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Complete Works of Lewis Carroll

Page 93

by Lewis Carroll


  On the charge of deserting its sty.

  The Witnesses proved, without error or flaw,

  That the sty was deserted when found:

  And the Judge kept explaining the state of the law

  In a soft under-current of sound.

  The indictment had never been clearly expressed,

  And it seemed that the Snark had begun,

  And had spoken three hours, before any one guessed

  What the pig was supposed to have done.

  The Jury had each formed a different view

  (Long before the indictment was read),

  And they all spoke at once, so that none of them knew

  One word that the others had said.

  "You must know—" said the Judge: but the Snark exclaimed "Fudge!"

  That statute is obsolete quite!

  Let me tell you, my friends, the whole question depends

  On an ancient manorial right.

  "In the matter of Treason the pig would appear

  To have aided, but scarcely abetted:

  While the charge of Insolvency fails, it is clear,

  If you grant the plea 'never indebted.'

  "The fact of Desertion I will not dispute;

  But its guilt, as I trust, is removed

  (So far as related to the costs of this suit)

  By the Alibi which has been proved.

  "My poor client's fate now depends on your votes."

  Here the speaker sat down in his place,

  And directed the Judge to refer to his notes

  And briefly to sum up the case.

  But the Judge said he never had summed up before;

  So the Snark undertook it instead,

  And summed it so well that it came to far more

  Than the Witnesses ever had said!

  When the verdict was called for, the Jury declined,

  As the word was so puzzling to spell;

  But they ventured to hope that the Snark wouldn't mind

  Undertaking that duty as well.

  So the Snark found the verdict, although, as it owned,

  It was spent with the toils of the day:

  When it said the word "GUILTY!" the Jury all groaned,

  And some of them fainted away.

  Then the Snark pronounced sentence, the Judge being quite

  Too nervous to utter a word:

  When it rose to its feet, there was silence like night,

  And the fall of a pin might be heard.

  "Transportation for life" was the sentence it gave,

  "And then to be fined forty pound."

  The Jury all cheered, though the Judge said he feared

  That the phrase was not legally sound.

  But their wild exultation was suddenly checked

  When the jailer informed them, with tears,

  Such a sentence would have not the slightest effect,

  As the pig had been dead for some years.

  The Judge left the Court, looking deeply disgusted:

  But the Snark, though a little aghast,

  As the lawyer to whom the defense was entrusted,

  Went bellowing on to the last.

  Thus the Barrister dreamed, while the bellowing seemed

  To grow every moment more clear:

  Till he woke to the knell of a furious bell,

  Which the Bellman rang close at his ear.

  Fit the Seventh

  THE BANKER'S FATE

  They sought it with thimbles, they sought it with care;

  They pursued it with forks and hope;

  They threatened its life with a railway-share;

  They charmed it with smiles and soap.

  And the Banker, inspired with a courage so new

  It was matter for general remark,

  Rushed madly ahead and was lost to their view

  In his zeal to discover the Snark

  But while he was seeking with thimbles and care,

  A Bandersnatch swiftly drew nigh

  And grabbed at the Banker, who shrieked in despair,

  For he knew it was useless to fly.

  He offered large discount—he offered a cheque

  (Drawn "to bearer") for seven-pounds-ten:

  But the Bandersnatch merely extended its neck

  And grabbed at the Banker again.

  Without rest or pause—while those frumious jaws

  Went savagely snapping around—

  He skipped and he hopped, and he floundered and flopped,

  Till fainting he fell to the ground.

  The Bandersnatch fled as the others appeared

  Led on by that fear-stricken yell:

  And the Bellman remarked "It is just as I feared!"

  And solemnly tolled on his bell.

  He was black in the face, and they scarcely could trace

  The least likeness to what he had been:

  While so great was his fright that his waistcoat turned white—

  A wonderful thing to be seen!

  To the horror of all who were present that day.

  He uprose in full evening dress,

  And with senseless grimaces endeavoured to say

  What his tongue could no longer express.

  Down he sank in a chair—ran his hands through his hair—

  And chanted in mimsiest tones

  Words whose utter inanity proved his insanity,

  While he rattled a couple of bones.

  "Leave him here to his fate—it is getting so late!"

  The Bellman exclaimed in a fright.

  "We have lost half the day. Any further delay,

  And we sha'nt catch a Snark before night!"

  Fit the Eighth

  THE VANISHING

  They sought it with thimbles, they sought it with care;

  They pursued it with forks and hope;

  They threatened its life with a railway-share;

  They charmed it with smiles and soap.

