Lee Chong kept a very remarkable store. For instance, most stores buy yellow and black crepe paper and black paper cats, masks and papier-mache pumpkins in October. There is a brisk business for Halloween and then these items disappear. Maybe they are sold or thrown out, but you can't buy them say in June. The same is true of Fourth of July equipment, flags and bunting and skyrockets. Where are they in January? Gone--no one knows where. This was not Lee Chong's way. You could buy Valentines in November at Lee Chong's, shamrocks, hatchets and paper cherry trees in August. He had firecrackers he had laid up in 1920. One of the mysteries was where he kept his stock since his was not a very large store. He had bathing suits he had bought when long skirts and black stockings and head bandanas were in style. He had bicycle clips and tatting shuttles and Mah Jong sets. He had badges that said "Remember the Maine" and felt pennants commemorating "Fighting Bob." He had mementos of the Panama Pacific International Exposition of 1915--little towers of jewels. And there was one other unorthodoxy in Lee's way of doing business. He never had a sale, never reduced a price and never remaindered. An article that cost thirty cents in 1912 still was thirty cents although mice and moths might seem to some to have reduced its value. But there was no question about it. If you wanted to decorate a laboratory in a general way, not being specific about the season but giving the impression of a cross between Saturnalia and a pageant of the Flags of all Nations, Lee Chong's was the place to go for your stuff.
Mack and the boys knew that, but Mack said, "Where we going to get a big cake? Lee hasn't got nothing but them little bakery cakes."
Hughie had been so successful before he tried again. "Why'n't Eddie bake a cake?" he suggested. "Eddie used to be fry cook at the San Carlos for a while."
The instant enthusiasm for the idea drove from Eddie's brain the admission that he had never baked a cake.
Mack put it on a sentimental basis besides. "It would mean more to Doc," he said. "It wouldn't be like no God damned old soggy bought cake. It would have some heart in it."
As the afternoon and the whiskey went down the enthusiasm rose. There were endless trips to Lee Chong's. The frogs were gone from one sack and Lee's packing case was getting crowded. By six o'clock they had finished the gallon of whiskey and were buying half pints of Old Tennis Shoes at fifteen frogs a crack, but the pile of decorating materials was heaped on the floor of the Palace Flophouse--miles of crepe paper commemorating every holiday in vogue and some that had been abandoned.
Eddie watched his stove like a mother hen. He was baking a cake in the wash basin. The recipe was guaranteed not to fail by the company which made the shortening. But from the first the cake had acted strangely. When the batter was completed it writhed and panted as though animals were squirming and crawling inside it. Once in the oven it put up a bubble like a baseball which grew tight and shiny and then collapsed with a hissing sound. This left such a crater that Eddie made a new batch of batter and filled in the hole. And now the cake was behaving very curiously for while the bottom was burning and sending out a black smoke the top was rising and falling glueyly with a series of little explosions.
When Eddie finally put it out to cool, it looked like one of Bel Geddes' miniatures of a battlefield on a lava bed.
This cake was not fortunate, for while the boys were decorating the laboratory Darling ate what she could of it, was sick in it, and finally curled up in its still warm dough and went to sleep.
But Mack and the boys had taken the crepe paper, the masks, the broomsticks and paper pumpkins, the red, white, and blue bunting, and moved over the lot and across the street to the laboratory. They disposed of the last of the frogs for a quart of Old Tennis Shoes and two gallons of 49-cent wine.
"Doc is very fond of wine," said Mack. "I think he likes it even better than whiskey."
Doc never locked the laboratory. He went on the theory that anyone who really wanted to break in could easily do it, that people were essentially honest and that, finally, there wasn't much the average person would want to steal there anyway. The valuable things were books and records, surgical instruments and optical glass and such things that a practical working burglar wouldn't look at twice. His theory had been sound as far as burglars, snatch thieves, and kleptomaniacs were concerned, but it had been completely ineffective regarding his friends. Books were often "borrowed." No can of beans ever survived his absence and on several occasions, returning late, he had found guests in his bed.
