The Lost Master - The Collected Works

by Stanley G. Weinbaum

  I didn't leave New York; I lacked the energy. I just mooned around the city for a while, avoiding my friends, and dreaming of the impossible beauty of the face in the mirror. And by and by the longing to see that vision of perfection once more began to become overpowering. I don't suppose anyone except me can understand the lure of that memory; the face, you see, had been my ideal, my concept of perfection. One sees beautiful woman here and there in the world; one falls in love - but always, no matter how great their beauty or how deep one's love, they fall short in some degree of the secret vision of the ideal. But not the mirrored face; she was my ideal, and therefore, whatever imperfections she might have had in the minds of others, in my eyes she had none. None, that is, save the terrible one of being only an ideal, and therefore unattainable - but that is a fault inherent in all perfection.

  It was a matter of days before I yielded. Common sense told me it was futile, even foolhardy, to gaze again on the vision of perfect desirability. I fought against the hunger, but I fought hopelessly, and was not at all surprised to find myself one evening rapping on van Manderpootz's door in the University Club. He wasn't there; I'd been hoping he wouldn't be, since it gave me an excuse to seek him in his laboratory in the Physics Building to which I would have dragged him anyway.

  There I found him, writing some sort of notations on the table that held the idealizator. "Hello, Dixon," he said. "Did it ever occur to you that the ideal university cannot exist? Naturally not, since it must be composed of perfect students and perfect educators, in which case the former could have nothing to learn and the latter, therefore, nothing to teach."

  What interest had I in the perfect university and its inability to exist? My whole being was desolate over the nonexistence of another ideal. "Professor," I said tensely, "may I use that-that thing of yours again? I want to-uh--see something."

  My voice must have disclosed the situation, for van Manderpootz looked up sharply. "So!" he snapped. "So you disregarded my advice! Forget her, I said. Forget her because she doesn't exist."

  "But - I can't! Once more, Professor - only once more!"

  He shrugged, but his blue, metallic eyes were a little softer than usual. After all, for some inconceivable reason, he likes me. "Well, Dixon," he said, "you're of age and supposed to be of mature intelligence. I tell you that this is a very stupid request, and van Manderpootz always knows what he's talking about. If you want to stupefy yourself with the, opium of impossible dreams, go ahead. This is the last chance you'll have, for tomorrow the idealizator of van Manderpootz goes into the Bacon head of Isaak there. I shall shift the oscillators so that the psychons, instead of becoming light quanta, emerge as an electron flow-a current which will actuate Isaak's vocal apparatus and come out as speech." He paused musingly. "Van Manderpootz will bear the voice of the ideal. Of course Isaak can return only what psychons he receives from the brain of the operator, but just as the image in the mirror, the thoughts will have lost their human impress, and the words will be those of an ideal." he perceived that I wasn't listening, I suppose. "Go ahead, imbeciles," he grunted.

  I did. The glory that I hungered after flamed slowly into being, incredible in loveliness, and somehow, unbelievably, even more beautiful than on that other occasion. I know why now; long afterwards, van Manderpootz explained that the very fact that I had seen an ideal once before had altered my ideal, raised it to a higher level. With that face among my memories, my concept of perfection was different than it had been.

  So I gazed and hungered. Readily and instantly the being in the mirror responded to my thoughts with smile and movement. When I thought of love, her eyes blazed with such tenderness that it seemed as if-l-I, Dixon Wells-were part of those pairs who had made the great romances of the world, Heloise and Abelard, Tristram and Isolde, Aucassin and Nicolette. It was like the thrust of a dagger to feel van Manderpootz shaking me, to hear his gruff voice calling, "Out of it! Out of it! Time's up."

  I groaned and dropped my face on my hands. The Professor had been right, of course; this insane repetition had only intensified an unfulfillable longing, and had made a bad mess ten times as bad. Then I heard him muttering behind me. "Strange!" he murmured. "In fact, fantastic. Oedipis - oedipus of the magazine covers and billboards."

  I looked dully around. He was standing behind me, squinting, apparently, into the spinning mirror beyond the end of the black tube. "Hub?" I grunted wearily.

