At his back, the green dome of the hill swelled high, its sides brocaded with shrubs and vines, an infinity of pattern as eye-catching as the intricately carved facade of a Hindu temple; atop it, one of the gun emplacements had taken a hit: splinters of charred metal curved up like peels of black rind. Before him lay the moat of red dirt with its hedgerows of razor wire, and beyond that loomed the blackish-green snarl of the jungle. Caught on the wire were hundreds of baggy shapes wearing bloodstained fatigues; frays of smoke twisted up from the fresh craters beside them. Overhead, half-hidden by the lifting gray mist, three Sikorskys were hovering. Their pilots were invisible behind layers of mist and reflection, and the choppers themselves looked like enormous carrion flies with bulging eyes and whirling wings. Like devils. Like gods. They seemed to be whispering to one another in anticipation of the feast they were soon to share.
The scene was horrid yet it had the purity of a stanza from a ballad come to life, a ballad composed about tragic events in some border hell. You could never paint it, or if you could the canvas would have to be as large as the scene itself, and you would have to incorporate the slow boil of the mist, the whirling of the chopper blades, the drifting smoke. No detail could be omitted. It was the perfect illustration of the war, of its secret magical splendor, and Mingolla, too, was an element of the design, the figure of the artist painted in for a joke or to lend scale and perspective to its vastness, its importance. He knew that he should report to his station, but he couldn’t turn away from this glimpse into the heart of the war. He sat down on the hillside, cradling his sick hand in his lap, and watched as—with the ponderous aplomb of idols floating to earth, fighting the cross-draft, the wind of their descent whipping up furies of red dust—the Sikorskys made skillful landings among the dead.
4
Halfway through the telling of his story, Mingolla had realized that he was not really trying to offend or shock Debora, but rather was unburdening himself; and he further realized that by telling it he had to an extent cut loose from the past, weakened its hold on him. For the first time he felt able to give serious consideration to the idea of desertion. He did not rush to it, embrace it, but he did acknowledge its logic and understand the terrible illogic of returning to more assaults, more death, without any magic to protect him. He made a pact with himself: he would pretend to go along as if desertion were his intent and see what signs were offered.
When he had finished, Debora asked whether or not he was over his anger. He was pleased that she hadn’t tried to offer sympathy. “I’m sorry,” he said. “I wasn’t really angry at you … at least that was only part of it.”
“It’s all right.” She pushed back the dark mass of her hair so that it fell to one side and looked down at the grass beside her knees. With her head inclined, eyes half-lidded, the graceful line of her neck and chin like a character in some exotic script, she seemed a good sign herself. “I don’t know what to talk to you about,” she said. “The things I feel I have to tell you make you mad, and I can’t muster any small-talk.”
“I don’t want to be pushed,” he said. “But believe me, I’m thinking about what you’ve told me.”
“I won’t push. But I still don’t know what to talk about.” She plucked a grass blade, chewed on the tip. He watched her lips purse, wondered how she’d taste. Mouth sweet in the way of a jar that had once held spices. She tossed the grass blade aside. “I know,” she said brightly. “Would you like to see where I live?”
“I’d just as soon not go back to ‘Frisco yet.” Where you live, he thought; I want to touch where you live.
“It’s not in town,” she said. “It’s a village downriver.”
“Sounds good.” He came to his feet, took her arm and helped her up. For an instant they were close together, her breasts grazing his shirt. Her heat coursed around him, and he thought if anyone were to see them, they would see two figures wavering as in a mirage. He had an urge to tell her he loved her. Though most of what he felt was for the salvation she might provide, part of his feelings seemed real and that puzzled him, because all she had been to him was a few hours out of the war, dinner in a cheap restaurant and a walk along the river. There was no basis for consequential emotion. Before he could say anything, do anything, she turned and picked up her basket.
“It’s not far,” she said, walking away. Her blue skirt swayed like a rung bell.
They followed a track of brown clay overgrown by ferns, overspread by saplings with pale translucent leaves, and soon came to a grouping of thatched huts at the mouth of a stream that flowed into the river. Naked children were wading in the stream, laughing and splashing each other. Their skins were the color of amber, and their eyes were as wet-looking and purplish-dark as plums. Palms and acacias loomed above the huts, which were constructed of sapling trunks lashed together by nylon cord; their thatch had been trimmed to resemble bowl-cut hair. Flies crawled over strips of meat hung on a clothesline stretched between two of the huts. Fish heads and chicken droppings littered the ocher ground. But Mingolla scarely noticed these signs of poverty, seeing instead a sign of the peace that might await him in Panama. And another sign was soon forthcoming. Debora bought a bottle of rum at a tiny store, then led him to the hut nearest the mouth of the stream and introduced him to a lean, white-haired old man who was sitting on a bench outside it. Tio Moises. After three drinks Tio Moises began to tell stories.
