The Earth's Children Series 6-Book Bundle

by Jean M. Auel

  She stuffed the birds with their own eggs nested in the greens—three eggs in one bird and four in the other. She had always wrapped grape leaves around the ptarmigan before they were lowered into the pit, but grapes did not grow in the valley. She remembered fish was sometimes cooked wrapped in fresh hay, and decided that would work for fowl. After the birds were resting in the bottom of the pit, she piled more grass on top, then rocks, and covered it all with dirt.

  Jondalar had an array of antler, bone, and stone flint-knapping implements spread out, some of which Ayla recognized. Some, though, were totally unfamiliar. She opened her bundle and arranged her implements within easy reach, then sat down and spread the leather over her lap. It was good protection; flint could shatter into very sharp slivers. She glanced at Jondalar. He was looking over the pieces of bone and stone she had set out with great interest.

  He moved several nodules of flint closer to her. She noticed two within easy reach—and thought of Droog. A good toolmaker’s ability began with selection, she recalled. She wanted stone with a fine grain, looked them over, then chose the smaller one. Jondalar was nodding his head in unconscious approval.

  She thought of the youngster who had shown an inclination for toolmaking before he was hardly toddling. “Did you always know you would work the stone?” she asked.

  “For a while I thought I might be a carver, perhaps even serve the Mother, or work with Those Who Served Her.” A touch of pain and poignant yearning crossed his features. “Then I was sent to live with Dalanar and learned to be a stone knapper instead. It was a good choice—I enjoy it and have some skill. I would never have been a great carver.”

  “What is a ‘carver,’ Jondalar?”

  “That’s it! That’s what is missing!” Ayla jumped with startled consternation. “There are no carvings, no paintings, no beads, no decorations at all. Not even colors.”

  “I don’t understand …”

  “I’m sorry, Ayla. How could you know what I’m talking about? A carver is someone who makes animals out of stone.”

  Ayla frowned. “How can someone make an animal out of stone? An animal is blood and meat; it lives and breathes.”

  “I don’t mean a real animal. I mean an image, a representation. A carver makes the likeness of an animal out of stone—makes the stone look like an animal. Some carvers make images of the Great Earth Mother, too, if they receive a vision of Her.”

  “A likeness? Out of stone?”

  “Out of other things, too. Mammoth ivory, bone, wood, antler. I’ve heard that some people make images out of mud. For that matter, I’ve seen some pretty good likenesses out of snow.”

  Ayla had been shaking her head, struggling to understand, until he said snow. Then she remembered one winter day when she had piled bowls of snow against the wall near the cave. Hadn’t she, for a while, imagined the likeness of Brun in that pile of snow?

  “A likeness out of snow? Yes,” she nodded, “I think I understand.”

  He wasn’t sure if she did, but he could think of no way to make it plainer with no carving to show her. How drab her life must have been, he thought, growing up with flatheads. Even her clothes are no more than serviceable. Did they just hunt and eat and sleep? They don’t even appreciate the Gifts of the Mother. No beauty, no mystery, no imagination. I wonder if she can understand what she missed.

  Ayla picked up the small boulder of flint and examined it closely, trying to decide where to start. She would not make a hand axe—even Droog considered them rather simple tools, though very useful. But she didn’t think that was the technique Jondalar wanted to see. She reached for an item missing from the man’s tool kit: the foot bone of a mammoth—the resilient bone that would support the flint while she worked it, so the stone would not shatter. She pulled it around until it was comfortably between her legs.

  Next she picked up her hammerstone. There was no real difference between her stone striker and his, except hers was smaller to better fit her hand. Holding the flint firmly on the mammoth-bone anvil, Ayla struck with force. A piece of the cortex, the outer covering, fell away, exposing the dark gray material inside. The piece she had flaked off had a thick bulge where the hammerstone had struck—the bulb of percussion—and tapered to a thin edge on the opposite end. It could have been used as a cutting implement, and the first knives ever made were just such sharp-edged flakes, but the tools Ayla wanted to make required a far more advanced and complex technique.