  "That face," he said. "Very queer. You must have seen her features on a hundred magazines, on a thousand billboards, on countless 'vision broadcasts. The oedipus complex in a curious form."

  "Eh? Could you see her?"

  "Of course!" he grunted. "Didn't I say a dozen times that the psychons are transmuted to perfectly ordinary quanta of visible light? If you could see her, why not I?"

  "But-what about billboards and all?"

  "That face," said the professor slowly. "It's somewhat idealized, of course, and certain details are wrong. Her eyes aren't that pallid silver-blue you imagined; they're green, sea-green, emerald-colored."

  "What the devil," I asked hoarsely, "are you talking about?"

  "About the face in the mirror. It happens to be, Dixon, a close approximation of the features of de Lisle d'Agrion, the Dragon Fly!"

  "You mean-she's real? She exists? She lives? She-"

  "Wait a moment, Dixon. She's real enough, but in accordance with your habit, you're a little late. About twenty-five years too late, I should say. She must now be somewhere in the fifties - let's see-fifty-three, I think. But during your very early childhood, you must have seen her face pictured everywhere, de Lisle d'Agrion, the Dragon Fly."

  I could only gulp. That blow was devastating.

  "You see," continued van Manderpootz, "one's ideals are implanted very early. That's why you continually fall in love with girls who possess one or another features that reminds you of her, her hair, her nose, her mouth, her eyes. Very simple, but rather curious."

  "Curious!" I blazed. "Curious, you say! Every time I look into one of your damned contraptions I find myself in love with a myth! A girl who's dead, or married, or unreal, or turned into an old woman! Curious, eh? Damned funny, isn't it?"

  "Just a moment," said the professor placidly. "It happens, Dixon, that she has a daughter. What's more, Denise resembles her mother. And what's Still More, she's arriving in New York next week to study American letters at the University here. She writes, you see."

  That was too much for immediate comprehension. "How - how do you know?" I gasped.

  It was one of the few times I have seen the colossal blandness of van Manderpootz ruffled. He reddened a trifle, and said slowly, "It also happens, Dixon, that many years ago in Amsterdam, Haskel van Manderpootz: and de Lisle d'Agrion were-very friendly - more than friendly, I might say, but for the fact that two such powerful personalities as the Dragon Fly and van Manderpootz were always at odds." He frowned. "I was almost her second husband. She's had seven, I believe; Denise is the daughter of her third."

  "Why - why is she coming here?"

  "Because," he said with dignity, "van Manderpootz is here. I am still a friend of de Lisle's." He turned and bent over the complex device on the table. "Hand me that wrench," he ordered. "Tonight I dismantle this, and tomorrow start reconstructing it for Isaak's head."

  But when, the following week, I rushed eagerly back to van Manderpootz's laboratory, the idealizator was still in place. The professor greeted me with a humorous twist to what was visible of his bearded mouth. "Yes, it's still here," he said, gesturing at the device. "I've decided to build an entirely new one for Isaak, and besides, this one has afforded me considerable amusement. Furthermore, in the words of Oscar Wilde, who am I to tamper with a work of genius. After all, the mechanism is the product of the great van Manderpootz."

  He was deliberately tantalizing me. He knew that I hadn't come to hear him discourse on Isaak, or even on the incomparable van Manderpootz. Then he smiled and softened, and turned to the little inner office ad
jacent, the room where Isaak stood in metal austerity. "Denise!" he called. "Come here."

  I don't know exactly what I expected, but I do know that the breath left me as the girl entered. She wasn't exactly my image of the ideal, of course; she was perhaps the merest trifle slimmer, and her eyes - well, they must have been much like those of de Lisle d'Agrion, for they were the clearest emerald I've ever seen. They were impudently direct eyes, and I could imagine why van Manderpootz and the Dragon Fly might have been forever quarreling; that was easy to imagine, looking into the eyes of the Dragon Fly's daughter.

  Nor was Denise, apparently, quite as femininely modest as my image of perfection. She wore the extremely unconcealing costume of the day, which covered, I suppose, about as much of her as one of the one-piece swimming suits of the middle years of the twentieth century. She gave an impression, not so much of fleeting grace as of litheness and supple strength, an air of independence, frankness, and - I say it again-impudence.

