Where the paths had crossed they had sacrificed to Heracles (and in the same breath murdered the two guides, just to be on the safe side); but from that moment everything had begun to go wrong. Secretly they knew they would never reach the city and invest it. And God! Never let that winter bivouac in the hills be repeated. The fingers and noses lost by frostbite! The raids! In his memory’s memory he could still hear the squeaking munching noise of the sentry’s footsteps all winter in the snow. In this territory the enemy wore fox-skins on their heads in a ravenous peak and long hide tunics which covered their legs. They were silent, belonging uniquely as the vegetation did to these sharp ravines and breath-stopping paths of the great watershed.
With a column on the march memory becomes an industry, manufacturing dreams which common ills unite in a community of ideas based on privation. He knew that the quiet man there was thinking of the rose found in her bed on the day of the Games. Another could not forget the man with the torn ear. The wry scholar pressed into service felt as dulled by battle as a chamberpot at a symposium. And the very fat man who retained the curious personal odour of a baby: the joker, whose sallies kept the vanguard in a roar? He was thinking of a new depilatory from Egypt, of a bed trade-marked Heracles for softness, of white doves with clipped wings fluttering round a banqueting table. All his life he had been greeted at the brothel door by shouts of laughter and a hail of slippers. There were others who dreamed of less common pleasures — hair dusty with white lead, or else schoolboys in naked ranks marching two abreast at dawn to the school of the Harpmaster, through falling snow as thick as meal. At vulgar country Dionysia they carried amid roars the giant leather phallus, but once initiated took the proffered salt and the phallus in trembling silence. Their dreams proliferated in him, and hearing them he opened memory to his consciousness royally, prodigally, as one might open a major artery.
It was strange to move to Justine’s side in that brindled autumn moonlight across such an unwholesome tide of memories: he felt his physical body displacing them by its sheer weight and density. Balthazar had moved to give him room and he was continuing to talk to his wife in low tones. (They drank the wine solemnly and sprinkled the lees on their garments. The generals had just told them they would never get through, never find the city.) And he remembered so vividly how Justine, after making love, would sit cross-legged on the bed and begin to lay out the little pack of Tarot cards which were always kept on the shelf among the books — as if to compute the degree of good fortune left them after this latest plunge into the icy underground river of passion which she could neither subdue nor slake. (‘Minds dismembered by their sexual part’ Balthazar had said once ‘never find peace until old age and failing powers persuade them that silence and quietness are not hostile.’)
Was all the discordance of their lives a measure of the anxiety which they had inherited from the city or the age? ‘Oh my God’ he almost said. ‘Why don’t we leave this city, Justine, and seek an atmosphere less impregnated with the sense of deracination and failure?’ The words of the old poet came into his mind, pressed down like the pedal of a piano, to boil and reverberate around the frail hope which the thought had raised from its dark sleep.*
‘My problem’ he said to himself quietly, feeling his forehead to see if he had a fever ‘is that the woman I loved brought me a faultless satisfaction which never touched her own happiness’: and he thought over all the delusions which were now confirming themselves in physical signs. I mean: he had beaten Justine, beaten her until his arm ached and the stick broke in his hands. All this was a dream of course. Nevertheless on waking he had found his whole arm aching and swollen. What could one believe when reality mocked the imagination by its performance?
At the same time, of course, he fully recognized that suffering, indeed all illness, was itself an acute form of self-importance, and all the teachings of the Cabal came like a following wind to swell his self-contempt. He could hear, like the distant reverberations of the city’s memory, the voice of Plotinus speaking, not of flight away from intolerable temporal conditions but towards a new light, a new city of Light. ‘This is no journey for the feet, however. Look into yourself, withdraw into yourself and look.’ But this was the one act of which he now knew himself for ever incapable.
