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Share No Secrets

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by Carlene Thompson




  PRAISE FOR CARLENE THOMPSON

  IF SHE SHOULD DIE

  “A gripping suspense filled with romance. Ms. Thompson has the reader solving the mystery early in the novel, then changing that opinion every few chapters. [An] excellent novel.”

  —Rendezvous Review

  “With engaging characters and intriguing motives, Thompson has created a smart, gripping tale of revenge, anger and obsession.”

  —Romantic Times Bookclub

  “If She Should Die is a riveting whodunit!”

  —The Road to Romance

  “In the tradition of Tami Hoag or Mary Higgins Clark, Thompson has created a gripping page-turner. The storyline is engaging and the characters’ lives are multidimensional. This is literally a book the reader will be unable to put down.”

  —Old Book Barn Gazette

  BLACK FOR REMEMBRANCE

  “Loaded with mystery and suspense … Mary Higgins Clark fans take note.”

  —Kirkus Reviews

  “Gripped me from the first page and held on through its completely unexpected climax. Lock your doors, make sure there’s no one behind you, and pick up Black for Remembrance”

  —William Katz, author of Double Wedding

  “Bizarre, terrifying … an inventive and forceful psychological thriller.”

  —Publishers Weekly

  “Thompson’s style is richly bleak, her sense of morality complex … Thompson is a mistress of the thriller parvenu.”

  —Fear

  SINCE YOU’VE BEEN GONE

  “This story will keep readers up well into the night.”

  —Huntress Reviews

  IN THE EVENT OF MY DEATH

  “[A] blood-chilling … tale of vengeance, madness, and murder.”

  —Romantic Times

  DON’T CLOSE YOUR EYES

  “Don’t Close your Eyes has all the gothic sensibilities of a Victoria Holt novel, combined with the riveting modern suspense of Sharyn McCrumb’s The Hangman’s Beautiful Daughter. Don’t close your eyes—and don’t miss this one.”

  —Meagan McKinney, author of In the Dark

  “An exciting romantic suspense novel that will thrill readers with the subplots of a who-done-it and a legendary resident ghost seen only by children. These themes cleverly tie back to the main story line centering on the relationships between Natalie and Nick, and Natalie and the killer. Carlene Thompson fools the audience into thinking they know the murderer early on in the book. The reviewer suggests finishing this terrific tale in one sitting to ascertain how accurate are the reader’s deductive skills in pinpointing the true villain.”

  —Midwest Book Review

  THE WAY YOU LOOK TONIGHT

  “Thompson … has crafted a lively, entertaining read … skillfully ratchet[ing] up the tension with each successive chapter.”

  —The Charleston Daily Mail

  ST. MARTIN’S PAPERBACKS TITLES BY

  Carlene thompson

  Last Seen Alive

  The Last Whisper

  Share No Secrets

  If She Should Die

  Black for Remembrance

  Since You’ve Been Gone

  Don’t Close Your Eyes

  In the Event of My Death

  Tonight You’re Mine

  The Way You Look Tonight

  SHARE

  NO

  SECRETS

  Carlene Thompson

  St. Martin’s Paperbacks

  NOTE: If you purchased this book without a cover you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.”

  SHARE NO SECRETS

  Copyright © 2005 by Carlene Thompson.

  Cover photo © David Raymer / CORBIS

  All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information address St. Martin’s Press, 175 Fifth Avenue, New York, NY 10010.

  ISBN: 0-312-98314-X

  EAN: 9780312-98314-7

  Printed in the United States of America

  St Martin’s Paperbacks edition / September 2005

  St. Martin’s Paperbacks are published by St. Martin’s Press, 175 Fifth Avenue, New York, NY 10010.

