The Show That Never Ends
Page 35
and Robert Fripp, 125, 126, 169–71
and Fripp–Bowie collaboration, 181–83, 185
and Matching Mole, 131
“Oblique Strategies” cards, 194
Epilog (Änglagård), 264, 265
“Epitaph,” 49, 50, 51
Ertegun, Ahmet, 62, 189
“Eruption,” 75, 152–53
“Esther’s Nose Job,” 84
Evan, John, 101
Evans, Guy, 279
Evans, Nick, 59
Evening Star (Brian Eno and Robert Fripp), 170
“Every Little Thing,” 54
“Everyone’s Gone to the Moon,” 33
“Evoluzione, L’,” 155
Exorcist, The (film), 142
“Experiment,” 263
Exposure (Robert Fripp), 196–97
“Exposure,” 196
Express, 288
Ezrin, Bob, 180, 181, 185
“Facelift,” 84–85
Face Value (Phil Collins), 216
Fairport Convention, 79
Falling into Infinity (Dream Theater), 271
Falling Up (Kevin Ayers), 240
Fame, Georgie, 23
Family (band), 79
“Fanfare,” 189, 190
Fanfare for the Common Man (Aaron Copland), 189
Farewell (band), 178
Farlmowe, Chris, 23
“Farther Away I Am, The,” 184
Fast, Larry, 180, 185, 196, 224, 226
“Fear Is Never Boring,” 249–50
Ferry, Bryan, 208
Fielder, Hugh, 198
“Firebird, The,” xix
Firebird Suite (Igor Stravinsky), 102
“Firebrand,” 45, 46
Fish (Derek William Dick), 227–30, 241–45, 250–52
“Fish, The,” 93
Fisher, Matthew, 22
Fleetwood Mac, 268
Fleur de Lys, 59
Flight, Graham, 16
“Flight of the Ibis,” 57
Floating Anarchy (Planet Gong), 179
“Fly By Night,” 164
“Flying Start,” 240
Flying Teapot (Gong), 127
FM (band), 161–62
Focus, xvi, 286
Foghat, xi
“Follow You Follow Me,” 199, 215, 232
Foreigner, 203, 236
“Forgotten Sons,” 227–28
“Fountain of Lamneth, The,” 149, 162
“Fountain of Salmacis, The,” 80
“14 Hour Technicolor Dream” show, 25
Foxtrot (Genesis), 80–83, 153, 230
Fragile (Yes), 91–95, 103, 104
Freakbeat, 256
“Freewill,” 165
Fricke, David, 206
Fripp, Robert
and 1972 iteration of King Crimson, 123–26
1980s projects of, 265–69
and Tony Banks’s mellotron, 79
on the Beatles, xiv
and David Bowie, 181–83
and breakup of King Crimson, 168–70, 208
and departure of Bill Bruford from Yes, 106
on Discipline and Three of a Perfect Pair albums, 245–49
early life and influences, 10–13
and Brian Eno, 169–71
Frippertronics and Discotronics, 218–20
and Peter Gabriel, 180–81, 225
in Giles, Giles, and Fripp, 41–43
David Gilmour vs., 256
and George Gurdjieff, 171–73
and Daryl Hall, 183–85
and King Crimson after Greg Lake, 56–63
at the Kitchen, 193–97
and Greg Lake, 192–93
and Matching Mole, 131
on progressive rock, 284
and reunification of King Crimson, 220–22
and rise of King Crimson, 47–54
on Rite of Spring, 5
in “21st Century Schizoid Man,” xvi
and Steve Wilson, 259, 278
on Yes and King Crimson, 102, 103
Frippertronics, 194–95, 218, 219
Frith, Fred, 132, 133, 134
Frith, Simon, 200
Froese, Edgar, xviii
From Genesis to Revelation (Genesis), 79
Frond, Bevis, 256
FSoL (Future Sound of London), 258
Fulham Palace Café (London, England), 42–43
Funicello, Annette, 127
Funkadelic, xi, 114
“Für dïhhël kobaïa,” 157
Future Sound of London (FSoL), 258
Gabriel, George, 176
Gabriel, Peter
and Adrian Belew, 267
departure from Genesis, 198
“Exposure” by, 196
and Robert Fripp, 193, 194
on Genesis demo, 33–34