It is astonishing for me, in recording these passages, to recall how little of all this interior change was visible on the surface of his life — even to those who knew him intimately. There was little to put one’s finger on — only a sense of hollowness in the familiar — as of a well-known air played slightly out of key. It is true that at this period he had already begun to entertain with a prodigality hitherto unknown to the city, even among the richest families. The great house was never empty now. The great kitchen-quarters where we so often boiled ourselves an egg or a glass of milk after a concert or a play — dusty and deserted then — were now held by a permanent garrison of cooks, surgical and histrionic, capped in floury steeples. The upper rooms, tall staircase, galleries and salons echoing to the mournful twining of clocks were patrolled now by black slaves who moved as regally as swans about important tasks. Their white linen, smelling of the goose-iron, was spotless — robes divided by scarlet sashes punctuated at the waist by clasps of gold fashioned into turtles’ heads: the rebus Nessim had chosen for himself. Their soft porpoise eyes were topped by the conventional scarlet flower-pots, their gorilla hands were cased in white gloves. They were as soundless as death itself.
If he had not so far outdone the great figures of Egyptian society in lavishness he might have been thought to be competing with them for advancement. The house was perpetually alive to the cool fern-like patterns of a quartet, or to the foundering plunge of saxophones crying to the night like cuckolds.
The long beautiful reception-rooms had been pierced with alcoves and unexpected corners to increase their already great seating-capacity and sometimes as many as two or three hundred guests sat down to elaborate and meaningless dinners — observing their host lost in the contemplation of a rose lying upon an empty plate before him. Yet his was not a remarkable distraction for he could offer to the nonentities of common conversation a smile — surprising as one who removes an upturned glass to show, hidden by it, some rare entomological creature whose scientific name he had not learned.
What else is there to add? The small extravagances of his dress were hardly noticeable in one whose fortune had always seemed oddly matched against a taste for old flannel trousers and tweed coats. Now in his ice-smooth sharkskin with the scarlet cummerbund he seemed only what he should always have been — the richest and most handsome of the city’s bankers: those true foundlings of the gut. People felt that at last he had come into his own. This was how someone of his place and fortune should live. Only the diplomatic corps smelt in this new prodigality a run of hidden motives, a plot perhaps to capture the King, and began to haunt his drawing-room with their studied politenesses. Under the slothful or foppish faces one was conscious of curiosity stirring, a desire to study Nessim’s motives and designs, for nowadays the King was a frequent visitor to the great house.
Meanwhile all this advanced the central situation not at all. It was as if the action which Nessim had been contemplating grew with such infinite slowness, like a stalactite, that there was time for all this to fill the interval — the rockets ploughing their furrows of sparks across the velvet sky, piercing deeper and ever deeper into the night where Justine and I lay, locked in each other’s arms and minds. In the still water of the fountains one saw the splash of human faces, ignited by these gold and scarlet stars as they rose hissing into heaven like thirsty swans. In the darkness, the warm hand on my arm, I could watch the autumn sky thrown into convulsions of coloured light with the calm of someone for whom the whole unmerited pain of the human world had receded and diffused itself — as pain does when it goes on too long, spreading from a specific member to flood a whole area of the body or the mind. The lovely grooves of the rockets upon the dark sky filled us only
with the sense of a breath-taking congruence to the whole nature of the world of love which was soon to relinquish us.
This particular night was full of a rare summer lightning: and hardly had the display ended when from the desert to the east a thin crust of thunder formed like a scab upon the melodious silence. A light rain fell, youthful and refreshing, and all at once the darkness was full of figures hurrying back into the shelter of the lamplit houses, dresses held ankle-high and voices raised in shrill pleasure. The lamps printed for a second their bare bodies against the transparent materials which sheathed them. For our part we turned wordlessly into the alcove behind the sweet-smelling box-hedges and lay down upon the stone bench carved in the shape of a swan. The laughing chattering crowd poured across the entrance of the alcove towards the light; we lay in the cradle of darkness feeling the gentle prickle of the rain upon our faces. The last fuses were being defiantly lit by men in dinner-jackets and through her hair I saw the last pale comets gliding up into the darkness. I tasted, with the glowing pleasure of the colour in my brain, the warm guiltless pressure of her tongue upon mine, her arms upon mine. The magnitude of this happiness — we could not speak but gazed abundantly at each other with eyes full of unshed tears.
