Slowly we passed down the long green aisle among the tall ships, as if taking part in some ceremonial review. The surprises among so much that was familiar, were few but choice: an ironclad lying dumbly on its side, a corvette whose upper works had been smeared and flattened by a direct hit — gun-barrels split like carrots, mountings twisted upon themselves in a contortion of scorched agony. Such a large package of grey steel to be squashed at a single blow, like a paper bag. Human remains were being hosed along the scuppers by small figures with a tremendous patience and quite impassively. This was surprising as it might be for someone walking in a beautiful cemetery to come upon a newly dug grave. (‘It is beautiful’ said the child.) And indeed it was so — the great forests of masts and spires which rocked and inclined to the slight swell set up by water-traffic, the klaxons mewing softly, the reflections dissolving and reforming. There was even some dog-eared jazz flowing out upon the water as if from a waste-pipe somewhere. To her it must have seemed appropriate music for a triumphal entry into the city of childhood. ‘Jamais de la vie’ I caught myself humming softly in my own mind, amazed how ancient the tune sounded, how dated, how preposterously without concern for myself! She was looking into the sky for her father, the image which would form like a benevolent cloud above us and envelop her.
Only at the far end of the great dock were there evidences of the new world to which we were coming: long lines of trucks and ambulances, barriers, and bayonets, manned by the blue and khaki races of men like gnomes. And here a slow, but purposeful and continuous activity reigned. Small troglodytic figures emerged from iron cages and caverns along the wharves, busy upon errands of differing sorts. Here too there were ships split apart in geometrical sections which exposed their steaming intestines, ships laid open in Caesarian section: and into these wounds crawled an endless ant-like string of soldiers and blue-jackets humping canisters, bales, sides of oxen on blood-stained shoulders. Oven doors opened to expose to the firelight white-capped men feverishly dragging at oven-loads of bread. It was somehow unbelievably slow, all this activity, yet immense in compass. It belonged to the instinct of a race rather than to its appetites. And while silence here was only of comparative value small sounds became concrete and imperative — sentries stamping iron-shod boots upon the cobbles, the yowl of a tug, or the buzz of a liner’s siren like the sound of some giant blue-bottle caught in a web. All this was part of the newly acquired city to which I was henceforth to belong.
We drew nearer and nearer, scouting for a berth among the small craft in the basin; the houses began to go up tall. It was a moment of exquisite delicacy, too, and my heart was in my mouth (as the saying goes) for I had already caught sight of the figure which I knew would be there to meet us — away across the wharves there. It was leaning against an ambulance, smoking. Something in its attitude struck a chord and I knew it was Nessim, though I dared not as yet be sure. It was only when the ropes went out and we berthed that I saw, with beating heart (recognizing him dimly through his disguise as I had with Capodistria), that it was indeed my friend. Nessim!
He wore an unfamiliar black patch over one eye. He was dressed in a blue service greatcoat with clumsy padded shoulders and very long in the knee. A peaked cap pulled well down over his eyes. He seemed much taller and slimmer than I remembered — perhaps it was this uniform which was half chauffeur’s livery, half airman’s rig. I think he must have felt the force of my recognition pressing upon him for he suddenly stood upright, and after peering briefly about him, spotted us. He threw the cigarette away and walked along the quay with his swift and graceful walk, smiling nervously. I waved but he did not respond, though he half nodded as he moved towards us. ‘Look’ I said, not without apprehension. ‘Here he comes at last, your father.’ She watched with wide and frozen eyes following the tall figure until it stood smiling at us, not six feet away. Sailors were busy with ropes. A gangplank went down with a bang. I could not decide whether that ominous black patch over his eye added to or subtracted from the old distinction. He took off his cap and still smiling, shyly and somewhat ruefully, stroked his hair into place before putting it on again. ‘Nessim’ I called, and he nodded, though he did not respond. A silence seemed to fall upon my mind as the child stepped out upon the plank. She walked with an air of bemused rapture, spellbound by the image rather than the reality. (Is poetry, then, more real than observed truth?) And putting out her arms like a sleepwalker she walked chuckling into his embrace. I came hard on her heels, and as he still laughed and hugged her Nessim handed me the hand with the missing finger. It had become a claw, digging into mine. He uttered a short dry sob disguised as a cough. That was all. And now the child crawled up like a sloth into a tree-trunk and wound her legs about his hips. I did not quite know what to say, gazing into that one all-comprehending dark eye. His hair was quite white at the temples. You cannot squeeze a hand with a missing finger as hard as you would like.
