The Lost Master - The Collected Works

by Stanley G. Weinbaum

  "Black Margot!" Hull whispered, "Brazen! Half naked! What's so beautiful about her?"

  As if she heard his whisper, she turned suddenly, her emerald eyes sweeping the crowd about him, and he felt his question answered. Her beauty was starkly incredible – audacious, outrageous. It was more than a mere lack of flaws; it was a sultry, flaming positive beauty with a hint of sullenness in it. The humor of the Master's mouth lurked about hers as mockery; her perfect lips seemed always about to smile, but to smile cruelly and sardonically. Hers was a ruthless and pitiless perfection, but it was nevertheless perfection, even to the faintly Oriental cast given by her black hair and sea-green eyes.

  Those eyes met Hull's and it was almost as if he heard an audible click. He saw recognition in her face, and she passed her glance casually over his mighty figure. He stiffened, stared defiantly back, and swept his own gaze insolently over her body from the midnight hair to the diminutive cothurns on her feet. If she acknowledged his gaze at all, it was by the faintest of all possible smiles of mockery as she rode coolly away toward Joaquin Smith.

  Vail was trembling against him, and it was a great relief to look into her deep but not at all mysterious blue eyes, and to see the quite understandable loveliness of her pale features. What if she hadn't the insolent brilliance of the Princess, he thought fiercely. She was sweet and honest and loyal to her beliefs, and he loved her. Yet he could not keep his eyes from straying once more to the figure on the black stallion.

  "She – she smiled at you, Hull!" gasped Vail. "I'm frightened. I'm terribly frightened."

  His fascination was yielding now to a surge of hatred for Joaquin Smith, for the Princess, for the whole Empire. It was Vail he loved, and she was being crushed by these. An idea formed slowly as he stared down the street to where Joaquin Smith had dismounted and was now striding into the little church. He heard an approving murmur sweep the crowd, already half won over by the distribution of land. That was simply policy, the Master's worshipping in Ormiston church, a gesture to the crowd.

  He lifted the steel bow from his back and bent it. The spring was still in it; it had been heated enough to scorch his skin but not enough to untemper it. "Wait here!" he snapped to Vail, and strode up the street toward the church.

  Outside stood a dozen Empire men, and the Princess idled on her great black horse. He slipped across the churchyard, around behind where a tangle of vines stretched toward the roof. Would they support his weight? They did, and he pulled himself hand over hand to the eaves, and thence to the peak. The spire hid him from the Master's men, and not one of the Ormiston folk glanced his way.

  He crept forward to the base of the steeple. Now he must leave the peak and creep precariously along the steep slope around it. He reached the street edge and peered cautiously over.

  The Master was still within. Against his will he glanced at Black Margot, and even put cord to feather and sighted at her ivory throat. But he could not. He could not loose the shaft.

  Below him there was a stir. Joaquin Smith came out and swung to his white horse. Now was the moment. Hull rose to his knees, hoping that he could remain steady on the sharp pitch of the roof. Carefully, carefully, he drew the steel arrow back.

  There was a shout. He had been seen, and a blue beam sent racking pain through his body. For an instant he bore it, then loosed his arrow and went sliding down the roof edge and over.

  He fell on soft loam. A dozen hands seized him, dragged him upright, thrust him out into the street. He saw Joaquin Smith still on his horse, but the glistening arrow stood upright like a plume in his silver helmet, and a trickle of blood was red on his cheek.

  But he wasn't killed. He raised the helmet from his head, waved aside the cluster of officers, and with his own hands bound a white cloth about his forehead. Then he turned cool grey eyes on Hull.

  "You drive a strong shaft," he said, and then recognition flickered in his eyes. "I spared your life some hours ago, did I not?"

  Hull said nothing.

  "Why," resumed the Master, "do you seek to kill me after your eldarch has made peace with me? You are part of the Empire now, and this is treason."

  "I made no peace!" growled Hull.

  "But your leader did, thereby binding you.

  Hull could not keep his gaze from the emerald eyes of the Princess, who was watching him without expression save faint mockery.

  "Have you nothing to say," asked Joaquin Smith.