The boys piled the decorations in the anteroom and then Mack stopped them. "What's going to make Doc happiest?" he asked.
"The party!" said Hazel.
"No," said Mack.
"The decorations?" Hughie suggested. He felt responsible for the decorations.
"No," said Mack, "the frogs. That's going to make him feel best of all. Any maybe by the time he gets here, Lee Chong might be closed and he can't even see his frogs until tomorrow. No, sir," Mack cried. "Them frogs ought to be right here, right in the middle of the room with a piece of bunting on it and a sign that says, 'Welcome Home, Doc.' "
The committee which visited Lee met with stern opposition. All sorts of possibilities suggested themselves to his suspicious brain. It was explained that he was going to be at the party so he could watch his property, that no one questioned that they were his. Mack wrote out a paper transferring the frogs to Lee in case there should be any question.
When his protests weakened a little they carried the packing case over to the laboratory, tacked red, white, and blue bunting over it, lettered the big sign with iodine on a card, and they started the decorating from there. They had finished the whiskey by now and they really felt in a party mood. They criss-crossed the crepe paper, and put the pumpkins up. Passers-by in the street joined the party and rushed over to Lee's to get more to drink. Lee Chong joined the party for a while but his stomach was notoriously weak and he got sick and had to go home. At eleven o'clock they fried the steaks and ate them. Someone digging through the records found an album of Count Basie and the great phonograph roared out. The noise could be heard from the boat works to La Ida. A group of customers from the Bear Flag mistook Western Biological for a rival house and charged up the stairs whooping with joy. They were evicted by the outraged hosts but only after a long, happy, and bloody battle that took out the front door and broke two windows. The crashing of jars was unpleasant. Hazel going through the kitchen to the toilet tipped the frying pan of hot grease on himself and the floor and was badly burned.
At one-thirty a drunk wandered in and passed a remark which was considered insulting to Doc. Mack hit him a clip which is still remembered and discussed. The man rose off his feet, described a small arc, and crashed through the packing case in among the frogs. Someone trying to change a record dropped the tone arm down and broke the crystal.
No one has studied the psychology of a dying party. It may be raging, howling, boiling, and then a fever sets in and a little silence and then quickly quickly it is gone, the guests go home or go to sleep or wander away to some other affair and they leave a dead body.
The lights blazed in the laboratory. The front door hung sideways by one hinge. The floor was littered with broken glass. Phonograph records, some broken, some only nicked, were strewn about. The plates with pieces of steak ends and coagulating grease were on the floor, on top of the bookcases, under the bed. Whiskey glasses lay sadly on their sides. Someone trying to climb the bookcases had pulled out a whole section of books and spilled them in broken-backed confusion on the floor. And it was empty, it was over.
Through the broken end of the packing case a frog hopped and sat feeling the air for danger and then another joined him. They could smell the fine damp cool air coming in the door and in through the broken windows. One of them sat on the fallen card which said "Welcome Home, Doc." And then the two hopped timidly toward the door.
For quite a while a little river of frogs hopped down the steps, a swirling, moving river. For quite a while Cannery Row crawled with frogs--was overrun w
ith frogs. A taxi which brought a very late customer to the Bear Flag squashed five frogs in the street. But well before dawn they had all gone. Some found the sewer and some worked their way up the hill to the reservoir and some went into culverts and some only hid among the weeds in the vacant lot.
And the lights blazed in the quiet empty laboratory.
21
In the back room of the laboratory the white rats in their cages ran and skittered and squeaked. In the corner of a separate cage a mother rat lay over her litter of blind naked children and let them suckle and the mother stared about nervously and fiercely.
In the rattlesnake cage the snakes lay with their chins resting on their own coils and they stared straight ahead out of their scowling dusty black eyes. In another cage a Gila monster with a skin like a beaded bag reared slowly up and clawed heavily and sluggishly at the wire. The anemones in the aquaria blossomed open, with green and purple tentacles and pale green stomachs. The little sea water pump whirred softly and the needles of driven water hissed into the tanks forcing lines of bubbles under the surface.