From the house came the dry snap of champagne-corks and the laughter of human beings. ‘Never an evening alone now.’
‘What is happening to Nessim?’
‘I no longer know. When there is something to hide one becomes an actor. It forces all the people round one to act as well.’
The same man, it was true, walked about on the surface of their common life — the same considerate, gentle punctual man: but in a horrifying sense everything had changed, he was no longer there. ‘We’ve abandoned each other’ she said in a small expiring whisper and drawing herself closer pressed to the very hilt of sense and sound the kisses which were like summaries of all we had shared, held precariously for a moment in our hands, before they should overflow into the surrounding darkness and forsake us. And yet it was as if in every embrace she were saying to herself: ‘Perhaps through this very thing, which hurts so much and which I do not want ever to end — maybe through this I shall find my way back to Nessim.’ I was filled suddenly by an intolerable depression.
Later, walking about in the strident native quarter with its jabbing lights and flesh-wearing smells, I wondered as I had always wondered, where time was leading us. And as if to test the validity of the very emotions upon which so much love and anxiety could base themselves I turned into a lighted booth decorated by a strip of cinema poster — the huge half-face of a screen-lover, meaningless as the belly of a whale turned upwards in death — and sat down upon the customer’s stool, as one might in a barber’s shop, to wait my turn. A dirty curtain was drawn across the inner door and from behind it came faint sounds, as of the congress of creatures unknown to science, not specially revolting — indeed interesting as the natural sciences are for those who have abandoned any claims of cultivating a sensibility. I was of course drunk by this time and exhausted — drunk as much on Justine as upon the thin-paper-bodied Pol Roget.
There was a tarbush lying upon the chair beside me and absently I put it on my head. It was faintly warm and sticky inside and the thick leather lining clung to my forehead. ‘I want to know what it really means’ I told myself in a mirror whose cracks had been pasted over with the trimmings of postage stamps. I meant of course the whole portentous scrimmage of sex itself, the act of penetration which could lead a man to despair for the sake of a creature with two breasts and le croissant as the picturesque Levant slang has it. The sound within had increased to a sly groaning and squeaking — a combustible human voice adding itself to the jostling of an ancient wooden-slatted bed. This was presumably the identical undifferentiated act which Justine and I shared with the common world to which we belonged. How did it differ? How far had our feelings carried us from the truth of the simple, devoid beast-like act itself? To what extent was the treacherous mind — with its interminable catalogue raisornné of the heart — responsible? I wished to answer an unanswerable question; but I was so desperate for certainty that it seemed to me that if I surprised the act in its natural state, motivated by scientific money and not love, as yet undamaged by the idea, I might surprise the truth of my own feelings and desires. Impatient to deliver myself from the question I lifted the curtain and stepped softly into the cubicle which was fitfully lighted by a buzzing staggering paraffin lamp turned down low.
The bed was inhabited by an indistinct mass of flesh moving in many places at once, vaguely stirring like an ant-heap. It took me some moments to define the pale and hairy limbs of an elderly man from those of his partner — the greenish-hued whiteness of convex woman with a boa constrictor’s head — a head crowned with spokes of toiling black hair which trailed over the edges of the filthy mattress. My sudden appearance must have suggested a police raid for it was followed by a gasp and complete silence. It was as if the ant-hill had suddenly become deserted. The man gave a groan and a startled half-glance in my direction and then as if to escape detection buried his head between the immense breasts of the woman. It was impossible to explain to them that I was investigating nothing more particular than the act upon which they were engaged. I advanced to the bed firmly, apologetically, and with what must have seemed a vaguely scientific air of detachment I took the rusty bed-rail in my hands and stared down, not upon them for I was hardly conscious of their existence, but upon myself and Melissa, myself and Justine. The woman turned a pair of large gauche charcoal eyes upon me and said something in Arabic.
