Delphi Collected Works of W. Somerset Maugham (Illustrated)

by William Somerset Maugham

  In Malaga, for me, there are dark churches, with massive, tall pillars; the light falls softly through the painted glass, regilding the golden woodwork, the angels and the saints and the bishops in their mitres. The air is heavy with incense, and women in mantillas kneel in the half-light, praying silently. Now and then I come across an old house with a fragment of Moorish work, reminding me that here again the Moors have left their mark.

  And in Malaga, for me, the women are more lovely than in Seville; for their dark eyes glitter marvellously, and their lips, so red and soft, are ever trembling with a half-formed smile. They are more graceful than the daffodils, their hands are lovers’ sighs, and their voice is a caressing song. (What was your voice like, Rosarito? Alas! it is so long ago that I forget.) The men are tall and slender, with strong, clear features and shining eyes, deep sunken in their sockets.

  In Malaga, for me, life is a holiday in which there are no dullards and no bores; all the world is strong and young and full of health, and there is nothing to remind one of horrible things. Malaga, I know, is the most delightful place in Andalusia. Oh, how refreshing it is to get away from sober fact, but what a fool I should be ever to go there!

  The steamer plods on against the wind slowly, and as the land sinks away, unsatisfied to leave the impressions hovering vaguely through my mind, I try to find the moral. The Englishman, ever somewhat sententiously inclined, asks what a place can teach him. The churchwarden in his bosom gives no constant, enduring peace; and after all, though he may be often ridiculous, it is the churchwarden who has made good part of England’s greatness.

  And most obviously Andalusia suggests that it might not be ill to take things a little more easily: we English look upon life so very seriously, so much without humour. Is it worth while to be quite so strenuous? At the stations on the line between Jerez and Cadiz, I noticed again how calmly they took things; people lounged idly talking to one another; the officials of the railway smoked their cigarettes; no one was in a hurry, time was long, and whether the train arrived late or punctual could really matter much to no one. A beggar came to the window, a cigarette-end between his lips.

  ‘Caballero! Alms for the love of God for a poor old man. God will repay you!’

  He passed slowly down the train. It waited for no reason; the passengers stared idly at the loungers on the platform, and they stared idly back. No one moved except to roll himself a cigarette. The sky was blue and the air warm and comforting. Life seemed good enough, and above all things easy. There was no particular cause to trouble. What is the use of hurrying to pile up money when one can live on so little? What is the use of reading these endless books? Why not let things slide a little, and just take what comes our way? It is only for a little while, and then the great antique mother receives us once more in her bosom. And there are so many people in the world. Think again of all the countless hordes who have come and gone, and who will come and go; the immense sea of Time covers them, and what matters the life they led? What odds is it that they ever existed at all? Let us do our best to be happy; the earth is good and sweet-smelling, there is sunshine and colour and youth and loveliness; and afterwards — well, let us shrug our shoulders and not think of it.

  And then in bitter irony, contradicting my moral, a train came in with a number of Cuban soldiers. There were above fifty of them, and they had to change at the junction. They reached out to open the carriage doors and crawled down to the platform. Some of them seemed at death’s door; they could not walk, and chairs were brought that they might be carried; others leaned heavily on their companions. And they were dishevelled, with stubbly beards. But what struck me most was the deathly colour; for their faces were almost green, while round their sunken eyes were great white rings, and the white was ghastly, corpse-like. They trooped along in a dazed and listless fashion, wasted with fever, and now and then one stopped, shaken with a racking cough; he leaned against the wall, and put his hand to his heart as if the pain were unendurable. It was a pitiful sight. They were stunted and under-sized; they ceased to develop when they went to the cruel island, and they were puny creatures with hollow chests and thin powerless limbs; often, strangely enough, their faces had remained quite boyish. They were twenty or twenty-two, and they looked sixteen. And then, by the sight of those boys who had never known youth with its joyful flowers, doomed to a hopeless life, I was forced against my will to another moral. Perhaps some would recover, but the majority must drag on with ruined health, fever-stricken, dying one by one, falling like the unripe fruit of a rotten tree. They had no chance, poor wretches! They would return to their miserable homes; they could not work, and their people were too poor to keep them — so they must starve. Their lives were even shorter than those of the rest, and what pleasure had they had?

  And that is the result of the Spanish insouciance — death and corruption, loss of power and land and honour, the ruin of countless lives, and absolute decay. It is rather a bitter irony, isn’t it? And now all they have left is their sunshine and the equanimity which nothing can disturb.

