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Page 64

by Sandra L. Ballard


  Roots

  Roseanna McCoy, from The McCoys

  Royall, Anne Newport

  Rumors

  Rylant, Cynthia

  Salvation

  Sara Will, from Chapter 11

  Saved

  Saving Grace, Chapter 1

  Second Christmas

  Seedtime on the Cumberland

  Sellers, Bettie

  Settle, Mary Lee

  Seventh Grades

  Shadow of the Mountain, from Part III

  She

  Shelby, Anne

  Sheppard, Muriel Earley

  Sholl, Betsy

  Showell, Ellen Harvey

  Sight to the Blind

  Sinclair, Bennie Lee

  Sing for Freedom

  Singing Family of the Cumberlands, Chapter One

  Sister

  Sketches of History, Life, and Manners, in the United States, Kenhawa County

  Slone, Verna Mae

  Smith, Barbara

  Smith, Effie Waller

  Smith, Lee

  Snake Dreams

  Solidarity in the Night

  Someday in a Wood

  Some Days There's Pie, On My Way to the Rest of My Life

  Songcatcher, The, from Chapter 5

  Sonnet for Her Labor

  Southern Family, A

  Spellcheck

  Spending the Night

  Spirit of the Mountains, The, Cabin Homes

  Spirit of the Mountains, The, Grandmothers and Sons

  Sports Widow

  Stair, The

  Stories I Ain't Told Nobody Yet,

  Stories I Ain't Told Nobody Yet,

  Storming Heaven, Carrie Bishop

  Story is a Woman

  Strike in Virginia, A, from The Autobiography of Mother Jones

  Stuart, Jane

  Sunday Morning, 1950

  This Day and Time, Chapter Three

  This is what history is

  Tick

  Time of Man, The, from Chapter III

  Time to Reweave, A

  Time to Study Law, A

  To her mother, lying in state

  To Make My Bread, from Chapter 1

  To My Daughter Going Off to College

  Transparencies, Cycles

  Trigiani, Adriana

  Twilight in West Virginia: Six O'Clock Mine Report

  Twins

  Under the Earth

  Unquiet Earth, The, The Ice Breaks, 1930s

  Up the Hill toward Home

  Vampire Ethnographer, The

  Visiting My Gravesite: Talbott Churchyard, West Virginia

  War at Home, The, from Chapter 1

  Way Back, The

  Weather Rhymes

  Weeds, Chapter III

  Welcome to the Other Side

  What My Heart Wants to Tell, Chapter Twenty

  When Earth Becomes an “It”

  When Grandmother Wept

  When You Lose a Child

  Where I'm From

  Where Stuarts Lie

  Why I Write

  Widow Man, The

  Wilder, Chapter 6

  Wildsmith, Dana

  Wildwood Flower

  Wilkinson, Sylvia

  Willis, Meredith Sue

  Wilson, Leigh Allison

  With A Hammer for My Heart, from Part One

  Witherspoon, Mary Elizabeth

  woman is segmented as an ant, A

  Woman Writer

  Women Die Like Trees

  Writing Lessons (I.)

  Writing Lessons (II.)

  zora neale

  PERMISSIONS

  SHEILA KAY ADAMS

  “The Easter Frock” from Come Go Home With Me: Stories By Sheila Kay Adams © 1995 by the University of North Carolina Press, used by permission of the publisher and the author.

  DOROTHY ALLISON

  Excerpt from Bastard Out of Carolina reprinted with permission from Frances Goldin Literary Agency, Inc.

  LISA ALTHER

  Excerpt from Five Minutes in Heaven, Dutton, Penguin Books, 1995, reprinted with permission from the author.

  MAGGIE ANDERSON

  “Ontological,” “Long Story,” and “Sonnet for Her Labor” from Windfall © 2000, reprinted by permission of the University of Pittsburgh Press. “A Place With Promise” from A Space Filled with Moving © 1992, reprinted by permission of the University of Pittsburgh Press.

  HARRIETTE SIMPSON ARNOW

  Excerpt from Hunter's Horn, Michigan State University Press, 1997, reprinted with permission from Michigan State University Press, Thomas Arnow, and Marcella Arnow. “The Old Boot” from Seedtime on the Cumberland, University of Nebraska Press, 1995, reprinted with permission from Thomas Arnow and Marcella Arnow. “The First Ride,” Appalachian Heritage, (fall 1989), reprinted with permission from Appalachian Heritage, Thomas Arnow, and Marcella Arnow.

  SYLVIA TRENT AUXIER

  “Neighbors,” “When Grandmother Wept,” “Cicada's Song,” and “Someday in a Wood” from With Thorn and Stone, Hilltop Editions, Pikeville College Press, 1968, and “The Stair” from Love-Vine, The Story Book Press, 1953, used with permission from Michael T. Auxier.

