The Best Science Fiction and Fantasy of the Year-Volume Four
Page 42
Merthe blushes; nobody can judge another person's likes or dislikes, but some things are rarely said in public. Both men look down.
"The moss is thick this winter," Elgir says.
"Yes. It'll get cold fast."
It is so quiet, Merthe can hear the snow fall.
"Say, how about we hunt together. If we get something big, we can split. We can keep the women happy and still have time to train," Elgir suggests.
Merthe knows Ita will disapprove, so he grabs his things and goes with Elgir before she can object.
They spot a squirrelee wallowing up the dikes to get from pond to pond. It digs the snow with its front paws for nuts hidden the previous season. It's only as big as Eme, Merthe's youngest, but Merthe knows that most of its flesh is fat, good for thickening stews. It's a worthy catch, even if the women will complain about getting only half.
But when the time comes to cast his spear, Elgir freezes up. It's no time for questions so Merthe shoots his arrow through air that tastes like sugared ice. The squirrelee falls.
Elgir goes ahead to retrieve it. Merthe wonders at the man's hesitation.
"Nice shot," Elgir says. He punches Merthe on the shoulder. "They say you cannot forget how to be a man anymore than you can forget how to suckle," Elgir says, "but I seem to forget every single time. One year is not enough to relearn it all. I was female for so long before that . . . "
Merthe remembers. Elgir only lost last season because she caught the bluing cold. She barely escaped with her life—losing the Fight was a small thing compared to that. Everyone still wonders why Samo and Elgir didn't postpone their fight until after her recovery. Was Samo really that desperate to win?
"Then why is it that you wish to remain a man?" Merthe asks. It is a bold question and he hopes he is not mistaken. But intuition isn't just a woman's gift.
"It's not that . . . " Elgir says. Silence rings off the dusted pines. The men find a clearing and unpack their cheese-and-bread. The cheese has no smell. Merthe sniffs it, licks it.
"It's good," Elgir says.
"Yes. I wish I could taste it like she . . . like they . . . like the women do," Merthe says.
"Wouldn't make much difference. Smell's all that counts towards taste. This cheese tastes good because it has a hot bite to it, but the smell is rather bland. Trust me. I remember."
"But Ita says—"
"Ita is pulling your leg. This cheese has no smell."
Merthe curses Ita and tucks in. Sometimes he wonders why he wants to be a woman so much, since he can't even remember what it was like. But he's kidding himself. Even if he can't remember the particulars, the overall impression remains. He recalls that first year after he defeated his first partner. Smells so much more vivid, skin so fine that it could feel the gentlest summer breeze, the touch of the sun . . . He knows of men and women down south who never change bodies. They are content to live their whole lives as one sex. Sometimes, in his darkest moments, Merthe wants to do likewise. If those men manage, why can't he?
But those men have the blessing of ignorance. They do not know what it is like to feel their bellies grow full. They do not understand the transforming pain of childbirth, the draining of milk from the nipple. The real smell of onion as it cooks.
"What is it then?" he asks. He's suddenly angry at Elgir, for taking this so lightly.
"I like being a woman," Elgir concedes. "I also like being a man. I like changing from one to the other. If you think about it, that's how all of this started, right? We swap bodies the better to understand each other's minds. We were meant to be balanced, equal. That's why our women are faster than the eye and stronger than the ones down South. It makes us even. Swapping bodies was never meant to cause strife."
"Interesting theological argument. Maybe if we pray hard enough, we can all be women. What do you think?"
Elgir snorts half-frozen milk up his nose. His eyes tear and he laughs, but Merthe wonders if he's not also crying.
"It doesn't matter which body you're in. Sure, it's great to be a woman for the first few months after a transition, but after a while you simply get used to it and you don't make use of all those fantastic senses you're supposed to have. Senses work by comparison, if all of your passions are strong, they fade against each other as certainly as if they're all weak. That's why swapping frequently makes sense. That way you can renew the strong feelings often and spend enough time as a man to learn to appreciate the subtler pleasures too."
"What does Samo think of that?"
