Steal This Book

by Abbie Hoffman

  BURIALS

  For ways to avoid the high cost of dying in Amerika, write to: Continental Association, 39 East Van Buren St., Chicago, Ill. 60605. Send them $1.00 for the Manual of Simple Burial and 25¢ for a list of Memorial Associates.

  ASTRODOME PICTURES

  Don’t you just have to have a huge, glossy color photo of Houston’s famed Astrodome to show all your friends? Use the teacher bit and write to: Greater Houston Convention and Visitors Council, 1600 Main St., Houston, Texas 77002.

  DIPLOMA

  Above the paper towel dispenser in a service station restroom was written: “San Francisco State Diplomas.” If you really need a college or a high school diploma, send $2.00 to Glenco, Box 834, Warren, Michigan 48090. They send you one that looks real authentic. It ain’t Harvard, but it looks good enough to frame and put on your wall.

  TOILETS

  Sneak Under!

  FIGHT!

  1. TELL IT ALL, BROTHERS AND SISTERS

  STARTING A PRINTING WORKSHOP

  Leaflets, posters, newsletters, pamphlets and other printed matter are important to any revolution. A printing workshop is a definite need in all communities, regardless of size. It can vary from a garage with a mimeograph machine to a mammoth operation complete with printing presses and fancy photo equipment.

  With less than a hundred dollars and some space, you can begin this vital service. It’ll take a while before you get into printing greenbacks, phony identification papers and credit cards like the big boys, but to walk a mile you must start with one step as Gutenberg once said.

  Paper

  The standard size for paper is 8½” × 11”. It comes 500 sheets to a “ream” and 10 reams to a case. You want a 16-20 bond weight sheet. The higher weights are better if you are printing on both sides. You can purchase what are termed “odd lots” from most paper companies. This means that the colors will be assorted and some sheets will be frayed at the edges or wrinkled. Odd lots can be purchased at great discounts. Some places sell paper this way for 10% of the original price and for leaflets, different colors help. Check this out with paper suppliers in your area.

  Ink

  Inks come in pastes and liquids and are available in stationary stores and office supply houses. Each machine requires its own type ink, so learn what works best with the one you have. Colored ink is slightly more expensive but available for most machines.

  Stencils

  Each machine uses a particular size and style stencil. If you get stuck with the wrong kind and can’t get out to correct the mistake, you can punch extra holes in the top, trim them with a scissors if they are too big or add strips of tape to the sides if too narrow.

  Be sure and use only the area that will fit on the paper you are using. Most stencils can be used for paper larger than standard size. Stencils will “cut” a lot neater if an electric typewriter is used. If you only have access to e manual machine, remove the ribbon so the keys will strike the stencil directly. A plastic sheet, provided by the supplier, can be inserted between the stencil and its backing to provide sharper cuts by the keys. If you hold the stencil up to a light, you should be able to clearly see the typing. If you can’t, you’ll have to apply more pressure.

  Sketches can be done with a ball point pen or special stylus directly on the stencil. If you’re really rushed, or there isn’t that much info to get on the leaflet, you can hand-print the text using these instruments. Take care not to tear the stencil.

  Mimeograph Machines

  The price of a new mimeograph runs from $200 to $1200, depending on how sophisticated a machine you need and can afford. A.B. Dick and Gestetner are the most popular brands. Many supply houses have used machines for sale.

  Check the classified section for bargains. See if any large corporations are moving, going out of business or have just had a fire. Chances are they’ll be unloading printing equipment at cheap prices. Campaign offices of losing candidates often have mimeos to unload in November. Many supply houses have renting and leasing terms that you might be interested in considering. Have an idea of the work load and type of printing you’ll be handling before you go hunting. Talk to someone who knows what they’re doing before you lay down a lot of cash on a machine.

  Duplicators

  We prefer duplicators to mimeos even though the price is a little higher. They work faster, are easier to operate and print clearer leaflets. The Gestener Silk Screen Duplicator is the best bet. It turns out stuff almost as good as offset printing. You can do 10 thousand sheets an hour in an assortment of colors.

  Electronic Stencils

  If you use electronic stencils you can do solid lettering, line drawings, cartoons and black and white pictures with good contrast. To make an electronic stencil, you map out on a sheet of paper everything you want printed. This is a photo process, so make sure only what you want printed shows up on the sheet. You can use a light blue pencil for guide lines as it won’t photograph, but be neat anyway. Printing shops will cut a stencil on a special machine for about $3.00.

  The Gestefax Electronic Stencil Cutter can be leased or rented in the same way as the duplicator. If you are doing a lot of printing for a number of different groups, this machine will eliminate plenty of hassle. The stencils cost about 20¢ each and take about fifteen minutes to make.

  If you have an electronic stencil cutter, duplicator, electric typewriter and a cheap source of paper, you can do almost any printing job imaginable. Have a dual rate system: one for community groups and another for regular business orders. You can use the profits to go towards the purchasing of more equipment and to build toward the day when you can get your own offset press.

