Delphi Complete Works of H. P. Lovecraft (Illustrated)

by H. P. Lovecraft

  The thing in the picture squatted or was balanced on what appeared to be a clever reproduction of the monstrously carved throne in the other curious photograph. To describe it with any ordinary vocabulary would be impossible, for nothing even roughly corresponding to it has ever come within the imagination of sane mankind. It represented something meant perhaps to be roughly connected with the vertebrates of this planet — though one could not be too sure of that. Its bulk was Cyclopean, for even squatted it towered to almost twice the height of Orabona, who was shewn beside it. Looking sharply, one might trace its approximations toward the bodily features of the higher vertebrates.

  There was an almost globular torso, with six long, sinuous limbs terminating in crab-like claws. From the upper end a subsidiary globe bulged forward bubble-like; its triangle of three staring, fishy eyes, its foot-long and evidently flexible proboscis, and a distended lateral system analogous to gills, suggesting that it was a head. Most of the body was covered with what at first appeared to be fur, but which on closer examination proved to be a dense growth of dark, slender tentacles or sucking filaments, each tipped with a mouth suggesting the head of an asp. On the head and below the proboscis the tentacles tended to be longer and thicker, and marked with spiral stripes — suggesting the traditional serpent-locks of Medusa. To say that such a thing could have an expression seems paradoxical; yet Jones felt that that triangle of bulging fish-eyes and that obliquely poised proboscis all bespoke a blend of hate, greed, and sheer cruelty incomprehensible to mankind because mixed with other emotions not of the world or this solar system. Into this bestial abnormality, he reflected, Rogers must have poured at once all his malignant insanity and all his uncanny sculptural genius. The thing was incredible — and yet the photograph proved that it existed.

  Rogers interrupted his reveries.

  “Well — what do you think of It? Now do you wonder what crushed the dog and sucked it dry with a million mouths? It needed nourishment — and It will need more. It is a god, and I am the first priest of Its latter-day hierarchy. Iä! Shub-Niggurath! The Goat with a Thousand Young!”

  Jones lowered the photograph in disgust and pity.

  “See here, Rogers, this won’t do. There are limits, you know. It’s a great piece of work, and all that, but it isn’t good for you. Better not see it any more — let Orabona break it up, and try to forget about it. And let me tear this beastly picture up, too.”

  With a snarl, Rogers snatched the photograph and returned it to the desk.

  “Idiot — you — and you still think It’s all a fraud! You still think I made It, and you still think my figures are nothing but lifeless wax! Why, damn you, you’re a worse clod than a wax image yourself! But I’ve got proof this time, and you’re going to know! Not just now, for It is resting after the sacrifice — but later. Oh, yes — you will not doubt the power of It then.”

  As Rogers glanced toward the padlocked inner door Jones retrieved his hat and stick from a nearby bench.

  “Very well, Rogers, let it be later. I must be going now, but I’ll call around tomorrow afternoon. Think my advice over and see if it doesn’t sound sensible. Ask Orabona what he thinks, too.”

  Rogers actually bared his teeth in wild-beast fashion.

  “Must be going now, eh? Afraid, after all! Afraid, for all your bold talk! You say the effigies are only wax, and yet you run away when I begin to prove that they aren’t. You’re like the fellows who take my standing bet that they daren’t spend the night in the museum — they come boldly enough, but after an hour they shriek and hammer to get out! Want me to ask Orabona, eh? You two — always against me! You want to break down the coming earthly reign of It!”

  Jones preserved his calm.

  “No, Rogers — there’s nobody against you. And I’m not afraid of your figures, either, much as I admire your skill. But we’re both a bit nervous tonight, and I fancy some rest will do us good.”

  Again Rogers checked his guest’s departure.

  “Not afraid, eh? — then why are you so anxious to go? Look here — do you or don’t you dare to stay alone here in the dark? What’s your hurry if you don’t believe in It?”

  Some new idea seemed to have struck Rogers, and Jones eyed him closely.

  “Why, I’ve no special hurry — but what would be gained by my staying here alone? What would it prove? My only objection is that it isn’t very comfortable for sleeping. What good would it do either of us?”

