second bookcase--but a halfway decent intruder would never make it as far as the crucible. The fake books were there simply because Sir Charles enjoyed the game.

  Recessed spotlights were set into the ceiling. They were dimmed low. The screens showed a powerful single image: a burning woman with her arms spread wide. It was time-stamped 1500 hours Zulu Time. Almost ten hours earlier.

  Marble statuettes stood on plinths, each offering an aspect of war personified. There was Babd, the Celtic crow, and her sisters, Macha and Morrigan, the ghosts of the battlefield; Bast, the Egyptian lioness, standing proud and tall, fiercely defiant, while the Greek Ares and the Roman Mars both wore the guise of hunters; one-eyed Odin, with the ravens Hugin and Munin on either shoulder, encapsulated fury and wisdom, wrath and beauty, the Norse god the dichotomy of war itself; and of course, in the center of them all, Kali, the Hindu goddess of death.

  The statuettes lent the room a curious air of the occult that the old man liked to foster. They were a reflection of his eclectic tastes and another part of the game. He could have chosen anything to decorate the crucible, for wealth was not an issue. Neither was taste. The old man possessed both in abundance. No, the statuettes were a very deliberate nod to the past, to death, and rather ironically, to glory.

  Other than the bookcases, the main concession to traditional taste was what at first glance appeared to be a Georgian mahogany dining table in the center of the room, only instead of the leather inlay the entire table top had been cut away and embedded with a powerful touchscreen computer.

  The table was surrounded by five high-backed, green leather chairs. In four of the five chairs sat a member of Sir Charles Wyndham's brainchild, codename Ogmios. They were bound by Mandate 7266 issued by the Secret Service, their job, to do anything and everything necessary to preserve the sovereignty of the British Isles. What that meant was more difficult to pin down. They weren't spies. Officially they weren't anything but outside of the law, removed from the security of the State. They were deniable. If something went wrong they were on their own. If something went right no one ever said thank you. When things went south, they were there.

  The old man might call them the Forge, Noah called them the Lost Cause. It was a slightly different interpretation. Noah didn't know who they reported to, who watched the watchmen, so to speak, but he assumed it was someone in MI6. Someone breathing the rarified air of the "higher ups." The old man only ever referred to him or her as Control.

  Noah d
idn't know how the old man had picked his team. He didn't know very much about them at all, despite the fact that every one of them would put their lives on the line for him. He knew that because they did, every day.

  They put themselves into areas of unrest, sometimes to mediate, other times to facilitate, and when necessary, to bring the hammer down.

  Good lies were simple lies, so they kept cover stories to a bare minimum. Less detail to remember meant less detail to forget. And of course, being deniable, any background checks run against any of the team would fail to find any links to the Secret Services.

  Closest to him was Ronan Frost, the blue-eyed boy, steel-gray hair, steelgray suit fashionably cut by Ted Baker. Frost didn't look up. He had served with 1 Para in Kosovo in '99 before joining the SAS' Special Projects team-counterterrorists, to the rest of the world. Next to him was Orla Nyren, every bit the Mediterranean ideal with her flawless olive complexion, rich chocolate eyes and shoulder-length black hair, fine bones and heart-shaped lips. She was actually mixed decent; her father came from a small Italian town down on the Amalfi Coast, her mother from the ice of northern Sweden. And Orla herself was a curious blend of both gene pools. Her Scandinavian heritage was obvious in her build. Coupled with her beauty--and she was beautiful, strikingly so, Noah thought--at half an inch shy of six feet she cut an imposing figure. Her Italian side manifested itself in other ways, most of them skin deep, including one hell of a temper. Noah had been on the receiving end of it once, and once was more than enough. Nyren was ex-MI6, a Middle East intel specialist, fluent in a dozen languages, two of them dead. She was also the closest thing Noah had ever had to a crush.

  On the other side of the table Konstantin Khavin inclined his head in greeting. Konstantin was ex-KGB and the very definition of the spy who came in from the cold: he had come over the wall in '88 with nothing more than the clothes on his back and his id. He was older than the others, but he had lived the kind of life that carved itself into every inch of skin. His mouth was a thin slit like a knife cut above a dimpled chin. Noah had the distinct impression that the Russian only smiled when he wad to emphasize just how eager he was to take you outside and beat you bloody with fists and feet. Needless to say, Noah was quite happy that Konstantin wasn't smiling. He sat there making a cat's cradle out of his stubby fingers. The tip of the right index finger was missing and his shirt sleeves were rolled back on a cheap plastic digital watch.

  They, each of them, had their own stories, their own flaws. None of them were squeaky clean or they wouldn't have been working for the old man, but Konstantin was different. Sometimes it was impossible to tell if his stories were down to his rather dry Russian sense of humor or not. He had done things the rest of them couldn't imagine, but he had a habit of reassigning all of the ills suffered by his people a place in his own story. He'd told Noah a story once of how he had been forced to walk down the street with his mother's entrails draped around his neck to prove his loyalty to the State. Noah wanted to believe it was just one of Konstantin's macabre stories because he couldn't begin to imagine what kind of man could put a kid through something like that. It didn't fit into his philosophy, and trying to claim that by doing it the nine-year-old Konstantin would somehow be proving his loyalty to some invisible government? It went beyond inhuman.

  And then there was Jude Lethe, the cuckoo in this nest of soldiers, the team's tech wizard. He was a nerd, but more than that, he was their nerd. He looked painfully serious in his black Joe 90 glasses.

  Together they were Ogmios, named after the Celtic hero who himself was fashioned after the legends of Hercules.