It was the hour of the pearl. Lee Chong brought his garbage cans out to the curb. The bouncer stood on the porch of the Bear Flag and scratched his stomach. Sam Malloy crawled out of the boiler and sat on his wood block and looked at the lightening east. Over on the rocks near Hopkins Marine Station the sea lions barked monotonously. The old Chinaman came up out of the sea with his dripping basket and flip-flapped up the hill.
Then a car turned into Cannery Row and Doc drove up to the front of the laboratory. His eyes were red rimmed with fatigue. He moved slowly with tiredness. When the car had stopped, he sat still for a moment to let the road jumps get out of his nerves. Then he climbed out of the car. At his step on the stairs, the rattlesnakes ran out their tongues and listened with their waving forked tongues. The rats scampered madly about the cages. Doc climbed the stairs. He looked in wonder at the sagging door and at the broken window. The weariness seemed to go out of him. He stepped quickly inside. Then he went quickly from room to room, stepping around the broken glass. He bent down quickly and picked up a smashed phonograph record and looked at its title.
In the kitchen the spilled grease had turned white on the floor. Doc's eyes flamed red with anger. He sat down on his couch and his head settled between his shoulders and his body weaved a little in his rage. Suddenly he jumped up and turned on the power in his great phonograph. He put on a record and put down the arm. Only a hissing roar came from the loudspeaker. He lifted the arm, stopped the turntable, and sat down on the couch again.
On the stairs there were bumbling uncertain footsteps and through the door came Mack. His face was red. He stood uncertainly in the middle of the room. "Doc--" he said-- "I and the boys--"
For the moment Doc hadn't seemed to see him. Now he leaped to his feet. Mack shuffled backward. "Did you do this?"
"Well, I and the boys--" Doc's small hard fist whipped out and splashed against Mack's mouth. Doc's eyes shone with a red animal rage. Mack sat down heavily on the floor. Doc's fist was hard and sharp. Mack's lips were split against his teeth and one front tooth bent sharply inward. "Get up!" said Doc.
Mack lumbered to his feet. His hands were at his sides. Doc hit him again, a cold calculated punishing punch in the mouth. The blood spurted from Mack's lips and ran down his chin. He tried to lick his lips.
"Put up your hands. Fight, you son of a bitch," Doc cried, and he hit him again and heard the crunch of breaking teeth.
Mack's head jolted but he was braced now so he wouldn't fall. And his hands stayed at his sides. "Go ahead, Doc," he said thickly through his broken lips. "I got it coming."
Doc's shoulders sagged with defeat. "You son of a bitch," he said bitterly. "Oh you dirty son of a bitch." He sat down on the couch and looked at his cut knuckles.
Mack sat down in a chair and looked at him. Mack's eyes were wide and full of pain. He didn't even wipe away the blood that flowed down his chin. In Doc's head the monotonal opening of Monteverdi's Hor ch' el Ciel e la Terra began to form, the infinitely sad and resigned mourning of Petrarch for Laura. Doc saw Mack's broken mouth through the music, the music that was in his head and in the air. Mack sat perfectly still, almost as though he could hear the music too. Doc glanced at the place where the Monteverdi album was and then he remembered that the phonograph was broken.
He got to his feet. "Go wash your face," he said and he went out and down the stairs and across the street to Lee Chong's. Lee wouldn't look at him as he got two quarts of beer out of the icebox. He took the money without saying anything. Doc walked back across the street.
Mack was in the toilet cleaning his bloody face with wet paper towels. Doc opened a bottle and poured gently into a glass, holding it at an angle so that very little collar rose to the top. He filled a second tall glass and carried the two into the front room. Mack came back dabbing at his mouth with wet towelling. Doc indicated the beer with his head. Now Mack opened his throat and poured down half the glass without swallowing. He sighed explosively and stared into the beer. Doc had already finished his glass. He brought the bottle in and filled both glasses again. He sat down on his couch.
"What happened?" he asked.
Mack looked at the floor and a drop of blood fell from his lips into his beer. He mopped his split lips again. "I and the boys wanted to give you a party. We thought you'd be home last night."
Doc nodded his head. "I see."