‘And so we meet again.’
He backed away briskly and sat down upon a bollard, groping for his cigarette case to offer me the unfamiliar delicacy of a French cigarette. We were both dumb. The matches were damp and only struck with difficulty. ‘Clea was to have come’ he said at last, ‘but she turned tail at the last moment. She has gone to Cairo. Justine is out at Karm!’ Then ducking his head he said under his breath ‘You know about it eh?’ I nodded and he looked relieved. ‘So much the less to explain. I came off duty half an hour ago and waited for you to take you out. But perhaps.…’
But at this moment a flock of soldiers closed on us, verifying our identities and checking on our destinations. Nessim was busy with the child. I unpacked my papers for the soldiers. They studied them gravely, with a certain detached sympathy even, and hunted for my name upon a long sheet of paper before informing me that I should have to report to the Consulate, for I was a ‘refugee national’. I returned to Nessim with the clearance slips and told him of this. ‘As a matter of fact it does not fall badly. I had to go there anyway to fetch a suitcase I left with all my respectable suits in it … how long ago, I wonder?’
‘A lifetime’ he smiled.
‘How shall we arrange it?’
We sat side by side smoking and reflecting. It was strange and moving to hear around us all the accents of the English shires. A kindly corporal came over with a tray full of tin mugs, steaming with that singular brew, Army tea, and decorated with slabs of white bread smeared with margarine. In the middle distance a stretcher-party walked apathetically offstage with a sagging load from a bombed building. We ate hungrily and became suddenly aware of our swimming knees. At last I said: ‘Why don’t you go on and take her with you? I can get a tram at the dock-gate and visit the Consul. Have a shave. Some lunch. Come out this evening to Karm if you will send a horse to the ford.’
‘Very well’ he said, with a certain relief, and hugging the child suggested this plan to her, whispering in her ear. She offered no objection, indeed seemed eager to accompany him — for which I felt thankful. And so we walked, with a feeling of unreality, across the slimy cobbles to where the little ambulance was parked, and Nessim climbed into the driver’s seat with the child. She smiled and clapped her hands, and I waved them away, delighted that the transition was working so smoothly. Nevertheless it was strange to find myself thus, alone with the city, like a castaway on a familar reef. ‘Familiar’ — yes! For once one had, left the semicircle of the harbour nothing had changed whatsoever. The little tin tram groaned and wriggled along its rusty rails, curving down those familiar streets which spread on either side of the images which were absolute in their fidelity to my memories. The barbers’ shops with their fly-nets drawn across the door, tingling with coloured beads: the cafés with their idlers squatting at the tin tables (by El Bab, still the crumbling wall and the very table where we had sat motionless, weighed down by the blue dusk). Just as he let in the clutch Nessim had peered at me sharply and said: ‘Darley, you have changed very much’, though whether in reproof or commendation I could no
t tell. Yes, I had: seeing the old crumbled arch of El Bab I smiled, remembering a now prehistoric kiss upon my fingers. I remembered the slight flinch of the dark eyes as she uttered the sad brave truth: ‘One learns nothing from those who return our love.’ Words which burnt like surgical spirit on an open wound, but which cleansed, as all truth does. And busy with these memories as I was, I saw with another part of my mind the whole of Alexandria unrolling once more on either side of me — its captivating detail, its insolence of colouring, its crushing poverty and beauty. The little shops, protected from the sun by bits of ragged awning in whose darkness was piled up every kind of merchandise from live quail to honeycombs and lucky mirrors. The fruit-stalls with their brilliant stock made doubly brilliant by being displayed upon brighter papers; the warm gold of oranges lying on brilliant slips of magenta and crimson-lake. The smoky glitter of the coppersmiths’ caves. Gaily tasselled camel-saddlery. Pottery and blue jade beads against the Evil Eye. All this given a sharp prismatic brilliance by the crowds milling back and forth, the blare of the café radios, the hawkers’ long sobbing cries, the imprecations of street-arabs, and the demented ululations of distant mourners setting forth at a jog-trot behind the corpse of some notable sheik. And here, strolling in the foreground of the painting with the insolence of full possession, came plum-blue