The first story concerned the personal pilot of an ex-president of Panama. The president had made billions from smuggling cocaine into the States with the help of the CIA, whom he had assisted on numerous occasions, and was himself an addict in the last stages of mental deterioration. It had become his sole pleasure to be flown from city to city in his country, to sit on the landing strips, gaze out the window and do cocaine. At any hour of night or day, he was likely to call the pilot and order him to prepare a flight plan to Colon or Bocas del Toro or Penonome. As the president’s condition worsened, the pilot realized that soon the CIA would see he was no longer useful and would kill him. And the most obvious manner of killing him would be by means of an airplane crash. The pilot did not want to die alongside him. He tried to resign, but the president would not permit it. He gave thought to mutilating himself, but being a good Catholic, he could not flout God’s law. If he were to flee, his family would suffer. His life became a nightmare. Prior to each flight, he would spend hours searching the plane for evidence of sabotage, and upon each landing, he would remain in the cockpit, shaking from nervous exhaustion. The president’s condition grew even worse. He had to be carried aboard the plane and have the cocaine administered by an aide, while a second aide stood by with cotton swabs to attend his nosebleeds. Knowing his life could be measured in weeks, the pilot asked his priest for guidance. “Pray,” the priest advised. The pilot had been praying all along, so this was no help. Next he went to the commandant of his military college, and the commandant told him he must do his duty. This, too, was something the pilot had been doing all along. Finally he went to the chief of the San Blas Indians, who were his mother’s people. The chief told him he must accept his fate, which—while not something he had been doing all along—was hardly encouraging. Nonetheless, he saw it was the only available path and he did as the chief had counseled. Rather than spending hours in a pre-flight check, he would arrive minutes before takeoff and taxi away without even inspecting the fuel gauge. His recklessness came to be the talk of the capital. Obeying the president’s every whim, he flew in gales and in fogs, while drunk and drugged, and during those hours in the air, suspended between the laws of gravity and fate, he gained a new appreciation of life. Once back on the ground, he engaged in living with a fierce avidity, making passionate love to his wife, carousing with friends and staying out until dawn. Then one day as he was preparing to leave for the airport, an American man came to his house and told him he had been replaced. “If we let the president fly with so negligent a pilot, we’ll be blamed for anything that happens,” said the American.
The pilot did not have to ask whom he had meant by “we.” Six weeks later the president’s plane crashed in the Darien Mountains. The pilot was overjoyed. Panama had been ridded of a villain, and his own life had not been forfeited. But a week after the crash, after the new president—another smuggler with CIA connections—had been appointed, the commandant of the air force summoned the pilot, told him that the crash would never have occurred had he been on the job, and assigned him to fly the new president’s plane.
All through the afternoon Mingolla listened and drank, and drunkenness fitted a lens to his eyes that let him see how these stories applied to him. They were all fables of irresolution, cautioning him to act, and they detailed the core problems of the Central American people who—as he was now—were trapped between the poles of magic and reason, their lives governed by the politics of the ultra-real, their spirits ruled by myths and legends, with the rectangular computerized bulk of North America above and the conchshell-shaped continental mystery of South America below. He assumed that Debora had orchestrated the types of stories Tio Moises told, but that did not detract from their potency as signs: they had the ring of truth, not of something tailored to his needs. Nor did it matter that his hand was shaking, his vision playing tricks. Those things would pass when he reached Panama.
Shadows blurred, insects droned like tambouras, and twilight washed down the sky, making the air look grainy, the chop on the river appear slower and heavier. Tio Moises’ granddaughter served plates of roast corn and fish, and Mingolla stuffed himself. Afterward, when the old man signaled his weariness, Mingolla and Debora strolled off along the stream. Between two of the huts, mounted on a pole, was a warped backboard with a netless hoop, and some young men were shooting baskets. Mingolla joined them. It was hard dribbling on the bumpy dirt, but he had never played better. The residue of drunkenness fueled his game, and his jump shots followed perfect arcs down through the hoop. Even at improbable angles, his shots fell true. He lost himself in flicking out his hands to make a steal, in feinting and leaping high to snag a rebound, becoming—as dusk faded—the most adroit of ten arm-waving, jitter-stepping shadows.
The game ended and the stars came out, looking like holes punched into fire through a billow of black silk overhanging the palms. Flickering chutes of lamplight illuminated the ground in front of the huts, and as Debora and Mingolla walked among them, he heard a radio tuned to the Armed Forces Network giving a play-by-play of a baseball game. There was a crack of the bat, the crowd roared, the announcer cried, “He got it all!” Mingolla imagined the ball vanishing into the darkness above the stadium, bouncing out into parking-lot America, lodging under a tire where some kid would find it and think it a miracle, or rolling across the street to rest under a used car, shimmering there, secretly white and fuming with home run energies. The score was three-to-one, top of the second. Mingolla didn’t know who was playing and didn’t care. Home runs were happening for him, mystical jump shots curved along predestined tracks. He was at the center of incalculable forces.
One of the huts was unlit, with two wooden chairs out front, and as they approached, the sight of it blighted Mingolla’s mood. Something about it bothered him: its air of preparedness, of being a little stage set. Just paranoia, he thought. The signs had been good so far, hadn’t they? When they reached the hut, Debora sat in the chair nearest the door and looked up at him. Starlight pointed her eyes with brilliance. Behind her, through the doorway, he made out the shadowy cocoon of a strung hammock, and beneath it, a sack from which part of a wire cage protruded. “What about your game?” he asked.
