The Dead Media Notebook

by Bruce Sterling

MYRTLE. - Love.

  OATS. - The witching soul of music.

  ORANGE BLOSSOMS. - Chastity.

  PANSY. - Thoughts.

  PASSION FLOWER. - Faith.

  PEACH BLOSSOM. - I am your captive.

  PEAR. - Affection.

  PRIMROSE. - Inconstancy.

  QUAKING GRASS. - Agitation.

  ROSE. - Love.

  ROSE, DEEP RED. - Bashful shame.

  ROSE, YELLOW. - Jealousy.

  ROSE, WHITE. - I am worthy of you.

  ROSEBUD, MOSS. - Confession of love.

  SHAMROCK. - Lightheartedness.

  STRAW. - Agreement.

  STRAW, BROKEN. - Broken agreement.

  SWEEP PEA. - Depart.

  TUBEROSE. - Dangerous pleasures.

  VERBENA. - Pray for me.

  WITCH HAZEL. - A spell.

  Henry Mills’ Typewriter

  From Bruce Sterling

  “Occupying an intermediate place between the old-fashioned scribe and the printer, the typewriter has in the latter part of the Nineteenth Century established a distinct and important avocation, and has become a necessary factor in modern business life.

  “Like most other important inventions, the typewriter did not spring into existence all at once, for while the practical embodiment in really useful machines has only taken place since about 1868, there have been many experiments and some success attained at a much earlier date. The British patent to Henry Mills, No. 395 of 1714, is the earliest record of efforts in this direction. At this early date no drawings were attached to patents, and the specification dwells more on the function of the machine than the instrumentalities employed. No record of the construction of this machine remains in existence, and it may be fairly considered a lost art.

  “In quaint and old-fashioned English, the patent specification proceeds as follows: “’ANNE, by the Grace of God, &c., to all whome these presents shall come, greeting: WHEREAS, our trusty and well-beloved subject, Henry Mills, hath by his humble peticon represented vnto vs, that he has by his greate study, paines, and expence, lately invented, and brought to perfection ‘An Artificial Machine or Method for the Impressing or Transcribing Letters Singly or Progressively one after another as in Writing, whereby all Writing whatever may be Engrossed in Paper or Parchment so Neat and Exact as not to be Distinguished from Print, that the said Machine or method, may be of greate vse in Settlements and Publick Recors, the Impression being deeper and more Lasting than any other Writing, and not to be erased, or Counterfeited without Manifest Discovery, and having therefore humbly prayed vs to grant him our Royall Letters Patents, for the sole vse of his said Invention for the term of fourteen yeares.’”

  Source The Progress of Invention in the 19th Century by Edward W. Byrn Munn and Co., Publishers, Scientific American Office, 361 Broadway, New York 1900

  Typewriters: the Comptometer, the Numerograph, the book typewriter

  From Bruce Sterling

  “It is not practicable to give a full illustration of the state of the art in typewriters, as it has grown to an industry of large proportions. Nearly 1,700 patents have been granted for such machines, and more than 100 useful and meritorious machines have been devised and put upon the market. Among these may be mentioned the Hall, Underwood, Manhattan, Williams, Jewett, and many others.

  “Besides the regular typewriters, various modifications have been made to suit special kinds of work. The ‘Comptometer’ used in banks is a species of typewriter, as is also the Dudley adding and subtracting machine, known as the ‘Numerograph,’ and covered by patents Nos. 554,993, 555,038, 555,039, 579,047 and 579, 048. Typewriters for short hand characters, and for foreign languages, and for printing on record and blank books, are also among the modern developments of this art. In the latter the whole carriage and system of type levers move over the book. The Elliott & Hatch book typewriter, Fig. 143, is a well-known example.

  [To judge by the Fig. 143 engraving, the Elliott & Hatch clamped onto blank books via a pair of parallel metal rails, set at the book’s spine and page margin. The Elliott & Hatch typed directly onto bound pages.]