  10 9 8 7 6 5 4 3 2

  In Memory of Sue Casto Handley

  Thanks to Pamela Ahearn, Stefanie Lindskog,

  Jennifer Weis, and Keith Biggs

  Special thanks to Debbie and Morgan Long,

  owners of The Iron Gate

  AUTHOR’S NOTE

  In the past, I have used imaginary West Virginia towns as settings for my novels. This time, I used my own hometown of Point Pleasant, West Virginia, located on the point where the Kanawha and the Ohio rivers meet For fictional purposes, I enlarged the population and created a few sites that do not exist here, including Photo Finish, Heaven’s Door, and most important, the haunting hotel, La Belle Rivière.

  Sometimes, though, when I’m driving north at night along the Ohio River, I look up, and, through the fog, I could almost swear I see a graceful, ephemeral shape that strongly resembles a beautiful white Georgian hotel hovering slightly above the ground like a palace in a dream.

  PROLOGUE

  Julianna Brent stretched languidly on the cool satin sheets, uttered a tiny moan of remembered pleasure, and opened her amber eyes to the cobalt blue showing through a three-inch part in the draperies. It wasn’t morning yet, but soon morning with all its stark brightness would glare upon the world, killing the aura of romance. She remembered a rhyme her mother had recited at bedtime when she was little and now she said it aloud:

  Goad-bye to blues,

  Farewell to pinks,

  Adieu to purples,

  Au revoir, my greens.

  When this day is done,

  And stars come anew,

  I’ll see the rainbow orbs,

  Again in my dreams.

  Julianna giggled at the simple poem and breathed deeply, inhaling the scent of burning jasmine candles placed around the bed. She loved the smell of jasmine and the way the light dipped and sparkled in the candles’ cut glass containers. A flicker fell on the crystal figurine of a young, long-haired girl in a flowered gown given to Julianna when she was seventeen by her friend Adrienne. Julianna treasured the piece of Fen-ton art glass and christened the girl Daisy, a character in the Henry James short novel Daisy Miller she’d read in senior English. Julianna always brought the figurine with her. Along with the candles, “Daisy” made this beautiful but impersonal hotel room feel as if it were hers.

  And his.

  She picked up a fluffy pillow and pressed it to her face. The smell of him clung to the satin pillowcase, a smell clean and manly, arousing, and capable of provoking a hundred romantic scenes that made her body come alive again although by now she should be weary and eager to go home.

  But she didn’t want to go back to her lonely apartment. She wanted to lie here and fiercely clutch the ecstasy of the morning to her as if it would be for the last time.

  A chill ran over her. For the last time? What had made that portentous phrase pop into her blissful thoughts? Premonition? Certainly not. Julianna didn’t believe in premonitions, much less one so ridiculous as the fear of never seeing him again. It wasn’t an omen. It wasn’t an augury. Those were words from her mother’s vocabulary to describe her mother’s beliefs. No, the phrase had merely been …

  A warning.

  Yes, a warning. After all, extramarital affairs were tricky, and this one was even more so. It had the potential to make more than her lover’s wife unhappy. It ha
d the potential to be dangerous. Caution was absolutely crucial, and her lying on this bed as dawn grew brighter was certainly not an act of caution.

  But Julianna was exhausted. Satiated, but exhausted. Yesterday had been long, wearing, and disappointing. She’d only gotten a couple of hours’ rest before she came here to meet him. If only she could go back to sleep for just a little while …

  Julianna felt her eyelids drooping. Would it really be so bad, she wondered, if she grabbed some rest? The hotel was empty, closed for almost a year. There was only Claude Duncan, the caretaker, who would be lucky to shake off his hangover and make his lackadaisical rounds of the hotel by mid-morning.

  Julianna drifted one layer deeper into the world of sleep. The room began to fade as her thinking became cloudy. Slowly, she felt her dream of the meadow coming alive again.