on Lamb Lies Down on Broadway tour, 173–77
and Tony Levin, xii
and Marillion, 227, 228, 242
Neil Peart on, 166–67
and rise of Genesis, 79–83
self-titled solo albums of, 180, 181, 185, 193, 194, 224–26
success of Genesis and, 230
Us album, 274
Gaelic Park (New York, New York), 87
GaGa, 220
Gallo, Vincent, xi
“Gates of Delirium, The,” xx, 137
Gaydon, John, 75
Gee, John, 20
Gee, Peter, 231
Geffen, David, 211, 212
“Generale!,” 153
Genesis
. . . And Then There Were Three album, 198–200
Bill Bruford in, 208
Church of England as influence on, 12
connections of, 45
critics’ views of, 224–26
demo of, 33–34
departure of Peter Gabriel from, 175–77
Duke album, 214–15
and Electric Gypsy, 228
and Fish, 243
Peter Gabriel after, 180
Steve Hackett after, 214–15
Steve Hackett in, xviii, 54
and David Hitchcock, 107, 241
Lamb Lies Down on Broadway album and tour, 173–76
and Majesty/Dream Theater, 261
and Marillion, 242
Melody Maker on, 248
Neil Peart on, 166–67
popularity of, 236
and Porcupine Tree, 255
and Premiata Forneria Marconi, 153
retrospection of, xvii
rise of, 79–83
and Rush, 149
and Tony Stratton-Smith, 46
success of Phil Collins and, 230–33
A Trick of the Tail album, 177–78
We Can’t Dance album, 262, 274
Yes, ELP, and, 96
Genesis (Genesis), 231
“Genetic Control,” 81
Gentle Giant
and Dream Theater, 271
and Fish, 243
Gary Green in, 281
pop tunes of, 201
and Rush, 149
and Three Friends, xix
tour with Black Sabbath, 108–9
Gershwin, George, 51
“Get ’Em Out by Friday,” 81
Giant for a Day! (Gentle Giant), 201
“giardino del mago, Il,” 155
Giger, H. R., 134, 137
Giles, Giles and Fripp, 40–44, 58
Giles, Michael
departure from King Crimson, 59
early life, 10
in Giles, Giles and Fripp, 41, 42
and Ian McDonald, 57
promotion of Thrak album by, 268
and rise of King Crimson, 48–54
Giles, Peter, 40–42, 57, 268
Gill, Andy, 125
Gilmour, David, 228, 256, 259
Ginastera, Alberto, 74, 135
Glass Hammer, xviii
Glenn Miller Story, The (film), 13
Glitter, Gary, 127
Glock, William, 84
“Glorieta Pass,” 286–87
“Gnome, The,” 85
, 86
Godber, Barry, 51
God Saves the Queen/Under Heavy Manners (Robert Fripp), 218–19
“God Save the Queen,” 218
“Golden Hours,” 171
Gomelsky, Giorgio, 223
Gong
1973 record release by, 131
Daevid Allen after, 223–24
Daevid Allen’s departure from, 178, 179
Flying Teapot album, 127
Allan Holdsworth in, 209
rise of, 155–57
“Go Now,” 18
Goodman, Benny, 281
Grandmaster Flash, 231
Grandy, Ian, 147
Grateful Dead, 44
Graves, Robert, 8, 16
“Grazie davvero,” 153
“Great Gates of Kiev, The,” 85, 86
Green, Richard, 65
Green, Gary, 281
Greenslade, Arthur, 34
Greer, Germaine, 6
Greg Lake Band, 285
“Grind Date, The,” 114
Grossman, Lloyd, xii
Grumpy Old Rock Star (Rick Wakeman), 283
Guitar Craft seminars, 265–66
Guitar Player, 126
Gunn, Trey, 265–67, 269
Gurdjieff, George, 171–72, 196, 197
Hackett, Steve
on Cruise to the Edge, xviii
departure from Genesis, 198
as fan of King Crimson, 54
in Genesis, 79
Melody Maker interview with, 176
persona of, 217–18
post-Genesis work by, 214–15
and rise of Genesis, 80, 81, 83
and Steve Rothery, 228
Hair (musical), 77