Ethiopians in snowy turbans, bronze Sudanese with puffy charcoal lips, pewter-skinned Lebanese and Bedouin with the profiles of kestrels, woven like brilliant threads upon the monotonous blackness of the veiled women, the dark Moslem dream of the hidden Paradise which may only be glimpsed through the key-hole of the human eye. And lurching down these narrow streets with their packs scraping the mud walls plunged the sumpter camels with cargoes of green clover, putting down their huge soft pads with infinite delicacy. I suddenly remembered Scobie giving me a lesson on the priority of salutation: ‘You must realize that it’s a question of form. They’re regular Britishers for politeness, my boy. No good throwing your Salaam Aleikum around just anyhow. It must be given first by a camel-rider to a man on a horse, by a horseman to a man on a donkey, by a donkey-rider to a man on foot, by a man on foot to a man seated, by a small party to a large one, by the younger to the older.… It’s only in the great schools at home they teach such things. But here every nipper has it at his fingers’ ends. Now repeat the order of battle after me!’ It was easier to repeat the phrase than to remember the order at this remove in time. Smiling at the thought, I strove to re-establish those forgotten priorities from memory, while I gazed about me. The whole toybox of Egyptian life was still there, every figure in place — street-sprinkler, scribe, mourner, harlot, clerk, priest — untouched, it seemed, by time or by war. A sudden melancholy invaded me as I watched them, for they had now become a part of the past. My sympathy had discovered a new element inside itself — detachment. (Scobie used to say, in an expansive moment: ‘Cheer up, me boyo, it takes a lifetime to grow. People haven’t the patience any more. My mother waited nine months for me!’ A singular thought.)
Jolting past the Goharri Mosque I remembered finding one-eyed Hamid there one afternoon rubbing a slice of lemon on a pilaster before sucking it. This, he had said, was an infallible specific against the stone. He used to live somewhere in this quarter with its humble cafés full of native splendours like rose-scented drinking water and whole sheep turning on spits, stuffed with pigeons, rice, nuts. All the paunch-beguiling meals which delighted the ventripotent pashas of the city!
Somewhere up here, skirting the edge of the Arab quarter the tram gives a leap and grinds round abruptly. You can for one moment look down through the frieze of shattered buildings into the corner of the harbour reserved for craft of shallow draught. The hazards of the war at sea had swollen their numbers to overflowing. Framed by the coloured domes there lay feluccas and lateen-rig giassas, wine-caiques, schooners, and brigantines of every shape and size, from all over the Levant. An anthology of masts and spars and haunting Aegean eyes; of names and rigs and destinations. They lay there coupled to their reflections with the sunlight on them in a deep water-trance. Then abruptly they were snatched away and the Grande Corniche began to unroll, the magnificent long sea-parade which frames the modern city, the Hellenistic capital of the bankers and cotton-visionaries — all those European bagmen whose enterprise had re-ignited and ratified Alexander’s dream of conquest after the centuries of dust and silence which Amr had imposed upon it.
Here, too, it was all relatively unchanged save for the full khaki clouds of soldiers moving everywhere and the rash of new bars which had sprung up everywhere to feed them. Outside the Cecil long lines of transport-trucks had overflowed the taxi-ranks. Outside the Consulate an unfamiliar naval sentry with rifle and bayonet. I could not say it was all irremediably changed, for these visitors had a shiftless and temporary look, like countrymen visiting a capital for a fair. Soon a sluice gate would open and they would be drawn off into the great reservoir of the desert battles. But there were surprises. At the Consulate, for example, a very fat man who sat like a king prawn at his desk, pressing white hands together whose long filbert nails had been carefully polished that morning, and who addressed me with familiarity. ‘My task may seem invidious’ he fluted, ‘yet it is necessary. We are trying to grab anyone who has a special aptitude before the Army gets them. I have been sent your name by the Ambassador who had designated you for the censorship department which we have just opened, and which is grotesquely understaffed.’
‘The Ambassador?’ It was bewildering.
‘He’s a friend of yours, is he not?’
‘I hardly know him.’
‘Nevertheless I am bound to accept his direction, even though I am in charge of this operation.’
