Mavra, 21–59, 25, 47, 48, 64, 65, 67, 178, 189, 212, 219n89, 275, 326, 341; unpublished program note, 27
Movements for Piano and Orchestra, 285
Nightingale, The (Le Rossignol), 29, 31, 35, 42, 189, 216n45, 257
Noces, Les, 11, 13, 42, 44, 45, 51, 59n94, 64, 121, 178, 192, 212, 221n109, 257, 260–63, 270n42, 278, 328, 329, 341, 342
Octet, 44, 47, 53n11, 74n36, 112, 217n48, 258, 266, 300
Ode, 4–9, 5, 6, 11, 17, 18n13, 298, 301
Oedipus Rex, 7, 11, 55n25, 59n95, 79–95, 82, 84–93, 104n7, n11, 192–93, 212, 217–18n62, 218n63, 219n85, 258, 259, 277, 305
Orpheus, 4, 7, 9, 10, 11–12, 19n14, 79–81, 94–103, 96, 98–99, 101, 102, 212, 213, 277, 288, 298, 301, 314n102, 315n123, 316n147
Pastorale, 153, 216n45, 288
Perséphone, 153, 180, 199, 200, 212, 214n10, 219n85, 266, 275, 305
Petrushka, 8, 19n14, 21, 22, 31, 35, 42, 59n96, 121, 141, 146, 147, 151, 153, 172n3, 173n28, 183, 188–90, 193, 197, 199, 205, 208, 212, 215n17, n24, 217n48, n53, n56, 218n66, 220n94, 221n110, 222n121, 234, 256–58, 261, 263, 264, 269n17, n28, 275, 285, 298, 316n147
Piano Sonata, 200, 258, 313n84, 314n98
Poétique musicale (Poetics of Music), 19n23, 56n45, 66, 120, 130, 177, 182, 212, 220n95, 221n107, 225–54, 264–67, 322
Pribaoutki, 55n27, 288
Pulcinella, 7, 8, 21, 31, 45, 53n11, 141, 147–49, 151, 188, 199, 212, 216n32, n41, n45, 217n48, 241, 257
Ragtime for Eleven Instruments, 212, 214n6, 217n48, 258
Rake’s Progress, The, 11, 79, 212, 325, 331, 340
Renard, 28–31, 35, 38–39, 56n44, n51, 57n67, 58n70, n72, 65, 257, 269n17, 305, 313n86
Requiem Canticles, 326, 331, 342
Rite of Spring, The (Le Sacre du printemps), 4, 8, 9, 11, 12, 15, 21, 22, 25, 28, 29, 31, 33, 39, 44–45, 49, 51, 54n24, 59n92, n96, 79, 104n5, 121, 146, 173n22, 188, 193, 199, 206, 212, 217n51, n56, 218n65, 220n97, 222n115, 234, 257–59, 261–64, 266, 275, 277, 278, 289, 293, 298, 301, 305, 309n17, 324, 325, 327–28, 342
Roi des étoiles, Le (Zvezdolikiy), 71, 212, 312n63
Scènes de ballet, 313n85
Scherzo fantastique, 212, 216n45, 217n56, 256
Septet, 288, 300, 307, 314n99
Serenade in A, 200, 212, 258, 288, 296, 314n98
Sonata for Two Pianos, 288, 296, 312n63, 313n84
Song of the Volga Boatmen for winds and percussion, 216n45
“Spaniards at the Ballets Russes,” 186
Symphonies d’instruments à vent (Symphonies of Wind Instruments), 5, 5–6, 6, 8, 17, 18n13, 22, 109, 111, 112, 114, 258, 260, 313n86, 330
Symphony in C, 17, 141, 182, 222n116, 223n142, 277
Symphony no. 1 in E flat, 217n 53, n56, 255, 268n9, 329
Symphony of Psalms, 17, 104n5, 195, 199, 212, 218n64, n72, 223n142, 259, 269n26, 281, 282, 300, 305, 330
Symphony in Three Movements, 182, 222n121, 298
Three Japanese Lyrics, 173n30, 217n48, 286, 340
Three Pieces for Clarinet, 147