  This time it was Jones who was struck with an idea. He continued in a tone of conciliation.

  “See here, Rogers — I’ve just asked you what it would prove if I stayed, when we both know. It would prove that your effigies are just effigies, and that you oughtn’t to let your imagination go the way it’s been going lately. Suppose I do stay. If I stick it out till morning, will you agree to take a new view of things — go on a vacation for three months or so and let Orabona destroy that new thing of yours? Come, now — isn’t that fair?”

  The expression on the showman’s face was hard to read. It was obvious that he was thinking quickly, and that of sundry conflicting emotions, malign triumph was getting the upper hand. His voice held a choking quality as he replied.

  “Fair enough! If you do stick it out, I’ll take your advice. But stick you must. We’ll go out for dinner and come back. I’ll lock you in the display room and go home. In the morning I’ll come down ahead of Orabona — he comes half an hour before the rest — and see how you are. But don’t try it unless you are very sure of your scepticism. Others have backed out — you have that chance. And I suppose a pounding on the outer door would always bring a constable. You may not like it so well after a while — you’ll be in the same building, though not in the same room with It.”

  As they left the rear door into the dingy courtyard, Rogers took with him the piece of burlap — weighted with a gruesome burden. Near the centre of the court was a manhole, whose cover the showman lifted quietly, and with a shuddersome suggestion of familiarity. Burlap and all, the burden went down to the oblivion of a cloacal labyrinth. Jones shuddered, and almost shrank from the gaunt figure at his side as they emerged into the street.

  By unspoken mutual consent, they did not dine together, but agreed to meet in front of the museum at eleven.

  Jones hailed a cab, and breathed more freely when he had crossed Waterloo Bridge and was approaching the brilliantly lighted Strand. He dined at a quiet café, and subsequently went to his home in Portland Place to bathe and get a few things. Idly he wondered what Rogers was doing. He had heard that the man had a vast, dismal house in the Walworth Road, full of obscure and forbidden books, occult paraphernalia, and wax images which he did not choose to place on exhibition. Orabona, he understood, lived in separate quarters in the same house.

  At eleven Jones found Rogers waiting by the basement door in Southwark Street. Their words were few, but each seemed taut with a menacing tension. They agreed that the vaulted exhibition room alone should form the scene of the vigil, and Rogers did not insist that the watcher sit in the special adult alcove of supreme horrors. The showman, having extinguished all the lights with switches in the workroom, locked the door of that crypt with one of the keys on his crowded ring. Without shaking hands he passed out the street door, locked it after him, and stamped up the worn steps to the sidewalk outside. As his tread receded, Jones realised that the long, tedious vigil had commenced.

  II.

  Later, in the utter blackness of the great arched cellar, Jones cursed the childish naiveté which had brought him there. For the first half-hour he had kept flashing on his pocket-light at intervals, but now just sitting in the dark on one of the visitors’ benches had become a more nerve-racking thing. Every time the beam shot out it lighted up some morbid, grotesque object — a guillotine, a nameless hybrid monster, a pasty-bearded face crafty with evil, a body with red torrents streaming from a severed throat. Jones knew that no sinister reality was attached to these things, but after that first half-hour he p
referred not to see them.

  Why he had bothered to humour that madman he could scarcely imagine. It would have been much simpler merely to have let him alone, or to have called in a mental specialist. Probably, he reflected, it was the fellow-feeling of one artist for another. There was so much genius in Rogers that he deserved every possible chance to be helped quietly out of his growing mania. Any man who could imagine and construct the incredibly life-like things that he had produced was surely not far from actual greatness. He had the fancy of a Sime or a Doré joined to the minute, scientific craftsmanship of a Blatschka. Indeed, he had done for the world of nightmare what the Blatschkas with their marvellously accurate plant models of finely wrought and coloured glass had done for the world of botany.