  She studied the deep scar left on the core, the negative impression of the flake. The color was right; the texture was smooth, almost waxy; there was no foreign matter imbedded within it. Good tools could be made from this stone. She struck off another piece of the cortex.

  As she continued to chip away, Jondalar could see she was shaping the stone as she removed the chalky coating. When it was off, she continued to knock off a bit here, an unwanted bump there, until the nucleus of flint was shaped like a somewhat flattened egg. Then she exchanged the hammerstone for a sturdy length of bone. Turning the core on its side, and working from the edge toward the center, she struck off pieces from the top end with the bone hammer. The bone was more elastic and the pieces of flint that fell away were longer and thinner with a flatter bulb of percussion. When she was through, the large stone egg had a rather flat oval top, as though the tip had been sliced off.

  Then she stopped, and, reaching for the amulet hanging around her neck, she closed her eyes and sent a silent thought to the spirit of the Cave Lion. Droog had always called upon the help of his totem to accomplish the next step. Luck was needed as well as skill, and she was nervous with Jondalar watching her so closely. She wanted to do it right, sensing there was more importance to the making of these tools than to the tools themselves. If she spoiled the stone, it would cast doubt on the ability of Droog and the entire Clan, no matter how many times she might explain that she was not an expert.

  Jondalar had noticed her amulet before, but, watching her hold it in both her hands with closed eyes, he wondered what significance it held. She seemed to handle it with reverence, almost as he would handle a donii. But a donii was a carefully sculpted figure of a woman in all her motherly abundance, a symbol of the Great Earth Mother, and the wondrous mystery of creation. Certainly no lumpy leather pouch could hold the same meaning.

  Ayla took up the bone hammer again. In order to cleave a flake from the core that would have the same dimension as the flat oval top, but with sharp straight edges, there was one important preliminary step—a striking platform. She had to detach a small chip that would leave a dent at the edge of the flat face that had a surface perpendicular to the flake she ultimately wanted.

  Grasping the nucleus of the flint firmly to hold it steady, the woman took careful aim. She had to gauge the force as well as the placement: not enough and the chip would have the wrong angle, too much and she would shatter the carefully shaped edge. She took a breath and held it, then brought the bone hammer down with a sharp tap. The first was always important. If it went well, it presaged good luck. A small chip flew away, and she let herself breathe again when she saw the indentation.

  Changing the angle at which she held the core, she struck again, with more force. The bone hammer landed squarely in the dent, and a flake fell away from the prefabricated core. It had the shape of a long oval. One side was the flat surface she had made. The reverse side was the inner bulbar face, which was smooth, thicker at the end that was struck, and narrowed down to a razor-sharp edge all the way around.

  Jondalar picked it up. “This is a difficult technique to master. You need strength and precision both. Look at the edge! This is not a crude tool.”

  Ayla expelled a tremendous sigh of relief and felt the warm glow of accomplishment—and something more. She had not let the Clan down. In truth, she represented them better because she was not born to the Clan. Though he would have tried, this man, so skilled in the craft himself, had he been observing a member of the Clan, would have been too aware of the performer to o
bjectively judge the performance.

  Ayla watched him turning the flake of stone over in his hand, then, suddenly, felt a peculiar inner shift. She was gripped by an uncanny chill, and seemed to be observing the two of them from a distance, as though she were outside herself.

  A vivid memory burst upon her of a time when she had experienced a similar disorientation. She was following lighted stone lamps deep into a cave and she watched herself clutching at the damp stone as she was inexplicably drawn toward a small lighted space screened by thick columns of stalactites in the heart of the mountain.

  Ten mog-urs were sitting in a circle around a fire, but it was The Mog-ur—Creb himself—whose powerful mind, amplified and assisted by the drink Iza had told Ayla how to make for the magicians, discovered her presence. She had consumed the powerful substance too, unintentionally, and her mind was reeling out of control. It was The Mog-ur who drew her back from the deep abyss within, and took her with him on a frightening and fascinating journey of the mind back to primordial beginnings.

