Jailbird

by Kurt Vonnegut

  AMERICA'S GREATEST SATIRIST

  KURT VONNEGUT IS ...

  "UNIQUE ... one of the writers who map our landscapes for us, who give names to the places we know best."

  --DORIS LESSING

  The New York Times Book Review

  "OUR FINEST BLACK HUMORIST.

  .... We laugh in self-defense."

  --The Atlantic Monthly

  "AN UNIMITATIVE AND INIMITABLE SOCIAL SATIRIST."

  --Harper's Magazine

  "A CAUSE FOR CELEBRATION."

  --Chicago Sun-Times

  "A LAUGHING PROPHET OF DOOM."

  --The New York Times

  "A PROFOUNDLY HUMANE COMEDY ...

  Jailbird definitely mounts up on angelic wings--in its speed, in its sparkle, and in its high-flying intent."

  --Chicago Tribune Book World

  "JOYOUSLY INVENTIVE ... gleams with the loony magic Vonnegut alone can achieve."

  --Cosmopolitan

  "VONNEGUT IS OUR GREAT APOCALYPTIC WRITER, the closest thing we've had to a prophet since ... Lenny Bruce."

  --Chicago Sun-Times

  "VONNEGUT AT HIS IMPRESSIVE BEST....

  His imaginative leaps alone ... are worth the price of admission.... His far-reaching metaphysical and cultural concerns ... are ultimately serious and worth our contemplation."

  --The Washington Post

  "HE HAS NEVER BEEN MORE SATIRICALLY ON-TARGET.... NOTHING IS SPARED."

  --People

  "VINTAGE VONNEGUT!"

  --Time

  "IS IT ENTERTAINING? EVERY PAGE OF IT....

  Easily his best work of fiction since Slaughterhouse-Five."

  --New York Daily News

  "THE WRITING ... IS IMMEASURABLY STRONGER, FUNNIER, AND MORE CONFIDENT.... Life, in Vonnegut's eyes, is as chaotic as ever ... but Jailbird emanates serene control."

  --The Atlantic Monthly

  "AT HIS BEST ... Vonnegut in very good form, tart, wry, often very funny."

  --New York Post

  "WONDROUS.... A MAGICAL WRITER who can turn laughter into tears, absurdity into reality.... Jailbird is a novel of power, humor, and beauty set to the tempo of laughter, a dazzling and virtuoso achievement by one of our finest literary natural resources."

  --WILLIAM DIEHL,

  author of Sharky's Machine

  BOOKS BY KURT VONNEGUT

  Bluebeard

  Breakfast of Champions

  Cat's Cradle

  Deadeye Dick

  Galapagos

  God Bless You, Mr. Rosewater

  Jailbird

  Mother Night

  Palm Sunday

  Player Piano

  The Sirens of Titan

  Slapstick

  Slaughterhouse-Five

  Wampeters, Foma & Granfalloons

  Welcome to the Monkey House

  For Benjamin D. Hitz,

  Close friend of my youth,

  Best man at my wedding.

  Ben, you used to tell me about

  Wonderful books you had just read,

  And then I would imagine that I

  Had read them, too.

  You read nothing but the best, Ben,

  While I studied chemistry.

  Long time no see.

  PROLOGUE

  YES--KILGORE TROUT is back again. He could not make it on the outside. That is no disgrace. A lot of good people can't make it on the outside.

  *

  I received a letter this morning (November 16, 1978) from a young stranger named John Figler, of Crown Point, Indiana. Crown Point is notorious for a jailbreak there by the bank robber John Dillinger, during the depths of the Great Depression. Dillinger escaped by threatening his jailor with a pistol made of soap and shoe polish. His jailor was a woman. God rest his soul, and her soul, too. Dillinger was the Robin Hood of my early youth. He is buried near my parents--and near my sister Alice, who admired him even more than I did--in Crown Hill Cemetery in Indianapolis. Also in there, on the top of Crown Hill, the highest point in the city, is James Whitcomb Riley, "The Hoosier Poet." When my mother was little, she knew Riley well.

