Delphi Collected Works of W. Somerset Maugham (Illustrated)

by William Somerset Maugham

  At the Church of the Espirito Santo, in a little chapel behind one of the transept altars, I saw, through a huge rococo frame of gilded wood, a Maria de los Dolores that was almost terrifying in poignant realism. She wore a robe of black damask, which stood as if it were cast of bronze in heavy, austere folds, a velvet cloak decorated with the old lace known as rose point d’Espagne; and on her head a massive imperial diadem, and a golden aureole. Seven candles burned before her; and at vespers, when the church was nearly dark, they threw a cold, sharp light upon her countenance. Her eyes were in deep shadow, strangely mysterious, and they made the face, so small beneath the pompous crown, horribly life-like: you could not see the tears, but you felt they were eyes which would never cease from weeping.

  I suppose it was all tawdry and vulgar and common, but a woman knelt in front of the Mother of Sorrows, praying, a poor woman in a ragged shawl; I heard a sob, and saw that she was weeping; she sought to restrain herself and in the effort a tremor passed through her body, and she drew the shawl more closely round her.

  I walked away, and came presently to the most cruel of all these images. It was a Pietà. The Mother held on her knees the dead Son, looking in His face, and it was a ghastly contrast between her royal array and His naked body. She, too, wore the imperial crown, with its golden aureole, and her cloak was of damask embroidered with heavy gold. Her hair fell in curling abundance about her breast, and the sacristan told me it was the hair of a lady who had lost her husband and her only son. But the dead Christ was terrible, His face half hidden by the long straight hair, long as a woman’s, and His body thin and all discoloured: from the wounds thick blood poured out, and their edges were swollen and red; the broken knees, the feet and hands, were purple and green with the beginning of putrefaction.

  III

  Ronda

  Ronda is set deep among the mountains between Algeciras and Seville; they hem it in on all sides, and it straggles up and down little hills, timidly, as though its presence were an affront to the wild rocks around it. The houses are huddled against the churches, which look like portly hens squatting with ruffled feathers, while their chicks, for warmth, press up against them. It is very cold in Ronda. I saw it first quite early: over the town hung a grey mist shining in the sunlight, and the mountains, opalescent in the morning glow, were so luminous that they seemed hardly solid; they looked as if one could walk through them. The people, covering their mouths in dread of a pulmonia, hastened by, closely muffled in long cloaks. As I passed the open doors I saw them standing round the brasero, warming themselves; for fireplaces are unknown to Andalusia, the only means of heat being the copa, a round brass dish in which is placed burning charcoal.

  The height and the cold give Ronda a character which reminds one of Northern Spain; the roofs are quite steep, the houses low and small, built for warmth rather than, as in the rest of Andalusia, for coolness.

  But the whitewash and the barred windows with their wooden lattice-work, remind you that you are in Moorish country, in the very heart of it; and Ronda, indeed, figures in chronicles and in old ballads as a stronghold of the invaders. The temperature affects the habits of the people, even their appearance: there is no lounging about the squares or at the doors of wine-shops, the streets are deserted and their great breadth makes the emptiness more apparent. The first setters out of the town had no need to make the ways narrow for the sake of shade, and they are, in fact, so broad that the houses on either side might be laid on their faces, and there would still be room for the rapid stream which hurries down the middle.

  The conformation of a Spanish town, even though it lack museums and fine buildings, gives it an interest beyond that of most European places. The Moorish design is always evident. That wise people laid out the streets as was most convenient, tortuous and narrow at Cordova or broad as a king’s highway in Ronda. The Moors stayed their time, and their hour struck, and they went; the houses had fallen to decay and been more than once rebuilt. The Christians returned and Mahomet fled before the Saints; (it was no shame since they grossly out-numbered him;) the mosque was made a church, and the houses as they fell were built again, but on the same foundations and in the same way. The streets have remained as the Moors left them, the houses still are built round little courtyards — the patio — as the Moors built them; and the windows are barred and latticed as of old, the better to protect beauty whose dark eyes flash too meaningly at wandering strangers, whose red lips are over ready to break into a smile for the peace of an absent husband.

