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The Bauhaus Group

Page 69

by Nicholas Fox Weber


  60. Letter from JA to FP, January 1, 1928; translation by Oliver Pretzel.

  61. Ibid.

  62. Letter from JA to FP, February 9, 1928; translation by Oliver Pretzel.

  63. Ibid.

  64. Josef Albers, conversation with Nicholas Fox Weber, undated.

  65. Undated document in archives of the Josef & Anni Albers Foundation.

  66. Letter from JA to FP, April 22, 1928; translation by Oliver Pretzel.

  67. Letter from JA to FP, December 10, 1928; translation by Oliver Pretzel.

  68. Ibid.

  69. Letter from JA to FP, January 17, 1929; translation by Oliver Pretzel.

  70. Ibid.

  71. Letter from JA to FP, February 22, 1930.

  72. Letter from JA to FP, June 21, 1930; translation by Oliver Pretzel.

  73. Letter from JA to FP, March 29, 1932; translation by Oliver Pretzel.

  74. Wingler, The Bauhaus, p. 188.

  75. Ibid.

  76. Letter from JA to FP, June 10, 1933; translation by Oliver Pretzel.

  77. Wingler, The Bauhaus, p. 188.

  78. Weber, Drawings of Josef Albers, p. 44.

  79. Ibid., p. 46.

  80. Ibid., pp. 46–47.

  81. Rudolf Arnheim, The Power of the Center (Berkeley and Los Angeles: University of California Press, 1982), p. 146.

  82. Ibid.

  83. George Eliot, Middlemarch (Harmonds-worth, U.K., and New York: Penguin Books, 1985), p. 35.

  84. Josef Albers, Interaction of Color (New Haven, Conn.: Yale University Press, 1963), p. 44.

  ANNI ALBERS

  1. Josef Albers to Franz Perdekamp, July 31, 1925; translation by Oliver Pretzel.

  2. Anni Albers, On Designing (Middletown, Conn.: Wesleyan University Press, 1979), p. 36.

  3. Ibid.

  4. Ibid.

  5. Sigrid Weltge-Wortmann, Bauhaus Textiles: Women Artists and the Weaving Workshop (London: Thames and Hudson, 1993), p. 42, and Anja Baumhoff, “Weberen Intern: Autorriát und Geschlecht am Bauhaus,” in Magdalena Droste and Manfred Ludewig, Das Baushaus Webt: Die Textilwerkstatt am Bauhaus (Berlin: G+H Verlag, 1998), p. 53.

  6. Elizabeth (Betty) Farman, conversation with Nicholas Fox Weber, undated.

  7. Anni Albers, conversation with Nicholas Fox Weber, 1974.

  8. Ibid.

  9. Anni Albers, in conversation with Nicholas Fox Weber, 1974–80. Subsequent unattributed quotations from Anni Albers also come from these conversations.

  10. Anni Albers, conversation with Nicholas Fox Weber, 1973.

  11. Wilhelm Worringer, Abstraction and Empathy: A Contribution to the Psychology of Style, trans. Michael Bullock (London: Routledge and Kegan Paul, 1963), p. 4.

  12. Ibid., p. 14.

  13. Ibid., p. 20.

  14. Ibid.

  15. Johann Wolfgang von Goethe, Metamorphosis of the Plants, (1790); translation provided by Anni Albers to Nicholas Fox Weber, 1973.

  16. Buckminster Fuller, back cover of Albers, On Designing.

  17. Letter from Edward M. M. Warburg to Alfred Barr, August 31, 1933, Alfred H. Barr Jr. Papers, Museum of Modern Art Archives, New York, quoted in Nicholas Fox Weber, Patron Saints: Five Rebels Who Opened America to a New Art, 1928–1943 (New York: Alfred A. Knopf, 1992), p. 203.

  18. Philip Johnson, conversation with Nicholas Fox Weber, 1977.

  19. Quoted in Weber, Patron Saints, p. 203.

  20. Letter from Ted Dreier to Nicholas Fox Weber, March 6, 1989, quoted ibid., p. 409.

  21. Letter from Anni Albers to Ted Dreier, March 18, 1937, The Albers-Dreier Correspondence Collection, The Josef& Anni Albers Foundation Archives; translation by Oliver Pretzel.