  Dillinger was summarily executed by agents of the Federal Bureau of Investigation. He was shot down in a public place, although he was not trying to escape or resist arrest. So there is nothing recent in my lack of respect for the F.B.I.

  John Figler is a law-abiding high-school student. He says in his letter that he has read almost everything of mine and is now prepared to state the single idea that lies at the core of my life's work so far. The words are his: "Love may fail, but courtesy will prevail."

  This seems true to me--and complete. So I am now in the abashed condition, five days after my fifty-sixth birthday, of realizing that I needn't have bothered to write several books. A seven-word telegram would have done the job.

  Seriously.

  But young Figler's insight reached me too late. I had nearly finished another book--this one.

  *

  In it is a minor character, "Kenneth Whistler," inspired by an Indianapolis man of my father's generation. The inspirer's name was Powers Hapgood (1900--1949). He is sometimes mentioned in histories of American labor for his deeds of derring-do in strikes and at the protests about the executions of Sacco and Vanzetti, and so on.

  I met him only once. I had lunch with him and Father and my Uncle Alex, my father's younger brother, in Stegemeier's Restaurant in downtown Indianapolis after I came home from the European part of World War Two. That was in July of 1945. The first atomic bomb had not yet been dropped on Japan. That would happen in about a month. Imagine that.

  I was twenty-two and still in uniform--a private first class who had flunked out of Cornell University as a student of chemistry before going to war. My prospects did not look good. There was no family business to go into. My father's architecture firm was defunct. He was broke. I had just gotten engaged to be married anyway, thinking, "Who but a wife would sleep with me?"

  My mother, as I have said ad nauseam in other books, had declined to go on living, since she could no longer be what she had been at the time of her marriage--one of the richest women in town.

  *

  It was Uncle Alex who had arranged the lunch. He and Powers Hapgood had been at Harvard together. Harvard is all through this book, although I myself never went there. I have since taught there, briefly and without distinction--while my own home was going to pieces.

  I confided that to one of my students--that my home was going to pieces.

  To which he made this reply: "It shows."

  Uncle Alex was so conservative politically that I do not think he would have eaten lunch with Hapgood gladly if Hapgood had not been a fellow Harvard man. Hapgood was then a labor union officer, a vice-president of the local CIO. His wife Mary had been the Socialist Party's candidate for vice-president of the United States again and again.

  In fact, the first time I voted in a national election I voted for Norman Thomas and Mary Hapgood, not even knowing that she was an Indianapolis person. Franklin D. Roosevelt and Harry S Truman won. I imagined that I was a socialist. I believed that socialism would be good for the common man. As a private first class in the infantry, I was surely a common man.

  *

  The meeting with Hapgood came about because I had told Uncle Alex that I might try to get a job with a labor union after the Army let me go. Unions were admirable instruments for extorting something like economic justice from employers then.

  Uncle Alex must have thought something like this: "God help us. Against stupidity even the gods contend in vain. Well--at least there is a Harvard man with whom he can discuss this ridiculous dream."

  (It was Schiller who first said that about stupidity and the gods. This was Nietzsche's reply: "Against boredom even the gods contend in v
ain.")

  So Uncle Alex and I sat down at a front table in Stegemeier's and ordered beers and waited for Father and Hapgood to arrive. They would be coming separately. If they had come together, they would have had nothing to say to each other on the way. Father by then had lost all interest in politics and history and economics and such things. He had taken to saying that people talked too much. Sensations meant more to him than ideas--especially the feel of natural materials at his fingertips. When he was dying about twenty years later, he would say that he wished he had been a potter, making mud pies all day long.

  To me that was sad--because he was so well-educated. It seemed to me that he was throwing his knowledge and intelligence away, just as a retreating soldier might throw away his rifle and pack.

  Other people found it beautiful. He was a much-beloved man in the city, with wonderfully talented hands. He was invariably courteous and innocent. To him all craftsmen were saints, no matter how mean or stupid they might really be.

  Uncle Alex, by the way, could do nothing with his hands. Neither could my mother. She could not even cook a breakfast or sew on a button.