  ON A CHINESE SCREEN

  CONTENTS

  I

  II

  III

  IV

  V

  VI

  VII

  VIII

  IX

  X

  XI

  XII

  XIII

  XIV

  XV

  XVI

  XVII

  XVIII

  XIX

  XX

  XXI

  XXII

  XXIII

  XXIV

  XXV

  XXVI

  XXVII

  XXVIII

  XXIX

  XXX

  XXXI

  XXXII

  XXXIII

  XXXIV

  XXXV

  XXXVI

  XXXVII

  XXXVIII

  XXXIX

  XL

  XLI

  XLII

  XLIII

  XLIV

  XLV

  XLVI

  XLVII

  XLVIII

  XLIX

  L

  LI

  LII

  LIII

  LIV

  LV

  LVI

  LVII

  LVIII

  I

  THE RISING OF THE CURTAIN

  You come to the row of hovels that leads to the gate of the city. They are built of dried mud and so dilapidated that you feel a breath of wind will lay them flat upon the dusty earth from which they have been made. A string of camels, heavily laden, steps warily past you. They wear the disdainful air of profiteers forced to traverse a world in which many people are not so rich as they. A little crowd, tattered in their blue clothes, is gathered about the gate and it scatters as a youth in a pointed cap gallops up on a Mongolian pony. A band of children are chasing a lame dog and they throw clods of mud at it. Two stout gentlemen in long black gowns of figured silk and silk jackets stand talking to one another. Each holds a little stick, perched on which, with a string attached to its leg, is a little bird. They have brought out their pets for an airing and in friendly fashion compare their merits. Now and then the birds give a flutter into the air, the length of the string, and return quickly to their perch. The two Chinese gentlemen, smiling, look at them with soft eyes. Rude boys cry out at the foreigner in a shrill and scornful voice. The city wall, crumbling, old and crenellated, looks like the city wall in an old picture of some Palestinish town of the Crusaders.

  You pass through the gateway into a narrow street lined with shops: many of them with their elegant lattice work, red and gold, and their elaborate carving, have a peculiar ruined magnificence, and you imagine that in their dark recesses are sold all manner of strange wares of the fabulous East. A great multitude surges along the uneven narrow footwalk or in the deepset street; and coolies, bearing heavy loads, shout for way in short sharp cries. Hawkers with guttural sound call their
wares.

  And now at a sedate pace, drawn by a sleek mule, comes a Peking cart. Its hood is bright blue and its great wheels are studded with nails. The driver sits with dangling legs on a shaft. It is evening and the sun sets red behind the yellow, steep, and fantastic roof of a temple. The Peking cart, the blind in front drawn down, passes silently and you wonder who it is that sits cross-legged within. Perhaps it is a scholar, all the learning of the classics at his finger ends, bound on a visit to a friend with whom he will exchange elaborate compliments and discuss the golden age of Tang and Sung which can return no more; perhaps it is a singing girl in splendid silks and richly embroidered coat, with jade in her black hair, summoned to a party so that she may sing a little song and exchange elegant repartee with young blades cultured enough to appreciate wit. The Peking cart disappears into the gathering darkness: it seems to carry all the mystery of the East.

  II

  MY LADY’S PARLOUR

  “I really think I can make something of it,” she said.

  She looked about her briskly, and the light of the creative imagination filled her eyes with brightness.

  It was an old temple, a small one, in the city, which she had taken and was turning into a dwelling house. It had been built for a very holy monk by his admirers three hundred years before, and here in great piety, practising innumerable austerities, he had passed his declining days. For long after in memory of his virtue the faithful had come to worship, but in course of time funds had fallen very low and at last the two or three monks that remained were forced to leave. It was weather-beaten and the green tiles of the roof were overgrown with weeds. The raftered ceiling was still beautiful with its faded gold dragons on a faded red; but she did not like a dark ceiling, so she stretched a canvas across and papered it. Needing air and sunlight, she cut two large windows on one side. She very luckily had some blue curtains which were just the right size. Blue was her favourite colour: it brought out the colour of her eyes. Since the columns, great red sturdy columns, oppressed her a little she papered them with a very nice paper which did not look Chinese at all. She was lucky also with the paper with which she covered the walls. It was bought in a native shop, but really it might have come from Sandersons’; it was a very nice pink stripe and it made the place look cheerful at once. At the back was a recess in which had stood a great lacquer table and behind it an image of the Buddha in his eternal meditation. Here generations of believers had burned their tapers and prayed, some for this temporal benefit or that, some for release from the returning burden of earthly existence; and this seemed to her the very place for an American stove. She was obliged to buy her carpet in China, but she managed to get one that looked so like an Axminster that you would hardly know the difference. Of course, being hand-made, it had not quite the smoothness of the English article, but it was a very decent substitute. She was able to buy a very nice lot of furniture from a member of the Legation who was leaving the country for a post in Rome, and she got a nice bright chintz from Shanghai to make loose covers with. Fortunately she had quite a number of pictures, wedding presents and some even that she had bought herself, for she was very artistic, and these gave the room a cosy look. She needed a screen and here there was no help for it, she had to buy a Chinese one, but as she very cleverly said, you might perfectly well have a Chinese screen in England. She had a great many photographs, in silver frames, one of them of a Princess of Schleswig-Holstein, and one of the Queen of Sweden, both signed, and these she put on the grand piano, for they give a room an air of being lived in. Then, having finished, she surveyed her work with satisfaction.

  “Of course it doesn’t look like a room in London,” she said, “but it might quite well be a room in some nice place in England, Cheltenham, say, or Tunbridge Wells.”

