The Year of the Death of Ricardo Reis (Harvest in Translation)

by José Saramago

  When Ricardo Reis went out to lunch the next day, he lingered in the park to gaze at the warships before the Terreiro do Paço. He knew little about ships in general, only that dispatch boats were bigger than torpedo boats, but at a distance they all looked exasperatingly alike. He could not tell which was the Afonso de Albuquerque and which the Bartolomeu Dias, but the Dao he knew, because the porter had told him, The Dao is the one nearest you. Lydia must have been dreaming, or her brother had frightened her with a joke, this incredible story of conspiracy and ships heading for sea. Three of them are moored along the quay, as calm as can be in the breeze, and the frigates going upriver, and the ferries for Cacilhas ceaselessly plying to and fro, and the seagulls in the cloudless blue sky, and the sun shining brightly on the expectant river. What Daniel told his sister is true after all, a poet can sense the fear that trembles in these waters. When do they leave, Within the next few days, Lydia replied, and Ricardo Reis's throat tightens and his eyes cloud with tears, this was how Adamastor's great weeping began. He is on the point of leaving when he hears voices call out in excitement, Over there, over there. They belong to the two old men, and other people are asking, Where, what is it, and children playing leapfrog interrupt their game and call out, Look at the balloon, look at the balloon. Ricardo Reis wiped his eyes with the back of his hand and saw rising into the air, on the other side of the river, an enormous airship, it must be the Graf Zeppelin or the Hindenburg, arriving to drop off mail for South America, on the rudder is a swastika in white, red, and black, like a kite launched by children into the sky, a hovering symbol that has lost its original meaning, a threat rather than a shooting star. The links between men and symbols are curious, we need only think of St. Francis of Assisi joined by blood to the cross of Christ, and the cross of Christ on the armbands of the bank employees at the political rally, it is a miracle that a person does not get lost in this maze of associations. The Hindenburg, its engines roaring, flew over the river in the direction of the castle, then disappeared behind some houses, and the roar gradually died away. The airship is about to drop the mail at Portela de Sacavém, perhaps The Highland Brigade will then transport the letters, for in the world there are many recurring paths. The old men return to their bench, the children go back to their leapfrog, the currents of air grow still again, and Ricardo Reis is no wiser. The ships sit in the accumulating heat of the afternoon, their prows facing out to sea, the sailors must be having their lunch, today as every day, unless today is their last day. In the restaurant, Ricardo Reis filled his glass with wine, then the glass of his invisible guest, and as he raised his glass to take the first sip, he made a gesture as if offering a toast. Since we cannot look into his thoughts to see whom or what he was toasting, let us follow the example of the waiters in this establishment, who pay no attention, because this customer may be a little odd but by no means is he the oddest.

  The afternoon was most agreeable. Ricardo Reis went down to the Chiado, to the Rua Nova do Almada, to observe the ships at close quarters. On the quay, and as he was crossing the Terreiro do Paço, he recalled that in all these months he had not been to the Café Martinho da Arcada. Fernando Pessoa, on the last occasion, had felt that it would be unwise to challenge the memory of those familiar walls, and somehow they had never gone back, neither of them giving it another thought. For Ricardo Reis there is some excuse, with so many years abroad the habit of going there, if ever a habit, has been broken. Nor will he go there today. Seen from the middle of the square, the ships afloat on that luminous water look like toy boats displayed in a window, on mirrors to give the effect of a fleet in harbor. But when one draws closer, one sees very little, only the sailors going back and forth on deck. At this distance they seem unreal, if they are talking we cannot hear them, and what they are thinking remains a secret. Ricardo Reis was lost in reverie, having forgotten why he came here, he was simply gazing, nothing more, when suddenly he heard a voice beside him, So you've come to see the ships, Doctor. He recognized that voice, it belonged to Victor. His first reaction was puzzlement, where was the smell, then it became clear, Victor was downwind of him. Ricardo Reis felt his heart beat faster, did Victor suspect, had the sailors' plan to mutiny been discovered. The ships and the river, he replied, but could also have mentioned the frigates and the seagulls, also that he was about to take the ferry to Cacilhas just for the pleasure of the crossing, of watching the dolphins leap, but he merely repeated, The ships and the river, and withdrew brusquely, telling himself he had acted foolishly, he should have kept up a natural conversation, if Victor knows there is something afoot, he must surely have found it suspicious to see the doctor there. Then it occurred to Ricardo Reis that he should warn Lydia, was obliged to do so. But he immediately changed his mind, What could I tell her, that I saw Victor in the Terreiro do Pago, it might have been a coincidence, even the police enjoy looking at the river, and Victor could have been off-duty, simply yielding to the seafaring impulse that is common to all Portuguese, and spotting the doctor there, it seemed only natural to greet him, for old times' sake. Ricardo Reis passed the entrance of the Hotel Brangança, went up the Rua do Alecrim, where engraved on stone steps were the words clínica de enfermedades de los ojos y quirúrgicas, A. Mascará, 1870, there is nothing that tells us whether this Mascaró graduated from a medical faculty or was a simple practitioner, in those days the rules regarding diplomas were less strict, even today they are not that strict, we need only recall that Ricardo Reis treated heart patients without any special qualifications. He followed the itinerary of the statues, Eça de Queirós, Chiado, D'Artagnan, poor Adamastor viewed from behind. Pretending that he was admiring the statues, he walked around each slowly, three times, feeling that he was playing cops and robbers, but he soon calmed down, Victor was not following him.