“I thought it was more important to be with you,” she said.
That, too, bothered him. It was all starting to bother him, and he couldn’t understand why. The thing in his hand wiggled. He balled the hand into a fist and sat next to Debora. “What’s going on between you and me?” he asked, nervous. “Is anything gonna happen? I keep thinking it will, but…” He wiped sweat from his forehead and forgot what he had been driving at.
“I’m not sure what you mean,” she said.
A shadow moved across the yellow glare spilling from the hut next door. Rippling, undulating. Mingolla squeezed his eyes shut.
“If you mean … romantically,” she said, “I’m confused about that myself. Whether you return to your base or go to Panama, we don’t seem to have much of a future. And we certainly don’t have much of a past.”
It boosted his confidence in her, in the situation, that she didn’t have an assured answer. But he felt shaky. Very shaky. He gave his head a twitch, fighting off more ripples. “What’s it like in Panama?”
“I’ve never been there. Probably a lot like Guatemala, except without the fighting.”
Maybe he should get up, walk around. Maybe that would help. Or maybe he should just sit and talk. Talking seemed to steady him. “I bet,” he said, “I bet it’s beautiful, y’know. Panama. Green mountains, jungle waterfalls. I bet there’s lots of birds. Macaws and parrots. Millions of ’em.”
“I suppose so.”
“And hummingbirds. This friend of mine was down there once on a hummingbird expedition, said there was a million kinds. I thought he was sort of a creep, y’know, for being into collecting hummingbirds.” He opened his eyes and had to close them again. “I guess I thought hummingbird collecting wasn’t very relevant to the big issues.”
“David?” Concern in her voice.
“I’m okay.” The smell of her perfume was more cloying than he remembered. “You get there by boat, right? Must be a pretty big boat. I’ve never been on a real boat, just this rowboat my uncle had. He used to take me fishing off Coney Island, we’d tie up to a buoy and catch all these poison fish. You shoulda seen some of ’em. Like mutants. Rainbow-colored eyes, weird growths all over. Scared the hell outta me to think about eating fish.”
“I had an uncle who…”
“I used to think about all the ones that must be down there too deep for us to catch. Giant blowfish, genius sharks, whales with hands. I’d see ’em swallowing the boat, I’d…”
“Calm down, David.” She kneaded the back of his neck, sending a shiver down his spine.
“I’m okay, I’m okay,” He pushed her hand away; he did not need shivers along with everything else. “Lemme hear some more ’bout Panama.”
“I told you, I’ve never been there.”
“Oh, yeah. Well, how ’bout Costa Rica? You been to Costa Rica.” Sweat was popping out all over his body. Maybe he should go for a swim. He’d heard there were manatees in the Rio Dulce. “Ever seen a manatee?” he asked.
“David!”
She must have leaned close, because he could feel her heat spreading all through him, and he thought maybe that would help, smothering in her heat, heavy motion, get rid of this shakiness: He’d take her into that hammock and see just how hot she got. How hot she got, how hot she got. The words did a train rhythm in his head. Afraid to open his eyes, he reached out blindly and pulled her to him. Bumped faces, searched for her mouth. Kissed her. She kissed back. His hand slipped up to cup a breast. Jesus, she felt good! She felt like salvation, like Panama, like what you fall into when you sleep.
But then it changed, changed slowly, so slowly that he didn’t notice until it was almost complete, and her tongue was squirming in his mouth, as thick and stupid as a snail’s foot, and her breast, oh shit, her breast was jiggling, trembling with the same wormy juices that were in his left hand. He pushed her off, opened his eyes. Saw crude-stitch eyelashes sewn to her cheeks. Lips parted, mouth full of bones. Blank face of meat. He got to his feet, pawing the air, wanting to rip down the film of ugliness that had settled over him.
“David?” She warped his name, gulping the syllables as if she were trying to swallow and talk at once.
Frog voice, devil voice.
He spun around, caught an eyeful of black sky and spiky trees and a pitted bone-knob moon trapped in a weave of branches. Dark warty shapes of the huts, doors into yellow flame with crook
ed shadow men inside. He blinked, shook his head. It wasn’t going away, it was real. What was this place? Not a village in Guatemala, naw, un-uh. He heard a strangled wildman grunt come from his throat, and he backed away, backed away from everything. She walked after him, croaking his name. Wig of black straw, dabs of shining jelly for eyes. Some of the shadow men were herky-jerking out of their doors, gathering behind her, talking about him in devil language. Long-legged licorice-skinned demons with drumbeat hearts, faceless nothings from the dimension of sickness. He backed another few steps.
“I can see you,” he said. “I know what you are.”
“It’s all right, David,” she said, and smiled.
Sure! She thought he was going to buy the smile, but he wasn’t fooled. He saw how it broke over her face the way something rotten melts through the bottom of a wet grocery sack after it’s been in the garbage for a week. Gloating smile of the Queen Devil Bitch. She had done this to him, had teamed up with the bad life in his hand and done witchy things to his head. Made him see down to the layer of shit-magic she lived in.
The Year’s Best Science Fiction: Fourth Annual Collection Page 10