  They shuddered to think that the chase might fail,

  And the Beaver, excited at last,

  Went bounding along on the tip of its tail,

  For the daylight was nearly past.

  "There is Thingumbob shouting!" the Bellman said,

  "He is shouting like mad, only hark!

  He is waving his hands, he is wagging his head,

  He has certainly found a Snark!"

  They gazed in delight, while the Butcher exclaimed

  "He was always a desperate wag!"

  They beheld him—their Baker—their hero unnamed—

  On the top of a neighboring crag.

  Erect and sublime, for one moment of time.

  In the next, that wild figure they saw

  (As if stung by a spasm) plunge into a chasm,

  While they waited and listened in awe.

  "It's a Snark!" was the sound that first came to their ears,

  And seemed almost too good to be true.

  Then followed a torrent of laughter and cheers:

  Then the ominous words "It's a Boo-"

  Then, silence. Some fancied they heard in the air

  A weary and wandering sigh

  Then sounded like "-jum!" but the others declare

  It was only a breeze that went by.

  They hunted till darkness came on, but they found

  Not a button, or feather, or mark,

  By which they could tell that they stood on the ground

  Where the Baker had met with the Snark.

  In the midst of the word he was trying to say,

  In the midst of his laughter and glee,

  He had softly and suddenly vanished away—-

  For the Snark was a Boojum, you see.

  THE END

  THREE SUNSETS AND OTHER POEMS

  CONTENTS

  THREE SUNSETS.

  THE PATH OF ROSES.

  THE VALLEY OF THE SHADOW OF DEATH.

  SOLITUDE.

  FAR AWAY.

  BEATRICE.

>   STOLEN WATERS.

  THE WILLOW-TREE.

  ONLY A WOMAN’S HAIR.

  THE SAILOR’S WIFE.

  AFTER THREE DAYS.

  FACES IN THE FIRE.

  A LESSON IN LATIN.

  PUCK LOST AND FOUND.

  A SONG OF LOVE.

  PREFACE.

  Nearly the whole of this volume is a reprint of the serious portion of Phantasmagoria and other Poems, which was first published in 1869 and has long been out of print. “The Path of Roses” was written soon after the Crimean War, when the name of Florence Nightingale had already become a household-word. “Only a Woman’s Hair” was suggested by a circumstance mentioned in The Life of Dean Swift, viz., that, after his death, a small packet was found among his papers, containing a single lock of hair and inscribed with those words. “After Three Days” was written after seeing Holman Hunt’s picture, The Finding of Christ in the Temple.

  The two poems, “Far Away” and “A Song of Love”, are reprinted from Sylvie and Bruno and Sylvie and Bruno Concluded, books whose high price (made necessary by the great cost of production) has, I fear, put them out of the reach of most of my readers. “A Lesson in Latin” is reprinted from The Jabberwock, a Magazine got up among the Members of “The Girls’ Latin School, Boston, U.S.A.” The only poems, here printed for the first time, are put together under the title of “Puck Lost and Found,” having been inscribed in two books—Fairies, a poem by Allingham, illustrated by Miss E. Gertrude Thomson, and Merry Elves, a story-book, by whom written I do not know, illustrated by C. O. Murray—which were presented to a little girl and boy, as a sort of memento of a visit paid by them to the author one day, on which occasion he taught them the pastime—dear to the hearts of children—of folding paper-“pistols,” which can be made to imitate, fairly well, the noise of a real one.

  Jan., 1898.

  THREE SUNSETS.

  He saw her once, and in the glance,

  A moment’s glance of meeting eyes,

  His heart stood still in sudden trance:

  He trembled with a sweet surprise—

  All in the waning light she stood,

  The star of perfect womanhood.

  That summer-eve his heart was light:

  With lighter step he trod the ground:

  And life was fairer in his sight,

  And music was in every sound:

  He blessed the world where there could be

  So beautiful a thing as she.

  There once again, as evening fell

  And stars were peering overhead,

  Two lovers met to bid farewell:

  The western sun gleamed faint and red,

  Lost in a drift of purple cloud

  That wrapped him like a funeral-shroud.

  Long time the memory of that night—

  The hand that clasped, the lips that kissed,

  The form that faded from his sight

  Slow sinking through the tearful mist—

  In dreamy music seemed to roll

  Through the dark chambers of his soul.

  So after many years he came

  A wanderer from a distant shore:

  The street, the house, were still the same,

  But those he sought were there no more:

  His burning words, his hopes and fears,

  Unheeded fell on alien ears.

  Only the children from their play

  Would pause the mournful tale to hear,

  Shrinking in half-alarm away,

  Or, step by step, would venture near

  To touch with timid curious hands

  That strange wild man from other lands.