  "Well!" she said coolly as van Manderpootz presented me. "So you're the scion of the N. J. Wells Corporation. Every now and then your escapades enliven the Paris Sunday supplements. Wasn't it you who snared a million dollars in the market so you could ask Whimsy White?'

  I rushed. "That was greatly exaggerated," I said hastily, "and anyway I lost it before we - uh - before I-"

  "Not before you made somewhat of a fool of yourself, I believe," she finished sweetly.

  Well, that's the sort she was. If she hadn't been so infernally lovely, if she hadn't looked so much like the face in the mirror, I'd have flared up, said "Pleased to have met you," and never have seen her again. But I couldn't get angry, not when she had the dusky hair, the perfect lips, the saucy nose of the being who to me was ideal.

  So I did see her again, and several times again. In fact, I suppose I occupied most of her time between the few literary courses she was taking, and little by little I began to see that in other respects besides the physical she was not so far from my ideal. Beneath her impudence was honesty, and frankness, and, despite herself, sweetness, so that even allowing for the head-start I'd had, I fell in love pretty hastily. And what's more, I knew she was beginning to reciprocate.

  That was the situation when I called for her one noon and took her over to van Manderpootz's laboratory. We were to lunch with him at the University Club, but we found him occupied in directing some experiment in the big laboratory beyond his personal one, untangling some sort of mess that his staff had blundered into. So Denise and I wandered back into the smaller room, perfectly content to be alone together. I simply could rot feel hungry in her presence; just talking to her was enough of a substitute for food.

  "I'm going to be a good writer," she was saying musingly. "Some day, Dick, I'm going to be famous."

  Well, everyone knows how correct that prediction was. I agreed with her instantly.

  She smiled. "You're nice, Dick," she said. "Very nice."

  "Very?"

  "Very!" she said emphatically. Then her green eyes strayed over to the table that held the idealizator. "What crack-brained contraption of Uncle Haskel's is that?" she asked.

  I explained, rather inaccurately, I'm afraid, but no ordinary engineer can follow the ramifications of a van Manderpootz conception. Nevertheless, Denise caught the gist of it and her eyes glowed emerald fire.

  "It's fascinating!" she exclaimed. She rose and moved over to the table. "I'm going to try it."

  "Not without the professor, you won't! It might be dangerous."

  That was the wrong thing to say. The green eyes glowed brighter as she cast me a whimsical glance. "But I am," she said. "Dick, I'm going to - see my ideal man!" She laughed softly.

  I was panicky. Suppose her ideal turned out tall and dark and powerful, instead of short and sandy-haired and a bit-well, chubby, as I am. "No!" I said vehemently. "I won't let you!"

  She laughed again. I suppose she read my consternation, for she said softly, "Don't be silly, Dick." She sat down, placed her face against the opening of the barrel, and commanded, "Turn it on."

  I couldn't refuse her. I set the mirror whirling, then switched on the bank of tubes. Then immediately I stepped behind her, squinting into what was visible of the flashing mirror, where a face was forming, slowly-vaguely.

  I thrilled. Surely the hair of the image was sandy. I even fancied now that I could trace a resemblance to my own features. Perhaps Denise sensed something similar, for she suddenly withdrew her eyes from the tube and looked up with a faintly embarrassed flush, a thing most unusual for her.

  "Ideals are dull!" she said. "I want a real thrill. Do you know what I'm going to see? I'm going to visualize ideal horror. That's what I'll do. I'm going to see absolute horror!"

  "Oh, no you're not!" I gasped. "That's a terribly dangerous idea." Off in the other room I heard the voice of van Manderpootz, "Dixon!"

  "Dangerous - bosh!" Denise retorted. "I'm a writer, Dick. All this means to me is material. It's just experience, and I want it."

  Van Manderpootz again. "Dixon! Dixon! Come here." I said, "Listen, Denise. I'll be right back. Don't try anything until I'm here - please!"

  I dashed into the big laboratory. Van Manderpootz, was facing a cowed group of assistants, quite apparently in extreme awe of the great man.