  After the busy clamour of Gibraltar, that ant-nest of a hundred nationalities, Ronda impresses you by its peculiar silence. The lack of sound is the more noticeable in the frosty clearness of the atmosphere, and is only emphasised by an occasional cry that floats, from some vast distance, along the air. The coldness, too, has pinched the features of the people, and they seem to grow old even earlier than in the rest of Andalusia. Strapping fellows of thirty with slim figures and a youthful air have the faces of elderly men, and their skin is hard, stained and furrowed. The women, ageing as rapidly, have no gaiety. If Spanish girls have frequently a beautiful youth, their age too often is atrocious: it is inconceivable that a handsome woman should become so fearful a hag; the luxuriant hair is lost, and she takes no pains to conceal her grey baldness, the eye loses its light, the enchanting down of the upper lip turns to a bristly moustache; the features harden, grow coarse and vulgar; and the countenance assumes a rapacious expression, so that she appears a bird of prey; and her strident voice is like the shriek of vultures. It is easily comprehensible that the Spanish stage should have taken the old woman as one of its most constant, characteristic types. But in Ronda even the girls have a weary look, as though life were not so easy a matter as in warmer places, or as the good God intended; and they seem to suffer from the brevity of youth, which is no sooner come than gone. They walk inertly, clothed in sombre colours, their hair not elaborately arranged as would have it the poorest cigarette-girl, but merely knotted, without the flower which the Sevillan is popularly said to insist upon even at the cost of a dinner. And when they go out the grey shawls they wrap about their heads add to their unattractiveness.

  IV

  The Swineherd

  But if Ronda itself is a somewhat dull and unsympathetic place with nothing more for the edification of the visitor than a melodramatic chasm, the surrounding country is worthy the most extravagant epithets. The mountains have the gloomy barrenness, the slate-grey colour of volcanic ranges; they encircle the town in a gigantic amphitheatre, rugged and overbearing like Titans turned to stone. They seem, indeed, to wear a sombre insolence of demeanour as though the aspect of human kind moved them to lofty contempt. And in their magnificent desolation they offer a fit environment for the exploits of Byronic heroes. The handsome villain of romance, seductive by the complexity of his emotions, by the persistence of his mysterious grief, would find himself in that theatrical scene most thoroughly at home; nor did Prosper Mérimée fail to seize the opportunity, for the mountains of Ronda were the very hunting-ground of Don Josè, who lost his soul for Carmen. But as a matter of history they were likewise the haunts of brigands in flesh and blood — malefactors in the past had that sense of the picturesque which now is vested in the amateur photographer — and this particular district was as dangerous to the travelling merchant as any in Spain.

  The environs of Ronda are barren and unfertile, the olive groves bear little fruit. I wandered through the lonely country, towards the mountains; the day was overcast and the clouds hung sluggishly overhead. As I walked, suddenly I heard a melancholy voice singing a peasant song, a malagueña. I paused to listen, but the sadness was almost unendurable; and it went on interminably, wailing through the air with the insistent monotony of its Moorish origin. I struck into the olives to find the singer and met a swineherd, guarding a dozen brown pigs, a youth thin of face, with dark eyes, clothed in undressed sheep-skins; and the brown wool gave him a singular appearance of community with the ear
th about him. He stood among the trees like a wild creature, more beast than man, and the lank, busy pigs burrowed around him, running to and fro, with little squeals. He ceased his song when I approached and looked up timidly. I spoke to him but he made no answer, I offered a cigarette but he shook his head.

  I went my way, and at first the road was not quite solitary. Two men passed me on donkeys. ‘Vaya Usted con Dios!’ they cried— ‘Go you with God’: it is the commonest greeting in Spain, and the most charming; the roughest peasant calls it as you meet him. A dozen grey asses went towards Ronda, one after the other, their panniers filled with stones; they walked with hanging heads, resigned to all their pain. But when at last I came into the mountains the loneliness was terrible. Not even the olive grew on those dark masses of rock, windswept and sterile; there was not a hut nor a cottage to testify of man’s existence, not even a path such as the wild things of the heights might use. All life, indeed, appeared incongruous with that overwhelming solitude.