  At midnight the strokes of a distant clock filtered through the darkness, and Jones felt cheered by the message from a still-surviving outside world. The vaulted museum chamber was like a tomb — ghastly in its utter solitude. Even a mouse would be cheering company; yet Rogers had once boasted that — for “certain reasons”, as he said — no mice or even insects ever came near the place. That was very curious, yet it seemed to be true. The deadness and silence were virtually complete. If only something would make a sound! He shuffled his feet, and the echoes came spectrally out of the absolute stillness. He coughed, but there was something mocking in the staccato reverberations. He could not, he vowed, begin talking to himself. That meant nervous disintegration. Time seemed to pass with abnormal and disconcerting slowness. He could have sworn that hours had elapsed since he last flashed the light on his watch, yet here was only the stroke of midnight.

  He wished that his senses were not so preternaturally keen. Something in the darkness and stillness seemed to have sharpened them, so that they responded to faint intimations hardly strong enough to be called true impressions. His ears seemed at times to catch a faint, elusive susurrus which could not quite be identified with the nocturnal hum of the squalid streets outside, and he thought of vague, irrelevant things like the music of the spheres and the unknown, inaccessible life of alien dimensions pressing on our own. Rogers often speculated about such things.

  The floating specks of light in his blackness-drowned eyes seemed inclined to take on curious symmetries of pattern and motion. He had often wondered about those strange rays from the unplumbed abyss which scintillate before us in the absence of all earthly illumination, but he had never known any that behaved just as these were behaving. They lacked the restful aimlessness of ordinary light-specks — suggesting some will and purpose remote from any terrestrial conception.

  Then there was that suggestion of odd stirrings. Nothing was open, yet in spite of the general draughtlessness Jones felt that the air was not uniformly quiet. There were intangible variations in pressure — not quite decided enough to suggest the loathsome pawings of unseen elementals. It was abnormally chilly, too. He did not like any of this. The air tasted salty, as if it were mixed with the brine of dark subterrene waters, and there was a bare hint of some odour of ineffable mustiness. In the daytime he had never noticed that the waxen figures had an odour. Even now that half-received hint was not the way wax figures ought to smell. It was more like the faint smell of specimens in a natural-history museum. Curious, in view of Rogers’ claims that his figures were not all artificial — indeed, it was probably that claim which made one’s imagination conjure up the olfactory suspicion. One must guard against excesses of the imagination — had not such things driven poor Rogers mad?

  But the utter loneliness of this place was frightful. Even the distant chimes seemed to come from across cosmic gulfs. It made Jones think of that insane picture which Rogers had shewed him — the wildly carved chamber with the cryptic throne which the fellow had claimed was part of a three-million-year-old ruin in the shunned and inaccessible solitudes of the Arctic. Perhaps Rogers had been to Alaska, but that picture was certainly nothing but stage scenery. It couldn’t normally be otherwise, with all that carving and those terrible symbols. And that monstrous shape supposed to have been found on that throne — what a flight of diseased fancy! Jones wondered just how far he actually was from the insane masterpiece in wax — probably it was kept behind that heavy, padlocked plank door leading somewhere out of the workroom. But it would never do to brood about a waxen image. Was not the present room full of such things, some of them scarcely less horrible than the dreadful “IT”? And beyond a thin canvas screen on the left was the “Adults only” alcove with its nameless phantoms of delirium.

  The proximity of the numberless waxen shapes began to get on Jones’s nerves more and more as the quarter-hours wore on. He knew the museum so well that he could not get rid of their usual images even in the total darkness. Indeed, the darkness had the effect of adding to the remembered images certain very disturbing imaginative overtones. The guillotine seemed to creak, and the bearded face of Landru — slayer of his fifty wives — twisted itself into expressions of monstrous menace. From the severed throat of Madame Demers a hideous bubbling sound seemed to emanate, while the headless, legless victim of a trunk murder tried to edge closer and closer on its gory stumps. Jones began shutting his eyes to see if that would dim the images, but found it was useless. Besides, when he shut his eyes the strange, purposeful patterns of light-specks became more disturbingly pronounced.