  “It was estimated that there were in use in the United States in 1896 150,000 typewriters, and that up to that time 450,000 had been made altogether. In the last four years that number has been greatly increased, and a fair estimate of the present output in the United States is between 75,000 and 100,000 yearly. “The typewriter saves time, labor, postage and paper; it reduces the liability to mistakes, brings system into official correspondence, and delights the heart of the printer. It furnishes profitable amusement to the young, and satisfactory aid to the nervous and paralytic. All over the world it has already travelled, from the counting house of the merchant to the Imperial Courts of Europe, from the home of the new woman in the Western Hemisphere to the harem of the East, everywhere its familiar click is to be heard, faithfully translating thought into all languages, and for all peoples.”

  Source: The Progress of Invention in the 19th Century by Edward W. Byrn Munn and Co., Publishers, Scientific American Office, 361 Broadway, New York 1900

  Brown’s cash carrier

  From Bruce Sterling

  [Bruce Sterling remarks: I confess myself deeply puzzled by this brief squib in Byrn’s book, which seems to refer to a physical transfer system which was common in 1900 and now utterly forgotten.

  “Cash carriers?” “Whisking little cars?” The oddest aspect is Byrn’s complete offhandedness regarding this technology, which he seems to regard as a commonplace. It can’t be a pneumatic tube cash conveyor, as it seems highly unlikely that the capsules in a pneumatic tube system could be described as “little cars.” Can anyone offer a suggestion as to what Byrn is talking about?]

  “Step into any of the great department stores and the genius of the inventor confronts you in the cash carrier whisking its little cars back and forth from the cashier’s desk to the most remote corners of the great building. The first of these mechanical carriers adapted for store service was patented by D. Brown, July 13, 1875, No. 165,473. Not until about 1882, however, was there any noticeable adoption of the system, when practical development was given in Martin’s patents, No. 255,525, March 28, 1882; No. 276,441, April 24, 1883, and No. 284,456, September 4, 1883.”

  Source: Add a Comment to this Note (list members only)

  Brown’s cash carrier

  From Bill Jacobs

  [Bill Jacobs remarks: I have recently visited the Museum of Independent Telephony in Abilene, Kansas, where they have displays regarding the history of telephony, excluding Bell’s corporate monster. One display that particularly interested me regarded mechanical telephones. They graciously allowed me to look through their files on the subject, copied for me a variety of information, and gave me permission to forward it to the Dead Media Mailing List. [I will begin with an article on string telephones by Jon Kolger, originally published in the June ‘86 ATCA Newsletter (which is affiliated with the museum).] “Mechanical or String Telephones” by Jon Kolger “Acoustic telephones or ‘string’ telephones as they are often called, are misunderstood by many collectors. Since they transmit sound purely by mechanical means, they embody none of the pioneering electrical innovations that many collectors find so interesting. Truthfully though, very early telephones performed poorly; and during these years, the acoustic telephone represented a truly viable alternative for relatively short, private-line telephone systems.

  “Since they contained no electrical transmitting or receiving devices, they did not infringe on the Bell patents. Thus they were able to enter the telephone industry during the protected years of the late 1870s and 1880s, carving out a small niche for themselves.

  “Acoustic telephones literally work on the ‘two tin- cans on a string’ principle. Two (or sometimes more) firmly mounted instruments, each containing a flexible diaphragm, are connected by
a taut wire of high tensile strength. Any vibrations acting upon one diaphragm are mechanically transmitted through the line wire to the other diaphragm, making it vibrate in unison. Thus, sound energy is physically transmitted from one point to another.

  “The diaphragms themselves were made of many materials, notably wood, metal, animal membrane, fiberboard, and even tightly woven cloth. Those instruments designed for longer lines, perhaps one-half mile or more, would have relatively large diaphragms, up to a foot or so in diameter. Conversely, short-line instruments would have smaller diaphragms, approximately 2 or 3 inches in diameter.

  “Although ordinary line wire could be used, it was common for manufacturers to recommend special types of wires. Typically it would possess high tensile strength, to minimize stretching and breaking. Many were galvanized to combat corrosion. Wire for longer lines might have two or three conductors twisted together for maximum strength. The line wire would be strung aerially from point to point, attached to poles with special insulators designed not to dampen the vibrations.