  "Nothing."

  The Master's eyes slid over him. "Are you Ormiston born?" he asked. "What is your name?"

  No need to bring troubles on his friends. "No," said Hull. "I am called Hull Tarvish."

  The conqueror turned away. "Lock him up," he ordered coolly. "Let him make whatever preparations his religion requires, and then – execute him."

  Above the murmur of the crowd Hull heard Vail Ormiston's cry of anguish. He turned to smile at her, watched her held by two Empire men as she struggled to reach him. "I'm sorry," he called gently. "I love you, Vail." Then he was being thrust away down the street.

  He was pushed into Hue Helm's stonewalled tool shed. It had been cleared of everything, doubtless for some officer's quarters. Hull drew himself up and stood passively in the gathering darkness where a single shaft of sunset light angled through the door, before which stood two grim Empire men.

  One of them spoke. "Keep peaceful, Weed," he said in his N'Orleans drawl. (4) "Go ahead with your praying, or whatever it is you do."

  "I do nothing," said Hull. "The mountainies believe that a right life is better than a right ending, and right or wrong a ghost's but a ghost anyway."

  The guard laughed. "And a ghost you'll be."

  "If a ghost I'll be," retorted Hull, turning slowly toward him, "I'd sooner turn one – fighting!"

  He sprang suddenly, crashed a mighty fist against the arm that bore the weapon, thrust one guard upon the other, and overleaped the tangle into the dusk. As he spun to circle the house, something very hard smashed viciously against the back of his skull, sending him sprawling half dazed against the wall.

  (4. Weed: The term applied by Dominists [the Master's partisans] to their opposers. It originated in Joaquin Smith's remark before the Battle of Memphis: "Even the weeds of the fields have taken arms against me.")

  CHAPTER SIX

  THE HARRIERS

  AFTER A BRIEF MOMENT Hull sprawled half stunned, then his muscles lost their paralysis and he thrust himself to his feet, whirling to face whatever assault threatened. In the doorway the guards still scrambled, but directly before him towered a rider on a black mount, and two men on foot flanked him. The rider, of course, was the Princess, her glorious green eyes luminous as a cat's in the dusk as she slapped a short sword into its scabbard. It was a blow from the flat of its blade that had felled him.

  She held now the blunt weapon of the blue beam. It came to him that he had never heard her speak, but she spoke now in a voice low and liquid, yet cold, cold as the flow of an ice-crusted winter stream. "Stand quiet, Hull Tarvish," she said. "One flash will burst that stubborn heart of yours forever."

  Perforce he stood quiet, his back to the wall of the shed. He had no doubt at all that the Princess would kill him if he moved; he couldn't doubt it with her icy eyes upon him. He stared sullenly back, and a phrase of Old Einar's came strangely to his memory. "Satanically beautiful," the old man had called her, and so she was. Hell or the art of Martin Sair had so fashioned her that no man could gaze unmoved on the false purity of her face, no man at least in whom flowed red blood.

  She spoke again, letting her glance flicker disdainfully over the two appalled guards. "The Master will be pleased," she said contemptuously, "to learn that one unarmed Weed outmatches two men of his own cohort."

  The nearer man faltered, "But your Highness, he rushed us unexpect–"

  "No matter," she cut in, and turned back to Hull. For the first time now he really felt the presence of death as she said coolly, "I am minded to kill you."

  "Then do
it!" he snapped.

  "I came here to watch you die," she observed calmly. "It interests me to see men die, boldly or cowardly or resignedly. I think you would die boldly."

  It seemed to Hull that she was deliberately torturing him by this procrastination. "Try me!" he growled.

  "But I think also," she resumed, "that your living might amuse me more than your death, and" for the first time there was a breath of feeling in her voice "God knows I need amusement!" Her tones chilled again. "I give you your life."

  "Your Highness," muttered the cowed guard, "the Master has ordered–"

  "I countermand the orders," she said shortly. And then to Hull. "You are a fighter. Are you also a man of honor?"

  "If I'm not," he retorted, "the lie that says I am would mean nothing to me."

