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Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series)

Page 95

by Algernon Charles Swinburne


  And for joy of the bright news heard

  Flower murmurs to flower.

  The ways that were glad of his feet

  In the woods that he knew

  Grow softer to meet

  The sense of his footfall anew.

  He is near now as day,

  Says hope to the new-born light:

  He is near now as June is to May,

  Says love to the night.

  XXIV

  Good things I keep to console me

  For lack of the best of all,

  A child to command and control me,

  Bid come and remain at his call.

  Sun, wind, and woodland and highland,

  Give all that ever they gave:

  But my world is a cultureless island,

  My spirit a masterless slave.

  And friends are about me, and better

  At summons of no man stand:

  But I pine for the touch of a fetter,

  The curb of a strong king’s hand.

  Each hour of the day in her season

  Is mine to be served as I will:

  And for no more exquisite reason

  Are all served idly and ill.

  By slavery my sense is corrupted,

  My soul not fit to be free:

  I would fain be controlled, interrupted,

  Compelled as a thrall may be.

  For fault of spur and of bridle

  I tire of my stall to death:

  My sail flaps joyless and idle

  For want of a small child’s breath.

  XXV

  Whiter and whiter

  The dark lines grow,

  And broader opens and brighter

  The sense of the text below.

  Nightfall and morrow

  Bring nigher the boy

  Whom wanting we want not sorrow,

  Whom having we want no joy.

  Clearer and clearer

  The sweet sense grows

  Of the word which hath summer for hearer,

  The word on the lips of the rose.

  Duskily dwindles

  Each deathlike day,

  Till June rearising rekindles

  The depth of the darkness of May.

  XXVI

  “In his bright radiance and collateral light

  Must I be comforted, not in his sphere.”

  Stars in heaven are many,

  Suns in heaven but one:

  Nor for man may any

  Star supplant the sun.

  Many a child as joyous

  As our far-off king

  Meets as though to annoy us

  In the paths of spring.

  Sure as spring gives warning,

  All things dance in tune:

  Sun on Easter morning,

  Cloud and windy moon,

  Stars between the tossing

  Boughs of tuneful trees,

  Sails of ships recrossing

  Leagues of dancing seas;

  Best, in all this playtime,

  Best of all in tune,

  Girls more glad than Maytime,

  Boys more bright than June;

  Mixed with all those dances,

  Far through field and street

  Sing their silent glances,

  Ring their radiant feet.

  Flowers wherewith May crowned us

  Fall ere June be crowned:

  Children blossom round us

  All the whole year round.

  Is the garland worthless

  For one rose the less,

  And the feast made mirthless?

  Love, at least, says yes.

  Strange it were, with many

  Stars enkindling air,

  Should but one find any

  Welcome: strange it were,

  Had one star alone won

  Praise for light from far:

  Nay, love needs his own one

  Bright particular star.

  Hope and recollection

  Only lead him right

  In its bright reflection

  And collateral light.

  Find as yet we may not

  Comfort in its sphere:

  Yet these days will weigh not

  When it warms us here;

  When full-orbed it rises,

  Now divined afar:

  None in all the skies is

  Half so good a star;

  None that seers importune

  Till a sign be won:

  Star of our good fortune,

  Rise and reign, our sun!

  XXVII

  I pass by the small room now forlorn

  Where once each night as I passed I knew

  A child’s bright sleep from even to morn

  Made sweet the whole night through.

  As a soundless shell, as a songless nest,

  Seems now the room that was radiant then

  And fragrant with his happier rest

  Than that of slumbering men.

  The day therein is less than the day,

  The night is indeed night now therein:

  Heavier the dark seems there to weigh,

  And slower the dawns begin.

  As a nest fulfilled with birds, as a shell

  Fulfilled with breath of a god’s own hymn,

  Again shall be this bare blank cell,

  Made sweet again with him.

  XXVIII

  Spring darkens before us,

  A flame going down,

  With chant from the chorus

  Of days without crown —

  Cloud, rain, and sonorous

  Soft wind on the down.

  She is wearier not of us

  Than we of the dream

  That spring was to love us

  And joy was to gleam

  Through the shadows above us

  That shift as they stream.

  Half dark and half hoary,

  Float far on the loud

  Mild wind, as a glory

  Half pale and half proud

  From the twilight of story,

  Her tresses of cloud;

  Like phantoms that glimmer

  Of glories of old

  With ever yet dimmer

  Pale circlets of gold

  As darkness grows grimmer

  And memory more cold.