"She got out of hand," said Mack. "It don't do no good to say I'm sorry. I been sorry all my life. This ain't no new thing. It's always like this." He swallowed deeply from his glass. "I had a wife," Mack said. "Same thing. Ever'thing I done turned sour. She couldn't stand it any more. If I done a good thing it got poisoned up some way. If I give her a present they was something wrong with it. She only got hurt from me. She couldn't stand it no more. Same thing ever' place 'til I just got to clowning. I don't do nothin' but clown no more. Try to make the boys laugh."
Doc nodded again. The music was sounding in his head again, complaint and resignation all in one. "I know," he said.
"I was glad when you hit me," Mack went on. "I thought to myself--'Maybe this will teach me. Maybe I'll remember this.' But, hell, I won't remember nothin'. I won't learn nothin'. Doc," Mack cried, "the way I seen it, we was all happy and havin' a good time. You was glad because we was givin' you a party. And we was glad. The way I seen it, it was a good party." He waved his hand at the wreckage on the floor. "Same thing when I was married. I'd think her out and then-- but it never come off that way."
"I know," said Doc. He opened the second quart of beer and poured the glasses full.
"Doc," said Mack, "I and the boys will clean up here--and we'll pay for the stuff that's broke. If it takes us five years we'll pay for it."
Doc shook his head slowly and wiped the beer foam from his mustache. "No," he said, "I'll clean it up. I know where everything goes."
"We'll pay for it, Doc."
"No you won't, Mack," said Doc. "You'll think about it and it'll worry you for quite a long time, but you won't pay for it. There's maybe three hundred dollars in broken museum glass. Don't say you'll pay for it. That will just keep you uneasy. It might be two or three years before you forgot about it and felt entirely easy again. And you wouldn't pay it anyway."
"I guess you're right," said Mack. "God damn it, I know you're right. What can we do?"
"I'm over it," said Doc. "Those socks in the mouth got it out of my system. Let's forget it."
Mack finished his beer and stood up. "So long, Doc," he said.
"So long. Say, Mack--what happened to your wife?"
"I don't know," said Mack. "She went away." He walked clumsily down the stairs and crossed over and walked up the lot and up the chicken walk to the Palace Flophouse. Doc watched his progress through the window. And then wearily he got a broom from behind the water heater. It took him all day to clean up the mess.
22
Henri the painter was not Fren
ch and his name was not Henri. Also he was not really a painter. Henri had so steeped himself in stories of the Left Bank in Paris that he lived there although he had never been there. Feverishly he followed in periodicals the Dadaist movements and schisms, the strangely feminine jealousies and religiousness, the obscurantisms of the forming and breaking schools. Regularly he revolted against outworn techniques and materials. One season he threw out perspective. Another year he abandoned red, even as the mother of purple. Finally he gave up paint entirely. It is not known whether Henri was a good painter or not for he threw himself so violently into movements that he had very little time left for painting of any kind.
About his painting there is some question. You couldn't judge very much from his productions in different colored chicken feathers and nutshells. But as a boat builder he was superb. Henri was a wonderful craftsman. He had lived in a tent years ago when he started his boat and until galley and cabin were complete enough to move into. But once he was housed and dry he had taken his time on the boat. The boat was sculptured rather than built. It was thirty-five feet long and its lines were in a constant state of flux. For a while it had a clipper bow and a fantail like a destroyer. Another time it had looked vaguely like a caravel. Since Henri had no money, it sometimes took him months to find a plank or a piece of iron or a dozen brass screws. That was the way he wanted it, for Henri never wanted to finish his boat.
It sat among the pine trees on a lot Henri rented for five dollars a year. This paid the taxes and satisfied the owner. The boat rested in a cradle on concrete foundations. A rope ladder hung over the side except when Henri was at home. Then he pulled up the rope ladder and only put it down when guests arrived. His little cabin had a wide padded seat that ran around three sides of the room. On this he slept and on this his guests sat. A table folded down when it was needed and a brass lamp hung from the ceiling. His galley was a marvel of compactness but every item in it had been the result of months of thought and work.
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