  She smiled coldly. "Well, I think you are, Hull Tarvish. You go free on your word to carry no weapons, and your promise to visit me this evening in my quarters at the eldarch's home." She paused. "Well?"

  "I give my word."

  "And I take it." She crashed her heels against the ribs of the great stallion, and the beast reared and whirled. "Away, all of you!" she ordered. "You two, carry tub and water for my bath." She rode off toward the street.

  Hull let himself relax against the wall with a low "whew!" Sweat started on his cold forehead, and his mighty muscles felt almost weak. It wasn't that he had feared death, he told himself, but the strain of facing those glorious, devilish emerald eyes, and the cold torment of the voice of Black Margot, and the sense of her taunting him, mocking him, even her last careless gesture of freeing him. He drew himself erect. After all, fear of death or none, he loved life, and let that be enough.

  He walked slowly toward the street. Across the way lights glowed in Marcus Orison's home, and he wondered if Vail were there, perhaps serving the Princess Margaret as he had so lately suggested the contrary. He wanted to find Vail; he wanted to use her cool loveliness as an antidote for the dark poison of the beauty he had been facing. And then, at the gate, he drew back suddenly. A group of men in Empire garb came striding by, and among them, helmetless and with his head bound, moved the Master.

  His eyes fell on Hull. He paused suddenly and frowned. "You again!" he said. "How is it that you still live, Hull Tarvish?"

  "The Princess ordered it."

  The frown faded. "So," said Joaquin Smith slowly, "Margaret takes it upon herself to interfere somewhat too frequently. I suppose she also freed you?"

  "Yes, on my promise not to bear arms."

  There was a curious expression in the face of the conqueror. "Well," he said almost gently, "it was not my intention to torture you, but merely to have you killed for your treason. It may be that you will soon wish that my orders had been left unaltered." He strode on into the eldarch's dooryard, with his silent men following.

  Hull turned his steps toward the center of the village. Everywhere he passed Empire men scurrying about the tasks of encampment, and supply wagons rumbled and jolted in the streets. He saw files of the soldiers passing slowly before cook-wagons and the smell of food floated on the air, reminding him that he was ravenously hungry. He hurried toward his room beside File Ormiston's shop, and there, tragic-eyed and mist-pale, he found Vail Ormiston.

  She was huddled on the doorstep with sour Enoch holding her against him. It was Enoch who first perceived Hull, and his jaw dropped and his eyes bulged, and a gurgling sound issued from his throat. And Vail looked up with uncomprehending eyes, stared for a moment without expression, and then, with a little moan, crumpled and fainted.

  She was unconscious only a few moments, scarcely long enough for Hull to bear her into his room. There she lay now on his couch, clinging to his great hand, convinced at last of his living presence.

  "I think," she murmured, "that you're as deathless as Joaquin Smith, Hull. I'll never believe you dead again. Tell me – tell me how it happened."

  He told her. "Black Margot's to thank for it," he finished.

  But the very name frightened Vail. "She means evil, Hull. She terrifies me with her witch's eyes and her hellstained hair. I haven't even dared go home for fear of her."

  He laughed. "Don't worry about me, Vail. I'm safe enough."

  Enoch cut in. "Here's one for the Harriers, then," he said sourly. "The pack needs him."

  "The Harriers?" Hull looked up puzzled.

  "Oh, Hull, yes!" said Vail. "File Ormson's been busy. The Harriers are what's left of the army – the better citizens of Ormiston. The Master's magic didn't reach beyond the ridge, and over the hills there's still powder and rifles. And the spell is no longer in the valley, either. One of the men carried a cup of powder across the ridge, and it didn't burn."

  The better citizens, Hull thought smiling. She meant, of course, those who owned land and feared a division of it such as Marcus Ormiston had suffered. But aloud he said only, "How many men have you?"

  "Oh, there'll be several hundred with the farmers across the hills." She looked into his eyes, "I know it's a forlorn hope, Hull, but – we've got to try. You'll help, won't you?"

  "Of course. But all your Harriers can attempt is raids. They can't fight the Master's army."

  "I know. I know it, Hull. It's a desperate hope."

