That autumn, when we struck camp and returned to the city for its winter season, nothing had been decided; the feeling of crisis had even diminished. We were all held there, so to speak, in the misty solution of everyday life out of which futurity was to crystallize whatever drama lay ahead. I was called upon to begin my new job for Scobie and addressed myself helplessly to the wretched boustrophedon upon which Balthazar continued to instruct me, in between bouts of chess. I admit that I tried to allay my pangs of conscience in the matter by trying at first to tell Scobie’s office the truth — namely that the Cabal was a harmless sect devoted to Hermetic philosophy and that its activities bore no reference to espionage. In answer to this I was curtly told that I must not believe their obvious cover-story but must try to break the code. Detailed reports of the meetings were called for and these I duly supplied, typing out Balthazar’s discourses on Ammon and Hermes Trismegistus with a certain peevish pleasure, imagining as I did so the jaded government servants who have to wade through the stuff in damp basements a thousand miles away. But I was paid and paid well; for the first time I was able to send Melissa a little money and to make some attempt to pay Justine what I owed her.
It was interesting, too, to discover which of my acquaintances were really part of the espionage grape-vine. Mnemjian, for example, was one; his shop was a clearing-post for general intelligence concerning the city, and was admirably chosen. He performed his duties with tremendous care and discretion, and insisted on shaving me free of charge; it was disheartening to learn much later on that he patiently copied out his intelligence summaries in triplicate and sold copies to various other intelligence services.
Another interesting aspect of the work was that one had the power to order raids to be made on the house of one’s friends. I enjoyed very much having Pombal’s apartment raided. The poor fellow had a calamitous habit of bringing official files home to work on in the evening. We captured a whole set of papers which delighted Scobie for they contained detailed memoranda upon French influence in Syria, and a list of French agents in the city. I noticed on one of these lists the name of the old furrier, Cohen.
Pombal was badly shaken by this raid and went about looking over his shoulder for nearly a month afterwards, convinced that he was being shadowed. He also developed the delusion that one-eyed Hamid had been paid to poison him and would only eat food cooked at home after I had first tasted it. He was still waiting for his cross and his transfer and was very much afraid that the loss of the files would prejudice both, but as we had thoughtfully left him the classification-covers he was able to return them to their series with a minute to say that they had been burnt ‘according to instructions’.
He had been having no small success lately with his carefully graduated cocktail-parties — into which he occasionally introduced guests from the humbler spheres of life like prostitution or the arts. But the expense and boredom were excruciating and I remember him explaining to me once, in tones of misery, the origin of these functions. ‘The cocktail-party — as the name itself indicates — was originally invented by dogs. They are simply bottom-sniffings raised to the rank of formal ceremonies.’ Nevertheless he persevered in them and was rewarded by the favours of his Consul-General whom, despite his contempt, he still regarded with a certain childish awe. He even persuaded Justine, after much humorous pleading, to put in an appearance at one of these functions in order to further his plans for crucifixion. This gave us a chance to study Pordre and the small diplomatic circle of Alexandria — for the most part people who gave the impression of being painted with an air-brush, so etiolated and diffused did their official personalities seem to me.
Pordre himself was a whim rather than a man. He was born to be a cartoonist’s butt. He had a long pale spoiled face, set off by a splendid head of silver hair which he used to affect. But it was a lackey’s countenance. The falseness of his gestures (his exaggerated solicitude and friendship for the merest acquaintances) grated disagreeably and enabled me to understand both the motto my friend had composed for the French Foreign Office and also the epitaph which he once told me should be placed on the tomb of his Chief. (‘His mediocrity was his salvation.’) Indeed, his character was as thin as a single skin of gold leaf — the veneer of culture which diplomats are in a better position to acquire than most men.
The party went off to perfection, and a dinner invitation from Nessim threw the old diplomat into a transport of pleasure which was not feigned. It was well known that the King was a frequent guest at Nessim’s table and the old man was already writing a despatch in his mind which began with the words: ‘Dining with the King last week I brought the conversation round to the question of .… He said … I replied.…’ His lips began to move, his eyes to unfocus themselves, as he retired into one of those public trances for which he was famous, and from which he would awake with a start to astonish his interlocutors with a silly cod’s smile of apology.
For my part I found it strange to revisit the little tank-like flat where I had passed nearly two years of my life; to recall that it was here, in this very room, that I had first encountered Melissa. It had undergone a great transformation at the hands of Pombal’s latest mistress. She had insisted upon its being panelled and painted off-white with a maroon skirting-board. The old arm-chairs whose stuffing used to leak slowly out of the rents in their sides had been re-upholstered in some heavy damask material with a pattern of fleur-de-lis while the three ancient sofas had been banished completely to make floor-space. No doubt they had been sold or broken up. ‘Somewhere’ I thought in quotation from a poem by the old poet, ‘somewhere those wretched old things must still be knocking about.’ How grudging memory is, and how bitterly she clutches the raw material of her daily work.