  Powers Hapgood could mine coal. That's what he did after he graduated from Harvard, when his classmates were taking jobs in family businesses and brokerages and banks and so on: He mined coal. He believed that a true friend of the working people should be a worker himself--and a good one, too.

  So I have to say that my father, when I got to know him, when I myself was something like an adult, was a good man in full retreat from life. My mother had already surrendered and vanished from our table of organization. So an air of defeat has always been a companion of mine. So I have always been enchanted by brave veterans like Powers Hapgood, and some others, who were still eager for information of what was really going on, who were still full of ideas of how victory might yet be snatched from the jaws of defeat. "If I am going to go on living," I have thought, "I had better follow them."

  *

  I tried to write a story about a reunion between my father and myself in heaven one time. An early draft of this book in fact began that way. I hoped in the story to become a really good friend of his. But the story turned out perversely, as stories about real people we have known often do. It seemed that in heaven people could be any age they liked, just so long as they had experienced that age on Earth. Thus, John D. Rockefeller, for example, the founder of Standard Oil, could be any age up to ninety-eight. King Tut could be any age up to nineteen, and so on. As author of the story, I was dismayed that my father in heaven chose to be only nine years old.

  I myself had chosen to be forty-four--respectable, but still quite sexy, too. My dismay with Father turned to embarrassment and anger. He was lemur-like as a nine-year-old, all eyes and hands. He had an endless supply of pencils and pads, and was forever tagging after me, drawing pictures of simply everything and insisting that I admire them when they were done. New acquaintances would sometimes ask me who that strange little boy was, and I would have to reply truthfully, since it was impossible to lie in heaven, "It's my father."

  Bullies liked to torment him, since he was not like other children. He did not enjoy children's talk and children's games. Bullies would chase him and catch him and take off his pants and underpants and throw them down the mouth of hell. The mouth of hell looked like a sort of wishing well, but without a bucket and windlass. You could lean over its rim and hear ever so faintly the screams of Hitler and Nero and Salome and Judas and people like that far, far below. I could imagine Hitler, already experiencing maximum agony, periodically finding his head draped with my father's underpants.

  Whenever Father had his pants stolen, he would come running to me, purple with rage. As like as not, I had just made some new friends and was impressing them with my urbanity--and there my father would be, bawling bloody murder and with his little pecker waving in the breeze.

  I complained to my mother about him, but she said she knew nothing about him, or about me, either, since she was only sixteen. So I was stuck with him, and all I could do was yell at him from time to time, "For the love of God, Father, won't you please grow up!"

  And so on. It insisted on being a very unfriendly story, so I quit writing it.

  *

  And now, in July of 1945, Father came into Stegemeier's Restaurant, still very much alive. He was about the age that I am now, a widower with no interest in ever being married again and with no evident wish for a lover of any kind. He had a mustache like the one I have today. I was clean-shaven then.

  A terrible ordeal was ending--a planetary economic collapse followed by a planetary war. Fighting men were starting to come home everywhere. You might think that Father would comment on that, however fleetingly, and on the new era that was being born. He did not.

  He told instead, and perfectly charmingly, about an adventure he had had that morning. While driving into the city, he had seen an old house being torn down. He had stopped and taken a closer look at its skeleton. He noticed that the sill under the front door was an unusual wood, which he finally decided was poplar. I gathered that it was about eight inches square and four feet long. He admired it so much that the wreckers gave it to him. He borrowed a hammer from one of them and pulled out all the nails he could see.

  Then he took it to a sawmill--to have it ripped into boards. He would decide later what to do with the boards. Mostly, he wanted to see the grain in this unusual wood. He had to promise the mill that there were no nails left in the timber. This he did. But there was still a nail in there. It had lost its head, and so was invisible. There was an earsplitting shriek from the circular saw when it hit the nail. Smoke came from the belt that was trying to spin the stalled saw.

  Now Father had to pay for a new sawblade and a new belt, too, and had been told never to come there with used lumber again. He was delighted somehow. The story was a sort of fairy tale, with a moral in it for everyone.