  “The line wire itself had to be banjo-string tight in order to transmit vibrations.

  “Obviously the straightest and shortest line wire run would perform best. However, the straightest path was not always practical. To overcome this, special insulators were available which allowed the line wire run to include right and even acute angles.

  “Signalling the other party could be as simple as rapping on the diaphragm with a pencil or a small mallet, provided of course that the called party was within earshot.

  “Other sets might be found with a small bell attached to a curved wire extending from the instrument. This device was intended to jingle at the slightest signal from the other end. These additions were inventions of the owner, and were not manufactured as such. Still more elaborate sets included magneto signalling, just as with more conventional telephones.

  “The line wire itself would be one side of the ring circuit, the other side being an earth return.

  “Since the taut line wire was exposed to the elements, acoustic telephones were quite dependent upon fair weather. Acoustic telephones would exhibit unusual behavior during adverse weather conditions. They were known to howl and sing during windy periods, the diaphragm responding to vibrations induced into the wire by the wind. Heavy ice or snow could make the telephones inoperable, and the line would groan under the weight of ice on the wire. Rain was known to produce tapping sounds as raindrops hit the wire. Acoustic telephones were also susceptible to lightning, as there was rarely any type of lightning protection, except with those sets equipped for magneto signalling.

  “When conditions were right, however, great claims were made as to the efficiency of acoustic telephones. Testimonials report the ability to carry on a conversation over an acoustic telephone from anywhere in a room, much like the speakerphone of today. It is also said that clocks could be heard ticking over the line.

  “Despite the inherently simple principles behind acoustic telephony, well over 300 patents were issued detailing supposed ‘improvements’ in this technology. Many of these dealt with the aforementioned signalling mechanisms, earpieces, methods of construction, diaphragm placement, etc.. In spite of all this innovation, the very heart of acoustic telephony, the diaphragm and the taut line wire, remained unchanged.

  “By far, the best known manufacturer of acoustic telephone equipment is J.R. Holcomb & Co. of Cleveland, Ohio. They designed and manufactured many different models of acoustic telephones, some exhibiting patent dates as early as 1878. They also carried a complete line of accessories such as line wire, insulators, magneto call bells, etc. Other manufacturers include, but are not limited to: Watts Telephone Co., Louisville, Ky.; Mechanical Telephone Co., Albion, Ill.; O. Hamblins Mechanical Telephone, Newton, Ill.; Shaver Corporation, New York; and Lord Telephone Mfg. Co., Boston Mass.

  “Many, perhaps most, acoustic telephones are unmarked. By the same token, many sets were homemade, as the simplicity of acoustic telephony made home-built telephones practical.

  “With the expiration of the Bell patents in 1893 and 1894, the hey-day of acoustic telephony was on the wane. Hundreds of new telephone manufacturers entered the industry, resulting in furious competition and steady technological progress. It was not long before the acoustic telephones’ small niche, that of the short, private telephone system, was challenged by newer, more efficient apparatus.”

  Source: Mechanical or String Telephones by Jon Kolger, ATCA Newsletter June 1986, Museum of Independent Telegraphy

  Super 8 mm film

  From Bruce Sterling

  “The Savior of Super 8: Little Film Night curator campaigns to preserve endangered species of movie making” by Ann Hornaday Austin American Statesman May 30 1997 page E3 “When Super 8 film, so named because its frames are bigger (and thus better) than conventional 8 mm film, was introduced in 1965, it was the perfect medium with which to capture the nuclear family on the move: light, portable and capable of an appropriately bright, eminently American aesthetic.

  “But with the advent of home video cameras in the 1980s, Super 8 all but disappeared. Kodak, the film stock’s manufacturer, orphaned their erstwhile wunderkind, concentrating on perfecting the art of the snapshot. Clunky cameras and unwieldy projectors were relegated to the attics and closets with the wooden tennis rackets and other antiques.