Pombal’s gaunt bedroom had become vaguely fin de siécle and was as clean as a new pin. Oscar Wilde might have admitted it as a set for the first act of a play. My own room had reverted once more to a box-room, but the bed was still there standing against the wall by the iron sink. The yellow curtain had of course disappeared and had been replaced by a drab piece of white cloth. I put my hand to the rusted frame of the old bed and was stabbed to the heart by the memory of Melissa turning her candid eyes upon me in the dusky half-light of the little room. I was ashamed and surprised by my grief. And when Justine came into the room behind me I kicked the door shut and immediately began to kiss her lips and hair and forehead, squeezing her almost breathless in my arms lest she should surprise the tears in my eyes. But she knew at once, and returning my kisses with that wonderful ardour that only friendship can give to our actions, she murmured: ‘I know. I know.’
Then softly disengaging herself she led me out of the room and closed the door behind us. ‘I must tell you about Nessim’ she said in a low voice. ‘Listen to me. On Wednesday, the day before we left the Summer Palace, I went for a ride alone by the sea. There was a big flight of herring-gulls over the shoreline and all of a sudden I saw the car in the distance rolling and scrambling down the dunes towards the sea with Selim at the wheel. I couldn’t make out what they were doing. Nessim was in the back. I thought she would surely get stuck, but no: they raced down to the water’s edge where the sand was firm and began to speed along the shore towards me. I was not on the beach but in a hollow about fifty yards from the sea. As they came racing level with me and the gulls rose I saw that Nessim had the old repeating-gun in his hands. He raised it and fired again and again into the cloud of gulls, until the magazine was exhausted. Three or four fell fluttering into the sea, but the car did not stop. They were past me in a flash. There must have been a way back from the long beach to the sandstone and so back on to the main road because when I rode in half an hour later the car was back. Nessim was in his observatory. The door was locked and he said he was busy. I asked Selim the meaning of this scene and he simply shrugged his shoulders and pointed at Nessim’s door. “He gave me the orders” was all he said. But, my dear, if you had seen Nessim’s face as he raised the gun.…’ And thin
king of it she involuntarily raised her long fingers to her own cheeks as if to adjust the expression on her own face. ‘He looked mad.’
In the other room they were talking politely of world politics and the situation in Germany. Nessim had perched himself gracefully on Pordre’s chair. Pombal was swallowing yawns which kept returning distressingly enough in the form of belches. My mind was still full of Melissa. I had sent her some money that afternoon and the thought of her buying herself some fine clothes — or even spending it in some foolish way — warmed me. ‘Money’ Pombal was saying playfully to an elderly woman who had the appearance of a contrite camel. ‘One should always make sure of a supply. For only with money can one make more money. Madame certainly knows the Arabic proverb which says: “Riches can buy riches, but poverty will scarcely buy one a leper’s kiss.”’
‘We must go’ said Justine, and staring into her warm dark eyes as I said good-bye I knew that she divined how full of Melissa my mind was at the moment; it gave her handshake an added warmth and sympathy.
I suppose it was that night, while she was dressing for dinner that Nessim came into her room and addressed her reflection in the spade-shaped mirror. ‘Justine’ he said firmly, ‘I must ask you not to think that I am going mad or anything like that but — has Balthazar ever been more than a friend to you?’ Justine was placing a cigale made of gold on the lobe of her left ear; she looked up at him for a long second before answering in the same level, equable tone: ‘No, my dear.’
‘Thank you.’
Nessim stared at his own reflection for a long time, boldly, comprehensively. Then he sighed once and took from the waistcoat-pocket of his dress-clothes a little gold key, in the form of an ankh. ‘I simply cannot think how this came into my possession’ he said, blushing deeply and holding it up for her to see. It was the little watch-key whose loss had caused Balthazar so much concern. Justine stared at it and then at her husband with a somewhat startled air. ‘Where was it?’ she said.
‘In my stud-box.’
Justine went on with her toilette at a slower pace, looking curiously at her husband who for his part went on studying his own features with the same deliberate rational scrutiny. ‘I must find a way of returning it to him. Perhaps he dropped it at a meeting. But the strange thing is.…’ He sighed again. ‘I don’t remem ber.’ It was clear to them both that he had stolen it. Nessim turned on his heel and said: ‘I shall wait for you downstairs.’ As the door closed softly behind him Justine examined the little key with curiosity.
At this time he had already begun to experience that great cycle of historical dreams which now replaced the dreams of his childhood in his mind, and into which the City now threw itself — as if at last it had found a responsive subject through which to express the collective desires, the collective wishes, which informed its culture. He would wake to see the towers and minarets printed on the exhausted, dust-powdered sky, and see as if en montage on them the giant footprints of the historical memory which lies behind the recollections of individual personality, its mentor and guide: indeed its inventor, since man is only an extension of the spirit of place.
These disturbed him for they were not at all the dreams of the night-hours. They overlapped reality and interrupted his waking mind as if the membrane of his consciousness had been suddenly torn in places to admit them.