  The afternoon passed and darkness fell. Lisbon is a tranquil city with a wide river of legendary fame. Ricardo Reis did not go out to dinner, he scrambled two eggs, folded them into a bread roll, accompanying this meager fare with a glass of wine, and even this he found difficult to swallow. On edge and restless, he went down to the park after eleven o'clock to take another look at the ships. All he could see were the mooring lights, and now he could not even tell the difference between the dispatch boats and the torpedo boats. He was the only soul on the Alto de Santa Catarina, one could no longer count Adamastor, now completely petrified, the screaming throat forever silent, the face terrifying to behold. Ricardo Reis went home, the ships won't leave in the night, because of the risk of running aground. Half-dressed, he lay on his bed, slept, woke up, and went back to sleep, calmed by the great silence throughout the apartment as the first light of day filtered in between the slats of the shutters. When he woke up, nothing had happened, and now that another day had dawned it seemed impossible that anything could happen. He felt ashamed of himself, appalled that he had removed only his shoes and jacket and tie. I'll have a bath, he decided, and was bending down to look for his slippers under the bed when he heard the first cannonade. But perhaps he was mistaken, perhaps a piece of furniture had fallen in the apartment downstairs, perhaps the landlady had fainted with a thud, but another explosion rang out, the windowpanes shook, the ships are firing on the city. He opened the window, on the street, people were in a panic, a woman shouted, God help us, it's a revolution, and ran for dear life toward the park. Ricardo Reis pulled on his shoes, slipped on his jacket, just as well that he had not taken off his clothes, almost as if he had known what would happen. The neighbors were already on the stairs, wrapped in their dressing gowns. When they saw the doctor appear, and a doctor can be relied upon to know everything, they asked in great distress, Are there people hurt, Doctor. His leaving in such haste must mean that someone has called him out to deal with an emergency. Covering their bare necks, they trail after him, standing at the entrance to the building where out of modesty they are partially concealed. When Ricardo Reis arrived at the park, a crowd had already gathered. The residents of this neighborhood are privileged, b
ecause there is no better vantagepoint in Lisbon for watching vessels enter and leave. The warships were not firing on the city, the fortress of Almada was firing on the warships. On one of them. Ricardo Reis asked, Which ship is that. Fortunate for him, he asked someone who knew, It's the Afonso de Albuquerque. So it was the ship on which Lydia's brother was serving, the sailor Daniel, whom he had never met. He tried to picture his face, but could see only the face of Lydia. At this very moment she must be looking out of a window at the Hotel Brangança, or she has gone into the street in her maid's uniform, she is running to the Cais do Sodré, and now stands at the quay, her hands pressed to her bosom, perhaps weeping, perhaps with dry eyes and flushed cheeks, suddenly letting out a scream because the Afonso de Albuquerque has been hit by a shell, then another. Someone on the Alto de Santa Catarina is clapping his hands, at this moment the two old men appear, their lungs bursting, how did they manage to get here so quickly, living as they do at the bottom of the hill, but they would rather die than miss this, and that is certainly possible, considering the effort they have made. It all seems like a dream. Drifting slowly, the Afonso de Albuquerque has probably been struck in some vital organ, perhaps the boiler room, the rudder. The fortress of Almada continues to fire, and the Afonso de Albuquerque appears to answer, but we are not sure. From this side of the city new booms can be heard, louder, less frequent, That's the fortress of the Alto do Duque, someone remarks, they are lost now, they'll never get away. And at that very moment another ship emerges, a torpedo boat, the Dao, almost certainly the Dao, trying to shield herself with the smoke of her own stacks and skirting the southern bank in order to escape the guns of the fortress of Almada, but if she gets past Almada she will not escape the Alto do Duque. Shells explode near the shore, this is to get the range, the next volley will strike the ship, and yes, there is a direct hit. A white flag is already being unfurled on the Dao, but the firing continues, the ship begins to list, then white sheets, shrouds, funeral shrouds, the end is near, the Bartolomeu Dias will not even have time to leave her berth.