Hall, Darryl, 180, 183–85, 193, 194, 196–97
Hall, Tony, 22–23
Hall & Oates, 183–85
Hammerstein, Oscar, II, 51
Hammill, Peter
on experimentation, 285
on Exposure, 197
and Fish, 243
at NEARfest, 279
on Pawn Hearts, 106, 107
in Van der Graaf Generator, 45–47, 178
“Hammond Song,” 196
Hanover Square Rooms (London, England), 1
“Harold Land,” 31–32, 55
Hartmann, Viktor, 85
Harvest Records, 44, 45, 69, 244
Haskell, Gordon, 10–11, 58–62
Hastings, Pye, 26
Hatfield and North, 141–42, 281
Havens, Richie, 214
Hawkins, Cameron, 161
Hawkwind, 73, 96–98, 141, 255
Hayward, Justin, 27, 28, 29
“Headroom,” 161
“Heartbeat,” 248
“Heart of the Sunrise,” 93
“Heat of the Moment,” 213–14
“Heavenly Music Corporation, The,” 126, 182
“He Knows You Know,” 241, 242
Hemispheres (Rush), 164–65
Hendrix, Jimi, 23–25, 27, 40, 48, 64
Henry Cow, xvii
Here & Now, 179
Hergest Ridge (Mike Oldfield), 142–44
“Heroes,” 185, 220
“Hey,” 33
Heyworth, Simon, 122
High Voltage Festival, 286
Hillage, Steve, 78, 156
Hit Channel, 154
Hitchcock, David, 81, 107, 241
“Hocus Pocus,” 152
“Hoedown,” 136
Hogarth, Steve, 250–53, 275
Holdsworth, Allan, 209–11
Holland’s Focus, 152–53
Hollies, The, 40–41
Holly, Buddy, 148
Hollywood Bowl (Los Angeles, California), 108
Holst, Gustav, 43, 50, 58, 66
“Hoping Love Will Last,” 214
Hopper, Brian, 15
Hopper, Hugh, 7–9, 15–17, 84, 85, 134
Horn, Trevor
on “Owner of a Lonely Heart,” 236, 237
in Yes, 166, 167, 203–8, 230
Horovitz, Joseph, 188–89
“Horzt fur dëhn štekëhn `wešt,” 156
“Hotel California,” 190
Hough, Bill, 136
“Hound Dog,” 12
Howe, Steve
in Anderson Bruford Wakeman Howe, 262, 263
in Asia, 212–14
in Buggles-Yes hybrid, 206–8
on Close to the Edge, 104–5
on Dream Theater, 272
on Fragile, 95
in post-Kaye Yes, 89–93
on psychedelia, 25–26
as replacement for Peter Banks, 70–72
on Tales from Topographic Oceans, 112–16
and Vangelis, 222
on Rick Wakeman, 138–39
in Yes, 110
Howell, Mark, xiii
“How Time Passes By,” 5–6
H.P. Lovecraft (band), 160
Hunter, Steve, 180
“Hut of Baba Yaga, The,” 85, 86
Hybris (Änglagård), 264, 265
Hyde Park (London, England), 48–50
“Hymn 43,” 99
I Advance Masked (Andy Summers and Robert Fripp), 249
Ian, Janis, 41
“I Believe in Father Christmas,” 187–88
“Icarus (Borne on Wings of Steel),” 160
“I Don’t Want to Talk About It,” 190
“If Leaving Me Is Easy,” 216
“I Get Up, I Get Down,” 104–5
“I Got the Sex Blues, Baby,” 176
“Ikon, The,” 158
“I’ll Carry On Beside You,” 91
“I’ll Come Running,” 171
“I’ll Keep Holding On,” 20
I Love You, Man (film), 283
“I’m a Believer,” 132
Images and Words (Dream Theater), 269–71
“Ima süri dondaï,” 156–57
“I May Not Have Had Enough of Me but I’ve Had Enough of You,” 197
Immediate Records, 37–38
“Impressioni di settembre,” 153
“Incomudro—Hymn to the Atman,” 160
“Indoor Games,” 60–61
Ingham, John, 98
“In Held ’Twas In I,” 32
Initiation (Todd Rundgren), 159
In Keeping Secrets of Silent Earth: 3 (Coheed and Cambria), 272
In Search of Space (Hawkwind), 97
International Academy for Continuous Education (Sherborne House), 172–73, 180
International Times, 35
“Interstellar Overdrive,” 118