  Uncle Alex and I had no very vivid response to the story. Like all of Father's stories, it was as neatly packaged and self-contained as an egg.

  *

  So we ordered more beers. Uncle Alex would later become a cofounder of the Indianapolis chapter of Alcoholics Anonymous, although his wife would say often and pointedly that he himself had never been an alcoholic. He began to talk now about The Columbia Conserve Company, a cannery that Powers Hapgood's father, William, also a Harvard man, had founded in Indianapolis in 1903. It was a famous experiment in industrial democracy, but I had never heard of it before. There was a lot that I had never heard of before.

  The Columbia Conserve Company made tomato soup and chili and catsup, and some other things. It was massively dependent on tomatoes. The company did not make a profit until 1916. As soon as it made one, though, Powers Hapgood's father began to give his employees some of the benefits he thought workers everywhere in the world were naturally entitled to. The other principal stockholders were his two brothers, also Harvard men--and they agreed with him.

  So he set up a council of seven workers, who were to recommend to the board of directors what the wages and working conditions should be. The board, without any prodding from anybody, had already declared that there would no longer be any seasonal layoffs, even in such a seasonal industry, and that there would be vacations with pay, and that medical care for workers and their dependents would be free, and that there would be sick pay and a retirement plan, and that the ultimate goal of the company was that, through a stock-bonus plan, it become the property of the workers.

  "It went bust," said Uncle Alex, with a certain grim, Darwinian satisfaction.

  My father said nothing. He may not have been listening.

  *

  I now have at hand a copy of The Hapgoods, Three Earnest Brothers, by Michael D. Marcaccio (The University Press of Virginia, Charlottesville, 1977). The three brothers in the subtitle were William, the founder of Columbia Conserve, and Norman and Hutchins, also Harvard men, who were both socialistically inclined journalists and editors and book wr
iters in and around New York. According to Mr. Marcaccio, Columbia Conserve was a quite tidy success until 1931, when the Great Depression hit it murderously. Many workers were let go, and those who were kept on had their pay cut by 50 percent. A great deal of money was owed to Continental Can, which insisted that the company behave more conventionally toward its employees--even if they were stockholders, which most of them were. The experiment was over. There wasn't any money to pay for it anymore. Those who had received stock through profit sharing now owned bits of a company that was nearly dead.

  It did not go completely bust for a while. In fact it still existed when Uncle Alex and Father arid Powers Hapgood and I had lunch. But it was just another cannery, paying not one penny more than any other cannery paid. What was left of it was finally sold off to a stronger company in 1953.

  *

  Now Powers Hapgood came into the restaurant, an ordinary-looking Middle Western Anglo-Saxon in a cheap business suit. He wore a union badge in his lapel. He was cheerful. He knew my father slightly. He knew Uncle Alex quite well. He apologized for being late. He had been in court that morning, testifying about violence on a picket line some months before. He personally had had nothing to do with the violence. His days of derring-do were behind him. Never again would he fight anybody, or be clubbed to his knees, or be locked up in jail.

  He was a talker, with far more wonderful stories than Father or Uncle Alex had ever told. He was thrown into a lunatic asylum after he led the pickets at the execution of Sacco and Vanzetti. He was in fights with organizers for John L. Lewis's United Mine Workers, which he considered too right wing. In 1936 he was a CIO organizer at a strike against RCA in Camden, New Jersey. He was put in jail. When several thousand strikers surrounded the jail, as a sort of reverse lynch mob, the sheriff thought it best to turn him loose again. And on and on. I have put my recollections of some of the stories he told into the mouth of, as I say, a fictitious character in this book.

  It turned out that he had been telling stories all morning in court, too. The judge was fascinated, and almost everybody else in court was, too--presumably by such unselfish high adventures. The judge had encouraged Hapgood, I gathered, to go on and on. Labor history was pornography of a sort in those days, and even more so in these days. In public schools and in the homes of nice people it was and remains pretty much taboo to tell tales of labor's sufferings and derring-do.