"She thinks I'm full of worm shit," Elgir says.
They burst out laughing.
Suddenly, Elgir stops laughing and starts crying. Men's tears, quiet, no fuss. But he doesn't try to hide them. Merthe wishes they were women so that they could hug each other and cry and then laugh at their silliness. He loves the way Ita's tears are unapologetic and arbitrary. They come and go like a morning sprinkle over nothing or they storm out and make him wish he'd never been born. Women have practice with crying. They communicate with tears. Men just sit there and cry.
But Elgir seeks him out to finish the last shudders in his arms.
"What is it?" Merthe asks.
"Samo doesn't like being a man."
"Neither do I. She'll just have to get used to—"
Elgir shuts his eyes and shakes his head.
"What is it? What is it?" Merthe asks.
"She doesn't take well to being a man. Not at all. She . . . he . . . is angry . . . all the time."
It sounds worse than just an argument. Merthe doesn't understand. "Why didn't you leave?" he asks.
But Merthe knows why he hasn't left. He hasn't left for the same reasons that Merthe hasn't divorced Ita. He thought things would get better. He hoped for change. The children stay with the mother . . .
"What exactly is it that she . . . he . . . does?"
"He's violent." Elgir bursts out crying and Merthe is confused. Even in a man's body, Samo is no match for Elgir. It makes no sense that Samo could batter Elgir. "It's not me she hurts," Elgir wails and, now, Merthe realizes he's crying from shame.
"The children. As a man, he hit Tine and Vis," Merthe says.
"That's why I let him win last winter. I thought once she was a woman again, it would all be over. It helped, at first. But last night, I saw a bruise on Tine's arm. The kid swears shei fell off a tree, but both of them are awfully quiet when their mother is around. Maybe I'm imagining things."
"She's still hitting them?" Merthe asks. "What are you doing here? What are you doing leaving them alone with her!" He stands up and paces, trying to decide whether to hit Elgir or run back towards his neighbor's house to save those children from their mother.
Elgir grabs Merthe's arm but Merthe wrenches it away. "How could you let that happen?" Merthe shouts. "You could have gone to the elders. Left without their approval, even. Stolen the children—whatever it took! How could you? How could you?" He hoists his bag on his back and heads home, forgetting the squirrelee. Elgir runs after him. When Merthe doesn't stop, Elgir tackles him to the ground.
"Stop. Listen." Merthe stops struggling, less from the command as from the finality of a man twice his size pinning him to the ground.
"I'll save those kids, I promise you. I'll keep them safe from Samo if it's the last thing I do! But I'd rather do it smart. You know how the elders are, they'll argue and fret for months before reaching a decision and in the meantime, the kids will be alone with Samo. An angry Samo. A Samo who's been humiliated in public. I have failed them as a father and as a mother, but I won't compound one mistake with another."
Elgir stops pressing down quite so hard, but he doesn't let go. Both men sit up, hands on each other's arms. It's not a fight grip but it would take no effort to turn it into one.
"What are you going to do, then?" Merthe asks.
"I will win. I will win and leave, and I'll take the children with me."
Merthe lets go, sits back on the snow. As much as he hates the idea of Tine and Vis spen
ding the next week alone at home with Samo, he realizes Elgir's way is best. As soon as he takes back his woman body, he'll be entitled to take the children where he pleases. Merthe tries not to feel sorry for Samo: she birthed them both.
"Do you know where you're going to go? Do you have family to help you out?" he asks.
"I'll worry about that later."
Merthe promises himself that he'll take food from his own mouth before Elgir's children go hungry. He's a strong hunter; he can hunt for two households. Ita will just have to accept it.
It's only later, back at home, that he realizes that he doesn't plan on being the hunter for the coming year.
Serga comes out to meet him at the door and it takes Merthe a moment to figure out why this surprises him. Serga hasn't been at the door with the other children for a while. The kid is too old to puppy around heir father.
Serga wants something. Heir eyes are impatient for Merthe to dispose of his hunting gear and head towards the shed to clean the squirrelee. Shei doesn't even cast a sidelong glance at the half-carcass, even though heir scathing looks are usually as incisive (and effective) as heir mother's.
