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Seven Lies (ARC)

Page 41

by Elizabeth Kay


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  But I did begin to feel afraid. I knew in that moment that something

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  bad had happened.

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  I went back downstairs and found the security guard. He’d been

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  hired to patrol the area after a young man had been stabbed in the

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  nearby car park. He was perched on a low brick wall and I interrupted

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  the film he was watching indiscreetly on his phone to ask for help. He

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  E L I Z A B E T H K AY

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  sighed loudly and said that there was nothing he could do, that I needed

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  to come back with the police.

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  I called them immediately and spoke loudly, explaining that my

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  sister was vulnerable, hospitalized only a few months earlier, virtually

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  housebound, and that I couldn’t get through to her at all. I stood there

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  in front of the security guard, pacing, interrupting him further, while

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  waiting for the police to arrive.

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  I felt sort of ridiculous, because while I was absolutely sure that

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  something was terribly wrong, I couldn’t shake the fear— the hope,

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  too— that I was unnecessarily making a fuss.

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  The police arrived and I think that they knew, too, that she was dead.

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  At their insistence, the security guard contacted the maintenance

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  man, who accompanied us up to the flat.

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  “You want to wait here?” asked the policewoman. “We can go in first.”

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  I shook my head. “It’s fine,” I said. “I want to be there.”

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  I knew that my little floret of hope was wrong, that she was dead,

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  and I didn’t want to be a coward this time, to look away because I was

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  afraid.

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  They opened the door and I stepped inside and then I smelled it,

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  and I walked in and she was lying on the sofa, swollen thicker than

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  she’d ever been before, her skin mottled and gray, her eyes wide open,

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  flies swarming and one sitting just above her eyelid.

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  I stood and stared, and the policewoman rushed past me to feel for

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  a pulse but we all knew then that there wasn’t one. The maintenance

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  man retched behind me and I heard him rush back onto the balcony.

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  I had known for years that she was going to die.

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  That sounds morbid, and perhaps it is, but she was terminally ill.

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  She had a disease from which she would never recover. There was only

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  one outcome.

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  The policewoman stood up and shook her head and then walked

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  toward me and put her arm around my waist and turned me around

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  and led me back toward the staircase.

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  S E V E N L I E S

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  I wasn’t afraid. I knew what to expect. I had experienced grief and I

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  was ready.

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  “Is there anyone I can call for you?” she asked me.

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  This time there was no one at all.

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  Here are some of the things that you have when you have others,

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  things that I no longer have: the steady, reassuring, harmonious hum of

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  someone somewhere who cares; the reflex that reaches toward the

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  story, the retelling, when something goes laughably wrong; the some-

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  one you’d call from the side of the road, the hospital, the back of a po-

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  lice car; the knowledge that you’ll never lie dead in your bed unfound

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  for long because someone somewhere is searching.

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  What is it to live without these things? Without love and laughter

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  and friendship and hope?

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  I don’t want to know.

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  I don’t want to live that life.

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  I’m making a choice— that sounds bold; it feels bold— to recapture

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  those things, whatever it takes, to make this life something worth living.

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  I won’t live like this anymore.

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  Which means that things are going to have to change.

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  01

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  The

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  Seventh Lie

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  01

  02

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  Chapter Thirty- Nine

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  k

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  E

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  mma died a week ago.

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  That’s not very long, is it?

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  I’m still in shock. I must be.

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  And yet, at the same time, I think that I’ve already reached that

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  theoretical final stage of grief. I know that she has gone; I can accept

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  that she has gone.

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  I had always known, I suppose, that she would never grow old. I

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  never assumed that she would become one of those ghoulish women

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  with crepe paper skin lying on a hospital gurney. It just never felt likely.

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  Perhaps because she was already, in so many ways, like those old women

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  tucked down hospital corridors.

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  She spent so much
time alone. I had never before seen her as weak

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  as she’d been in these last few weeks. Her bones seemed so frail. Her

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  back ached and her knuckles were swollen and arthritic. She struggled

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  to climb the stairs to her flat. It was her hips, she said. She suffered

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  from such a complex menagerie of ailments that most of her adult life

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  was spent balancing precariously at the boundary between life and

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  death.

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  And so I had known for a very long time that this was coming. I

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  could see it there in the stars every night, shining the truth, a moment

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  waiting to be decreed. It is not the worst way to lose a loved one.

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  E L I Z A B E T H K AY

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  Those deaths that appear unexpectedly— the bolts of light against a

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  dark night sky— are far worse. You glance out the window and suddenly

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  it’s there in front of you, brighter than any of the other stars and falling 04

  fast. There’s no time to prepare or to ground yourself before the earth

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  shifts beneath your feet.

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  Those are the deaths that you cannot accept. They are the fiercest

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  and they land the hardest, destroying other lives and other futures and

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  trailing devastation. Because you feel it all at once, in just one moment, 09

  as a life glides through the cracks in the earth like liquid through

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  clasped fingers.

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  I returned home immediately after discovering her. I cried, but only

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  a little. And then I fell asleep.

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  I woke up early— too early— and I felt horribly imbalanced, as

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  though all the pieces that had made up my life before that moment had

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  shifted position overnight. I pulled on my jeans and a jumper and went

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  out into the street to remind myself that the trees were not shaking and

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  that their roots weren’t quivering underground and that the pavement

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  wasn’t being slowly peeled away from the surface of the earth. I wanted

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  to remind myself that this was not the worst, that I had already sur-

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  vived far worse.