Interview (magazine), 170
“In the Air Tonight,” 216, 231
In the Court of the Crimson King (King Crimson)
masculine/feminine dynamics in, xvi
mellotron used on, 79
popularity of, 55
recording, 50–52
sampling of, 58
and Thrak tour, 268
“In the Dead of Night,” 210
In the Hot Seat (Emerson, Lake & Palmer), 285
In the Land of Grey and Pink (Caravan), 108
In the Wake of Poseidon (King Crimson), 58
“Intruder,” 225
Invisible Touch (Genesis), 232–33
Iommi, Tony, 108
Io Sono Nato Libero (Banco Mutuo Soccorso), 155
Iron Butterfly, 160
Iron Maiden, 260
Irvine, Doug, 228, 229
Island Records, 69, 77, 142–43, 220
Islands (King Crimson), 102, 123
Island Studios, 80
Isle of Wight Festival, 68–69, 96
“Is My Face on Straight,” 154
“I Talk to the Wind,” 51
It Is and It Isn’t (Gordon Haskell), 62
“I’ve Seen All Good People,” 72, 204
Jackson, David, 106
Jackson, Lee, 27, 35, 36
Jagger, Mick, 40
Jam, The, 256
Japan (band), 266
Jarrett, Keith, 38
Jeffe
rson Airplane, 44, 78
Jeffrey, Mike, 24
Jenner, Martin, 228
“Jeremy Bender,” 76
“Jerusalem,” 11–12, 134–35
Jesus Christ Superstar (musical), 146
Jethro Tull
Mick Abrahams in, 95
A album, 201
Ian Anderson in, xvi
Crest of a Knave album, 262
declining popularity of, 200
and ELP, 275
and Focus, 152
and Genesis, 173
Greg Lake on, 134
A Passion Play album, 111–12
rise of, 98–101
and Rock & Roll Hall of Fame, xi
success of, 96
War Child album, 140–41
Jobson, Eddie, 197, 209, 210, 289
John, Elton, 89
“Johnny B. Goode,” 15
Johnson, Matt, 251
John Tetrad (character), 111
Jones, Brian, 49
Jones, Malcolm, 45
Jones, Nick, 35
Journey, 236
“Journey from Mariabronn,” 159
Journey to the Centre of the Earth (Rick Wakeman), 116
Jung, Carl, 226, 285
Kalodner, John, 211, 234
Kamp, David, xi
Kansas (band), 159–61, 214, 215, 261, 271
Kansas (Kansas), 159–60
“Karn Evil,” 135–36
“Kashmir,” 225
Kawaguchi, Mari, 288
Kaye, Tony
departure from Yes, 89, 90, 236
at formation of Yes, 30–32
on “Wurm,” 72
in Yes, 102, 105
on “Yours Is No Disgrace,” 71
“Kayleigh,” 244
Keenan, Maynard James, 269
Keith Emerson Trio, 14
Kelly, Mark
on audience reaction to Marillion, 243
and crowdfunded Marillion tour, 275–76
on Cruise to the Edge, xviii
and Fish’s solo album, 251, 252
in Marillion, 230
on Marillion vs. Yes and ELP, 241
and Misplaced Childhood album, 244, 245
Kennedy, Robert F., 35
Kenny’s Castaways (New York, New York), 195
Key, Trevor, 126–27
Keyboard (magazine), 166
Killing Technology (Voivod), 263
Kilmister, Lemmy, 35, 97, 98, 141
King, Carole, 158
King, Jonathan, 33, 34, 79
King Crimson
1980s projects of members of, 265–69
1972 iteration of, 123–26
Asia vs., 214
breakup of, 168–70
Bill Bruford in, xiv
in Buffalo ’66, xi
debut album of, 69
Discipline and Three of a Perfect Pair albums, 245–48, 250
ELP and collapse of, 54–63
Eno-Fripp collaboration vs., 171
and Fish, 243
founding of, 43–44
and Robert Fripp’s music, 193
Mike Giles in, 10
and Daryl Hall, 183
Holst in stage show of, 66
Greg Lake in, xv
Tony Levin in, xii
and Majesty/Dream Theater, 261
and Nirvana, 264
and Porcupine Tree, 258, 259
remixing of classic albums by, 278