  22. Ibid.

  LUDWIG MIES VAN DER ROHE

  1. Franz Schulze, Mies van der Rohe: A Critical Biography (Chicago: Univerisity of Chicago Press, 1985), p. 177.

  2. Ibid., p. 16.

  3. Ibid., p. 23.

  4. Ibid.

  5. Hugo Perls, unpublished memoir, Leo Baeck Institute, undated, n.p.

  6. Schulze, Mies van der Rohe, p. 61.

  7. Ibid., p. 83.

  8. Ibid., p. 92.

  9. Ibid., p. 106.

  10. Ibid.

  11. Barry Bergdoll and Terence Riley, Mies in Berlin (New York: The Museum of Modern Art, 2001), p. 107.

  12. Ibid., p. 137.

  13. Ibid., p. 214.

  14. Ibid., p. 139.

  15. “6 Students Talk with Mies” (interview of Mies van der Rohe by students of the School of Design, North Carolina State College), LINE magazine, vol. 2, no. 1 (February 1952).

  16. John Peter, interview with Mies van der Rohe, ms., 1956, Mies van der Rohe Archive, Museum of Modern Art, New York.

  17. Hans M. Wingler, The Bauhaus: Weimar, Dessau, Berlin, Chicago, ed. Joseph Stein, trans. Wolfgang Jabs and Basil Gilbert (Cambridge, Mass.: MIT Press, 1969), p. 165.

  18. Schulze, Mies van der Rohe, p. 175.

  19. Josef Albers to Franz and Friedel Perdekamp, Dessau, March 29, 1932; translation by Oliver Pretzel.

  20. Nicholas Fox Weber, “Historic Architecture: Mies van der Rohe, Revisiting the Landmark Tugendhat House,” Architectural Digest, October 1990, pp. 74–86.

  21. Ibid.

  22. Bergdoll and Riley, Mies in Berlin, p. 99.

  23. Ibid.

  24. Ibid.

  25. Schulze, Mies van der Rohe, p. 170.

  26. Saturday Review, January 23, 1965.

  27. Schulze, Mies van der Rohe, p. 176.

  28. Howard Dearstyne, Inside the Bauhaus (New York: Rizzoli International, 1986), p. 223.

  29. Transcript of interview with Dirk Lohan, p. 37, Mies van der Rohe Archive, Museum of Modern Art.

  30. Saturday Review, January 23, 1965.

  31. Ibid.

  32. Unidentified voice from February 26, 1986, Mies van der Rohe Archive, Museum of Modern Art.

  33. North Carolina State College in 1952; reprinted in LINE magazine, vol. 2, no. 1.

  34. Ibid.

  35. Schulze, Mies van der Rohe, p. 177.

  36. Ibid., p. 338.

  37. Lohan interview, p. 39.

  38. Werner Blaser, Mies van der Rohe (New York: Praeger, 1972), p. 14.

  39. Schulze, Mies van der Rohe, p. 179.

  40. Nicholas Fox Weber, “Revolution on Beekman Place,” House & Garden, August 1986, p. 58.

  41. Letter from Philip Johnson to Mies van der Rohe, November 2, 1934, Mies van der Rohe Archive, Museum of Modern Art.

  42. Ibid.

  43. Mies van der Rohe to Philip Johnson, Berlin, November 23, 1934, Mies van der Rohe Archive, Museum of Modern Art; translation by Oliver Pretzel.

  44. Philip Johnson to Mies van der Rohe, December 5, 1934, Mies van der Rohe Archive, Museum of Modern Art.

  45. “Mies at 100” symposium, moderated by Franz Schulze, Museum of Modern Art, New York, February 25, 1986, p. 47 of transcript, in Mies van der Rohe Archive, Museum of Modern Art.

  46. Ibid.

  47. Transcript in Mies van der Rohe Archive, Museum of Modern Art.

  THE BAUHAUS LIVES

  1. Wassily Kandinsky to Josef Albers, December 19, 1935, in Jessica Boissel, ed., Une Correspondence des Kandinsky—Albers années trente (Paris: Editions du Centre Pompidou, 1998), p. 71.

