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D W Griffith's The Birth of a Nation

Page 60

by Melvyn Stokes


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  Griffith, D. W. “The Birth of a Nation.” Sight and Sound 16, no. 61 (Spring 1947): 32.

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  “G.T.” “The Birth of a Nation: G. W. ‘Billy’ Bitzer.” American Cinematographer 80, no. 3 (March 1999): 118.

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  Gunning, Tom. D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. Urbana: University of Illinois Press, 1991.

  Hackett, Francis. “Brotherly Love.” The New Republic 7 (March 20, 1915). Reprinted in The Birth of a Nation, 161–63, ed. Robert Lang. New Brunswick, N.J.: Rutgers University Press, 1994.

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  ———. D. W. Griffith: The Years at Biograph. New York: Farrar, Straus and Giroux, 1970.

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  ———. Strangers in the Land: Patterns of American Nativism, 1860–1925. New Brunswick, N.J.: Rutgers University Press, 1955.

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  ———. “The Oppositional Gaze: Black Female Spectators.” In Black American Cinema, 288–302, ed. Manthia Diawara. London: Routledge, 1993.

  ———. Reel to Real: Race, Sex, and Class at the Movies. London: Routledge, 1996.

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  Horsman, Reginald. Race and Manifest Destiny: The Origins of American Racial Anglo-Saxonism. Cambridge, Mass.: Harvard University Press, 1981.

  Huff, Theodore. A Shot Analysis of D. W. Griffith’s “The Birth of a Nation.” New York: Museum of Modern Art, 1961.

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  Hui, Arlene. “Miscegenation in Mainstream American Cinema; Representing Interracial Relationships, 1913–1956.” Ph.D. diss., University of London, 2006.

  Hurwitz, Michael R. D. W. Griffith’s “The Birth of a Nation”: The Film that Transformed America. North Charleston, S.C.: BookSurge, 2006.

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  Jesionowski, Joyce E. Thinking in Pictures: Domestic Structures in D. W. Griffith’s Biograph Films. Berkeley: University of California Press, 1987.

  “John Ford’s Young Mr. Lincoln, a Collective Text by the Editors of Cahiers du cinéma.” Cahiers du cinéma, no. 223 (August 1970): 29–47. Trans. Helen Lackner and Diana Matias in Screen 13, no. 3 (Autumn 1972): 5–44.

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  Jowett, Garth. “‘A Capacity for Evil’: The 1915 Supreme Court Mutual Decision.” Historical Journal of Film, Radio and Television 9, no. 1 (1989): 59–78.

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  Jozajtis, Kris. “‘The Eyes of All People Are Upon Us’: American Civil Religion and the Birth of Hollywood.” In Representing Religion in World Cinema: Filmmaking, Myth-making, Culture Making, 239–61, ed. S. Brent Plate. London: Palgrave/St. Martin’s, 2003.

  Jungquist, Hazel. “Viewing D. W. Griffith’s The Birth of a Nation: A First Hand Account,” ed. Robert K. Klepper. Classic Images no. 245 (November 1995): 36–37.

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  Keil, Charlie. “Transition through Tension: Stylistic Diversity in the Late Griffith Biographs.” Cinema Journal, 28, no. 3 (Spring 1989): 22–40.

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  Kindem, Gorham. “The Demise of Kinemacolor: Technological, Legal, Economic, and Aesthetic Problems in Early Color Cinema History.” Cinema Journal 20, no. 2 (Spring 1981): 3–14.

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  Kirby, Jack Temple. “D. W. Griffith’s Racial Portraiture.” Phylon 39, no. 2 (1978): 118–27.

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  Koszarski, Richard. An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915–1928. Berkeley: University of California Press, 1990.

  ———. “‘So Long, Master … ’: Stroheim, Griffith, and the Griffith Studio.” Griffithiana, no. 71 (2001): 45–81.

  Kousser, J. Morgan. The Shaping of Southern Politics: Suffrage Restriction and the Establishment of the One-Party South, 1880–1910. New Haven: Yale University Press, 1974.

  Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. New York: Oxford University Press, 1960.

  Lack, Russell. Twenty Four Frames Under: A Buried History of Film Music. London: Quartet Books, 1997.

  Landry, Robert J. “‘Race’: Box Office but Booby Trapped.”’ Variety (January 8, 1958): 15.

  Lang, Robert, ed. The Birth of a Nation: D. W. Griffith, Director. New Brunswick, N.J.: Rutgers University Press, 1994.