  In the process, the greatest holy man of the Clan, whose brain was unique even among his own kind, forged new pathways in her brain where only vestigial tendencies had been. But while it resembled his, her brain was not the same. She could move back with him and his memories to their mutual beginning, and through each stage of development, but he could not go as far when she came back to herself—and went a step beyond.

  Ayla did not understand what had hurt Creb so deeply, she only knew it had changed him, and their relationship. Nor did she understand the changes he had wrought, but for an instant she felt with utter certainty that she had been sent to the valley for a purpose that included the tall blond man.

  As she saw herself and Jondalar on the rocky beach of the remote valley, aberrant currents of light and motion, forming out of a numinous thickening of the air and disappearing into emptiness, surrounded them, joining them. She felt a vague sense of her own destiny as a pivotal nexus of many strands linking past, present, and future through a crucial transition. A deep cold swept over her, she gasped, and, with a startled jerk, she was looking at a furrowed brow and a concerned face. She shuddered to dispel an eerie sense of unreality.

  “Are you all right, Ayla?”

  “Yes. Yes, I’m fine.”

  An unaccountable chill had raised gooseflesh and the hair on the back of his neck. He felt a strong urge to protect her, but he didn’t know what threatened. It lasted only an instant, and he tried to shrug it off, but uneasiness lingered.

  “I think the weather is about to change,” he said. “I felt a cold wind.” They both looked up at the clear blue sky unmarked by clouds.

  “It’s the season for thunderstorms—they can blow up fast.”

  He nodded, and then, to grasp at substance, he turned the subject back to the hard practicalities of toolmaking.

  “What is your next step, Ayla?”

  The woman bent back to her task. With careful concentration, she flaked off five more sharp-edged ovals of flint, and after a final examination of the butt of stone to see if one more usable flake might be detached, she threw it aside.

  She turned then to the six flakes of gray flint and picked up the thinnest of them. With a smooth, flattened round stone, she retouched one long sharp edge, blunting it for a back and shaping a point at the narrow end opposite the bulge made by the impact of percussion. When she was satisfied, she held it out to Jondalar in the flat of her palm.

  He took it and inspected it carefully. In cross section it was rather thick, but tapered to a thin, sharp cutting edge along its length. It was wide enough to be held in the hand comfortably, and the back was dulled so it would not cut the user. In some ways it resembled a Mamutoi spear point, he thought, but it was never intended to be hafted to shaft or handle. It was a handheld knife, and from observing her using a similar one, he knew it was surprisingly efficient.

  Jondalar put it down and nodded to her to continue. She picked up another thick stone flake, and, using the canine tooth of an animal, she chipped off fine splinters from the end of the oval. The process dulled it only slightly, enough to strengthen the edge so the sharp rounded end would not crush when used to scrape hair and grain from hides. Ayla put it down and picked up another piece.

  She put a large smooth beach stone on the mammoth-foot-bone anvil. Then, using pressure with the pointed-tooth retoucher against the stone, she made a V-shaped notch in the middle of one long sharp edge, large enough to shave the end of a spear shaft to a point. On a longer oval flake, using a similar technique, she made a tool which could be used to pierce holes in leather, or bore holes in wood, antler, or bone.

  Ayla didn’t know what other kinds of tools she might need, and she decided to leave the last two stone flakes as blanks for later. Pushing the mammoth bone out of the way, she gathered up the ends of the hide and carried it to the midden around the wall to shake it out. Splinters of flint were sharp enough to cut even the toughest of bare feet. He hadn’t said anything about her tools, but she noticed Jondalar turning them over and holding them in his hand as though to try them.

  “I’d like to use your lap cover,” he said.

  She gave it to him, glad her demonstration was over and anticipating his. He spread the leather hide over his lap, then closed his eyes and thought about the stone, and what he would do with it. Then he picked up one of the flint nodules he had brought to the site and inspected it.