  2. Ibid., p. 73.

  3. John Richardson, “Kandinsky’s Merry Widow,” Vanity Fair, February 1995, p. 131.

  4. Ibid., p. 135.

  5. Gabrielle Annan, “Girl from Berlin,” The New York Review of Books, February 14, 1985.

  6. Sebastian Haffner, Defying Hitler, trans. Oliver Pretzel (New York: Picador, 2000), p. 26.

  7. Ibid., p. 52.

  8. Ibid., p. 53.

  9. Ibid., pp. 128–29.

  ILLUSTRATION CREDITS

  2009 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn: color plates 2, 11, 15

  AKG-Images

  Art Resource, NY, photograph by Erich Lessing

  Oliver Barker

&nbs
p; Bauhaus-Archiv Berlin, © Bauhaus-Archiv, Berlin

  Bauhaus-Archiv, Berlin (Dr. Stephan Consemüller [photo]), VG Bild-Kunst, Bonn

  Bauhaus-Archiv, Berlin/2009 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn (Paula Stockman [photo]); color plate 12

  Courtesy Bauhaus-Archiv, Berlin/2009 T. Lux Feininger/Artists Rights Society (ARS), New York

  Bauhaus-Universität Weimar, Archiv der Moderne, photograph by Hüttich-Oemler

  Berlinische Galerie, Landesmuseum für Moderne Kunst, Fotografíe und Architektur

  Bildarchiv Preussischer Kulturbesitz/Art Resource, NY/2009 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn

  Centre Pompidou/Mnam—Cci/Bibliothèque Kandinsky

  CNAC/MNAM/Dis. Réunion des Musées Nationaux/Art Resource, NY/2009 Artists Rights Society (ARS), New York/ ADAGP, Paris; color plates 9, 10, 13

  Courtesy of Fondazione Mazzotta, Milan/2009 Artists Rights Society (ARS), New York/ ADAGP, Paris

  Courtesy René Guerra, photograph by René Guerra

  Harvard Art Museum

  Harvard Art Museum, Busch-Reisinger Museum, Gift of Josef Albers/2009 The Josef & Anni Albers Foundation/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn; color plate 25

  Courtesy of Historic New England, photograph by Wanda von Debschitz-Kunowski

  The Jewish Museum/Art Resource, NY/© The Josef & Anni Albers Foundation/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn: color plate 29

  Courtesy The Josef & Anni Albers Foundation/2009 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn; color plate 8

  Courtesy and copyright The Josef & Anni Albers Foundation/2009 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn; color plates 18, 19, 20, 21, 23, 24, 26, 27, 28

  Klassik Stiftung Weimar, Herzogin Anna Amalia Bibliothek

  Klee-Nachlassverwaltung, Bern (Helene Mieth [photo])

  Courtesy Kunstmuseum Basel, photograph by Martin P. Bühler/2009 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn; color plate 4

  Courtesy of Library of Congress

  Mahler-Werfel Papers, Rare Books & Manuscript Library, University of Pennsylvania

  Merzbacher Kunststiftung/2009 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn

  The Metropolitan Museum of Art, The Berggruen Klee Collection, 1984

  The Museum of Modern Art/Licensed by SCALA/Art Resource, NY/2009 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn; color plates 1, 17, 22

  Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950: color plate 6

  Photothek Berlin, Courtesy of the Bauhaus-Archiv, Berlin/2009 Agency for Photographs of Contemporary History, Berlin (ABZ Berlin)

  Solomon R. Guggenheim Founding Collection/2009 Artists Rights Society (ARS), New York/ VG-Kunst, Bonn: color plate 16

  Städtishe Galerie im Lenbachhaus, Munich; color plate 7

  Zentrum Paul Klee, Bern/2009 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn: color plates 3, 5

  Zentrum Paul Klee, Bern, Schenkung Familie Klee/2009 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn (Hinnerk Scheper [photo])

  Zurich University of the Arts, Media and Information Center—Archive

  TEXT PERMISSIONS

  Grateful acknowledgment is made for permission to reprint previously published and unpublished material:

  Sabine Altorfer: Excerpts from “Mich faszinierte der Musiker, Denker, Träumer,” interview with Hans Fischli by Sabine Altorfer (Berner Zeitung, September 8, 1987), translated here by Jessica Csoma. Reprinted by permission of Sabine Altorfer.

  Guilford Publications, Inc.: Excerpts from “Paul Klee in the Wizard’s Kitchen” by Marta Schneider Brody (The Psychoanalytic Review, June 2004). Reprinted by permission of Guilford Publications, Inc.

  Tom Lehrer: Excerpts from “Alma” by Tom Lehrer, copyright © 1965 by Tom Lehrer. Reprinted by permission of Tom Lehrer.