There were forms to be filled in. The fat man, who was not unamiable, and whose name was Kenilworth, obliged by helping me. ‘It is a bit of mystery’ I said. He shrugged his shoulders and spread his white hands. ‘I suggest you discuss it with him when you meet.’
‘But I had no intention —’ I said. But it seemed pointless to discuss the matter further until I discovered what lay behind it. How could Mountolive… ? But Kenilworth was talking again. ‘I suppose you might need a week to find yourself lodgings here before you settle in. Shall I tell the department so?’
‘If you wish’ I said in bewilderment. I was dismissed and spent some time in the cellars unearthing my battered cabin-trunk and selecting from it a few respectable city-clothes. With these in a brown paper parcel I walked slowly along the Corniche towards the Cecil, where I purposed to take a room, have a bath and shave, and prepare myself for the visit to the country house. This had begun to loom up rather in my mind, not exactly with anxiety but with the disquiet which suspense always brings. I stood for a while staring down at the still sea, and it was while I was standing thus that the silver Rolls with the daffodil hub-cups drew up and a large bearded personage jumped out and came galloping towards me with hands outstretched. It was only when I felt his arms hugging my shoulders and the beard brushing my cheek in a Gallic greeting that I was able to gasp ‘Pombal!’
‘Darley’. Still holding my hands as tenderly, and with tears in his eyes, he drew me to one side and sat down heavily on one of the stone benches bordering the marine parade. Pombal was in the most elegant tenue. His starched cuffs rattled crisply. The dark beard and moustache gave him an imposing yet somehow forlorn air. Inside all these trappings he seemed quite unchanged. He peered through them, like a Tiberius in fancy-dress. We gazed at each other for a long moment of silence, with emotion. Both knew that the silence we observed was one of pain for the fall of France, an event which symbolized all too clearly the psychic collapse of Europe itself. We were like mourners at an invisible cenotaph during the two minutes’ silence which commemorates an irremediable failure of the human will. I felt in his handclasp all the shame and despair of this graceless tragedy and I sought desperately for the phrase which might console him, might reassure him that France itself could never truly die so long as artists were
being born into the world. But this world of armies and battles was too intense and too concrete to make the thought seem more than of secondary importance — for art really means freedom, and it was this which was at stake. At last the words came. ‘Never mind. Today I’ve seen the little blue cross of Lorraine flowering everywhere.’
‘You understand’ he murmured and squeezed my hand again. ‘I knew you would understand. Even when you most criticized her you knew that she meant as much to you as to us.’ He blew his nose suddenly, with startling loudness, in a clean handkerchief and leaned back on the stone bench. With amazing suddenness he had become his old self again, the timid, fat, irrepressible Pombal of the past. ‘There is so much to tell you. You will come with me now. At once. Not a word. Yes, it is Nessim’s car. I bought it to save it from the Egyptians. Mountolive has fixed you an excellent post. I am still in the old flat, but now we have taken the building. You can have the whole top floor. It will be like old times again.’ I was carried off my feet by his volubility and by the bewildering variety of prospects he described so rapidly and confidently, without apparently expecting comment. His English had become practically perfect.
‘Old times’ I stammered.
But here an expression of pain crossed his fat countenance and he groaned, pressing his hands between his knees as he uttered the word: ‘Fosca!’ He screwed up his face comically and stared at me. ‘You do not know.’ He looked almost terrified. ‘I am in love with her.’
I laughed. He shook his head rapidly. ‘No. Don’t laugh.’
‘I must, Pombal.’
‘I beseech you.’ And leaning forward with a look of despair on his countenance he lowered his voice and prepared to confide something to me. His lips moved. It was clearly something of tragic importance. At last he brought it out, and the tears came into his eyes as he spoke the words: ‘You don’t understand. Je suis fidèle malgré mot.’ He gasped like a fish and repeated ‘Mcdgré moi. It has never happened before, never.’ And then abruptly he broke into a despairing whinny with the same look of awed bewilderment on his face. How could I forbear to laugh? At a blow he had restored Alexandria to me, complete and intact — for no memory of it could be complete without the thought of Pombal in love. My laughter infected him. He was shaking like a jelly. ‘Stop’ he pleaded at last with comic pathos, interjecting into the forest of bearded chuckles the words. ‘And I have never slept with her, not once. That is the insane thing.’ This made us laugh more than ever.
The Alexandria Quartet Page 81