  "Hah, Dixon!" he rasped. "Tell these fools what an Emmerich valve is, and why it won't operate in a free electronic stream. Let 'em see that even an ordinary engineer knows that much."

  Well, an ordinary engineer doesn't, but it happened that I did. Not that I'm particularly exceptional as an engineer, but I did happen to know that because a year or two before I'd done some work on the big tidal turbines up in Maine, where they have to use Emmerich valves to guard against electrical leakage from the tremendous potentials in their condensers. So I started explaining, and van Manderpootz kept interpolating sarcasms about his staff, and when I finally finished, I suppose I'd been in there about half an hour. And then-I remembered Denise!

  I left van Manderpootz staring as I rushed back, and sure enough, there was the girl with her face pressed against the barrel, and her hands gripping the table edge. Her features were hidden, of course, but there was something about her strained position, her white knuckles-

  "Denise!" I yelled. "Are you all right? Denise!"

  She didn't move. I stuck my face in between the mirror and the end of the barrel and peered up the tube at her visage, and what I saw left me all but stunned. Have you ever seen stark, mad, infinite terror on a human face? That was what I saw in Denise's - inexpressible, unbearable horror, worse than the fear of death could ever be. Her green eyes were widened so that the whites showed around them; her perfect lips were contorted, her whole face strained into a mask of sheer terror.

  I rushed for the switch, but in passing I caught a single glimpse of-of what showed in the mirror. Incredible! Obscene, terror-laden, horrifying things - there just aren't words for them. There are no words.

  Denise didn't move as the tubes darkened. I raised her face from the barrel and when she glimpsed me she moved. She flung herself out of that chair and away, facing me with such mad terror that I halted.

  "Denise!" I cried. "It's just Dick. Look, Denise!"

  But as I moved toward her, she uttered a choking scream, her eyes dulled, her knees gave, and she fainted. Whatever she had seen, it must have been appalling to the uttermost, for Denise was not the sort to faint.

  * * *

  It was a week later that I sat facing van Manderpootz in his little inner office. The grey metal figure of Isaak was missing, and the table that had held the idealizator was empty.

  "Yes," said van Manderpootz. "I've dismantled it. One of van Manderpootz's few mistakes was to leave it around where a pair of incompetents like you and Denise could get to it. It seems that I continually overestimate the intelligence of others. I suppose I tend to judge them by the brain of van Manderpootz."

  I said nothing. I was thoroughly disheartened and depressed, and whatever the prof
essor said about my lack of intelligence, I felt it justified.

  "Hereafter," resumed van Manderpootz, "I shall credit nobody except myself with intelligence, and will doubtless be much more nearly correct." He waved a hand at Isaak's vacant corner. "Not even the Bacon head," he continued. "I've abandoned that project, because, when you come right down to it, what need has the world of a mechanical brain when it already has that of van Manderpootz?"

  "Professor," I burst out suddenly, "why won't they let me see Denise? I've been at the hospital every day, and they let me into her room just once - just once, and that, time she went right into a fit of hysterics. Why? Is she-?" I gulped.

  "She's recovering nicely, Dixon."

  "Then why can't I see her?"

  "Well," said van Manderpootz placidly, "it's like this. You see, when you rushed into the laboratory there, you made the mistake of pushing your face in front of the barrel. She saw your features right in the midst of all those horrors she had called up. Do you see? From then on your face was associated in her mind with the whole hell's brew in the mirror. She can't even look at you without seeing all of it again."

  "Good - God!" I gasped. "But she'll get over it, won't she? She'll forget that part of it?"

  "The young psychiatrist who attends her - a bright chap, by the way, with a number of my own ideas - believes she'll be quite over it in a couple of months. But personally, Dixon, I don't think she'll ever welcome the sight of your face, though I myself have seen uglier visages somewhere or other."

  I ignored that. "Lord!" I groaned. "What a mess!" I rose to depart, and then - then I knew what inspiration means! "Listen!" I said, spinning back. "Listen, professor Why can't you get her back here and let her visualize the ideally beautiful? And then stick my face into that" Enthusiasm grew. "It can't fail!" I cried. "At the worst, it'll cancel that other memory. It's marvelous!"

  "But as usual," said van Manderpootz, "a little late."