  For the last month, she’d dreamed every night of walking in an endless meadow of white, pink, and yellow flowers. She’d told her mother, Lottie, about it and been surprised at the look of worry on the woman’s face. “What is it?” she’d asked. “What’s wrong with my dream, Mama?” Lottie had smoothed Julianna’s shining hair and, as always, astonished her daughter with her vast knowledge gleaned from a trove of esoteric reading. “In mythology,” she’d said, “a meadow is a place of sadness. A Greek philosopher wrote of the ‘meadow of ill fortune.’” Lottie had shaken her head. “The dream is not a good sign, Julianna. I beg you to give up the path you’ve taken with this man. It can only bring you unhappiness, my darling, and maybe much worse.”

  Her mother’s words had troubled Julianna, but she had not given up her lover. After all, her mother was basing her feelings only on a dream, and dreams didn’t necessarily mean a thing. When she was awake, she’d simply put the dream out of her mind. But when she slept, the dream always returned. Just like now.

  Julianna didn’t hear the hotel room door open softly. She was unaware of someone stealthily crossing the soft blue carpet to the bed and staring down at her—staring at the lush spill of auburn hair, the creamy complexion, the rounded shoulder and full breast exposed above the satin sheet. The stare burned as the hatred behind the eyes grew more vicious with each second.

  Deep in Julianna’s brain, an alarm flickered to life. She opened her eyes. Her lips parted, but surprise stilled her voice. A thrill of fear running through her, she started to rise, her hands fluttering upward as if she could ward off the malevolence hovering above her.

  She was only dimly aware of an arm reaching toward the bedside table beside her. Then, before she could utter a word, a ceramic lamp crashed on her head. She fell backward, her eyes closing as unconsciousness mercifully sheltered her from the horror that followed.

  Five minutes later, Julianna’s assailant glanced away from the bed. The small crystal figurine of Daisy still stood placidly on the table, only now splatters of blood streaked her delicate flowered dress. The assailant gazed for a few satisfied moments at the lovely, still woman on the bed, then glided across the room and out the door, leaving Julianna to wander forever in her beautiful, endless meadow.

  ONE

  1

  The Iroguois Indians called the river “the Ohio,” which was translated by the French as “the Beautiful”—la Belle Riviére. Later, linguists argued that the name really meant “the Sparkling,” “the Great,” or “the White.” Perhaps other translations were more accurate, but to most people who lived along the Ohio, the river remained “the Beautiful,” an apt name that would follow it throughout history.

  Adrienne Reynolds stood on a low rise overlooking the river. Behind her loomed the long, white, Georgian lines of a hundred-year-old resort hotel named la Belle Riviére, more commonly referred to by the locals of Point Pleasant, West Virginia, as The Belle. She removed sunglasses protecting her sea-green eyes from the bright morning sun and looked downward at the hotel’s best-known attraction, its majestic view of the wide Ohio River.

  Adrienne loved the river. As an artist, she was always intrigued by its colors. They varied from a muted emerald when the waters were low and tall grasses could be seen swaying beneath the surface, to the café au lait or “milky” tone achieved during light rains that gently eddied sediment, to dark chocolate when storms roiled the murky mud of the riverbed. She especially liked the Ohio on cool summer mornings like this one when fog gracefully rose from the river, parting now and then to let glittering sunbeams spear the glassy surface of the water. She looked behind her and saw that already sunlight sparkled off the glass cupolas atop the four-story hotel overlooking its namesake, La Belle Rivière.

  Adrienne had been born and reared in the West Virginia town of Point Pleasant set in a lush rural landscape and only two miles away from the Belle. She’d never dreamed of leaving the area for places known to have more excitement, but right after college, she’d followed her young husband, Trey Reynolds, to Nevada where he’d created a lounge act and managed to hang on to it for almost five years in a minor Las Vegas casino. Although Adrienne loved her husband, she hated her new home. Every day she looked with desolation at the flat expanse of hot sand, the prickly cacti, the parch-skinned lizards scurrying around her front yard, and the endless sky. Local people described that sky as vibrant turquoise. To her it looked like a piece of bleached denim with a burning white hole that passed for the sun. Her husband never knew how often he’d just cleared the driveway on his way to the casino for rehearsal before Adrienne had burst into a storm of homesick tears for the wide Ohio River and the lush blue-green hills of Appalachia.