Merthe takes off his coat and starts skinning. Serga stares on until Merthe motions towards the belly of the animal. There's enough work for two.
Serga hesitates and Merthe wonders if he has insulted the child by offering heir man's work. After all, no woman will touch an animal until it's clean and adolescents like to pretend they're women. But Serga takes heir own blade from heir apron and settles down in front of Merthe.
"It's happened," Serga whispers. "It's arrived."
Merthe hides his surprise and looks Serga up and down discretely. Yes, there's an adult's budding body under the wraps. He hadn't expected it to happen so soon, but he'd always known his children would have to grow up. Serga isn't too young for her first bleeding.
"Have you told your mother?" Merthe asks, and regrets it. Serga has come to him, not Ita. He mustn't push heir away.
Shei shakes heir head.
"The other thing too? Or is it just your period?" Some adolescents don't have erections until a couple of years after their first bleeding.
Serga winces; Merthe is too blunt. He tries not to smile.
"The other thing . . . I think so."
Merthe grunts his understanding and waits.
"What do I do now!" Serga throws the knife to the ground. It rattles against the floorboards and shei looks up, scared. You don't treat a good knife like that. But Merthe gets up, wipes the knife on his pants and hands it back to Serga without scolding.
"You don't have to fight this season, or even the next. You can still be our child for a little longer, if that's all right with you," he whispers and places his hand on heir shoulder.
Serga nods and clasps heir apron.
"But why do I have to Fight at all? Why can't I just stay like this always?"
"Fighting is fun. You'll come to enjoy it," he says.
"What if I can't? What if I'm really bad? What if—"
"It's okay to lose."
"Mother says—"
"Your mother is very gifted woman, but in some things, she acts like an idiot." Merthe wonders if those words are his, or Elgir's. "She's so proud of winning that she pretends that losing is a big deal. You're going to win some years and lose some years and, either way, you're going to be happy. You're going to love your children and your spouse. You're going to enjoy good food and soft clothes. The differences are there, but the things that matter remain the same."
It's a white lie but the words spring from his mouth with such a force that Merthe wonders if they aren't true.
Elgir and Samo are the first to Fight each season and their combat casts a long shadow on everyone else's match. Merthe wonders what Fight will be like when Elgir and Samo are no longer the item leading the way.
Their combat is short; Elgir seems too sad to care about putting on a good show. Samo comes at him in a blur and the men in the crowd gasp, always surprised at how fast a woman can move.
Samo has learned from previous failures. She never sits still and blows punctuate her every motion. Elgir stands still and takes them, face flat as granite. Merthe wonders if he plans to win through attrition.
Suddenly, his arm shoots out and he catches Samo across the chest. They crash down, Elgir breaking their fall so that Samo lands almost softly, cocooned inside his arms.
He holds her much longer than necessary, after the bell has rung, after the cheering is over. He holds her after Samo has stopped thrashing in anger and frustration, after the children stop hollering. It is their final embrace and Elgir makes it last. This is how Elgir loves, fervently. Even after the unthinkable, he cannot bear to let go.
When the crowd is no longer interested, Elgir presses his palm against Samo's and Merthe can feel his own pores opening up in sympathy, the clever little soul-holes through which bodies are exchanged. It only lasts a second but Merthe knows that those two feel their minds entwined into eternity.
And then it's done, and Samo in his new male body pushes Elgir away so hard that Merthe winces. Elgir stands up, wearing that body with a grace Samo could never muster. She nods her head, a last goodbye, and whistles for the children. By now, even Samo must know they won't be coming home tonight.
That evening, Merthe arrives home with half a nme bird. There's hardly any meat on it and Ita will have to add some sausage to thicken the stew, but nobody will go hungry, not Ita and the children, not Elgir and hers. Sometimes you're lucky, sometimes you aren't. That's the way hunting goes.
When Ita sees the bird she blanches, and Merthe braces for a harangue on hunting and responsibility. But Ita is too angry to bait or mock. Merthe has never seen her like this. She storms back into the house while Merthe goes to the shed to clean the bird.