  III

  THE MONGOL CHIEF

  Heaven knows from what mysterious distance he had come. He rode down the winding pathway from the high Mongolian plateau with the mountains, barren, stony, and inaccessible, stretching on all sides, an impenetrable barrier; he rode down past the temple that guarded the head of the pass till he came to the old river bed which was the gateway into China. It was hedged in by the foothills brilliant under the morning sun, with sharp shadows; and the innumerable traffic of the centuries had formed on that stony floor a rough road. The air was keen and clear, the sky was blue. Here all the year round from daybreak till sundown, passed an unending stream, camels in caravan bearing the brick tea to Urga seven hundred miles away and so to Siberia, long lines of wagons drawn by placid bullocks, and little carts in twos and threes behind stout ponies; and in the contrary direction, into China, again camels in caravan bringing hides to the markets of Peking, and wagons in long procession. Now a mob of horses went by and then a flock of goats. But his eyes did not rest on the various scene. He seemed not to notice that others were travelling the pass. He was accompanied by his henchmen, six or seven of them, somewhat bedraggled it is true, on sorry nags, but they had a truculent air. They ambled along in a slovenly bunch. He was dressed in a black silk coat and black silk trousers thrust into his long riding boots with their turned-up toes, and on his head he wore the high sable cap of his country. He held himself erect, riding a little ahead of his followers, proudly, and as he rode, his head high and his eyes steady, you wondered if he thought that down this pass in days gone by his ancestors had ridden, ridden down upon the fertile plain of China where rich cities lay ready to their looting.

  IV

  THE ROLLING STONE

  I heard his extraordinary story before I saw him and I expected someone of striking appearance. It seemed to me that anyone who had gone through such singular experiences must have in his outer man something singular too. But I found a person in whose aspect there was nothing remarkable. He was smaller than the average, somewhat frail, sun-burned, with hair beginning to turn grey though he was still under thirty, and brown eyes. He looked like anybody else, and you might see him half a dozen times before remembering who he was. If you had happened upon him behind the counter of a department store or on a stool in a broker’s office you would have thought him perfectly in place. But you would have noticed him as little as you noticed the counter or the stool. There was so little in him to attract attention that in the end it became intriguing: his face, empty of significance, reminded you of the blank wall of a Manchu palace, in a sordid street, behind which you knew were painted courtyards, carved dragons, and heaven knows what subtle intricacy of life.

  For his whole career was remarkable. The son of a veterinary surgeon, he had been a reporter in the London police courts and then had gone as steward on board a merchant ship to Buenos Ayres. There he had deserted and somehow or other had worked his way across South America. From a port in Chili he managed to get to the Marquesas where for six months he had lived on the natives always ready to offer hospitality to a white man, and then, begging a passage on a schooner to Tahiti, had shipped to Amoy as second mate of an old tub which carried Chinese labour to the Society Islands.

  That was nine years before I met him and since then he had lived in China. First he got work with the B.A.T. Company, but after a couple of years he found it monotonous; and having acquired a certain knowledge of the language he entered the employment of a firm which distributed patent medicines through the length and breadth of the land. For three years he wandered in province after province, selling pills, and at the end of it had saved eight hundred dollars. He cut himself adrift once more.

  He began then the most remarkable of his adventures. He set out from Peking on a journey right across the country, travelling in the guise of a poor Chinaman, with his roll of bedding, his Chinese pipe, and his tooth-brush. He stayed in the Chinese inns, sleeping on the kangs huddled up with fellow wayfarers, and ate the Chinese food. This alone is no mean feat. He used the train but little, going for the most part on foot, by cart, or by river. He went through Shensi and Shansi; he walked on the windy plateaus of Mongolia and risked his life in barbaric Turkes
tan; he spent long weeks with the nomads of the desert and travelled with the caravans that carried the brick tea across the arid wilderness of Gobi. At last, four years later, having spent his last dollar he reached Peking once more.

  He set about looking for a job. The easiest way to earn money seemed to write, and the editor of one of the English papers in China offered to take a series of articles on his journey. I suppose his only difficulty was to choose from the fulness of his experience. He knew much which he was perhaps the only Englishman to know. He had seen all manner of things, quaint, impressive, terrible, amusing, and unexpected. He wrote twenty-four articles. I will not say that they were unreadable, for they showed a careful and a sympathetic observation; but he had seen everything at haphazard, as it were, and they were but the material of art. They were like the catalogue of the Army and Navy Stores, a mine to the imaginative man, but the foundation of literature rather than literature itself. He was the field naturalist who patiently collects an infinity of facts, but has no gift for generalisation: they remain facts that await the synthesis of minds more complicated than his. He collected neither plants nor beasts, but men. His collection was unrivalled, but his knowledge of it slender.

  When I met him I sought to discern how the variety of his experience had affected him; but though he was full of anecdote, a jovial, friendly creature, willing to talk at length of all he had seen, I could not discover that any of his adventures had intimately touched him. The instinct to do all the queer things he had done showed that there was in him a streak of queerness. The civilised world irked him and he had a passion to get away from the beaten trail. The oddities of life amused him. He had an insatiable curiosity. But I think his experiences were merely of the body and were never translated into experiences of the soul. Perhaps that is why at bottom you felt he was commonplace. The insignificance of his mien was a true index to the insignificance of his soul. Behind the blank wall was blankness.