  Langum, David J. Crossing over the Line: Legislating Morality and the Mann Act. Chicago: University of Chicago Press, 1994.

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  Leab, Daniel J. From Sambo to Superspade: The Black Experience in Motion Pictures. London: Secker and Warburg, 1975.

  Lefler, Hugh Talmadge and Albert Ray Newsome. North Carolina: The History of a Southern State. Chapel Hill: University of North Carolina Press, 1973.

  Lejeune, Anthony, ed. The C. A. Lejeune Film Reader. Manchester: Carcanet Press, 1991.

  Lester, J. C. and D. L. Wilson. Ku Klux Klan: Its Origin, Growth and Disbandment, intro. by Walter L. Fleming. New York: Neale Publishing, 1905.

  Levenson, J. C., Ernest Samuels, Charles Vandersee, Viola Hopkins Winner, eds. The Letters of Henry Adams, Vol. IV: 1892–1899. Cambridge, Mass.: Harvard University Press, 1988.

  Lewis, David L. W. E. B. Du Bois: Biography of a Race, 1868–1919. New York: Henry Holt, 1993.

  L.G.A. Birth of a Nation, Monthly Film Bulletin 20, no. 228 (January 1953): 3–4.

  Lindsay, Vachel. The Art of the Moving Picture. New York: Modern Library, 2000; reprint of 1915 ed.

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  ———, ed. The Papers of Woodrow Wilson, Vol. 33: April 17–July 21 1915. Princeton: Princeton University Press, 1980.

  ———, ed. The Papers of Woodrow Wilson, Vol. 47: March 13–May 12, 1918. Princeton: Princeton University Press, 1984.

  ———. Woodrow Wilson: Vol. 2, The New Freedom. Princeton: Princeton University Press, 1956.

  Linn, Brian McAllister. The Philippine War, 1899– 1902. Lawrence: University Press of Kansas, 2000.

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  MacLean, Nancy. Behind the Mask of Chivalry: The Making of the Second Ku Klux Klan. New York: Oxford University Press, 1994.

  ———. “The Leo Frank Case Reconsidered: Gender and Sexual Politics in the Making of Reactionary Populism.” Journal of American History 78, no. 3 (December 1991): 917–48.

  The Making of a Legend: “Gone With the Wind,” documentary film directed by David Hinton (1989).

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  Maltby, Richard. “The King of Kings and the Czar of All the Rushes: The Propriety of the Christ Story.” In Controlling Hollywood: Censorship and Regulation in the Studio Era, 60–86, ed. Matthew Bernstein. New Brunswick, N.J.: Rutgers University Press, 2000.

  ———. “The Social Evil, the Moral Order, and the Melodramatic Imagination, 1890–1915.” In Melodrama: Stage, Picture, Screen, 214–30, ed. Jacky Bratten, Jim Cook, and Christine Gledhill. London: BFI, 1994.

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  Martin, Jeffrey B. “Film Out of Theatre: D. W. Griffith, Birth of a Nation and the Melodrama The Clansman.”Literature/Film Quarterly 18, no. 2 (1990): 87–95.

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  ———. Manifest Destiny’s Underworld: Filibustering in Antebellum America. Chapel Hill: University of North Carolina Press, 2002.

  ———. The Southern Dream of a Caribbean Empire, 1854–1861. Gainesville: University Press of Florida, 2002; originally published in 1973.

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ttle Cry of Freedom: The Civil War Era. London: Penguin, 1990.

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  ———. “D. W. Griffith’s The Birth of a Nation: Going after Little Sister.” In Close Viewings: An Anthology of New Film Criticism, 215–37, ed. Peter Lehman. Tallahassee: Florida State University Press, 1990.

  ———. “Nickelodeon Theaters, 1905–1914: Building an Audience for the Movies.” In The American Film Industry, 59–79, ed. Tino Balio. Madison: University of Wisconsin Press, 1976.

  ———. “Rescued from a Perilous Nest: D. W. Griffith’s Escape from Theatre into Film.” Cinema Journal 21, no. 1 (Fall 1981): 2–30.

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  ———. “Naissance d’une Nation,” in “Griffith.” Supplement to L’Avant Scène du Cinéma, no. 45 (February 1, 1965): 83–89.

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  Moore, John Hammond. “South Carolina’s Reaction to the Photoplay The Birth of a Nation.” Proceedings of the South Carolina Historical Association 33 (1963): 30–40.

 

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