Three Pieces for String Quartet, 258, 313n86
Threni, 68, 285, 305
Tilimbom (from Trois Histoires pour enfants), 216n45
Trois Pièces faciles (Three Easy Pieces), 13
Valse pour les enfants, 217n52
Valse des fleurs, 13
Violin Concerto in D, 152, 218n64, 281, 282, 341
Name and Subject Index
ABC, 186–89, 216n30
academicism, 193, 231, 232, 240–41, 244, 246
Acmeism, 118, 255, 265–67, 270n53
Adorno, Theodor W., 12, 326
Afanasyev, Alexander, 73n7; Narodnïye russkïye skazki, 63–65; Poeticheskiye vozzreniya slavyan na prirodu, 63, 64
Afonina, Alexandra, 18n5, 299
Aguilar, José Maria, 158
Akhmatova, Anna, 118, 123n6, 265
Albaicín, María, 215n28
Albright, Daniel, 104n11
Alexander II, Czar, 326
Alfonso XIII, King of Spain, 146, 179, 189, 215n19, 217n49, 219n90
Allen, Edwin, 61
All-Union Congress of Soviet Composers, 259, 269n30
Alpatov, Mikhail, 286, 287, 296, 297, 301, 302, 313n93
Alshvang, Arnold, 55n33, 259
Alyabyev, Alexander, 29, 56n41
Amherst College, 68
Ampenova, Rufina Vsevolodovna, 305
Andalusia, 178, 186, 214n5, 216n29, n46
Andersen, Hans Christian, 189
Andriessen, Louis, 330; The Apollonian Clockwork, 105, 117, 118, 123
Ansermet, Ernest, 24, 27, 52n1, 53n10, 54n17, n25, 55nn33–35, 65, 107, 154, 155, 175n63, 180, 182, 197, 205, 206, 221n109, n111, 268n15, 274, 308n7
anti-Semitism, 322
Apollinaire, Guillaume, 54n25; “Zone,” 53n5
Apollon (literary journal), 256
Appel, Alfred, 319, 320
Apter, Emily, 53n5
Aragon, Louis, 54–55n27
Arakcheyev, Aleksey, 316n157
Argentina, 143, 153–60, 175n58, 180, 197, 214n8, 219n81, n84, n87, 220n91, 221n111; see also Buenos Aires
Aristotle, 104, 117n54, 251
Armenia, 232, 242
Arrau, Claudio, 221n109
Art chrétien, L’, 129, 131
Asafyev, Boris (Igor Glebov), 65–66, 74n26, 75n31, 257, 258, 259, 262, 269n30; A Book about Stravinsky, 65, 258; Rimsky-Korsakov, 65; The Symphonic Etudes, 65
Ascot, Rosa García (“Rosita”), 161, 162, 164, 177, 181, 214n12, 219n83
Associació de Música ‘Da Camera,’ 218n64
Ateneu Barcelonès, 148
Auber, Daniel, Le Domino noir, 39, 57n69; The Mute Girls of Portici, 267
Auden, W. H., 212
Auer, Mischa, 211, 223n140
Auric, Georges, 24, 53n6, 54n24, 58n77, 130, 187, 275, 276; “Adieu New York,” 55n27; Les Fâcheux, 216n34
Australia, 285, 312n71
Azerbaijan, 232, 242
Babbitt, Milton, 327
Bach, Johann Sebastian, 8, 17, 29, 55n27, 112, 132, 180, 183, 201, 203, 204, 212, 241, 341; Concerto for Four Pianos in A Minor, 219n83; St. John Passion, 9–11, 10, 46, 212; St. Matthew Passion, 46, 212
Baden-Baden, 198, 219n88
Bakhtin, Mikhail, 303, 316n160, n166
Bakhtin, Yelena, 303, 316n166
Bakst, Léon, 327
Balakirev, Mily, 27, 29, 46, 52n1, 53n15, 294
Balanchine, George, 11, 13, 94, 95, 102, 171, 257, 287, 301