  The hard siliceous mineral had been torn loose from chalk deposits laid down during the cretaceous period. It still bore traces of its origin in the chalky outer covering, though it had been disgorged with the raging flood through the narrow canyon upstream and flung onto the rocky beach. Flint was the most effective material, occurring naturally, for making tools. It was hard, and yet, due to its minute crystal structure, it could be worked; its shape was limited only by the skill of the knapper.

  Jondalar was looking for the distinctive characteristics of chalcedony flint, the purest and clearest. Any stones with cracks or fissures he discarded, as well as those that made a sound when tapped with another stone—indicating, to his ear, flaws or inclusions. He finally selected one.

  Supporting it with his thigh, he held it with his left hand, and, with his right, he reached for the hammerstone and juggled it to get the right feel. It was new, still unfamiliar, and each hammerstone had its own individuality. When it felt right, he held the flint firmly, and struck. A large piece of the gray-white cortex fell away. Inside, the flint was a paler shade of gray than the one Ayla had worked, with a bluish sheen. Fine-grained. A good stone. A good sign.

  He struck again, and again. Ayla was familiar enough with the process to recognize his expertise immediately. He far surpassed any skill she had. The only one she’d ever seen who could shape the stone with such certain confidence was Droog. But the shape Jondalar was giving to his stone was not like any made by the Clan toolmaker. She bent closer to watch.

  Rather than egg-shaped, Jondalar’s core was becoming more cylindrical, but not exactly circular. By flaking pieces from both sides, he was creating a ridge which ran the length of the cylinder. The ridge was still rough and wavy when the cortex was removed, and he put the hammerstone down to pick up a solid length of antler that had been cut off below the first fork to eliminate all branches.

  With the antler hammer, he chipped off smaller pieces to make the ridge straight. He was preparing his core also, but he was not planning to remove thick flakes with a predetermined shape—that much was obvious to Ayla. When he was finally satisfied with the ridge, he picked up another implement, one she had been curious about. This was also made from a section of a big antler, longer than the first, and, rather than being cut off below the fork, two branches projected from the central stem, and the bottom of it had been shaped into a point.

  Jondalar got up and held the flint core with his foot. Then he placed the point of the forked antler just above the ridge he had so carefully shaped. He held the upper protruding branch
so that the lower one faced front and jutted out. Then, with a heavy length of a long bone, he tapped the jutting tine.

  A thin blade fell away. It was as long as the cylinder of stone, but only about a sixth as wide as the length. He held it up to the sun and showed it to Ayla. Translucent light filtered through. The ridge he had so carefully shaped ran down the center of the outside face for the full length, and it had two very sharp cutting edges.

  With the point of the antler punch placed directly on the flint, he had not had to aim as carefully or gauge distance as closely. The force of the percussion was directed exactly where he wanted it, and with the force of the blow dispersed between two intermediate resilient objects—the bone hammer and the antler punch—there was almost no percussion bulge. The blade was long and narrow, and uniformly thin. Without having to judge the strength of his strike as carefully, he had far more control over the results.

  Jondalar’s stone-working technique was a revolutionary improvement, but as important as the blade it produced was the scar it left behind on the core. The ridge he had made was gone. In its place was a long trough with two ridges on either side. That had been the purpose of the careful pre-working. He moved the tip of the punch over so that it was above one of the new ridges, then tapped again with the bone hammer. Another long narrow blade fell off, leaving two more ridges behind. He moved the punch again, above another of the ridges, detached another blade, and created more ridges.

  When he finally ran out of usable material, not six, but twenty-five blades were lined up in a row—more than four times the useful cutting edge from the same amount of stone: more than four times the number of blanks. Long and thin, with surgically sharp edges, the blades were usable as cutting implements as they were, but they were not his finished product. They would be further shaped for a multitude of uses, primarily to make other tools. Depending on the shape and quality of the flint nodule, not four, but up to six or seven times the usable number of blanks for tools could be made from stones of the same size with the more advanced technique. The new method not only gave the toolmaker more control, it gave his people an unparalleled advantage.