  "Desperate?" said Enoch suddenly. "Hull, didn't you say you were ordered to Black Margot's quarters this evening?"

  "Yes."

  "Then – see here! You'll carry a knife in your armpit. Sooner or later she'll want you alone with her, and when that happens, you'll slide the knife quietly into her ruthless heart! There's a hope for you – if you've courage!"

  "Courage!" he growled. "To murder a woman "

  "Black Margot's a devil!"

  "Devil or not, what's the good of it? It's Joaquin Smith that's building the Empire, not the Princess."

  "Yes," said Enoch, "but half his power is the art of the witch. Once she's gone the Confederation could blast his army like ducks in a frog pond."

  "It's true!" gasped Vail. "What Enoch says is true!"

  Hull scowled. "I swore not to bear weapons!"

  "Swore to her!" snapped Enoch. "That needn't bind you.

  "My word's given," said Hull firmly. "I do not lie."

  Vail smiled. "You're right," she whispered, and as Enoch's face darkened, "I love you for it, Hull."

  "Then," grunted Enoch, "if it's not lack of courage, do this. Lure her somehow across the west windows. We can slip two or three Harriers to the edge of the woodlot, and if she passes a window with the light behind her – well, they won't miss."

  "Oh, I won't," said Hull wearily. "I won't fight women, nor betray even Black Margot to death."

  But Vail's blue eyes pleaded. "That won't be breaking your word, Hull. Please. It isn't betraying a woman. She's a sorceress. She's evil. Please, Hull."

  Bitterly he yielded. "I'll try, then." He frowned gloomily. "She saved my life, and– Well, which room is her's?"

  "My father's. Mine is the western chamber, which she took for her – her maid," Vail's eyes misted at the indignity of it. "We," she said, "are left to sleep in the kitchen."

  An hour later, having eaten, he walked somberly home with Vail while Enoch slipped away toward the hills. There were tents in the dooryard, and lights glowed in every window, and before the door stood two dark Empire men who passed the girl readily enough, but halted Hull with small ceremony. Vail cast him a wistful backward glance as she disappeared toward the rear, and he submitted grimly to the questioning of the guards.

  "On what business?"

  "To see the Princess Margaret."

  "Are you Hull Tarvish?"

  "Yes."

  One of the men stepped to his side and ran exploratory hands about his body. "Orders of Her Highness," he explained gruffly.

  Hull smiled. The Princess had not trusted his word too implicitly. In a moment the fellow had finished his search and swung the door open.

  Hull entered. He had never seen the interior of the house, and for a moment its splendor daz
zled him. Carved ancient furniture, woven carpets, intricately worked standards for the oil lamps, and even – for an instant he failed to comprehend it – a full-length mirror of ancient workmanship wherein his own image faced him. Until now he had seen only bits and fragments of mirrors.

  To his left a guard blocked an open door whence voices issued. Old Marcus Ormiston's voice. "But I'll pay for it. I'll buy it with all I have." His tones were wheedling.

  "No." Cool finality in the voice of Joaquin Smith. "Long ago I swore to Martin Sair never to grant immortality to any who have not proved themselves worthy." A note of sarcasm edged his voice. "Go prove yourself deserving of it, old man, in the few years left to you."

  Hull sniffed contemptuously. There seemed something debased in the old man's whining before his conqueror. "The Princess Margaret?" he asked, and followed the guard's gesture.

  Upstairs was a dimly lit hall where another guard stood silently. Hull repeated his query, but in place of an answer came the liquid tones of Margaret herself. "Let him come in, Corlin."

  A screen within the door blocked sight of the room. Hull circled it, steeling himself against the memory of that soul-burning loveliness he remembered. But his defense was shattered by the shock that awaited him.

  The screen, indeed, shielded the Princess from the sight of the guard in the hall, but not from Hull's eyes. He stared utterly appalled at the sight of her lying in complete indifference in a great tub of water, while a fat woman scrubbed assiduously at her bare body. He could not avoid a single glimpse of her exquisite form, then he turned and stared deliberately from the east windows, knowing that he was furiously crimson even to his shoulders.