  When Adrienne had become pregnant, she began supplementing their scanty, irregular income with her sketches and paintings. Their daughter Skye was five by the time Adrienne was getting a small start in the local art world when, in an unexpected and crushing blow, Trey had been demoted to an even less popular club farther away from the hallowed “Strip” where everyone wanted to be. “I don’t think there’s anyone in the audience under eighty,” he’d complained to her in a lost, hopeless voice. “Half of them sleep through the songs. Snore though the songs! It’s humiliating. And I’m not making enough money to keep three of us going.” He’d sighed and stared into the distance. “I won’t put my family through this. We’re going home. I’ll join Dad’s business.”

  So Trey Reynolds had abandoned his limping, ego-crushing casino career and they’d moved back to West Virginia. Adrienne had known what a blow his failed entertainment career had inflicted on Trey, although she’d been amazed he’d managed to hang on to his lounge act for as long as he had. For her part, though, she’d been overjoyed to return to her and Trey’s hometown of Point Pleasant. Within a year she’d begun selling her work at a nearby Ohio gallery called the French Art Colony and teaching art at the local branch of Marshall University. Her happiness had increased tenfold. And even now, her enchantment with the area remained, particularly on a beautiful morning like this one at the old hotel she loved, although Trey was no longer here to share the beauty.

  Soon the temperature would rise, probably to the low eighties according to the forecasters, but now the dampness from early morning fog turned Adrienne’s long, honey-brown hair wavy and sent a ripple of chill bumps along her arms beneath her denim jacket.

  “I’m opening the thermos of coffee,” her fourteen-year-old daughter Skye called. “You want a cup? I’m freezing!”

  “You didn’t have to come out here with me so early.”

  “I love it out here just past dawn with all the mist,” Skye claimed enthusiastically. “It looks like Camelot, or some of the places in my old fairy-tale books. What about the coffee?”

  “Yes, please.” Adrienne stood on the bank for a few more moments, savoring the atmosphere, before the smell of strong coffee reached out and lured her like the Greek sirens calling to the sailors. Skye held out a cup, Adrienne took a sip, and smiled. “You used the good stuff.”

  “Royal Vintner, your favorite.”

  “Have you misbehaved in some way you’re about to confess?”

/>   Skye looked reproachful. “Of course not, and besides, I’m too old to misbehave. You make me sound like I’m seven.”

  Adrienne raised an eyebrow. “Pardon my demeaning language. Have you raised hell in some way you’re about to confess?”

  Skye burst into laughter, her adolescent face beautiful in the gentle sunlight. “No. I’m not you, Mom. I’m not already raising hell at age fourteen.”

  “Neither did I.”

  “That’s not how Aunt Vicky tells it.”

  “My big sister was Miss Manners all her life. I don’t think she ever did one thing wrong.”

  “But you were your parents’ favorite.”

  “Only according to Vicky. If they were alive, they’d tell you a different story.” Adrienne looked around, squinting slightly against the sun on the mist. “Lights are still flashing down on the road. I think that wreck is a really bad one.”

  “Maybe someone was trying to pass in the fog.”

  “You’re not supposed to pass at all on that strip of highway, fog or no fog. Too many curves.”

  “I hope no one got killed. But you’ll get the scoop later today. Dating the local sheriff has its perks, Mom.” Skye gave her a mischievous look. “Just how serious are you two?”

  “This coffee is great but you still look cold, Skye,” Adrienne said briskly. “Why don’t you get your sweater from the car?”

  “No sharing of secrets about Sheriff Lucas Flynn this morning even when I made a pot of your favorite coffee?” Skye’s hyacinth-blue eyes, so like her father’s, danced beneath long lashes. “He’s awfully nice, Mom, and Daddy would want you to be happy.”

 

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