Balcells, Joan, 218n72
Balieff, Nikita, 54n18
Bal y Gay, Jesús, 152, 158, 161, 162, 164, 177, 181, 182, 214n12
Ballets Russes, 21, 22, 24, 35, 38, 56n40, 57n58, 146, 154, 171, 178, 179, 185–87, 215n19, n28, 216n34, 219n88, 221n111, 256, 311n52, 316n151
Balmont, Konstantin, 71, 76n67, 281, 283, 297, 302, 312n63; “Wordlessness,” 317n173; “Zvezdolikiy” (“Roi des étoiles”), 76n67, 284, 312n63
Barcelona, 147, 148, 161, 178, 180, 189–90, 196, 214n12, 219n78, 223n137
Baron, Jacques, 54n27
Baroque music, 8, 9, 14–16, 42, 95; neo-, 180, 259
Bartók, Béla, 138n1, 209, 222n123
Baudelaire, Charles, 131, 289
Beck, Conrad, 198; Serenade for Flute, Clarinet, and Strings, 219n88
Beethoven, Ludwig van, 57n53, 66, 68, 75n45, 183, 184, 216n45, 241, 321, 341; Symphony no. 3, 267; Symphony no. 6 (Pastoral), 240; Symphony no. 9, 3
Belgium, 22, 27, 54n26, 55n35, 57n56, 107, 161, 172n17
Belina-Skupevsky, Stefan, 30, 32, 52n1, 58n75
Bellini, Vincenzo, 198
Belmon, Marie, 129
Bely, Andrey, 322, 327, 333, 335–38, 347n73, n74; “The Magic of Words,” 347n64; St. Petersburg, 339
Belyayevets, 255, 268n1
Benjamin, Walter, 165
Benois, Alexandre, 162, 327
Berdyaev, Nikolay, 119, 125n30
Berg, Alban, 304; Violin Concerto, 219n79
Berger, Arthur, 279
Berlin, 27, 55n32, n35, 76n51, 184, 216n45, 252n6, 312n71, 313n91, 321, 328, 329
Berlioz, Hector, La Damnation de Faust, 73n7; Les Troyens, 73n7
Bernard, Matvey, 74n18
Bernstein, Leonard, 71, 76n60, 259, 276–78, 289
Bex, Maurice, 33, 56n51
Bezrodny, Igor, 281, 282, 284, 312n64
Bhabha, Homi, 143–44
Biarritz, 188
Bible, 68, 279
Bizet, Georges, 34; Carmen, 187, 216n36
Blazhkov, Igor, 69, 71, 72, 76n58, 259
Blitzstein, Marc, 276
Blok, Alexander, 52, 128, 132, 138n10, 139n26
Böcklin, Arnold, 59n84
Bogdanov-Berezovsky, Valerian, 71–72, 77n71, 296, 297, 306, 314n114
Boileau-Despréaux, Nicolas, L’Art poétique, 195, 218n71
Bolm, Adolph, 171
Bolsheviks, 63, 109, 138n10, 181, 198, 259
Bolshoi Theater, 283
Bonaparte, Napoleon, 267
Borodin, Alexander, 27, 29, 53n15, 187; Polovtsian Dances, 56n44
Bosch-Gimpera, Pere, 218n70
Boston, 189; Symphony Orchestra, 227n127, 277
Boulanger, Nadia, 285, 313n81, 325
Boulez, Pierre, 16, 278, 285, 286, 294, 302, 309n33, 313n86; Le Marteau sans maître, 310n35
Boyarsky, Konstantin, 314n102
Boyd, Brian, 348n97
Boym, Svetlana, 9
Braginskaya, Natalia, 73n7, 172n17, 255
Brahms, Johannes, 184, 213, 216n45, 240, 247
Brailowsky, Alexander, 215n24
Braque, Georges, 208, 222n125
Brazil, 154, 220n96
Bréchard, Abbé Roger, 111, 112, 122
Brest-Litovsk, 138n10
Bretanitskaya, Alla, 310n36
Breton, André, 54–55n27, 58n78; “Après Dada,” 58n79; Surrealist Manifesto, 58n79
Brillant, Maurice, “Joy and Liberty of Catholic Art,” 129.