  Then suddenly he began trying to keep the hideous images he had formerly been trying to banish. He tried to keep them because they were giving place to still more hideous ones. In spite of himself his memory began reconstructing the utterly non-human blasphemies that lurked in the obscurer corners, and these lumpish hybrid growths oozed and wriggled toward him as though hunting him down in a circle. Black Tsathoggua moulded itself from a toad-like gargoyle to a long, sinuous line with hundreds of rudimentary feet, and a lean, rubbery night-gaunt spread its wings as if to advance and smother the watcher. Jones braced himself to keep from screaming. He knew he was reverting to the traditional terrors of his childhood, and resolved to use his adult reason to keep the phantoms at bay. It helped a bit, he found, to flash the light again. Frightful as were the images it shewed, these were not as bad as what his fancy called out of the utter blackness.

  But there were drawbacks. Even in the light of his torch he could not help suspecting a slight, furtive trembling on the part of the canvas partition screening off the terrible “Adults only” alcove. He knew what lay beyond, and shivered. Imagination called up the shocking form of fabulous Yog-Sothoth — only a congeries of iridescent globes, yet stupendous in its malign suggestiveness. What was this accursed mass slowly floating toward him and bumping on the partition that stood in the way? A small bulge in the canvas far to the right suggested the sharp horn of Gnoph-keh, the hairy myth-thing of the Greenland ice, that walked sometimes on two legs, sometimes on four, and sometimes on six. To get this stuff out of his head Jones walked boldly toward the hellish alcove with torch burning steadily. Of course, none of his fears was true. Yet were not the long, facial tentacles of great Cthulhu actually swaying, slowly and insidiously? He knew they were flexible, but he had not realised that the draught caused by his advance was enough to set them in motion.

  Returning to his former seat outside the alcove, he shut his eyes and let the symmetrical light-specks do their worst. The distant clock boomed a single stroke. Could it be only one? He flashed the light on his watch and saw that it was precisely that hour. It would be hard indeed waiting for morning. Rogers would be down at about eight o’clock, ahead of even Orabona. It would be light outside in the main basement long before that, but none of it could penetrate here. All the windows in this basement had been bricked up but the three small ones facing the court. A pretty bad wait, all told.

  His ears were getting most of the hallucinations now — for he could swear he heard stealthy, plodding footsteps in the workroom beyond the closed and locked door. He had no business thinking of that unexhibited horror which Rogers called “It”. The thing was a contamination — it had driven it
s maker mad, and now even its picture was calling up imaginative terrors. It could not be in the workroom — it was very obviously beyond that padlocked door of heavy planking. Those steps were certainly pure imagination.

  Then he thought he heard the key turn in the workroom door. Flashing on his torch, he saw nothing but the ancient six-panelled portal in its proper position. Again he tried darkness and closed eyes, but there followed a harrowing illusion of creaking — not the guillotine this time, but the slow, furtive opening of the workroom door. He would not scream. Once he screamed, he would be lost. There was a sort of padding or shuffling audible now, and it was slowly advancing toward him. He must retain command of himself. Had he not done so when the nameless brain-shapes tried to close in on him? The shuffling crept nearer, and his resolution failed. He did not scream but merely gulped out a challenge.

  “Who goes there? Who are you? What do you want?”

  There was no answer, but the shuffling kept on. Jones did not know which he feared most to do — turn on his flashlight or stay in the dark while the thing crept upon him. This thing was different, he felt profoundly, from the other terrors of the evening. His fingers and throat worked spasmodically. Silence was impossible, and the suspense of utter blackness was beginning to be the most intolerable of all conditions. Again he cried out hysterically— “Halt! Who goes there?” — as he switched on the revealing beams of his torch. Then, paralysed by what he saw, he dropped the flashlight and screamed — not once but many times.

  Shuffling toward him in the darkness was the gigantic, blasphemous form of a black thing not wholly ape and not wholly insect. Its hide hung loosely upon its frame, and its rugose, dead-eyed rudiment of a head swayed drunkenly from side to side. Its fore paws were extended, with talons spread wide, and its whole body was taut with murderous malignity despite its utter lack of facial expression. After the screams and the final coming of darkness it leaped, and in a moment had Jones pinned to the floor. There was no struggle, for the watcher had fainted.