  What should have been the sixth seat at the head of the table was left open for the old man's wheelchair.

  These were his people, and they made an unlikely--and dangerous-group.

  "So glad you could join us, Mister Larkin," the old man said from his place at the table.

  Noah nodded and took the last seat.

  "Now perhaps we can get started?"

  "Don't mind me," Noah said.

  "Thank you."

  The old man adjusted the position of his wheelchair. It was the paraplegic equivalent of arranging his papers. He reached out and tapped his finger on the empty touchscreen, bringing the computer beneath it to life. The image on the wall array brightened immediately. Another tap and it started playing.

  "London is one of the most closely watched cities in the world. There isn't a square meter that isn't covered by some sort of CCTV or private surveillance camera. What you are seeing now happened in Trafalgar Square at three p.m. today. There are various angles but they all show the same thing." There was no need for Sir Charles to elaborate; the picture was worth considerably more than a thousand words. Noah watched the woman burn. She held her arms wide and turned and turned, stumbling finally as though she had become dizzy. "A minute before she committed suicide the woman placed a call to the BBC news desk," the old man continued. He stroked the touchscreen, minimizing the freeze-frame of the burning woman on her knees, and brought up the audio recording of her call.

  She spoke to them with the voice of the dead: "There is a plague coming. For forty days and forty nights fear shall savage the streets. Those steeped in sin shall burn. The dying begins now."

  "Who is this? Who am I talking to?" a second voice asked.

  "I don't need to tell you my name. Before the day is through you will know everything there is to know about me apart from one important detail."

  "And what's that?"

  "Why I did it."

  Sir Charles played it again.

  And again.

  Her final sentence hung in the air.

  "Do we know who she is?" Orla Nyren asked. She leaned forward in her chair. The woman had a habit of coming alive when things around her became interesting. Most people did, but it was her definition of interesting that set her apart from "most" people.

  "Mister Lethe? Would you care to share your discovery?" Sir Charles inclined his head slightly.

  pan>

  "Our fiery female is one Catherine Meadows, age 39, graduate of Newcastle University, with no romantic entanglements. Ms. Meadows was, at the time of her combustion, a relatively well regarded forensic archeologist. Most recently she had testified at the Radovan Karadzic war crimes tribunal at The Hague. Her resume reads like a Who's Who--or Where's Where, I guess--of archeology. But that's it. That's her life. She was obsessed with the past. She didn't live in the here and now.

  "Reading between the lines, she was a lonely woman more likely to end her day cuddling up with her cat, a cup of Horlicks and the latest episode of Eastenders, rather than locking lips with some gorgeous Lothario. There's nothing here to suggest she might be typical terrorist material, or even atypical terrorist material," he said with a shrug. "Indeed, right up to her going out in a blaze of glory I would have said Ms. Meadows was, for want of a better word, boring."

  "It's amazing what you can find out with Google," Noah joked.

  "Actually, to be honest, half of this was out there in the public domain. Given her name and her picture, any one of you could have found it. She had a Facebook page that's littered with pictures of her ginger tom, that links her up with the class of '91 at Newcastle Uni, and had some rather unfortunate photographs dating back to her time as a Cure fan." Lethe raised a wry eyebrow behind his glasses. "You would think an archeologist ought to have known that some things are best left in the past, wouldn't you?" He chuckled at his own joke. "She's written for a number of academic journals. The articles are likewise online for people with insomnia to peruse at their leisure."

  "So why burn herself like that? I mean, that's a pretty extreme way to go," Ronan Frost asked, his accent a soft burr now.

  "In my country we would be looking for the invisible men," Konstantin said, rather cryptically.

  "Precisely," the Irish man agreed with him. "Something about this stinks. A boring woman doesn't just suddenly decide to set fire to herself on a whim. So who is hiding in the shadows
? Who are the invisible men?"

  "Sir Charles?" Lethe said, indicating the old man should pick up where he'd left off.

  The single image on the plasma screens fractured into twelve seemingly identical ones. No, not identical, Noah realized, just remarkably--disturbingly-similar. The center of each screen was dominated by a burning figure. The timestamp on each read 1500Z. But that was all they had in common.

  Working his way around the screens he recognized Dam Square and the white stone pillar of the National Monument in Amsterdam, the glass pyramid of the Palais du Louvre in Paris' first arrondissement, the red brick facade of Casa de la Panaderia in Madrid's Plaza Mayor, the towering majesty of the cathedral in Stephansplatz in Vienna, the obelisk in the heart of St. Peter's Square in Rome, the Vatican hidden behind the flames, and the glass monstrosity of the Sony building in Potsdamer Platz in Berlin. There were more cities and more monuments he didn't recognize. Noah counted them, even though he knew full well there were twelve screens.

  "Well now it is starting to get interesting," Orla said. An errant strand of hair curled over her brow and across her left eye.

  "Thirteen people set themselves alight in very public places all across Europe at exactly the same time? I'd say we've moved way beyond interesting," Noah said. Interesting really wasn't the word he would have chosen though. The whole thing had a fatalistic simplicity to it.

  "Oh, it gets better than that, or worse, depending upon your perspective," Jude Lethe told them.

  "Don't tell me, more of that Google-Fu?"

  "Something like that," Lethe said. He leaned forward and started rapidly manipulating the images on the screen, zooming each one in until the display was filled with their screaming faces. The detail and precision of the digital images was nothing short of horrific. The images were hideously sharp. Noah had seen enough death to last him a lifetime, but something about this, as Frost had said, was different. Wrong.