They lay there like the victims of some terrible accident, clumsily engaged, as if in some incoherent experimental fashion they were the first partners in the history of the human race to think out this peculiar means of communication. Their posture, so ludicrous and ill-planned, seemed the result of some early trial which might, after centuries of experiment, evolve into a disposition of bodies as breathlessly congruent as a ballet-position. But nevertheless I recognized that this had been fixed immutably, for all time — this eternally tragic and ludicrous position of engagement. From this sprang all those aspects of love which the wit of poets and madmen had used to elaborate their philosophy of polite distinctions. From this point the sick, the insane started growing; and from here too the disgusted and dispirited faces of the long-married, tied to each other back to back, so to speak, like dogs unable to disengage after coupling.
The peal of soft cracked laughter I uttered surprised me, but it reassured my specimens. The man raised his face a few inches and listened attentively as if to assure himself that no policeman could have uttered such a laugh. The woman re-explained me to herself and smiled. ‘Wait one moment’ she cried, waving a white blotched hand in the direction of the curtain, ‘I will not be long.’ And the man, as if reprimanded by her tone, made a few convulsive movements, like a paralytic attempting to walk — impelled not by the demands of pleasure but by the purest courtesy. His expression betrayed an access of politeness — as of someone rising in a crowded tram to surrender his place to a mutilé de la guerre. The woman grunted and her fingers curled up at the edges.
Leaving them there, fitted so clumsily together, I stepped laughing out into the street once more to make a circuit of the quarter which still hummed with the derisive, concrete life of men and women. The rain had stopped and the damp ground exhaled the tormentingly lovely scent of clay, bodies and stale jasmine. I began to walk slowly, deeply bemused, and to describe to myself in words this whole quarter of Alexandria for I knew that soon it would be forgotten and revisited only by those whose memories had been appropriated by the fevered city, clinging to the minds of old men like traces of perfume upon a sleeve: Alexandria, the capital of Memory.
The narrow street was of baked and scented terra cotta, soft now from rain but not wet. Its whole length was lined with the coloured booths of prostitutes whose thrilling marble bodies were posed modestly each before her doll’s house, as before a shri
ne. They sat on three-legged stools like oracles wearing coloured slippers, out in the open street. The originality of the lighting gave the whole scene the colours of deathless romance, for instead of being lit from above by electric light the whole street was lit by a series of stabbing carbide-lamps standing upon the ground: throwing thirsty, ravishing violet shadows upwards into the nooks and gables of the dolls’ houses, into the nostrils and eyes of its inhabitants, into the unresisting softness of that furry darkness. I walked slowly among these extraordinary human blooms, reflecting that a city like a human being collects its predispositions, appetites and fears. It grows to maturity, utters its prophets, and declines into hebetude, old age or the loneliness which is worse than either. Unaware that their mother city was dying, the living still sat there in the open street, like caryatids supporting the darkness, the pains of futurity upon their very eyelids; sleeplessly watching, the immortality-hunters, throughout the whole fatidic length of time.
Here was a painted booth entirely decorated by fleur-de-lis carefully and correctly drawn upon a peach-coloured ground in royal blue. At its door sat a giant bluish child of a negress, perhaps eighteen years of age, clad in a red flannel nightgown of a vaguely mission-house allure. She wore a crown of dazzling narcissus on her black woollen head. Her hands were gathered humbly in her lap — an apron full of chopped fingers. She resembled a heavenly black bunny sitting at the entrance of a burrow. Next door a woman fragile as a leaf, and next her one like a chemical formula rinsed out by anaemia and cigarette smoke. Everywhere on these brown flapping walls I saw the basic talisman of the country — imprint of a palm with outspread fingers, seeking to ward off the terrors which thronged the darkness outside the lighted town. As I walked past them now they uttered, not human monetary cries, but the soft cooing propositions of doves, their quiet voices filling the street with a cloistral calm. It was not sex they offered in their monotonous seclusion among the yellow flares, but like the true inhabitants of Alexandria, the deep forgetfulness of parturition, compounded of physical pleasures taken without aversion.
The Alexandria Quartet Page 18