Andy Warhol and the Can That Sold the World
Page 11
7 Andy Warhol and Pat Hackett, POPism: The Warhol Sixties (New York: Harcourt, 1980), p. 15.
8 Bockris, The Life and Death of Andy Warhol, p. 98.
CHAPTER FOUR
1 Bob Colacello, Holy Terror: Andy Warhol Close Up (New York: HarperCollins, 1990), p. 28.
2 Eric Shanes, Warhol: The Life and Masterworks (New York: Parkstone Press, 2004), p. 41.
3 Quoted in Heiner Bastian, AW (MOCA catalog; London: Tate Publishing, 2001, reprinted by the Museum of Contemporary Art, Los Angeles, 2002), p. 58.
4 Jules Langsner, “Los Angeles Letter,” Art International (September 1962): 49, reprinted in POP ART: A Critical History , edited by Steven Henry Madoff (Berkeley: University of California Press, 1997), p. 33.
5 Michael Fried, “New York Letter,” Art International (December 20, 1962): 57, reprinted in Madoff, Pop Art, p. 267.
6 Donald Judd, “In the Galleries: Andy Warhol,” Arts (January 1963): 49, reprinted in Madoff, Pop Art, p. 268.
7 Philip Larratt-Smith, interview with John Baldessari, in Andy Warhol: Mr. America (Bogota, Colombia: Museo de Arte del Banco de la Republica, 2009), p. 266.
CHAPTER FIVE
1 Kenneth Goldsmith, ed., I’ll Be Your Mirror: The Selected Andy Warhol Interviews (New York: Carroll & Graf, 2004), p. 96.
2 Mary Woronov, Swimming Underground (Boston: Journey Editions, 1995), p. 152.
INDEX
Action Painting
Advertising career, of Warhol
Affectlessness
Affluent Society, The (Galbraith)
Alloway, Lawrence
Anderson, Sherwood
Andrews, Julie
The Andy Warhol Diaries (Warhol)
Antnio, Emile de
Arman
Art
commercial, 1950s
as propaganda
as impersonal
Art Czar (Marquis)
Art Directors Club awards
Art International
Art News
Art techniques
combinatory
mechanical reproduction
silk screening
Art world
abstract art
Abstract Expressionism
Action Painting
American art
and consumer culture
critics’ power in
Cubism
Dada
expanding, post WWII
Art world (continued)
Futurism
galleries
homophobia in the
misogyny in the
modernist art
New York School
patriarchy in the
and Pop Art
power, of critics
public support, Depression era
realism
representationalism
Socialist Realism
surrealism
Arts magazine
Ash, Betty
Asphalt Jungle (film)
Associated Press
Atelier system
Atomic bomb
Attack of the Fifty-Foot Woman (film)
Audience, of art
Authentication, of Warhol works
Bakelite
Baldessari, John
Ball, Hugo
Barr, Alfred
Bay of Pigs
Benjamin, Walter, “The Work of Art in the Age of Mechanical Reproduction”
Berg, Gretchen
Berman, Wallace
Bernays, Edward
Beuys, Joseph
Bike Boy (film)
Biomorphism
Birthplace, of Andy Warhol
Blake, Peter
Blob, The (film)
Blue Movie (film)
Blue Poles (Pollock)
Blum, Irving
Bockris, Victor (biographer)
The Life and Death of Andy Warhol
Bodley Gallery
Bomb shelters
Books, banned
Boulder Dam
Boy with Green Hair (Joseph Losey film)
Braden, Tom
Braque, Georges
British Pop Art
The Broad Gave Me My Face, but I Can Pick My Own Nose (Nosepicker) (painting)
Brothers, of Andy Warhol
Bruce, Lenny
Buck, Pearl S.
Burden, William
Burrell, Kenny
Burroughs, William
Butler, John (dancer)
Cadmus, Paul
Cage, John
Callow, Simon (biographer)
Campbell Playhouse (radio program)
Campbell Soup Company
Campbell’s Soup Cans (Warhol)
artists’ reactions
critics’ opinions
and John F. Kennedy assassination
monetary value
mythologized
political nature of
production of
Warhol comments on
Campbell’s Soup, Warhol’s dislike
Campiness
Capitalism
Capote, Nina
Capote, Truman
Carnegie, Andrew
Carnegie Mellon University
Carnegie Museum art classes
Carnegie Technical Institute, School of Fine Arts
Castelli, Leo
Castelli Gallery
Cedar Tavern
Chamberlain, John
Chase Manhattan Bank
Chelsea Girls, The (film)
Childhood, of Andy Warhol
Christie’s auction house
Church, Frederick
CIA (Central Intelligence Agency)
Fairfield Foundation
Planning Coordination Group
Civil rights movement
Class
leveling of
widening gulf of
Cohn, Roy
Colacello, Bob (biographer)
Holy Terror
Cold War era
art, as propaganda
and fear
Cole, Thomas
Combinatory techniques
Commercial art, 1950s
Warhol’s career in
Commercialism, and art
Communism
art and
Communist sympathizers, artists as
Conformity vs. individualism
Consumer culture
and class
and Pop Art
and technology
Copland, Aaron
Count Basie
Counterculture, 1960s
Critic Sees, The (sculpture, Johns)
Critics, on Campbell’s Soup Cans
Critics, power of
Crowd (Warhol)
Cuban Missile Crisis
Cubism
Cult of the proper name
Curators, of Warhol
Dada
David Stuart Gallery
Davis, Stuart
Day, Doris
Day the Earth Stood Still, The (film)
De Kooning, Willem
Dean, James
“Death and Disaster” series
Demuth, Charles
Dewey, John
Dick Tracy (Warhol painting)
Dine, Jim
Disney, Walt
Dondero, George
Dos Passos, John
Dove, Arthur
Dr. Strangelove (film)
Dreiser, Theodore
Duchamp, Marcel
Dunaway, Faye
Dutch Masters (Rivers)
East Village Other
Economic inequality,
increasing
Edie (Stein)
Education, of Warhol
Eggeling, Viking
Eisenhower, Dwight D.
