Cyberabad Days - [River of Gods 02]

by Ian McDonald

  Then the dust started to blow through the streets of Delhi. It was not the dust from the perpetual drought that burned the fields and reduced the crops to powder and sent millions from Bharat into the cities of India. It was the dust of Shiva, the sacred ash of the Purusa Corporation’s nanoscale computers, released into the world. Bharat might be choking, but here! here! was the solution to India’s memory problems. Shiv did have a name for these, a good name too. He called them devas.

  He called me. It was decades since we had spoken last in the garden of his house in Varanasi, over lemonade. I was running the dharamshala at Pandua then. It was spacious and peaceful and cool and the only disturbance was the over-heavy feet of the Westerners who flocked to the place. They are not naturally barefooted people, I have found. The I-dust relay chimed, a call. I was expecting Mr Khan. My brother whirled out of the helix of motes instead. He had lost weight, too much weight. He looked well, too much well. He could have been anything: flesh, aeai agent, bodhisoft. We greeted each other and said how well each other looked.

  ‘And how is Nirupa?’

  His smile made me think that he was human. Aeais have their own emotions, or things like emotions.

  ‘She’s good. Very good. Twenty-eight now, would you believe?’

  I confessed that I could not.

  ‘Doing well, found an eligible boy, from a good enough family, who’s not a complete gold-digger. Old-fashioned stuff like that. I’m glad she bided her time, but they can afford to take their time now.’

  ‘All the time in the world.’

  ‘She’s beautiful. Vish, there’s something I need to tell you. Not a warning exactly, more to prepare yourself.’

  ‘This sounds ominous.’

  ‘I hope not. You’ve predicted it all very well.’

  ‘Predicted what?’

  ‘Don’t be coy. I know who you were. No secrets in the transparent world, I’m afraid. No, you got it right and I’m glad you did it because I think you softened the blow, but there is something you didn’t predict, maybe something you couldn’t predict.’

  A whisper of breeze stirred the candle flames in my simple wooden room. Heavy white feet went tread tread tread on the creaking boards outside my latticed window. If they had looked through the grille they would have seen me talking to a ghost. No strange thing in this age, or most other ages.

  ‘Whenever we last spoke, you said that you were making use of information from the legacy-device the original aeais had bequeathed us.’

  ‘Well-guessed.’

  ‘It seems logical.’

  ‘When the Trimurti left Earth, they opened a connection to a separate space-time continuum. There were several major differences from our space-time. One was that time runs much faster there than in our space-time, though it would not be noticeable to anyone in that continuum. Another was that the arrow of time was reversed. The Trimurti move backwards in time; this was how their artefact, which the Americans call the Tabernacle, seemed to have predated the solar system when it was found in space. But the more important one - and that was why they chose it - was that information was integrated into the geometrical structure of that space-time.’

  I closed my eyes and focused my imagination.

  ‘You’re saying that information, data - minds - form part of the basic structure of that universe. Minds without the need for bodies. The whole universe is like a cosmological computer.’

  ‘You’ve got it.’

  ‘You’ve found a way back into that universe.’

  ‘Oh no no no no no. That universe is closed. It ended with the Trimurti. Their time is gone. It was an imperfect universe. There are others, mind-spaces like that, but better. We’re going to open up dozens - hundreds, eventually thousands - of portals. Our need for processing will always outstrip our available memory, and the devas are just a stopgap. A whole universe, right beside ours, only a footstep away, available for computing resources.’

  ‘What are you going to do?’

  ‘The Jyotirlingas are coming.’

  The Jyotirlingas were the sacred places where, in the Vedic Age, the creative, generative energy of the Lord Siva burst from the ground in pillars of divine light, the ultimate phallic linga symbols. These would come not from the earth, but another universe. And Shiv named them after his namesake’s cosmological cock. No one could accuse him of lack of hubris. His I-dust image sparkled and swirled and exploded into a billion motes of light. His smile, like that of the legendary Cheshire cat, seemed to remain. A week later, twelve pillars of light appeared in cities all across the states of India. By a slight misalignment, the Delhi Jyotirlinga touched down in the middle of the Dalhousie, the city’s largest slum, crowded beyond all imagining with refugees from the drought.

  ~ * ~

  The simultaneous appearance, at eleven thirty-three, of twelve columns of light in cities across India paralysed the rail network. It was one of the least of the disturbances that day but for me, on an island in the middle of the Brahmaputra and needing to get to Delhi, that was the most important. That there were any flights at all was a miracle, that I could book onto one at any price at all was proof indeed that the age of the gods had truly returned. Even when alien universes open up in the hearts of our great and ancient cities, Indian grandmothers will still need to travel to see their wee darlings.