  MARILOU AWIAKTA

  Excerpts from Selu: Seeking the Corn Mother's Wisdom, Fulcrum Publishing, 1993, reprinted with permission from Fulcrum Publishing, Inc. Excerpts from Abiding Appalachia: Where Mountain and Atom Meet, St. Luke's Press, 1978, reprinted with permission from the author, originally published by St. Luke's Press, 1978. Quoted from eighth edition, Iris Press, 1995.

  ARTIE ANN BATES

  “Belinda, Our Tremendous Gift” from Appalachian Heritage, vol. 19, no. 2, reprinted with permission from the author and Appalachian Heritage.

  SUE ELLEN BRIDGERS

  Excerpt from Sara Will, Harper & Row, 1985, reprinted with permission from the author.

  FLORENCE COPE BUSH

  Excerpt from Dorie, Woman of the Mountains, the University of Tennessee Press, 1992, reprinted with permission from the University of Tennessee Press.

  KATHRYN STRIPLING BYER

  “Wildwood Flower,” “Bittersweet,” “Lineage,” and “Easter” from Wildwood Flower, Louisiana State University Press, 1992; and “Mountain Time” from Black Shawl, Louisiana State University Press, 1998, reprinted with permission from Louisiana State University Press and with permission of the author.

  CANDIE CARAWAN

  Excerpts from Sing for Freedom: The Story of the Civil Rights Movement Through Its Songs, Sing Out Corp., 1990, reprinted with permission from Guy and Candie Carawan.

  JO CARSON

  Excerpts from Stories I Ain't Told Nobody Yet: Selections from the People Pieces, Orchard Books, 1989, reprinted with permission from the author. “Maybe” from The Last of the “Waltz Across Texas” and Other Stories, Gnomon Press, 1993, reprinted with permission from Gnomon Press and the author. Excerpt from Daytrips, Dramatists Play Service, Inc., 1991, reprinted with permission from the author.

  REBECCA CAUDILL

  Excerpt from My Appalachia, Holt, Rinehart, and Winston, 1966, reprinted with permission from Rebecca Jean Baker.

  LILLIE D. CHAFFIN

  “The Glad Gardener” from Appalachian Heritage, vol. 15, no. 3 (summer 1987) reprinted with permission of Appalachian Heritage and Thomas R. Chaffin; and “Second Christmas,” “Spending the Night,” and “Discipline” from 8th Day, 13th Moon, Hilltop Editions, Pikeville College Press, 1974, reprinted with permission from Thomas R. Chaffin.

  LOLETTA CLOUSE

  Excerpt from Wilder, Rutledge Hill Press, 1990, reprinted with permission from the author.

  LISA COFFMAN

  “Maps,” “In Envy of Migration,” and “About the Pelvis” from Likely, Kent State University Press, 1996; and “Tick” from Meridian (fall 2000), reprinted with permission from Meridian and the author.

  AMY TIPTON CORTNER

  “The Hillbilly Vampire,” “The Vampire Ethnographer,” and “No Minority” from The Hillbilly Vampire, Rowa
n Mountain Press, 1990, reprinted with permission from the author.

  LOU V.P. CRABTREE

  “Homer-Snake” from Sweet Hollow, Louisiana State University Press, 1984; and “Sports Widow” and “Sister” from The River Hills & Beyond, Sow's Ear Press, 1998, reprinted with permission of the author.

  DORIS DIOSA DAVENPORT

  “Country” from Soque Street Poems, Sautee-Nacoochee Community Association, 1995; “for Dr. Josefina Garcia & the ‘Tissue Committee’” from voodoo chile: slight return, Soque Street Press, 1991; and “zora neale” from eat thunder & drink rain, Soque Street Press, 1982, reprinted with permission from the author.

  ANN DEAGON

  “Giving the Sun,” “The Hole,” and “Twins” from Women and Children First, Iron Mountain Press, 1976; “Poetics South” and “In a Time of Drought” from Poetics South, John F. Blair, 1974; and Broadside reprinted with permission from the author.

  ANGELYN DEBORD

  Excerpt from Praise House, Urban Bush Women, 1991, reprinted with permission from the author.

  ANNIE DILLARD

  Excerpt from Pilgrim at Tinker Creek, Harper & Row, 1974, reprinted with permission from the author.

  HILDA J. DOWNER

  “This is what history is” and “A woman is segmented as an ant” from Bandana Creek, Red Clay Books, 1979; and “Every open space fills with sky” from Appalachian Journal, vol. 20, no. 2 (winter 1993), reprinted with permission from the author.

  MURIEL MILLER DRESSLER

  “Appalachia” and “Elegy for Jody” reprinted by permission of William (Billy) C. Plumley, holder of the copyright of poetry by Muriel Miller Dressier.