Britten, Benjamin, 213
Brodsky, Joseph, 9
Bruni-Balmont, Nina, 71, 281, 283, 284, 302, 306, 312n63, n77
Brussels, 22, 27, 55n35, 107
Bruyr, José, 58n69
Bucharest, 149
Buenos Aires, 153–58, 161, 175n67, 179–82, 197, 205, 219n85
Burliuk, David, 41, 58n82
Butor, Michel, 290, 314n113
Cage, John, 294, 342
Cairo, 285, 312n71
California; tourist industry in, 171; University of, Los Angeles (UCLA), 281; see also Los Angeles
Callicó, Ferran, 191, 217n56, 218n76
Cameron, Norman, 176n85
Cárdenas, Lázaro, 161
Carr, Maureen, 95
Carroll, Earl, 211, 222n133
Carvajal, Armando, 175n67
Casa de España, La, 161, 181
Casals, Pablo, 289
Casella, Alfredo, 180
Caskell, Christoph, 313n80
Cassirer, Ernst, Philosophy of Symbolic Forms, 265
Castelnuevo-Tedesco, Mario, 170
Castro, José María, 214n8
Castro, Juan José, 158, 214n8
Catholicism, 107, 109, 122, 123n7, 129–31, 147, 162, 180, 181, 191–93, 196, 276
Cendrars, Blaise, 58n77
Central Intelligence Agency (CIA), 277, 278
Chabrier, Emmanuel, 43, 187
Chaliapin, Fyodor, 321
Chanel, Gabrielle, 215n26
Chauve-Souris (revue), 24, 54n18, n23
Chávez, Carlos, 4, 141, 142, 161, 172n5, 173n22, 181, 200–201, 203, 206, 209, 210, 215n13, 220n94, n97, 221n103, n109, 222n124
Chernyshevsky, Nikolay, 329
Cherubini, Luigi, Anacreonte Overture, 141, 182, 220n94
Chicago, 159, 189, 217n51; Symphony Orchestra, 206, 222n116
Chile, 210, 211, 214, 222n130; Conservatorio de Santiago de, 175n67; Universidad de, Teatro Experimental de la, 222n130
Chopin, Frédéric, 170, 185, 240, 241
Christianity, 122, 123, 130, 131, 136, 162, 181, 196, 219n78, 220n91; see also Catholicism; Russian Orthodox Church
Chueca, Federico, 165
Cimarosa, Domenico, 198
Cincinnati, 189, 217n51
Cingria, Charles-Albert, 111, 277
Ciudad Juárez, 142
Čiurlionis, Mikalojus, 332
Clement of Alexandria, 228–29; Stromata, 228
Cleveland, 217n51
Cliburn, Harvey Lavan (“Van”), 71
Cobla Barcelona, 148
Cocteau, Jean, 22, 24, 25, 37, 42–44, 54n25, 57n62, n68, 58n80, 59n91, n92, 125n30, 188, 191, 192, 211, 223n139, 277; Le Coq et l’Arlequin, 24, 39, 58n78; “The Latest Stravinsky,” 42–44; Oedipus Rex, 81, 82, 83, 104n11; Orphée, 11
Cold War, 3, 275–79; Stravinsky’s correspondence during, 279–317
Colegio de México, El, 161
Collaer, Paul, 22, 38, 57n56, n57, nn60–63, n67, n68; “Mavra,” 35–38
Collet, Henri, 53n6
Columbia Records, 289
Column Hall (Moscow), 58n83
Communism, 109, 128, 159, 180, 196, 219n78, 274, 276, 343; in Russia, see Soviet Union; in United States, 309n22
Comoedia, 32–33, 56n46, 58n79, 178, 186, 214n1
Concerts Jean Wiéner, 55n35
Concerts Pro Arte (Belgium), 22, 55n35, 57n56
Cone, Edward T., 330
Congress for Cultural Freedom, 277
Congress for the Determination of the Directives and Defense of the Modern Spirit, 58n78
Constructivism, 265
Contrepoints, 275
Copland, Aaron, 208, 215n13, 222n122, 276, 325
Correspondance (literary journal), 54n26
cosmopolitanism, 3, 16, 142–46, 149, 161, 175n45, 210, 294; vernacular, 144–46, 162–63, 169–70
Craft, Robert, 19n14, 68, 109, 162, 277, 281, 283, 287, 289, 309n23, 316n144, 317n175, 319, 325, 326, 333, 344; conversations with Stravinsky, 143, 173n22, 262, 276, 303, 319; in Soviet Union, 4, 18n5, 278, 279, 297, 299–302, 305, 313n85, 315n166; Stravinsky’s correspondence and, 174n56, n57, 309n24; and Stravinsky’s library, 61, 63–65, 73n2, 75n47; on Stravinsky’s works, 152, 163; on Poétique musicale, 225, 227, 233, 243
Crawford, Joan, 222n134
Cross, Jonathan, 298
Crusades, 181, 199
Cuban Missile Crisis, 300
Cubism, 24–26, 32, 35, 40, 41, 53n2, 54n25, 58n75, n79, 264, 265