  “Still, even as it’s been disparaged, discontinued and downsized to within an inch of its life, Super 8 refuses to die. For a select group of purists, also known as cranks, artists and Luddite hold-outs, Super 8 represents not only a distinct aesthetic but a poetics, a political economy, a way of life.

  “Their patron saint, and one of the people responsible for the fact that Super 8 hasn’t been wiped out entirely, is Toni Treadway.

  “Treadway is one half of Brodsky and Treadway, a company in Rowley, Mass., that transfers 8mm, Super 8 and 16 mm films to videotape. She runs the International Center for 8 mm Film & Video Inc., a nonprofit advocacy and information center for 8 mm filmmaking. She publishes ‘B&T’s Little Film Notebook,’ a twice-to-thrice yearly newsletter that is an invaluable source of information and inspiration to its 3,000 subscribers.

  “In response to the incursion of video on Super 8’s turf, in 1996 Kodak discontinued all of its Super 8 sound film (on which sound could be recorded simultaneously with the visual image) as well as an Ektachrome silent stock, but Treadway is stil sanguine about the future.

  “Treadway insists that Super 8 is still the best choice for home movie makers. “’The problem with video is that it does not have the preservation life film does,’ she says. ‘I’m telling people right now, if you have children or grandchildren, whether or not you make home videos, if you have children, grandchildren, family, weddings, births, parades, whatever, take a Super 8 camera and shoot Kodachrome color or black and white, because that’s going to last 200 or 300 years. The video’s going to last 20. And families have not thought about these issues.’.

  “’The 1980s, I’m afraid, is going to be a big hole culturally for moving images,’ she says. ‘It’s a lost decade.’”

  Source Austin American Statesman May 30 1997 page E3

  how to build a ‘farmer’s telephone’

  Here are two short contemporary pieces on mechanical telephones.

  How to Construct a Farmer’s Telephone.

  “A form which may be called the farmer’s telephone for communications less than one thousand feet may be stated for the benefit of agricultural readers, who can easily construct it for themselves.

  “Take tape such as is used by the ladies for their dresses, either in long roll or else in pieces sewed together flatwise. Whenever it is necessary to support it, fasten it flatwise to the top of a spiral spring about one and one-half inches long, made by winding close small steel wire round a lead pencil.

  “Kerosene lamp chimneys make the best mouth pieces. Over one end stretch a piece of old kid glove or stout paper in the man
ner of a drum head by winding a string tightly around. Fasten the tape flatwise against the outer surface of the diaphragm of leather or paper thus formed, when conversing keep the tape stretched. The sound vibrations will travel across the supporting points of steel springs without interruption and the flat surface of the tape prevents the musical ring which destroys the distinctiveness in such contrivances made of strings. Such lines of tape can be carried in every direction, round corners, up stairs and down without much affecting the sound except by the distance.

  First Telephone Experience

  “I was born in Elwood, New Jersey April 23, 1863. My father was a telegrapher, as were several of my uncles. In 1879, when I was sixteen years old, my father and I built a pole line one and one-quarter miles long between the railroad station at Elwood, New Jersey, where he was employed as Agent, and our farm, in order to establish what I believe to be one of the first telephone lines in this section of the country.

  “We went into Philadelphia to buy some wire. We didn’t want to use iron wire and the only copper wire available was #50 soft drawn, which we bought. We suspended this wire from the poles with string loops and at each end connected up an acoustic telephone. These telephones were available in Philadelphia as toys. They had no batteries associated with them and no way of signalling over them.

  “They operated by direct physical impulse. When my father wanted to call home, he would start calling ‘hello’ into his telephone and when we heard it we would answer.

  “The transmision was good and we had no difficulty in hearing. We used to invite the neighbors in to hear vocal and instrumental music from the railroad station one and one-quarter miles away. This was the first telephone experience that I had. The copper wire sagged between poles quite a bit and we frequently had to go out and pull it up and cut out a lot of the slack and, of course, in time its diameter shrunk to such an extent that we had to take it down.”