  WILMA DYKEMAN

  Excerpt from The French Broad, Rinehart, 1955; and excerpt from Return the Innocent Earth, Holt, Rinehart, Winston, 1973, reprinted with permission from the author.

  SIDNEY SAYLOR FARR

  “Appalachia, Where are your Hills?” “Granny Brock,” and “Mountains Fill Up the Night” from Headwaters, Pocahontas Press, 1995, reprinted with permission from Pocahontas Press and the author. Excerpt from More than Moonshine: Appalachian Recipes and Recollections © 1983, reprinted by permission of the University of Pittsburgh Press and the author.

  NIKKY FINNEY

  “Irons At Her Feet” from Rice, Sister Vision: Black Women and Women of Colour Press, 1995; and “Queen Ida's Hair-Doing House of Waves” from Heartwood, University Press of Kentucky, 1997, reprinted with permission from the author.

  DENISE GIARDINA

  Chapter 3 from Storming Heaven © 1987 and “The Ice Breaks, 1930s” from The Unquiet Earth © 1992, W.W. Norton & Company, Inc., used by permission of W.W. Norton & Company, Inc.

  JANICE HOLT GILES

  Excerpt from Hannah Fowler, Houghton Mifflin, 1956, reprinted with permission from John W. Waggoner.

  NIKKI GIOVANNI

  “Griots” from Racism 101 © 1994, “Knoxville, Tennessee,” “Revolutionary Dreams,” and “A Poem Off Center” from The Selected Poems of Nikki Giovanni © 1996, reprinted by permission of HarperCollins Publishers, Inc., and the author.

  GAIL GODWIN

  Excerpt from A Southern Family, Morrow, 1987, reprinted with permission of the author.

  CONNIE JORDAN GREEN

  Excerpt from The War at Home, Macmillan, Margaret K. McElderry Books, 1989, reprinted with permission from the author.

  VIRGINIA HAMILTON

  Excerpt from M.C. Higgins, the Great, Macmillan, 1974, reprinted by permission from Arnold Adoff.

  PAULETTA HANSEL

  “To her mother, lying in state,” from Appalachian Journal (autumn 1982); and “Writing Lessons (I.),” “She,” and “Writing Lessons (II.)” from Divining, WovenWord Press, 2001, reprinted with permission from the author.

  MILDRED HAUN

  “The Hawk's Done Gone” from The Hawk's Done Gone and Other Stories, Vanderbilt University Press, 1985, reprinted with permission from Vanderbilt University Press.

  ELLESA CLAY HIGH

  Excerpt from Past Titan Rock, University Press of Kentucky, 1984, reprinted with permission from the author.

  MARY BOZEMAN HODGES

  “Ms. Ida Mae” from Tough Customers and Other Stories, Jesse Stuart Foundation, 1999, reprinted with permission from the Jesse Stuart Foundation and the author.

  GLORIA HOUSTON

  Excerpt from My Great-Aunt Arizona, HarperCollins Publishers, 1992, reprinted with permission from HarperCollins Publishers and the author.

  LEE HOWARD

  “Momma's Letter” and “The Last Unmined Vein” from The Last Unmined Vein, Anemone Press, 1980, reprinted with permission from the author.

  JANE WILSON JOYCE

  “Life and Art in East Tennessee” from Old Wounds, New Words: Poems from the Appalachian Poetry Project, Jesse Stuart Foundation, 1994; and “Hooked Album Quilt, 1870” from The Quilt Poems, Gnomon Press, 1992, reprinted with permission from the publishers and the author.

  MAY JUSTUS

  “Weather Rhymes” from The Complete Peddler's Pack, the University of Tennessee Press, 1967, reprinted with permission from the University of Tennessee Press.

  LEATHA KENDRICK

  “The Familiar Level” and “Refusing a Spinal” from Heartcake: Poems, Sow's Ear Press, 2000, reprinted with permission from Sow's Ear Press and the author.

  BARBARA KINGSOLVER

  Excerpt from The Bean Trees© 1988, reprinted by permission of HarperCollins Publishers, Inc. and the author. Excerpt from Prodigal Summer © 2000, reprinted by permission of HarperCollins Publishers, Inc., and the author.

  LISA KOGER

  Excerpt from “Extended Learning,” Farlanburg Stories, Norton, 1990, reprinted with permission from the author.

  CATHERINE LANDIS

  “On My Way to the Rest of My Life,” Chapter 1, from Some Days There's Pie © 2002, reprinted by permission of St. Martin's Press, LLC., and the author.

  LILY MAY LEDFORD

  Excerpt from Coon Creek Girl, Berea College Appalachian Center, 1980, reprinted with permission from Cari Norris.

  GEORGE ELLA LYON

  Excerpt from With a Hammer for My Heart, DK Publishing, 1997; and “where I'm from,” “Rings,” “Salvation,” and “Growing Light” from where i'm from: where poems come from, Absey & Co., 1999, reprinted with permission from the author.