Side by side with these giant constructions — Palladian galleries of images drawn from his reading and meditation on his own past and the city’s — there came sharper and sharper attacks of unreasoning hatred against the very Justine he had so seldom known, the comforting friend and devoted lover. They were of brief duration but of such fierceness that, rightly regarding them as the obverse of the love he felt for her, he began to fear not for her safety but for his own. He became afraid of shaving in the sterile white bathroom every morning. Often the little barber noticed tears in the eyes of his subject as he noiselessly spread the white apron over him.
But while the gallery of historical dreams held the foreground of his mind the figures of his friends and acquaintances, palpable and real, walked backwards and forwards among them, among the ruins of classical Alexandria, inhabiting an amazing historical space-time as living personages. Laboriously, like an actuary’s clerk he recorded all he saw and felt in his diaries, ordering the impassive Selim to type them out.
He saw the Mouseion, for example, with its sulky, heavily-subsidized artists working to a mental fashion-plate of its founders: and later among the solitaries and wise men the philosopher, patiently wishing the world into a special private state useless to anyone but himself — for at each stage of development each man resumes the whole universe and makes it suitable to his own inner nature: while each thinker, each thought fecundates the whole universe anew.
The inscriptions on the marbles of the Museum murmured to him as he passed like moving lips. Balthazar and Justine were there waiting for him. He had come to meet them, dazzled by the moonlight and drenching shadow of the colonnades. He could hear their voices in the darkness and thought, as he gave the low whistle which Justine would always recognize as his: ‘It is mentally vulgar to spend one’s time being so certain of first principles as Balthazar is.’ He heard the elder man saying: ‘And morality is nothing if it is merely a form of good behaviour.’
He walked slowly down through the arches towards them. The marble stones were barred with moonlight and shadow like a zebra. They were sitting on a marble sarcophagus-lid while somewhere in the remorseless darkness of the outer court someone was walking up and down on the springy turf lazily whistling a phrase from an aria of Donizetti. The gold cigales at Justine’s ears transformed her at once into a projection from one of his dreams and indeed he saw them both dressed vaguely in robes carved heavily of moonlight. Balthazar in a voice tortured by the paradox which lies at the heart of all religion was saying: ‘Of course in one sense even to preach the gospel is evil. This is one of the absurdities of human logic. At least it is not the gospel but the preaching which involves us with the powers of darkness. That is why the Cabal is so good for us; it posits nothing beyond a science of Right Attention.’
They had made room for him on their marble perch but here again, before he could reach them the fulcrum of his vision was disturbed and other scenes gravely intervened, disregarding congruence and period, disregarding historic time and common probability.
He saw so clearly the shrine the infantry built to Aphrodite of the Pigeons on that desolate alluvial coast. They were hungry. The march had driven them all to extremities, sharpening the vision of death which inhabits the soldier’s soul until it shone before them with an unbearable exactness and magnificence. Baggage-animals dying for lack of fodder and men for lack of water. They dared not pause at the poisoned spring and wells. The wild asses, loitering so exasperatingly just out of bowshot, maddened them with the promise of meat they would never secure as the column evolved across the sparse vegetation of that thorny coast. They were supposed to be marching upon the city despite the omens. The infantry marched in undress though they knew it to be madness. Their weapons followed them in carts which were always lagging. The column left behind it the sour smell of unwashed bodies — sweat and the stale of oxen: Macedonian slingers-of-the-line farting like goats.
Their enemies were of a breath-taking elegance — cavalry in white armour which formed and dissolved across the route of their march like clouds. At close range one saw they were men in purple cloaks, embroidered tunics and narrow silk trousers. They wore gold chains round their intricate dark necks and bracelets on their javelin-arms. They were as desirable as a flock of women. Their voices were high and fresh. What a contrast they offered to the slingers, case-hardened veterans of the line, conscious only of winters which froze their sandals to their feet or summers whose sweat dried the leather underfoot until it became as hard as dry marble. A gold bounty and not passion had entrained them in this adventure which they bore with the stoicism of all wage-earners. Life had become a sexless str
ap sinking deeper and ever deeper into the flesh. The sun had parched and cured them and the dust had rendered them voiceless. The brave plumed helmets with which they had been issued were too hot to wear at midday. Africa, which they had somehow visualized as an extension of Europe — an extension of terms, of references to a definitive past — had already asserted itself as something different: a forbidding darkness where the croaking ravens matched the dry exclamations of spiritless men, and rationed laughter fashioned from breath simply the chittering of baboons.
Sometimes they captured someone — a solitary frightened man out hunting hares — and were amazed to see that he was human like themselves. They stripped his rags and stared at human genitals with an elaborate uncomprehending interest. Sometimes they despoiled a township or a rich man’s estate in the foothills, to dine on pickled dolphin in jars (drunken soldiers feasting in a barn among the oxen, unsteadily wearing garlands of wild nettles and drinking from captured cups of gold or horn). All this was before they even reached the desert.…
The Alexandria Quartet Page 17