  He sat beside the busy street,

  There, where he last had seen her face:

  And thronging memories, bitter-sweet,

  Seemed yet to haunt the ancient place:

  Her footfall ever floated near:

  Her voice was ever in his ear.

  He sometimes, as the daylight waned

  And evening mists began to roll,

  In half-soliloquy complained

  Of that black shadow on his soul,

  And blindly fanned, with cruel care,

  The ashes of a vain despair.

  The summer fled: the lonely man

  Still lingered out the lessening days;

  Still, as the night drew on, would scan

  Each passing face with closer gaze—

  Till, sick at heart, he turned away,

  And sighed “she will not come to-day.”

  So by degrees his spirit bent

  To mock its own despairing cry,

  In stern self-torture to invent

  New luxuries of agony,

  And people all the vacant space

  With visions of her perfect face.

  Then for a moment she was nigh,

  He heard no step, but she was there;

  As if an angel suddenly

  Were bodied from the viewless air,

  And all her fine ethereal frame

  Should fade as swiftly as it came.

  So, half in fancy’s sunny trance,

  And half in misery’s aching void

  With set and stony countenance

  His bitter being he enjoyed,

  And thrust for ever from his mind

  The happiness he could not find.

  As when the wretch, in lonely room,

  To selfish death is madly hurled,

  The glamour of that fatal fume

  Shuts out the wholesome living world—

  So all his manhood’s strength and pride

  One sickly dream had swept aside.

  Yea, brother, and we passed him there,

  But yesterday, in merry mood,

  And marveled at the lordly air

  That shamed his beggar’s attitude,

  Nor heeded that ourselves might be

  Wretches as desperate as he;

  Who let the thought of bliss denied

  Make havoc of our life and powers,

  And pine, in solitary pride,

  For peace that never shall be ours,

  Because we will not work and wait

  In trustful patience for our fate.

  And so it chanced once more that she

  Came by the old familiar spot:

  The face he would have died to see

  Bent o’er him, and he knew it not;

  Too rapt in selfish grief to hear,

  Even when happiness was near.

  And pity filled her gentle breast

  For him that would not stir nor speak

  The dying crimson of the west,

  That faintly tinged his haggard cheek,

  Fell on her as she stood, and shed

  A glory round the patient head.

  Ah, let him wake! The moments fly:

  This awful tryst may be the last.

  And see, the tear, that dimmed her eye,

  Had fallen on him ere she passed—

  She passed: the crimson paled to gray:

  And hope departed with the day.

  The heavy hours of night went by,

  And silence quickened into sound,

  And light slid up the eastern sky,

  And life began its daily round—

  But light and life for him were fled:

  His name was numbered with the dead.

  Nov., 1861.

  THE PATH OF ROSES.

  In the dark silence of an ancient room,

  Whose one tall window fronted to the West,

  Where, through laced tendrils of a hanging vine,

  The sunset-glow was fading into night,

  Sat a pale Lady, resting weary hands

  Upon a great clasped volume, and her face

  Within her hands. Not as in rest she bowed,

  But large hot tears were coursing down her cheek,

  And her low-panted sobs broke awefully

  Upon the sleeping echoes of the night.

  Soon she unclasp’d the volume once ag
ain,

  And read the words in tone of agony,

  As in self-torture, weeping as she read:—

  “He crowns the glory of his race:

  He prayeth but in some fit place

  To meet his foeman face to face:

  “And, battling for the True, the Right,

  From ruddy dawn to purple night,

  To perish in the midmost fight:

  “Where hearts are fierce and hands are strong,

  Where peals the bugle loud and long,

  Where blood is dropping in the throng:

  “Still, with a dim and glazing eye,

  To watch the tide of victory,

  To hear in death the battle-cry:

  “Then, gathered grandly to his grave,

  To rest among the true and brave,

  In holy ground, where yew-trees wave:

  “Where, from church-windows sculptured fair,

  Float out upon the evening air

  The note of praise, the voice of prayer:

  “Where no vain marble mockery

  Insults with loud and boastful lie

  The simple soldier’s memory:

  “Where sometimes little children go,

  And read, in whisper’d accent slow,

  The name of him who sleeps below.”

  Her voice died out: like one in dreams she sat.

  “Alas!” she sighed. “For what can Woman do?

  Her life is aimless, and her death unknown:

  Hemmed in by social forms she pines in vain.

  Man has his work, but what can Woman do?”

  And answer came there from the creeping gloom,

  The creeping gloom that settled into night:

  “Peace! For thy lot is other than a man’s:

  His is a path of thorns: he beats them down:

 

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