  I had tried to call Sarasvati but all com channels into Delhi were down and the call-centre aeais announced indefinite delays before the network was restored. I wondered what it would be like for those accustomed to being strung out across the deva net to be back into just one head as the Air Awadh Airbus took me up over the shrivelled silver thread of the parched Ganga. In the tiny toilet I once again transformed myself back into a shaved, shorn, urbane Delhi-boy. As we descended into Indira Gandhi airport the captain told those of us on the right to look out and we would see the Jyotirlinga. His voice was uncertain, not a tone you want to hear from an airline captain, as if he could not believe what he was seeing. I had been studying it long before the captain’s call: a line of sun-bright light rising from the hazy, grey stain of central Delhi up beyond all sight, further than I could see, craning to look up through the tiny window into the darkening sky.

  Sarasvati would be there. That was Shiv’s warning. When the light struck, she would have looked around and, in the same instant, made her mind up. People in need. She could not refuse.

  Immigration took an hour and a half. Five flights of journalists had disgorged at once. A wired world, it seemed, was no substitute for reporters on the ground. The hall buzzed with swarming fly-sized hovercams. Two hours to grind into Delhi in the limo. The highways were clogged with lines of traffic, all headed out, all moving with geological slowness. The noise of horns was appalling to one fresh from the profound, liquid silence of the dharamshala. Only military and media seemed headed into Delhi but soldiers stopped us at intersections to wave past thundering convoys of chartered refugee buses. We were held up for a motionless half an hour on the big cloverleaf on Siri Ring. In awe and leisure, I studied the wall of memory farms; towering black monoliths drinking in sunlight through their solar skins, pressed shoulder to shoulder as far as I could see. In every breath of air-conditioned air I took, I inhaled millions of devas.

  Every roadside, every verge and roundabout, every intersection and car park, every forecourt and garden was filled with the shanties and lean-tos of the refugees. The best were three low walls of brick with plastic sacking for a roof, the worst cardboard scrapes, or sticks and rags worked together into a sun-shade. Feet had worn away all greenery and stripped the trees bare for firewood. The bare earth had blown into dust, mingling with the airborne devas. The bastis pressed right up to the feet of the memory towers. What did Sarasvati imagine she could achieve here in the face of so colossal a catastrophe? I called her again. The network was still out.

  Bharat had invaded India and now India was casting it out. We drove, blaring the horn constantly, past a terrible, emaciated army of refuge
es. No fine cars here. Trucks, old buses, pick-ups for the better off, behind them, swarms of phatphats, more overloaded than that fatal one I had seen on the Holi I discovered death. Motorbikes and mopeds almost invisible under bundles of bedding and cooking pots. I saw a chugging, home-engineered half-tractor device, engine terrifyingly exposed, dragging a trailer piled as high as house with women and children. Donkey carts, the donkey bent and straining at the loads. In the end, human muscle pushed the exodus onward: bicycle rickshaws, handcarts, bent backs. Military robots guided them, herded them, punished those who strayed from the approved refugee route, or fell, with shock sticks.

  Before everything, over everything, was the silver spear of the Jyotirlinga.

  'Sarasvati!’

  ‘Vishnu?’ I could hardly hear her over the roar.

  ‘I’ve come to get you.’

  ‘You’ve what?’ It was as noisy where she was. I had a fix. The autodrive would take me there as quickly as it could.

  ‘You’ve got to get out.’

  ‘Vish.’

  ‘Vish nothing. What can you do?’

  I did hear her sigh.

  ‘All right, I’ll meet you.’ She gave me a fresh set of coordinates. The driver nodded. He knew the place. His uniform was crisp and his cap miraculously correct but I knew he was as scared as I.

  On Mehrauli Boulevard I heard gunfire. Airdrones barrelled in over the roof of the car, so low their engines shook the suspension. Smoke rose from behind a tatty mall façade. This street, I recognised it. This was Parliament Road, that was the old Park Hotel, that the Bank of Japan. But so faded, so dilapidated. Half the windows were out on the Park. The secluded gardens around Jantar Mantar on Samsad Marg were overrun with packing-case houses, their plastic roofs pushing right against the austere marble angularities of Jai Singh’s astronomical instruments. Everything was overrun with lean-tos and huts and miserable hard-scrabble shelters.

  ‘This is as far as I’m going to take you,’ the driver said as we ran into an immovable horde of people and animals and vehicles and military at Talkatora Road.

  ‘Don’t go anywhere,’ I ordered the driver as I jumped out.

  ‘That’s not likely,’ he said.

  The press was cruel and chaotic and the most terrifying place I have ever been but Sarasvati was here, I could see her in my mind-map. A cordon of police bots tried to drive me back with the crowds from the steps of the Awadh Bhavan but I ducked under, out and away. I knew this place. I had given my balls to work in this place. Then suddenly, wonderfully, I was in the clear. My heart lurched. My vision swam. Delhi, dear Delhi, my Delhi, they let this happen to you. The gracious greens and boulevards, the airy chowks and maidans of the Rajpath were one unbroken slum. Roof after roof after roof, slumping walls, cardboard and wood and brick and flapping plastic. Smoke went up from a dozen fires. This, this was Dalhousie. I knew the name of course. I had never thought it would ever become the name of the great sink where this newest of New Delhi’s condemned would be driven by drought and want. Such disdain did new India show for old Awadh. Who needed a Parliament when universal computing made everything a consensus? From where I guessed the old Imperial India Gate had stood at the end of the gracious Rajpath, there rose the Jyotirlinga. It was so bright I could not look at it for more than moments. It cast a terrible, unnatural silver shine over the degradation and dread. It abused my Brahminic sensibilities. Did I smell voices, hear colour, was that prickle like cold lemon fur on my forehead the radiation of another universe?