  Silk Screening

  Posters banners and shirts that are unbelievable can be printed by this exciting method. The process is easy to learn and teach. You’ll need a fairly large area to work in since the posters have to be hung up to dry. Pick up any inexpensive paperback book on silk screening. The equipment costs less than $50.00 to begin. Once you get good at it, you can print complicated designs in a number of different colors, including portraits.

  UNDERGROUND NEWSPAPERS

  Food conspiracies, bust trusts, people’s clinics and demonstrations are all part of the new Nation, but if asked to name the most important institution in our lives, one would have to say the underground newspaper. It keeps tuned in on what’s going on in the community and around the world. Values, myths, symbols, and all the trappings of our culture are determined to a large extent by the underground press. Each office serves as a welcome mat for strangers, a meeting place for community organizers and a rallying force to fight pig repression. There are probably over 500 regularly publishing with readerships running from a few hundred to over 500,000. Most were started in the last three years. If your scene doesn’t have a paper, you probably don’t have a scene together. A firmly established paper can be started on about $2,500. Plan to begin with eight pages in black and white with a 5,000 copy run. Each such issue will cost about $300 to print. You should have six issues covered when you start. Another $700 will do for equipment. Offset printing is what you’ll want to get from a commercial printing establishment.

  You need some space to start, but don’t rush into setting up a storefront office until you feel the paper’s going to be successful. A garage, barn or spare apartment room will do just fine. Good overhead fluorescent lighting, a few long tables, a bookcase, desk, chairs, possibly a phone and you are ready to start.

  Any typewriter will work, but you can rent an IBM Selectric typewriter with a deposit of $120.00 and payments of $20.00 per month. Leasing costs twice as much, but you’ll own the machine when the payments are finished. The Selectric has interchangeable type that works on a ball system rather than the old-fashion keys. Each ball costs $18.00, so by getting a few you can vary the type the way a printer does.

  A light-table can make things a lot easier when it comes to layout. Simply build a box (3’ × 4’ is a good size, but the larger the better) out of �
�” plywood. The back should be higher than the front to provide a sloping effect. The top should consist of a shelf of frosted glass. Get one strong enough to lean on. Inside the box, attach two fluorescent light fixtures to the walls or base. The whole light table should cost less than $25.00. That really is about all you need, except someone with a camera, a few good writers who will serve as reporters, an artistic person to take care of layout, and someone to hassle printing deals, advertising and distribution. Most people start by having everyone do everything.

  Layout

  A tabloid size paper is 9 7/8” × 14 5/8” with an inch left over on each side for margins. Columns typically are 3 ¼” allowing for three per page. Experience has found that this size is easy to lay out and more importantly, easy to read.

  There is an indirect ratio between readability and academic snobbishness. Avoid the textbook look. Remember, the New York Times in its low form represents the Death Kulture.

  Start off with a huge collection of old magazines and newspapers. You can cut up all sorts of letters, borders, designs and sketches and paste them together to make eye-catching headlines. Sheets of headline type are available in different styles from art stores for $1.25 a sheet. Buy one of each type and then photograph several copies of each, bringing the price way down. The basic content in the prescribed column size should be banged out on the IBM. The columns can be clipped together with a clothespin to avoid confusion. Use a good heavy bond white opaque paper.

  All black and white photographs from newspapers and magazines can be used directly. Color pictures can also be used but it’s tricky and you’ll have to experiment a little to get an understanding of what colors photograph poorly.

  Glossy black and white photographs must be shot in half tones to keep the grey areas. You can have them processed at any photo lab. You might also need the photo lab for enlargements or reductions, so make contact and establish a good working relationship.

  An Exacto knife is available for 29¢ and you can get a package of 100 blades for $10.00. A few metal rulers, a good pair of scissors, some spray adhesive or rubber cement and you’re ready to paste the pages that will make up the “dummy” that goes to the printer. Each page is laid out on special layout sheets with faint blue guide lines that don’t photograph. Any large art supply store sells these sheets and all the other supplies.

  By working over a light-table, the paste-up can be done more professionally.

  Experiment with many different layouts for each page before finally pasting up the paper. Don’t have a picture in the corner and the rest solid columns. Print can be run over pictures and sketches by preparing two sheets for that page and shooting background in half-tones. The columns don’t have to be run straight up and down, but can run at different angles. The most newsworthy articles should be towards the front of the paper. The centerfold can be treated in an exciting manner. A good idea is to do the centerfold so that it can be used as a poster to put on a wall after the paper is read. If you have ads, they should be kept near the back. The masthead, which gives the staff, mailing address, and similar info, goes near the front. Your focus should be the local activities. A section should be reserved for a directly of local services and events. People giving things away should have a section. The rest really depends on the life style and politics of the staff.