  Like hope growing clearer

  With wane of the moon,

  Shines toward us the nearer

  Gold frontlet of June,

  And a face with it dearer

  Than midsummer noon.

  XXIX

  You send me your love in a letter,

  I send you my love in a song:

  Ah child, your gift is the better,

  Mine does you but wrong.

  No fame, were the best less brittle,

  No praise, were it wide as earth,

  Is worth so much as a little

  Child’s love may be worth.

  We see the children above us

  As they might angels above:

  Come back to us, child, if you love us,

  And bring us your love.

  XXX

  No time for books or for letters:

  What time should there be?

  No room for tasks and their fetters:

  Full room to be free.

  The wind and the sun and the Maytime

  Had never a guest

  More worthy the most that his playtime

  Could give of its best.

  If rain should come on, peradventure,

  (But sunshine forbid!)

  Vain hope in us haply might venture

  To dream as it did.

  But never may come, of all comers

  Least welcome, the rain,

  To mix with his servant the summer’s

  Rose-garlanded train!

  He would write, but his hours are as busy

  As bees in the sun,

  And the jubilant whirl of their dizzy

  Dance never is done.r />
  The message is more than a letter,

  Let love understand,

  And the thought of his joys even better

  Than sight of his hand.

  XXXI

  Wind, high-souled, full-hearted

  South-west wind of the spring!

  Ere April and earth had parted,

  Skies, bright with thy forward wing,

  Grew dark in an hour with the shadow behind it, that bade not a

  bird dare sing.

  Wind whose feet are sunny,

  Wind whose wings are cloud,

  With lips more sweet than honey

  Still, speak they low or loud,

  Rejoice now again in the strength of thine heart: let the depth of

  thy soul wax proud.

  We hear thee singing or sighing,

  Just not given to sight,

  All but visibly flying

  Between the clouds and the light,

  And the light in our hearts is enkindled, the shadow therein of the

  clouds put to flight.

  From the gift of thine hands we gather

  The core of the flowers therein,

  Keen glad heart of heather,

  Hot sweet heart of whin,

  Twin breaths in thy godlike breath close blended of wild spring’s

  wildest of kin.

  All but visibly beating

  We feel thy wings in the far

  Clear waste, and the plumes of them fleeting,

  Soft as swan’s plumes are,

  And strong as a wild swan’s pinions, and swift as the flash of the

  flight of a star.

  As the flight of a planet enkindled

  Seems thy far soft flight

  Now May’s reign has dwindled

  And the crescent of June takes light

  And the presence of summer is here, and the hope of a welcomer

  presence in sight.

  Wind, sweet-souled, great-hearted

  Southwest wind on the wold!

  From us is a glory departed

  That now shall return as of old,

  Borne back on thy wings as an eagle’s expanding, and crowned with

  the sundawn’s gold.

  There is not a flower but rejoices,

  There is not a leaf but has heard:

  All the fields find voices,

  All the woods are stirred:

  There is not a nest but is brighter because of the coming of one

  bright bird.

  Out of dawn and morning,

  Noon and afternoon,

  The sun to the world gives warning

  Of news that brightens the moon;

  And the stars all night exult with us, hearing of joy that shall

  come with June.

  SUNRISE

  If the wind and the sunlight of April and August had mingled the

  past and hereafter

  In a single adorable season whose life were a rapture of love and

  of laughter,

  And the blithest of singers were back with a song; if again from

  his tomb as from prison,

  If again from the night or the twilight of ages Aristophanes had

  arisen,

  With the gold-feathered wings of a bird that were also a god upon

  earth at his shoulders,

  And the gold-flowing laugh of the manhood of old at his lips, for a

  joy to beholders,

  He alone unrebuked of presumption were able to set to some adequate

  measure

  The delight of our eyes in the dawn that restores them the sun of

  their sense and the pleasure.

  For the days of the darkness of spirit are over for all of us here,

  and the season

  When desire was a longing, and absence a thorn, and rejoicing a

  word without reason.

  For the roof overhead of the pines is astir with delight as of

  jubilant voices,

  And the floor underfoot of the bracken and heather alive as a heart

  that rejoices.

  For the house that was childless awhile, and the light of it

  darkened, the pulse of it dwindled,

  Rings radiant again with a child’s bright feet, with the light of

  his face is rekindled.

