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The Low Passions

Page 2

by Anders Carlson-Wee

alone tonight in the woods or in a silo.

  Mirror for popping your zits, hand dryer

  for drying your hair, your musty coat.

  You’ve come to run warm water

  over hands you can no longer feel,

  come to sit and rest and do nothing,

  and think nothing, and be no one.

  You ask the boy at the counter

  if you can have some water. He nods,

  tapping his foot to a bluegrass tune,

  slides a paper cup toward you

  with a smooth hand, asks

  out of habit if that will be everything.

  PRIMER

  And what if you have nothing?

  I pick up a stick. Yes, that’s always first.

  And next? I see what I can see around me.

  Find the sun or moon. Find high ground.

  Find north by where the moss grows.

  Yes. Now close your eyes. Find them.

  The sun’s behind. I can feel it

  on my neck. High ground’s to my right.

  North’s ahead. Yes. And the wind?

  The wind’s west. It cools my left temple.

  Yes. And next? If I can bug out

  I bug out. Otherwise I go high

  and dig a foxhole and tie something bright

  above me. You’re forgetting something.

  Right—first I cut my name in the dirt,

  then I go high. Yes. And next?

  I walk a loop with my bright thing in sight.

  If I find a better stick I switch for it.

  Yes. And if you need to cry?

  I crawl inside my foxhole and cry.

  And what do you tell yourself as you cry?

  Someone’s coming. Yes. And what if

  no one comes? Each hour I call

  in all directions. I listen. Yes.

  And what do you listen for?

  Sounds that shouldn’t be there. Yes.

  Sounds that should be there but aren’t.

  Yes. And what have you heard

  since we started? A bird. Yes. Another bird

  far away. Yes. A gust in the trees.

  Yes. Your voice, if your voice counts.

  Yes, my voice counts.

  THE MUSCLES IN THEIR THROATS

  The Neanderthals tracked mammoths through the snow.

  Postholed twice between each of the creature’s

  blue-hued prints. Peered down at the toe digs, hoping

  for any fissures in the powder that might be a sign

  of weakness. Nightmares larger than the caves

  they slept in. Before they hunted them, they fire-hardened

  their spears, but as they bored holes in the midriff

  and carted home great slabs of marbled meat, and later,

  as they boiled the pelvis for a red-marrow broth,

  we don’t know for certain how much they could say

  to each other. It’s no different now. My brother

  strips boughs off the wind-stunted pines at tree line

  and stacks them on a boulder. I drag them over scree

  to the A-frame we’re building on the shore of a nameless

  alpine lake. We need the branches for insulation.

  A foot thick for every ten degrees below sixty.

  This high up, it’s bound to freeze. We know the spearheads

  were basically the same for two hundred thousand years.

  And the design worked, though the hunters

  had to get feverishly close—the bones we’ve studied

  are riddled with burst fractures, the skulls

  remolded from concussions. I squeeze inside

  to see where the light is breaking through.

  In the cold I watch my breath escaping out the holes.

  But when I try to tell my brother where to add

  more boughs, he darkens what’s already dark enough.

  The horseshoe-shaped muscles in their throats

  were anatomically modern, so there’s no real reason

  they wouldn’t have been able to speak. When scientists

  finish a life-size model of the esophagus, we’ll finally hear

  what their voices must have sounded like.

  LODESTAR

  Nothing you’ll find more orphan than the heart.

  The dim mission of its reptile-eyed insomnia,

  its nameless drive, its bulging catalytic beat.

  The night sky wheels with the same fever, as if thrown

  from a bowler’s hand with english on it. Orion.

  Ursa Minor. You cannot constellate desire any more

  than you can braid cord from the tongue’s sinewed utterance

  of a name, a name hallowed at night into the wind,

  the wind tethered to the earth like flame to black spruce,

  quartered and four years dried. Beargrass. Monk’s Hood Lichen.

  Methuselah’s Beard. Old Man on the Mountain.

  You take your bearings by a belt of pulsing stars.

  You turn to reckon with the one that doesn’t move.

  Polaris. Dog’s Tail. Leiðarstjarna. Nail. Mismar.

  GATHERING FIREWOOD ON TINPAN

  I bundle them against my chest, not sure

  if they’re dry enough. Gauging how long

  they’ll keep me warm by the thickness.

  I step around carefully, looking for

  the deadest, searching the low places

  for something small and old that will catch.

  I pick up the dander loosened

  as my father folds his hands, lowers his head.

  The rolling thunder on the surface of a nail.

  I pick up the cross that seesaws his chest

  with each step. The day I lost my faith.

  The night my dog ran away and came back sick.

  The battery pump of her final breath.

  Still wondering if she left alone,

  or if my father walked her out of this world.

  Still wondering what he used for a leash.

  I go further into the trees and find

  more fuel. My friends faded on oxy

  and percocet. My cousin Josh

  buried young in the floodplain.