  National stories can be supplied by one or more of the news services. Nothing in the underground press is copyrighted, so you can reprint an interesting article from another paper. It’s customary to indicate what paper printed it first, or news service it was sent out by. Any underground paper has permission to reprint hunks of this book.

  Ads

  Most papers find it necessary to get some advertising to help defray the production costs. Some rely totally on subscription; some are outgrowths of organizations and still others are printed up and just handed out free. The ones with ads seem to have the longest life. Make up an ad rate before you put out the first issue. Ads are measured in inches of length. The width is understood by everyone to be the width of the column. If you use the 3¼” column, however, you’ll want to let potential advertisers know you have wide columns.

  The way to arrive at a reasonable rate is to estimate the total budget for each issue (adding some for overhead and labor), then each page and finally each column inch. After a little arithmetic you can get a good estimate of your printing cost per inch. Using our figures throughout this section, it should come to about $2.00 per inch. Double this figure and you’ll arrive at the correct rate per advertising inch—$4.00. There should be special lower rates for large ads, such as half or full pages. There should also be a special arrangement for a continuous subscriber. If you have a classified section, another rate based on number of words or lines is constructed. A service charge is fixed if you make up the ad layout rather than the advertiser. The whole formula should be worked out and printed up before you lay out the first issue.

  The best place to get advertising is locally. Theaters, hip clothing stores, ice cream parlors, and record stores are among the type of advertisers you should approach. After you build up a circulation, you might want to seek out national advertisers. The Underground Press Syndicate, Box 26, Village Station, New York, NY 10014, can be joined for $25.00, no dues thereafter. They try to get national ads for you in addition to sending out a newsletter, a news service, and making sure you get free subscriptions to the other underground papers. The U.P.S. can also do many other things for you, like list you in their directory, obtain legal advice, and bring you together with other underground papers for mutual benefit and defense. Another way to get national advertising is to see who tends to advertise in other underground papers. Send the publicity department of these companies letters and samples of your paper. Never let ads make up more than half the paper.

  Distribution

  At the beginning you should aim for a bi-weekly paper with a gradual increase in the number of pages. The price should be about 25¢. Check out the local laws about selling papers on the street. It’s probably allowed and is a neat way to get the paper around. Give half to the street hawkers. Representatives at high schools and colleges should be sought out. Bookstores and newsstands are good places to distribute. After your paper gets going well, you might try for national distribution. The Cosmep Newsletter is put out by the Committee of Small Magazines, Editors and Publishers, PO Box 1425, Buffalo, NY 14214. In addition to good tips if you want to start a small literary magazine or publish your own book, they provide an up-to-date list of small stores around the country that would be likely to carry your paper. Subscriptions should be sought in the paper itself. If you get a lot, check out second class mailing privileges. UPS can help with out-of-city distribution.

  If you’re in a smaller town, you might have to shop around or go to another city to get printing done. Many printers print only pig swill, which brings up the point of getting busted for obscenity which can be pretty common. You probably should incorporate, but contact a sympathetic lawyer before you put out your first issue.

  During the summer there are usually a few alternative media conferences organized by one group or another. You can pick up valuable information and exchange ideas at these gatherings. UPS and the news services will keep you posted. Good luck and write on!

  HIGH SCHOOL PAPERS

  The usual high school paper is run by puppet lackeys of the administration. It avoids controversy, naughty language, and a host of other things foreign to the 4-H Club members the school is determined to mass produce. The only thing the staff is good at is kissing the principal’s ass. Let’s face it, the aim of a good high school newspaper should be to destroy the high school. Publishing and distributing a heavy paper isn’t going to earn you the Junior Chamber of Commerce good citizenship award. You might have to be a little mysterious about who the staff is until you understand the ground rules and who controls the ballpark ¾ the people or the principal.

  Many schools do not allow papers to be handed out on the
school premises.

  These cases are generally won by the newspapers that take the school to court.

  You can challenge the rule and make the administration look like the dinosaurs they are by distributing sheets of paper with only your logo and the school rule printed. By gaining outside publicity for the first distribution of the paper, you might put the administration up tight about clamping down on you. It might be difficult to explain in civics class when they get to the freedom of the press stuff.

  Your paper should have one purpose in mind¾to piss off the principal and radicalize the students. If you run into problems, seek out a sympathetic lawyer.

  You can get a helpful pamphlet from the ACLU, 156 5th Ave., New York, NY 10010, called Academic Freedom in the Secondary Schools for 25¢.

  Tell your lawyer about the most recent (July 10, 1970) decision of the United States District Court in Connecticut which ruled that the high school students of Rippowan High School in Stanford can publish independent newspapers without having the contents screened in advance by school officials.

  The same info for underground papers applies to high school rags, only the price should be much less if not free. To begin with, you might just mimeograph the first few issues before trying photo-offset printing. It is very important to get the readers behind you in case you have to go to war with the administration in order to survive. Maintain friendships with above ground reporters, the local underground paper and radical community groups for alliances.