  LINDA PARSONS MARION

  “Good Luck Charm,” “Welcome to the Other Side,” “To My Daughter Going Off to College,” and “Mulberries” from Home Fires, Sow's Ear Press, 1997, reprinted with permission from Sow's Ear Press and the author.

  CATHERINE MARSHALL

  Excerpt from Christy © 1967 by Catherine Marshall LeSourd, © 1995, 2001 by Marshall-LeSourd L.L.C., published by Chosen Books, a division of Baker Book House Company. Used with permission. All rights reserved.

  BELINDA ANN MASON

  The Gifts of the Spirit from Appalachian Heritage, Vol. 16, nos. 2 & 3 (spring/summer 1988), reprinted with permission from Appalachian Heritage, Ron Short (Roadside Theater), and Stephen Carden.

  KATHY L. MAY

  “Ascension,” “Saved,” and “Rain” from Door to the River, The Panhandler Poetry Chapbook Number 5, (spring 1992), reprinted with permission from the author.

  TRUDA WILLIAMS MCCOY

  Excerpt from The McCoys: Their Story as Told to the Author by Eye Witnesses and Descendents, Preservation Council Press of the Preservation Council of Pike County, Inc., 1976, reprinted with permission from Paul R. McCoy.

  SHARYN MCCRUMB

  Excerpt from The Songcatcher © 2001, Dutton, a division of Penguin Putnam, Inc., used by permission of the author.

  JEANNE MCDONALD

  Excerpt from “Up the Hill Toward Home” Breathing the Same Air: An East Tennessee Anthology, Celtic Cat Publishing and the Knoxville Writers’ Guild, 2001, reprinted with permission from Celtic Cat Publishing, the Knoxville Writers’ Guild and the author.

  KAREN SALYER MCELMURRAY

  Excerpt from Mother of the Disappeared: A
n Appalachian Birth Mother's Journey, Hill Street Press, 2002, reprinted with permission from Hill Street Press and the author.

  LLEWELLYN MCKERNAN

  “Many Waters” and “For My Grandmother Who Knows How” from Many Waters: Poems from West Virginia, Mellen Poetry Press, 1993; and “Music,” “Mother Milking,” and “The Hollow” from Short and Simple Annals, Perfect Printing, 1983, reprinted with permission from the author.

  IRENE MCKINNEY

  “Twilight in West Virginia: Six O'Clock Mine Report,” “Deep Mining,” “Sunday Morning, 1950,” “The Only Portrait of Emily Dickenson,” and “Visiting My Gravesite: Talbott Churchyard, West Virginia” from Six O'Clock Mine Report, University of Pittsburgh Press, 1989, reprinted with permission from the author.

  LOUISE MCNEILL

  “The Other Woman,” Appalachian Heritage (fall 1985), reprinted with permission from Appalachian Heritage; “Aubade to Fear (Heavy with Child),” “Hill Daughter,” and “Arrow Grasses by Greenbrier River” Hill Daughter: New & Selected Poems © 1991, by Louise McNeill, published by University of Pittsburgh Press; and excerpt from “A Patch of Earth” from The Milkweed Ladies © 1988, by University of Pittsburgh Press, reprinted by permission of the Universtiy of Pittsburgh Press.

  JANE MERCHANT

  “Lanterns and Lamps,” copyright renewal © 1980 Elizabeth Merchant, “First Plowing in the Hills,” copyright renewal © 1979 Elizabeth Merchant, reprinted from The Greatest of These by permission of Abingdon Press.

  HEATHER ROSS MILLER

  Excerpt from The Edge of the Woods, Atheneum, 1964; “Breadstuff” from Hard Evidence, University of Missouri Press, 1990; and “Seventh Grades” from Friends and Assassins, University of Missouri Press, 1993, reprinted with permission from the author.

  JANICE TOWNLEY MOORE

  “All Those Nights” from Southern Humanities Review, Vol. 14, no. 2 (spring 1982); “The Way Back” from Negative Capability, Vol. 4, no. 4 (fall 1984); and “Under the Earth” from Southern Humanities Review, Vol. 19, no. 2 (spring 1985), reprinted with permission from the author.

  MARIJO MOORE

  “Solidarity in the Night,” “Ahlawe Usv’ Tsigesvgi,” and “Story is a Woman” from Spirit Voices of Bones: Poetry, rENEGADE pLANETS pUBLISHING, 1997; and “Rumors” from red woman with backward eyes, rENEGADE pLANETS pUBLISHING, 2001, reprinted with permission from the author.

  ELAINE FOWLER PALENCIA

  “Briers” from Brier Country: Stories from Blue Valley, University of Missouri Press, 2000, reprinted with permission from the author.

 

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