Dinner is silent and Ita hustles the children to bed long before their bedtime. One of the younger ones whimpers, but Serga cuts heir short with a pinch which Merthe pretends not to see. He's too exhausted to fight heir too.
"Who is she?" Ita whispers after the children are in their bunks.
"What?"
"Don't play games with me, Merthe, who's the woman you keep bringing meat to. Taking it from your children's mouth!"
Merthe laughs "It's not . . . I'm not . . . "
"Don't go telling me you hunted with Elgir again! She's a woman now, Samo can hunt for her. I don't know why I believed you the first time, men hunt alone, but I was so trusting—"
"What is it that really bothers you, Ita? Me with another woman or your stupid pantry? It's bursting at the edges, for every gods' sake. You give food away else it rot before we can eat it! Is that what I am to you? The oaf who keeps your stomach full?"
Ita opens her mouth, but manages only a gurgle. She grabs her coat. Polar winter sweeps into the house as she opens the door. The cold steals the breath from his mouth; the sharpness from his brain. It takes him a second to react and take off after her, wrapped only in his sleeping blanket.
The snow outside is knee-deep and she isn't wearing shoes. He scoops her up from a drift and drapes her across his shoulders. She doesn't resist.
"You idiot, don't you see I do it for you?" she wails in his ear over the wind. "Everyone knows you're such a good hunter that I have food to spare. My mother, the neighbors . . . As long as my pantry is full, nobody can question us or our marriage. Whenever those hags at the market start gossiping about how I should find a stronger Fighter, I give them meat, pelts. That shuts them up. They don't talk, at least not to my face."
Merthe pushes the door open and stomps his feet until he feels them. He doesn't know what to think, much less what to say. He puts Ita down and goes to fetch the liquor. More than half the bottle is missing. He stares pointedly at Ita.
"Don't look at me. I think Serga has started drinking behind my back." She sounds annoyed, but not terribly worried. Adolescents will be adolescents. It's hard to figure out one's body when one is so new to it, especially when one is ne
ither a man nor a woman, but a compendium of impulses with no way to work them off. Merthe's lips twitch as he remembers his own childhood.
"There is no woman, Ita." He sits next to her by the hearth. "Samo and Elgir have broken up. I promised Elgir that her children wouldn't starve. I'm hunting for them for now, at least until Elgir finds a man. That shouldn't take long."
"Can't Samo hunt for them? He has a responsibility towards those children!"
"Samo isn't going to be hunting. Elgir can hunt small game by herself, but not with the children tagging along."
"Really? You must be exaggerating. I can't think of a man who'll visit his children and not bring something . . . "
"Samo isn't setting foot in Elgir's house."
"Well that's just wrong! I can understand being angry, but keeping a man from his children—"
"You don't know the half of it!" Merthe sets the glass down and frowns: he hadn't intended to shout. "It's bad, Ita, it's really bad."
"Then tell me," she says. You never tell me anything. After so long, Merthe hears the words even when she doesn't utter them.
"Samo hits the kids." That gets her attention. He explains in as few words as he can, glad that she's finally decided to shut up and listen.
"Those poor kids. Those poor poor kids," she says.
Merthe tries to explain how angry he is at Elgir for letting it happen.
"You can't judge. You don't know what Elgir was going through at the time . . . "
"And you do?" Surely, this isn't about him!
"Of course not." She puts a cool hand on his forehead. Despite how angry he is, she soothes him. Ita and he work best together when they do not speak. He wonders why it can't always be like that. A life in silence. Sometimes, his reticence to speak is just that, a desire for this quiet companionship. It is only with words that they hate each other.
When his time to Fight comes, Merthe tells himself the outcome doesn't really matter. He tells himself the same lies he told Serga, trying to believe them with a child's fervor. He fastens his boots and sets out.
A crowd is waiting for him. As he approaches, Elgir joins him, arriving at the square from the left. They walk the last stretch together, Elgir's children trailing from her skirt.