Cui, César, 27, 53n15
Curjel, Hans, 55n32
Dada, 22, 24, 58n75, n78
Dahl, Ingolf, 221n107, 254n40
Dahlhaus, Carl, 345n30
Dalí, Salvador, 196, 211, 223n137
Dargomyzhsky, Alexander, 27, 29, 36, 50, 52n1; Rusalka, 51; The Stone Guest, 51
Darwinism, 236
Debussy, Claude, 34, 57n53, 109, 111, 180, 187, 198, 212, 247, 263; Prélude à l’après-midi d’un faune, 263; Préludes, 299
Degas, Edgar, 220n102
Delaunay, Robert, 25, 40, 54n25, 58n76
Delaunay-Terck, Sonia, 24–25, 40, 58n76
del Campo, Santiago, 81, 222n130, 223n139, n142; “Stravinsky Judges Today’s Musical Moment,” 210–14
Delibes, Léo, 13, 187; Coppélia, 216n36; Sylvia, 216n26
Denisov, Edison, Lamentations, 260
Derain, André, 35, 41, 57n58, 198
Derzhanovsky, Vladimir, 256
Deshevov, Vladimir, Ice and Steel, 258
Désormière, Roger, 275, 276
Desyatnikov, Leonid, Russian Seasons, 260
Detroit, 159, 189, 217n51
Diaghilev, Serge, 13, 21, 22, 27, 35, 38, 39, 42, 52n1, 53n2, 54n25, 146, 149, 164, 179, 212, 215n19, 260, 289, 326, 327
Dickens, Charles, 327
Dietrich, Marlene, 222n134
Disney, Walt, 170, 171
Domaine musical, 285, 296, 309–10n33, 313n86, n92
Donizetti, Gaetano, 313n91
Dostoevsky, Fyodor, 61, 73n
7, 283, 312n69, 327
Downes, Edward, 174n45
Downes, Olin, 276
Druskin, Mikhail, 66, 257, 268n16
Dubelt, General, 46
du Bos, Charles, 125n30
Dufour, Valérie, 172n17, 255
Dukas, Paul, The Sorcerer’s Apprentice, 199
Durey, Louis, 58n77
Dushkin, Samuel, 149, 151, 151–53, 174n57, 217n64
Duval, Suzel, 227
Dvořák, Antonín, 288
Dyuzhev, Anatoly, 3
Edwards, Brent Hayes, 144
Efron, Sergey, 127
Egk, Werner, 281
Einstein, Albert, 216n30
Eisenstein, Sergey, 144, 145, 161
Eisler, Hanns, 276; Leben des Galilei, 309n23
Eliot, T. S., 342, 348n97
Eluard, Paul, 41, 54n27, 58n79
Emerson, Caryl, 139n16
Encounter, 278, 297
Engels, Friedrich, Die Entwicklung des Sozialismus von Utopie zur Wissenschaft, 231n
England, 152, 314n96
Epstein, Jacob, 297, 315n130
Ernst, Max, 58n75
Errázuriz, Eugenia, 147, 179, 214, 223n144
Escorial, El 147
Estonian Radio Symphony Orchestra, 288, 313n89
Estridentismo, 220n97
Eurasianism, 127–28, 274, 277, 313n96, 322
Excelsior (Paris), 28
Excélsior (Mexico), 203–6
Falla, Manuel de, 146, 148, 161, 165, 173n27, n30, 178, 180–83, 187, 198, 214n12, 215n16, 216n33, 219–20n90; Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin, and Cello, 179, 187; Cuadro Flamenco, 178, 215n28; El Retablo de Maese Pedro, 148, 179, 196; El Sombrero de tres picos, 178–79, 215n28
Fantasia (movie), 170, 171
Farran i Mayoral, José, 178, 217n54, n55, 218n62, n67; “Conversation with Stravinsky,” 191–95
fascism, 108–9, 182, 322, 343
Fauré, Gabriel, 55n36
fauvism, 57n58, 265
Favorsky, Vladimir, 71
Fernández, Aurelio, 147
Fernández García, Félix, 215n28
Feuilles libres, 33–34
Figaro, Le, 22
Filaret, Metropolit, 71
Fischer, Jacobo, 214n8
Fitelberg, Gregor, 52n1, 53n2
Florensky, Pavel, 71, 77n69
Florovsky, Georges, 127
Fokine, Michel, 21, 56n44, 162, 257
Forbes, Edward, 243
Ford Motor Company, 159
formalism, 72, 248, 259, 294, 315n19, 326, 336, 338
Foss, Lukas, 281
Fraenkel, Théodore, 41, 54n27, 58n79
France, 4, 51, 55n39, 57n61, 109 146, 152, 154, 172n17, 176n93, 187, 188, 205, 216n29, 220n96, 309n20; during Cold War, 277, 278; Latin America and, 179; Orchestre national de, 275; religion in, 196; Russian émigrés in, 22, 24, 40, 108; Second Empire, 28; simultanisme in, 54n25; Stravinsky becomes citizen of, 222n119, 273, 321; vitality of art in, 35, 37; during World War II, 109, 161, 170, 203–4, 208, 348n104; see also cities and towns
Stravinsky and His World Page 52