  My brother and the ways I burden him.

  Living it over and over each night.

  My father walking into every dream.

  My fire not bright enough to reveal anything.

  Not even his face. Not even the leash.

  COUSIN JOSH ON DOOMSDAY

  Fargo, North Dakota

  It don’t matter what you believe. Could be a chunk

  of the sun wipin out the grid just as likely

  as the Lord Himself snuffin us out one by one

  like a bunch of candlewicks. Could be a oil shortage.

  Or the souls of the dead come back to reckon.

  My buddy Critter figures it’ll be the Lake of Fire—

  all the flesh dripping off our dicks while we drown

  at the same time over and over forever.

  But most folks won’t tell you what they believe.

  My ma, she never broke silence on the issue.

  My old man, he says I’m crazy. Says I’m gonna drink

  myself to death before anything else gets the chance.

  Me, I got my chips pushed in for somethin natural.

  A meteor maybe. Or a polar flip. But like I said:

  when you’re throwin pies, it don’t matter much what the flavor is.

  It’s more folks thinkin like me than you’d think.

  And like most of us, I got a bug-in plan for stayin put,

  but I also got a bug-out plan for gettin gone.

  Not that I’m gonna tell you where I’m goin.

  It’s high in the mountains—I’ll say that much—

  but that’s all the scat this cat’s gonna leave in the sand

  for you to track by. Ah, who am I kiddin?

  I’ll be stuck in this town till God sucks

&
nbsp; his last breath. Let me ask you somethin:

  You think I’m crazy to have a hundred pounds of Spam

  buried in caches? You think I’m crazy to have Critter

  shoot me with a .22 so I know what it feels like

  to get hit in a bulletproof vest? Well, you know what?

  I hope I am crazy. I hope I’m the craziest son of a bitch

  you ever met.

  ASKING FOR WORK AT FLATHEAD BIBLE

  All the positions are filled, the pastor said,

  but you could be a floater. Meaning

  I woke each morning not knowing

  and at breakfast a man named Archer

  told me what to get busy with. On Monday

  I hunched in the kitchen scrubbing beets.

  On Tuesday I helped the carpenters

  dismantle a barn’s gable. The shifts blurred

  like faces seen from a carousel pony.

  In the laundry I folded linens, in the pottery

  I cleaned the kiln, my hands getting nicks

  from pulling shingles, stains from applying

  glazes, flaky skin from scrubbing

  at the scullery’s foot-pedal sink.

  But none of the wear showed deeply.

  Archer called them wishy-washy hands.

  Make up your mind, he teased, flooding

  flapjacks with his homemade syrup.

  Hey, Pastor, he said, get a load of these.

  He laid his hands on my hands and turned them

  as a father might turn turtles to show his son

  the belly patterns. The pastor squinted.

  What am I looking for? By the time

  Archer sent me back to the carpenters

  they had the second story down. In the kitchen

  the lunch menu changed. The laundry granted

  one towel per camper instead of two.

  It was easier to adapt than you’d think.

  If I had a hammer in my hand, I pulled nails.

  If I had a sheet, I found the corners.

  JIM TUCKER LETS ME SLEEP IN HIS TREEHOUSE

  North Platte, Nebraska

  My son built this whole thing: measured

  every board, pounded every nail.

  Did the trapdoors, windows, knocked out

  a wall right where you’re standin to fit

  the kitchen. Got so he just about lived

  in this tree. Did his homework up here,

  took meals, ran a cord from the porch

  for a heater, even kept a pisspot and a shitter.

  His mother fussed, but I warned her:

  chain a dog to a leash and all you got

  is a beast chewin leather. Let the same dog roam

  and it’ll circle back home every time,

  and that’s how it was with Brian.

  My boy loved this tree and this tree kept him

  busy. Taught him the eye for true,

  the eye for level, the eye for inches.

  Once you see the world that way

  there aint no shakin it. Take these shims here.

  That there’s four inches, that’s three,

  that’s three and a quarter, that’s five, that’s five,

  that’s four, and I can go on like that.

  So could Brian before we lost him

  to the war. Matter a fact, he had the eye

  twice as dialed as mine—could name it

  down to an eighth, even a sixteenth.

  More than once I called bullshit

  and took out the ruler, but my boy

  was always right, even when he saw it

  from an odd angle. My wife says I got

  an inflated sense of my own manhood,

  but I tell her I know ten inches

  when I see ten inches. And she says,

  Jim Tucker, if only you could see

  how odd it looks from this angle.

  Bet you never heard that one before.

  TO THE RAIL COP AT RATHDRUM

  You knew you had me for trespassing,

  and probably for vandalism, but you weren’t sure

  how to charge me for the fire still burning

  under the train bridge in the railyard you patrolled

  nightly, the flames throwing a shiver-glow

  on the tagged girders, the rusted tracks, the plastic

  unblinking eyeball on the seeable side

  of your otherwise unremarkable face.