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  I saw that the sky was black, lit only by the moon shining overhead

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  and the sharp, warm glow of streetlamps. I marched through the city,

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  into the small squares of suburb hidden within. Parked cars were lined

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  up along the curb, their wheels snug against the lip of the sidewalk. I

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  walked past the curry house with its neon sign sparking fiercely against

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  the night, the supermarket, its door chained closed and a single flores-

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  cent bulb flickering within. I passed two real estate agents, three hair-

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  dressers, and saw that the city was unchanged.

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  I returned to my flat and I saw flecks of dust floating in my bedroom

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  and in the kitchen and I started to clean. Because life doesn’t recognize 31S

  small, individual losses. The dust still gathers. I had a shower and put on 32N

  my favorite pajamas and I sat on the sofa and I didn’t move except to use 9781984879714_SevenLies_TX.indd 296

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  S E V E N L I E S

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  the bathroom and to refill my wineglass and to make a few slices of

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  toast. I told myself to be patient, to persevere, that this, too, would pass.

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  The following evening, I dragged a dining chair into my bedroom and 05

  stood it against my open wardrobe and clambered up, looking for the

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  old photograph albums created by my mother decades earlier, when we

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  were still a family. I found them there: thick and dusty and bound in

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  red leather.

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  I sat on my bed and leafed through the pages, trying to find photo-

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  graphs of Emma and me together. There were dozens. There was one of

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  me in denim dungarees and pink sandals nestled into the corner of an

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  armchair, holding her in my arms and across my thighs. She must have

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  been only a few weeks old, because there were still tubes bent into her

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  nose and curled across her cheeks.

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  One was taken against a brick wall, the two of us hand in hand in

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  matching school uniforms. She was standing beside me, her head at my

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  chest. There was a lovely one of us sitting in a field, sausage rolls and 18

  sandwiches and biscuits laid out between us on a tartan blanket, a Fris-

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  bee in her fist, and cows standing sturdy in the background. There was

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  one of us in matching orange swimsuits at a waterpark with monstrous

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  slides twisting behind us. Then, her little body was a miniature replica

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  of mine: the same straight thighs, the same square shoulders. There

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  were two festive photographs toward the back of the album. In the first

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  we were sitting side by side in our pajamas, presents piled around us in

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  colored paper, the tree glittering behind us, and these bright, excited

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  grins on our faces. In the second we were in matching duffel coats and

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  Wellington boots beside a snowman with a carrot for a nose and twigs

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  for arms. And, at the very end of the last album, one of us in front of

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  our final family home, on the day we moved in, standing between our

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  parents.

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  I knew that I needed to tell my mother.

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  E L I Z A B E T H K AY

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  It was a Wednesday. I had never visited her on a Wednesday before,

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  but I knew that I shouldn’t wait until Saturday. I went to the station and 03

  I boarded the train, and I saw my own face in the window and that my

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  eyes were red and swollen and my skin puffy and gray. I rubbed at my

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  cheeks to revive them. I tried not to cry on the journey in the hope that 06

  they might look a little better by the time I arrived.

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  I pressed the buzzer at the desk, and the receptionist approached

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  me and sighed loudly when I said that I needed to speak to my mother

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  and that it wa
s an urgent matter.

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  “We weren’t expecting you today,” she said.

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  “As I said,” I repeated, “it’s urgent.”

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  “She might be in the dayroom— ”

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  “She won’t be.”

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  “We have allocated visiting hours . . .”

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  She trailed off as I turned and walked down the corridor toward my

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  mother’s room.

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  She didn’t seem surprised to see me. She smiled as I sat down at the

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  end of her bed; she probably thought it was the weekend. She was wear-

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  ing that blue cardigan again, the sleeves rolled up around her elbows,

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  and it seemed as though she still had her pajamas on underneath.

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  “I need to talk to you,” I said.

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  She nodded.

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  “It’s not good news,” I said.

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  She nodded again.

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  “Mum,” I said, “it’s really bad news— the worst.”

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  I hadn’t called her “Mum” in years. The word always felt unnatural 27

  in my mouth, as though it didn’t belong to the woman in front of me.

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  She tilted her head to the left. She nodded again, more vigorously

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  this time, urging me to say it, to tell her, to stop this unnecessary

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  stalling.

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  “It’s about Emma.”

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  She stared at me. I continued.

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  S E V E N L I E S

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  “I went to see her,” I said. “Like I said I would, to check that she was

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  okay. She hadn’t been answering her phone. And when I turned up,

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  she didn’t answer her door. I had to call the police eventually because

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  no one would let me into the flat, and then they arrived. They opened

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  the door.”

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  I wanted her to say something, but she sat silent, and so I continued

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  to tell her what had happened, reeling through the moments that hap-

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  pened next, my thoughts, my fears, all the ways this might have ended

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  differently. I knew that she was bewildered, but I couldn’t slow down.

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  I told her that her daughter was dead in words I’d never used before,

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  words that were waiting within me but that I’d hoped would stay there

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  always.

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  “Mum,” I said, “she’s gone. They think it was her heart.”

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  I think that then she finally understood, because she gasped and her

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  eyes took on this wild, startled stare. She opened and closed her mouth,

 

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