Encounter (anticommunist publication)
Evergood, Philip
Factory, the
assistants
after shooting
Fairfield Foundation, CIA
/> Fast, Howard
Father, of Andy Warhol
Ferus Gallery
Films, of Warhol
Finney, Jack, Invasion of the Body Snatchers (film)
Flaming Creatures (film)
Fleming Joffe leathers
Flesh (film)
Flowers-on-cow wallpaper
Fluxus
Fortune magazine
Freudian analysis, of Warhol
Fried, Michael
Friendship of America and France (Rivers)
Funk Art
Futurism
Galbraith, J. K, The Affluent Society
Gallery exhibitions, of Warhol
Generation of Vipers, A (Wylie)
Giordano, Joseph
Glamour magazine
Gode, Joe
Godzilla (film)
Gorodias, Maurice
Great American Nudes (Wesselman)
Green, Balcolm
Greenberg, Clement
Grosz, George
Guggenheim, Peggy
Guggenheim, Peggy, Art of This Century Gallery
Guilbaut, Serge
Hackett, Pat
Hackett, Pat, and Andy Warhol, POPism
Halston
Hamilton, Richard, Just what is it that makes today’s homes so different, so appealing?
Hammett, Dashiell
Harper’s Bazaar
Hartley, Marsden
Heartfield, John
Helium pillow art (Silver Clouds)
Hemingway, Ernest
Hemmings, Emmy
Hidden Persuaders, The (Packard)
History of the Russian Revolution (Rivers)
Hockney, David
Holy Terror (Colacello)
Holzer, Baby Jane
Homosexuality
and homophobia
as socially acceptable
of Warhol
Houseman, John
Hudson, Rock
Hughes, Fred
Hughes, Langston
Hugo, Victor
Hugo Gallery
I, a Man (film)
I Miller Shoes
Images vs. reality
Imitation of Christ (film)
Incredible Shrinking Man, The (film)
Indiana, Robert
Individualism vs. conformity
Internal Revenue Service (IRS) audits
Interview magazine
Invasion of the Body Snatchers (film)
It Came from Outer Space (film)
J. H. Whitney & Company
Jackson, Martha
Jackson, William H.
Jacquet, Alain
Jagger, Bianca
Janco, Marcel
Janis, Sidney
The Jazz Singer (film)
Johns, Jasper
Johnson, Philip
Johnson, Ray
Jolson, Al, The Jazz Singer
Judd, Donald
Jungian psychology
Just what is it that makes today’s homes so different, so appealing? (painting, Hamilton)
Karp, Ivan
Keinholz, Ed
Kennedy, Jackie
silk screens of
Kennedy, John F.
assassination
Kennedy, Robert, assassination
Kessler, Leonard
Kienholtz, Edward
King, Martin Luther, Jr., assassination
Kitaj, R. J.