  Leo Baeck Institute: Excerpt from Hugo Perls’s unpublished memoir. Reprinted by permission of Leo Baeck Institute.

  MIT Press: Excerpts from The Bauhaus: Weimar, Dessau, Berlin, Chicago by Hans Wingler, copyright © 1969 by Massachusetts Institute of Technology. Reprinted by permission of MIT Press.

  The Overlook Press: Excerpts from The Bauhaus: Masters and Students by Themselves, edited by Frank Whitford, copyright © 1992 by Conran Octopus Ltd. (New York: The Overlook Press, 1993). Reprinted by permission of The Overlook Press.

  The Overlook Press and Ashgate: Excerpts from Paul Klee Notebooks, Volume 2, edited by Jürg Spiller, translated by Ralph Manheim, translation copyright © 1973 by Lund Humphries Publishers Ltd. (New York: The Overlook Press, 1992). Reprinted by permission of The Overlook Press and Ashgate.

  Andreas Pegler: Excerpts from “Memories of Paul Klee” by Jankel Adler from The Golden Horizon, edited by Cyril Connolly (London: Weidenfeld & Nicolson, 1953). Reprinted by permission of Andreas Pegler, on behalf of the Jankel Adler estate.

  S. Fischer Verlag GmbH: Excerpts from And the Bridge Is Love: Memories of a Lifetime, copyright © 1960 by Alma Mahler Werfel (New York: Harcourt, Brace and Company, 1958). All rights reserved. Reprinted by permission of S. Fischer Verlag GmbH, Frankfurt am Main.

  Taylor and Francis Book Group LLC: Excerpts from Walter Gropius Archive: An Illustrated Catalogue of the Drawings, Prints, and Photographs in the Walter Gropius Archive at the Busch-Reisinger Museum, Harvard University, edited by Winfried Nerdinger (New York: Garland Publishing, 1991). Reprinted by permission of Copyright Clearance Center on behalf of Taylor and Francis Book Group LLC.

  University of California Press: Excerpts from The Diaries of Paul Klee, 1898–1918 by Paul Klee, edited by Felix Klee, copyright © 1968 by the Regents of the University of California. Reprinted by permission of the University of California Press.

  Isabel Wünsche: Excerpts from Galka E. Scheyer and The Blue Four: Correspondence, 1924–1945, edited by Isabel Wünsche (Bern: Benteli, 2006). Reprinted by permission of Isabel Wünsche.

  Zentrum Paul Klee: Excerpts from Paul Klee by Will Grohmann (New York: Harry N. Abrams Inc., 1967); excerpts from Briefe an die Familie by Paul Klee, translated here by Oliver Pretzel (Cologne: Dumont, 1979); excerpts from Lettres du Bauhaus by Paul Klee, translated into French by Anne-Sophie Petit-Emptaz (Tours: Farrago, 2004), translated here by Nicholas Fox Weber; and “Under the Title” by Paul Klee, translated by Isabel Wünsche from Galka E. Scheyer and The Blue Four: Correspondence, 1924–1945, edited by Isabel Wünsche (Bern: Benteli, 2006). Reprinted by permission of Zentrum Paul Klee.

  This Is a Borzoi Book Published by Alfred A. Knopf

  Copyright © 2009 by Nicholas Fox Weber

  All rights reserved. Published in the United States by Alfred A. Knopf, a division of Random House, Inc., New York, and in Canada by Random House of Canada Limited, Toronto.

  www.aaknopf.com

  A portion of this work originally appeared in ARTnews.

  Owing to limitations of space, all acknowledgments to reprint previously published material may be found at the end of the volume.

  Knopf, Borzoi Books, and the colophon are registered trademarks of Random House, Inc.

  Library of Congress Cataloging-in-Publication Data

  Weber, Nicholas Fox, {date}

  The Bauhaus group : six masters of modernism / by Nicholas Fox Weber.

  p. cm.

  “A Borzoi book.”

  eISBN: 978-0-307-27334-5

  1. Bauhaus—Biography. 2. Artists—Germany—Biography. 3. Designers—Germany—Biography. 4. Avant-garde (Aesthetics)—Germany—History—20th century. I. Title.

  N332.G33W483 2009

  709.43′0904—dc22 2009028729

  v3.0

 

 

 
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