  And the ways of the meadows that knew him, the sweep of the down

  that the sky’s belt closes,

  Grow gladder at heart than the soft wind made them whose feet were

  but fragrant with roses,

  Though the fall of the year be upon us, who trusted in June and by

  June were defrauded,

  And the summer that brought us not back the desire of our eyes be

  gone hence unapplauded.

  For July came joyless among us, and August went out from us arid

  and sterile,

  And the hope of our hearts, as it seemed, was no more than a flower

  that the seasons imperil,

  And the joy of our hearts, as it seemed, than a thought which

  regret had not heart to remember,

  Till four dark months overpast were atoned for, and summer began in

  September.

  Hark, April again as a bird in the house with a child’s voice

  hither and thither:

  See, May in the garden again with a child’s face cheering the woods

  ere they wither.

  June laughs in the light of his eyes, and July on the sunbright

  cheeks of him slumbers,

  And August glows in a smile more sweet than the cadence of

  gold-mouthed numbers.

  In the morning the sight of him brightens the sun, and the noon

  with delight in him flushes,

  And the silence of nightfall is music about him as soft as the

  sleep that it hushes.

  We awake with a sense of a sunrise that is not a gift of the

  sundawn’s giving,

  And a voice that salutes us is sweeter than all sounds else in the

  world of the living,

  And a presence that warms us is brighter than all in the world of

  our visions beholden,

  Though the dreams of our sleep were as those that the light of a

  world without grief makes golden.

  For the best that the best of us ever devised as a likeness of

  heaven and its glory,

  What was it of old, or what is it and will be for ever, in song or

  in story,

  Or in shape or in colour of carven or painted resemblance, adored

  of all ages,

  But a vision recorded of children alive in the pictures of old or

  the pages?

  Where children are not, heaven is not, and heaven if they come not

  again shall be never:

  But the face and the voice of a child are assurance of heaven and

  its promise for ever.

  TRISTRAM OF LYONESSE

  This long epic poem narrates the medieval story of the ill-fated lovers Tristan and Isuelt. First published in 1882 by Chatto and Windus, Swinburne himself considered Tristram of Lyonesse to be the crowning achievement of his poetic career. The poem consists of 4488 rhyming pentameters and is divided into ten sections, including a Prelude and nine Cantos, as well as being preceded by a dedicatory sonnet to Swinburne’s friend Theodore Watts-Dunton.

  The Prelude begins with a hymn to love and introduces Isuelt among the twelve beautiful women of myth and story, each of whom represents a different month of the year. The introduction to the work concludes with Swinburne’s apology for adding yet another retelling to the already lengthy literature written on the subject of Tristan and Iseult. The first canto is titled The Sailing of the Swallow and begins with elaborate descriptions of both Iseult and Tristram sailing to King Mark of Cornwall, whom Iseult is to marry. The future lovers discuss various tales of the Matter of Britain and Tristram sings
two love-songs to please the innocent Isuelt. The canto ends with their drinking of the love-potion and their fateful first kiss, which will lead to their eventual tragic deaths.

  ‘Tristan and Iseult’ by Herbert Draper, 1901

  CONTENTS

  PRELUDE

  THE SAILING OF THE SWALLOW

  THE QUEEN’S PLEASANCE

  TRISTRAM IN BRITTANY

  THE MAIDEN MARRIAGE

  ISEULT AT TINTAGEL

  JOYOUS GARD

  THE WIFE’S VIGIL

  THE LAST PILGRIMAGE

  THE SAILING OF THE SWAN

  ‘Tristan and Iseult’ by Edmund Blair Leighton, 1902

  PRELUDE

  Love, that is first and last of all things made,

  The light that has the living world for shade,

  The spirit that for temporal veil has on

  The souls of all men woven in unison,

  One fiery raiment with all lives inwrought

  And lights of sunny and starry deed and thought,

  And alway through new act and passion new

  Shines the divine same body and beauty through,

  The body spiritual of fire and light

  That is to worldly noon as noon to night;

  Love, that is flesh upon the spirit of man

  And spirit within the flesh whence breath began;

  Love, that keeps all the choir of lives in chime;

  Love, that is blood within the veins of time;

  That wrought the whole world without stroke of hand,

  Shaping the breadth of sea, the length of land,

  And with the pulse and motion of his breath

  Through the great heart of the earth strikes life and death,

  The sweet twain chords that make the sweet tune live

  Through day and night of things alternative,

  Through silence and through sound of stress and strife,

  And ebb and flow of dying death and life:

 

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