  It is nine o'clock. One hundred minutes have passed since the hostilities began, the dawn mist has dispersed and the sun shines from a clear sky. They must be searching now for the men who jumped into the sea. From this belvedere there is nothing more to be seen. As the veterans explain what happened to some latecomers, Ricardo Reis sits down on a bench. The old men join him, eager to start up a conversation, but the doctor says nothing, he sits with his head lowered, as if he were the one who had tried to sail out to sea only to be caught in the net. While the adults talk, their excitement subsiding, the children start to play leapfrog and the little girls sing, I went into Celeste's garden, what did you go there to do, I went there to look for a rose. More appropriate would be the ballad from Nazaré, Don't go to sea Tonho, you might drown Tonho, ah Tonho, poor Tonho, what an unfortunate fellow you are. Lydia's brother is not Tonho, but when it comes to misfortune there is little difference. The old men, indignant, turn away when Ricardo Reis gets to his feet. He finds some comfort when he hears a woman say, out of pity, Poor souls, she is referring to the sailors but Ricardo Reis feels those words as if someone were caressing him, placing a hand on his forehead or gently stroking his hair. In his apartment he throws himself on the unmade bed, covers his eyes with his arm, and weeps freely, weeps foolish tears, because this was not his revolution, Wise is the man who contents himself with the spectacle of the world, I must repeat that phrase a thousand times, what should all this matter to one who no longer cares who wins and who loses. Ricardo Reis gets up and puts on his tie, he is about to go out, but passing his hand over his face, he feels his stubble, he need not look in the mirror to know that there are white hairs glistening there among the black, the harbinger of old age. The dice have been thrown, the card played has been covered with the ace of trumps, no matter how fast you run you cannot save your father from the gallows, these are popular sayings to help ordinary men bear the blows of fate. Ricardo Reis, an ordinary man, sets about shaving and washing himself, while he is shaving he doesn't think, he concentrates on the razor scraping at his skin, one of these days he must sharpen the blade. It was half-past eleven when he left his apartment for the Hotel Brangança, and why not, no one should be surprised to see a former guest who stayed for almost three months, who was so dutifully served by one of the chambermaids, a chambermaid whose brother took part in the mutiny, she herself had told him, Yes, Doctor, I have a brother at sea, he is serving on the Afonso de Albuquerque, no one should be surprised that Ricardo Reis has come to make inquiries, to see if he can help, poor girl, how she must have suffered, some people are born unlucky.

  The buzzer sounds much hoarser, or has his memory started to deceive him. The figurine of the page mounted on the baluster raises its extinguished globe, even in France there were such pages, but he will never find out where this page came from, there is not time to know everything. At the top of the stairs Pimenta appears, about to descend, thinking a client has arrived with luggage, then he stops, not yet recognizing who is coming up. He could have forgotten, so many faces enter and leave the life of a hotel porter, and we must take the poor lighting into account as well. But now the new arrival is so close that even though he keeps his head lowered, there is not a shadow of doubt. Well upon my word, if it isn't Doctor Reis, how are you, Doctor. Good day Pimenta, that chambermaid, what is she called again, Lydia, is she here. Ah, no, Doctor, she went out and hasn't returned, I believe her brother was involved in the mutiny. Pimenta has barely finished speaking when Salvador appears on the landing, pretending to be surprised, Why Doctor, how delighted I am to see you back. Pimenta tells him what he already knows, The doctor would like to speak to Lydia. Ah, Lydia isn't here, but if I could be of any assistance. She had spoken to me about a brother who was serving in the navy, I only came to see if I could offer my services as a doctor. I understand, Doctor Reis, but Lydia went out as soon as the shooting began and she hasn't returned. Salvador always smiles when he is giving information, he makes a good manager, and let us repeat once more, the last time, that he has cause for complaint against this former guest, who slept with one of the chambermaids and perhaps still does, and who now turns up, playing the innocent, if he thinks he is deceiving the manager, he is much mistaken. Do you know where she might have gone, Ricardo Reis asked. She must be around somewhere, she could have gone to the Naval Ministry, or to her mother's house, or to the police station, because the police are always involved in such matters, but do not trouble yourself, Doctor, I will tell her that Doctor Reis was here, and she is sure to go looking for you. Salvador gave another smile, like one who has set a trap and can already see his prey caught by the leg, but Ricardo Reis answered, Yes, do tell her to come and see me, here is my home address, and he wrote the futile directions on a sheet of paper. Annoyed at this response, Salvador stopped smiling, but Ricardo Reis never learned what he was about to say, because two Spaniards came down from the second floor, engaged in heated discussion. One of them asked, Señor Salvador los ha. llevado el diablo a los marineros. Yes, Don Camilo, the devil has taken them. Good, the hour has come to say Arriba España, Viva Portugal, Arriba, exclaimed Don Camilo, and Pimenta added on behalf of the Fatherland, Viva. As Ricardo Reis went downstairs, the buzzer sounded, there had once been a bell here, but the guests complained, they said it was like the bell at the gates of a cemetery.