  People milled around me, smoke blew in my eyes, the downdraft of airdrones and hover cams buffeted me. I had only moments before the army would catch me and move me away with the rest of the panicked crowd. Or worse. I saw bodies on the ground and flames were coming up from a line of plastic shacks.

  ‘Sarasvati!’

  And there she was. Oh, there she was, plunging whip-thin in combat pants and a silk blouse, but filled her wonderful energy and determination out of the pile of collapsing housing. She dragged a child in each hand, smudge-faced and tearful. Tiny mites. In this place, she had slipped from my nuptial elephant to caper with the revellers in her ridiculous man’s costume and exuberant false moustache,

  ‘Sarasvati!’

  ‘You’ve got a car?’

  ‘It’s how I got here, yes.’

  The children were on the verge of bawling. Sarasvati thrust them at me.

  ‘Take these two to it.’

  ‘Come with me.’

  ‘There are kids still in there.’

  ‘What? What are you talking about?’

  ‘It’s a special needs group. They get left when the sky opens. Everyone else runs and leaves the kids. Take these two to your car.’

  ‘What are you doing?’

  ‘There are more in there.’

  ‘You can’t go.’

  ‘Just get them to the car, then come back here.’

  ‘The army.’

  She was gone, ducking under the billowing smoke. She disappeared into the warren of lanes and galls. The children pulled at my hands. Yes yes, they had to get out. The car, the car wasn’t far. I turned to try and find an easy way with two children through the wheeling mass of refugees. Then I felt a wave of heat across the back of my neck. I turned to see the blossom of flame blow across the top of the gali, whirling up rags of blazing plastic. I cried something without words or point and then the whole district collapsed in on itself with a roar and explosion of sparks.

  ~ * ~

  The Age of Kali. I have little patience with that tendency in many Indians to assume that because we are a very old culture, we invented everything. Astronomy? Made in India. Zero? Made in India. The indeterminate, probabilistic nature of reality as revealed through quantum theory? Indian. You don’t believe me? The Vedas say that the Four Great Ages of the Universe correspond to the four possible outcomes of our game of dice. The Krita Yuga, the Age of Perfection, is the highest possible score. The Kali Yuga, the Age of Strife, darkness, corruption and disintegration, is the lowest possible score. It is all a roll of the divine dice. Probability? Indian!

  Kali, Paraskati, Dark Lady, Mistress of Death and Drinker of Blood, terrible ten-armed one with the necklace of skulls, She Who is Seated upon the Throne of Five Corpses. The Ender. Yet Kali is also Mistress of Regeneration. Ruler of All Worlds, Root of the Tree of the Universe. Everything is a cycle and beyond the Age of Kali we roll again into the Age of Gold. And that which cannot be reasoned with must then be worshipped.

  I believe I was mad for some time after Sarasvati’s death. I know I have never been sane as you would consider me sane. We are Brahmins. We are different. But even for a Brahmin, I was crazy. It is a precious and rare thing, to take time out from sanity. Usually we allow it to the very very young and the very very old. It scares us, we have no place for it. But Kali understands it. Kali welcomes it, Kali gives it. So I was mad for a time, but you could as easily say I was divine.

  How I reached the temple in the little, drought-wracked town by the sewer of Mata Ganga, I have chosen to forget. How I came by the offering of blood to the priest, that too I’ve put where I put the dis-remembered. How long I stayed there, what I did, does any of this matter? It was time out from the world. It is a powerful thing, to subject yourself to another time and another rhythm of life. I was a thing of blood and ashes, hiding in the dark sanctum, saying nothing but offering my daily puja to the tiny, garland-bedecked goddess in her vulva-like garbigraha. I could have vanished forever. Sarasvati, the brightest and best of us, was dead. I lolled on foot-polished marble. I disappeared. I could have stayed Kali’s devotee for the rest of my long and unnatural life.

  I was lolling on the wet, foot-polished marble when the woman devotee, shuffling forward through the long, snaking line of cattle-fences toward the goddess, suddenly looked up. Stopped. Looked around as if seeing everything for the first time. Looked again and saw me. Then she unhooked the galvanised railing and pushed through the switch-back line of devotees to
come to me. She knelt down in front of me and namasted. Above the single vertical line of her Shakta-tilak she wore the red Eye of Shiva.

  ‘Vish.’

  I recoiled so abruptly I banged the back of my head off a pillar.

  ‘Ooh,’ the woman said. ‘Ooh, cho chweet, that’s going to smart. Vish, it’s me, Lakshmi.’

  Lakshmi? My former wife, player of games? She saw my confusion and touched my face.