  Daylight was waning as I returned, but when I passed the olive-grove, where many hours before I had heard the malagueña, the same monotonous song still moaned along the air, carrying back my thoughts to the swineherd. I wondered what he thought of while he sang, whether the sad words brought him some dim emotion. How curious was the life he led! I suppose he had never travelled further than his native town; he could neither write nor read. Madrid to him was a city where the streets were paved with silver and the King’s palace was of fine gold. He was born and grew to manhood and tended his swine, and some day he would marry and beget children, and at length die and return to the Mother of all things. It seemed to me that nowadays, when civilisation has become the mainstay of our lives, it is only with such beings as these that it is possible to realise the closeness of the tie between mankind and nature. To the poor herdsman still clung the soil; he was no foreign element in the scene, but as much part of it as the stunted olives, belonging to the earth intimately as the trees among which he stood, as the beasts he tended.

  When I came near the town the sun was setting. In the west, tempestuous clouds were massed upon one another, and the sun shone blood-red above them; but as it sank they were riven asunder, and I saw a great furnace that lit up the whole sky. The mountains were purple, unreal as the painted mountains of a picture. The light was gone from the east, and there everything was chill and grey; the barren rocks looked so desolate that one shuddered with horror of the cold. But the sun fell gold and red, and the rift in the clouds was a kingdom of gorgeous light; the earth and its petty inhabitants died away, and in the crimson flame I could almost see Lucifer standing in his glory, god-like and young; Lucifer in all majesty, surrounded by his court of archangels, Beelzebub, Belial, Moloch, Abaddon.

  I had discovered in the morning, from the steeple of Santa Maria, a queer ruined church, and was oddly impressed by the bare façade, with the yawning apertures of empty windows. I went to it, but every entrance was bricked up save one, which had a door of rough boards fastened by a padlock; and in a neighbouring house I found an old man with a key. It was a spot of utter desolation; the roof had gone or had never been. The custodian could not tell whether the church was the wreck of an old building or a framework that had never been completed; the walls were falling to decay. Along the nave and in the chapels trees were growing, shrubs and rank weeds; it was curious the utter ruin in the midst of the populous town. Pigs ran hither and thither, feeding, with noisy grunts, as they burrowed about the crumbling altar.

  The old man inquired whether I wished to buy the absolute uselessness of the place fascinated me. I asked the price. He looked me up and down, and seeing I was foreign, suggested a ridiculous sum. And while I amused myself with bargaining, I wondered what on earth one could do with a ruined church in Ronda. Half a dozen fantastic notions passed through my mind, but they were really too melodramatic.

  And now when the sun had set I returned. Notwithstanding his suspicions, I induced the keeper to give me his key; he could not understand what I desired at such an hour in that solitary place, and asked if I wished to sleep there! But I calmed his fears with a peseta — money goes a long way in Spain — and went in alone. The pigs had been removed and all was silent. A few bats flitted to and fro quickly. The light fell away greyly, the cold descended on the ruin, and it became very strange and mysterious. Presently, the roofless chapels seemed to grow alive with weird invisible things, the rank weeds exhaled chill odours; and in the lonely silence a mass began. At the ruined altar ghostly priests officiated, passing quietly from side to side, with bows and genuflections. The bell tinkled as they raised an invisible host. Soon it became quite dark, and the moon shone through the great empty windows of the façade.