  Arson, you thought, but you knew the word

  wouldn’t hold up in court. You unbuckled my pack,

  hoping for more—dope, or a fingerprinted weapon,

  or a scale for weighing and selling. You ran

  your flashlight over the bushes, needling the beam

  through the barest branches, shocking

  the dry leaves with the raw bleached-out colors

  of themselves. With your one good eye you caught

  my brother’s duffle among the torqued shapes

  of your shadow-show and realized

  I wasn’t alone. You cuffed me to a piling.

  Tiptoed a search of the firelight’s perimeter.

  Asked me who it was out there in the dark.

  Asked me why he was hiding. Said my silence

  couldn’t protect him, and only made it worse

  for me. You radioed for backup, widened

  your circle, your boots glissading the sloped beds

  of the railroad tailings. You offered to cut me

  a deal for a name. Said the cold truth

  was my buddy wouldn’t protect me, not once

  he was caught, not once he was facing the law.

  You’d be surprised, you said. You asked how well

  I knew him. Said I should think about that

  before I threw myself on the tracks.

  Think about that: Who was it out there

  in the cold dark hiding? How well did I know him?

  As if you needed those questions

  half as much as I did, as if you had any stake

  in this. And sure enough, after the sky tipped

  the dipper into the iron wash of dawn

  and my coals smoldered on

  in the ritalin moods of the wind, and after failing

  to find any ID tucked in the socks

  at the bottom of the duffle, you gave up—

  drove home, and left me with the day shift.

  EARSHOT

  Sure, I was provoked. Eggshell carefully

  opened with the tip of a needle-nose.

  Black Cat slid down into the yolk.

  Lit with a Bic. Thrown so the firecracker

  clapped against my ear. Silence tunneling

  after, embryo shampooing my hair. Almost

  choreographed. More than my brother

  hoped for, I know. But believe me when I say

  there was no excess in the flat head nail

  jeweled through the two-by-four.

  No hesitation in my hands, choked up

  for accuracy and control. Shhh—

  I can’t hear you anyway. Stop running.

  I need to be three feet from your skull.

  FLOOD OF ’97

  In the flood of ’97 everything went to shit.

  Somewhere in Canada the Red River clogged

  and coated the roads in downtown Fargo

  as high as the stop signs. Not much was saved.

  Dark water churned for a moment as the river

  tipped over, then a stillness filled the basements.

  It was the same all over town. The rambler rooftops

  looming like islands. Foundations rotting

  in the afternoon silence. Everybody camping

  in a cousin’s backyard, or staying with an uncle

  down in Fergus. The old folks at Eventide

  had to move to Oak Grove and spent two weeks

  sleeping on cots in the brick chapel.

  When the ice sheets broke and brown water

  flowed up to Hu
dson Bay, the basements drained

  and people opened their own front doors

  like strangers. Tiptoed through bedrooms

  and ran hands over water-warped walls.

  Went in the kitchen and swore the fridge

  had been moved. All summer, people found

  rusty things they didn’t recognize. Things

  that must have floated in from other homes.

  Fathers walked the silty streets and knocked

  on doors, trying to find the rightful owner

  of a shovel or a broom. An elderly woman returned

  to Eventide and discovered a soggy photograph

  on the mildewed carpet in her tiny room.

  She peered at the blurry faces and tried to remember

  going to Egypt. Wondered who the man could be,

  standing beside her at the Sphinx.

  THE RAFT

  He baits the hook with an Indian Paintbrush petal,

  lets out the line, reels, traps it with his thumb pad.

  October. Powder on the peaks. We float on a raft

  lashed together with a loose weave of duct tape and rope.

  I paddle us forward with a cottonwood branch,

  my leg in the water for a rudder, trying to hold us close

  to the darkness of the drop-off where the trout go

  to stay cool in the afternoons. Later we’ll make a fire

  and cook our catch with blueberries gathered frozen

  from the cirque above the tarn. We’ll blow on the coals.

  We’ll check for tenderness. We’ll add ash in place

  of salt. But for now I’m watching the sunlight

  bounce off the surface and shimmer in the shadow

  under my brother’s hat. The way he plays the line.

  The way he lets it troll behind us. The way the trout

  cloud our wake and flick their rainbowed sides.

  I’m torquing my leg underwater. I’m turning us back

  toward the darkness we’ve drifted away from.

  COUSIN JOSH ON FAMILY

  Fargo, North Dakota

  You ever had some loose screw try to tell you

  your friends is the family you choose?

  Well I wouldn’t bottle the breath of the minister

  that delivered the message. The family you got

  is the only family you’re gonna get,

  take it or leave it. Wanna know what I got?

  I got myself sisters. Two of em. But that’s all I got

 

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