Kitsch
Klee, Paul
Kluver, Billy
Kubrick, Stanley, Dr. Strangelove
Langsner, Jules
Larratt-Smith, Philip
Latow, Muriel
Levine, Jack
Lexington Avenue apartment
Lichtenstein, Roy
Life and Death of Andy Warhol (Bockris)
Life magazine
Lindner, Richard
Lisanby, Charles
Loft Gallery
Lonely Crowd, The (Reisman)
Lonesome Cowboys (film)
Losey, Joseph, The Boy with Green Hair (film)
Loves of Ondine, The (film)
Lowell, Robert
Luce, Henry
Macdonald-Wright, Stanton
Magritte, René
Mailer, Norman
Man in the Gray Flannel Suit, The (Wilson)
Mao portraits
Maoism
Marcos, Imelda
Marisol
Marquis, Alice Goldfarb, Art Czar
Martin, Homer Dodge
Martini & Rossi wines
Mass production
and authentication
and stardom
McCall’s magazine
McCarthy era
banned books
and modern art
McGovern, George
Mercury Theater
MGM Studios
Midgette, Allen (Warhol impersonator)
Miller, Arthur
Minelli, Liza
Miró, Joan
Misogyny
Modernist art
as Communistic
Eisenhower on
male-dominated
and Pop Art
public reaction
state-promoted
Monroe, Marilyn
Moravia, Alberto
Moses, Robert
Mother, of Andy Warhol rue
Motherwell, Robert
Museum of Modern Art (MoMA)
buys Soup Cans
My Hustler (film)
Nagy, Tibor de
Name, Billy
Name, cult of
Nancy (Warhol painting)
National Security Council
“Nation’s Nightmare, The” (radio program)
New York City
art world, post-World War II
Warhol moves to
New York School, of art
New York State Pavilion , 1964 World’s Fair
New York Times
Newman, Barnett
Nicholson, Ivy
Nixon, Richard
Noble Savage
Nosepicker (The Broad Gave Me My Face, but I Can Pick My Own Nose) (painting)
Nude Restaurant (film)
Oldenburg, Claes
Ondine
100 Cans (Warhol)
Organization Man, The (Whyte)
OSS (Office of Strategic Services)
Outer Limits, The (TV Show)
Packard, Vance, The Hidden Persuaders
Pahlavi, Mohamad Reza,
Shah of Iran
Paolozzi, Arman
Paolozzi, Eduardo
Parents, of Andy Warhol
Parker, Tyler
Parody, of history paintings
Parsons, Betty
Partisan Review
Pasadena Art Museum
Patriarchy
Pearlstein, Philip
Perec, Georges
Performance art
Personality, of Warhol
Picabia, Francis
Pickens, Alton
Pistoletto, Michaelangelo
Pittsburgh Associated Artists
Plaigarism
Planning Coordination Group, of the CIA
Polio vaccine
Pollock, Jackson
Blue Poles
Pop Art
and Abstract Expressionism
acquires name
British
and consumer culture
early influences
as fine art
founded
myth of isolated artists
as “populist”
public reaction
subjects of
techniques
POPism (Warhol and Hackett)
Portrait work, of Warhol
Poverty, increasing
Presley, Elvis
Propaganda, art as
Proper name, cult of the
Psychological problems, of Warhol
Public relations industry
Punk
�
��Queer Andy” (Watney)
Race riots
Racism
Radio, 1920s and ‘30s
Ramos, Mel
Randall, Tony
Rauschenberg, Robert
Ray, Man
Rayesse, Martial
Reagan, Ronald, era
Reality vs. images
Rebel Without a Cause (film)
Reisman, David, The Lonely Crowd
Religion, theme of
Representationalism
Retinal vs. anti-retinal
Richter, Gerhard
Rivers, Larry
Rockfeller, Nelson
Rockwell, Norman
Rosenberg, Harold
Rosenquist, James
Rothko, Mark
Ruscha, Ed
Salk, Jonas
San Diego Surf (film)
Sartre, Jean-Paul
Saturday Evening Post
Schamberg, Morton Livingston
Schine, David
School of Fine Arts, Carnegie Technical Institute
Schwitters, Kurt
SCUM Manifesto (Solanas)
Sedgwick, Edie
Segal, George
Serendipity Café
Sexuality
homophobia
homosexuality
repression of
of Warhol
Shadow, The (radio program)
Shahn, Ben
Shenley High School
Shirley’s Pin-Up Bar
Shoe pictures
Siblings, of Andy Warhol
Silkscreen technique
Silver Clouds (Warhol)
Simenon, Georges
Sinclair, Upton
Sirk, Douglas
Smith, Jack
Smith, Kate
Snow, Edgar
Soby, James Thrall
Socialist Realism
Society of the Spectacle
Solanas, Valerie
SCUM Manifesto
Sonnabend Gallery
Soup Cans (Warhol)
artists’ reactions
critics’ opinions
and John F. Kennedy assassination
monetary value
mythologized
political nature of
production of
Southern, Terry, Dr. Strangelove (screenplay)
Soviet Union
art of
missile sites, in Warhol painting
Spillane, Mickey
St. John Chrysostom Eastern Rite Greek Catholic Church
Stardom, and mass production
Stein, Jean, Edie
Stettheimer, Florine
Storm Door (Warhol)
Studio
Subversive nature, of Warhol’s work
Sullavan, Margaret
Sunday New York Times
Superman (Warhol painting)
Surrealism
Sweeney, James Johnson
Taeuber, Sophie
Tavel, Ron
Taylor, Elizabeth
Technology
Television programs, Cold War
Thalberg, Irving
Theater of the Ridiculous
Thirteen Most Wanted Men (Warhol)
Time capsules
Time magazine
Tooker, George
200 Cans (Warhol)
Twilight Zone, The (TV show)
United States Information Agency (USIA)