  V

  Medinat Az-Zahra

  In what you divine rather than in what you see lies half the charm of Andalusia, in the suggestion of all manner of delicate antique things, in the vivid memory of past grandeur. The Moors have gone, but still they inhabit the land in spirit and not seldom in a spectral way seem to regain their old dominion. Often towards evening, as I rode through the desolate country, I thought I saw an half-naked Moor ploughing his field, urging the lazy oxen with a long goad. Often the Spaniard on his horse vanished, and I saw a Muslim knight riding in pride and glory, his velvet cloak bespattered with the gold initial of his lady, and her favour fluttering from his lance. Once near Granada, standing on a hill, I watched the blood-red sun set tempestuously over the plain; and presently in the distance the gnarled olive-trees seemed living beings, and I saw contending hosts, two ghostly armies silently battling with one another; I saw the flash of scimitars, and the gleam of standards, the whiteness of the turbans. They fought with horrible carnage, and the land was crimson with their blood. Then the sun fell below the horizon, and all again was still and lifeless.

  And what can be more fascinating than that magic city of Az-Zahra, the wonder of its age, of which now not a stone remains? It was made to satisfy the whim of a concubine by a Sultan whose flamboyant passion moved him to displace mountains for the sake of his beloved; and the memory thereof is lost so completely that even its situation till lately was uncertain. Az-Zahra the Fairest said to Abd-er-Rahmān, her lord: ‘Raise me a city that shall take my name and be mine.’ The Khalif built at the foot of the mountain which is called the Hill of the Bride; but when at last the lady, from the great hall of the palace, gazed at the snow-white city contrasting with the dark mountain, she remarked: ‘See, O Master! how beautiful this girl looks in the arms of yonder Ethiopian.’ The jealous Khalif immediately commanded the removal of the offending hill; and when he was convinced the task was impossible, ordered that the oaks and other mountain trees which grew upon it should be uprooted, and fig-trees and almonds planted in their stead.

  Imagine the Hall of the Khalif, with walls of transparent and many-coloured marble, with roof of gold; on each side were eight doors fixed upon arches of ivory and ebony, ornamented with precious metals and with precious stones; and when the sun penetrated them, the reflection of its rays upon the roof and walls was sufficient to deprive the beholders of sight! In the centre was a great basin filled with quicksilver, and the Sultan, wishing to terrify a courtier, would cause the metal to be set in motion, whereupon the apartment would seem traversed by flashes of lightning, and all the company would fall a-trembling.

  The old author tells of running streams and of limpid water, of stately buildings for the household guards, and magnificent palaces for the reception of high functionaries of state; of the thronging soldiers, pages, eunuchs, slaves, of all nations and of all religions, in sumptuous habiliments of silk and of brocade; of judges, theologians, and poets, walking with becoming gravity in the ample courts.... Alas! that poets now should rush through Fleet Street with unseemly haste, attired uncouthly in bowler hats and in preposterous tweeds!

  From the celebrated legend of Roderick the Goth to that last scene when Boabdil handed the keys of Granada to King Ferdinand, the history of the Moorish o
ccupation reads far more like romance than like sober fact. It is rich with every kind of passionate incident; it has all the strange vicissitudes of oriental history. What career could be more wonderful than that of Almanzor, who began life as a professional letter-writer, (a calling which you may still see exercised in the public places of Madrid or Seville,) and ended it as absolute ruler of an Empire! His charm of manner, his skill in flattery, the military genius which he developed when occasion called, his generosity and sense of justice, his love of literature and art, make him a figure to be contemplated with admiration; and when you add his utter lack of scruple, his selfishness, his ingratitude, his perfidy, you have a character complex enough to satisfy the most exacting.

  Those who would read of these things may find an admirable account in Mr. Lane-Poole’s Moors in Spain; but I cannot renounce the pleasure of giving one characteristic detail. After the death of Abd-er-Rahmān, the builder of that magnificent city of Az-Zahra, a paper was found in his own handwriting, upon which he had noted those days in his long reign which had been free from all sorrow: they numbered fourteen. Sovereign lord of a country than which there is on earth none more delightful, his life had been of uninterrupted prosperity; success in peace and war attended him always; he possessed everything that it was possible for man to have. These are the observations of Al Makkary, the Arabic historian, when he narrates the incident:

  O man of understanding! Wonder and observe the small portion of real happiness the world affords even in the most enviable position. Praise be given to Him, the Lord of eternal glory and everlasting empire! There is no God but He the Almighty, the Giver of Empire to whomsoever He pleases.