Book Read Free

I Have Fun Everywhere I Go

Page 38

by Mike Edison


  The Europeans had a fair handle on this wrestling business: there was a decent roster of gimmicked-up rock ’n’ rollers ready to rumble, punks dressed as Red Cross workers standing by with a stretcher, a transvestite timekeeper, and the sexiest, most bosomy cheerleaders on the planet dancing between matches.

  They came close to the American ideal of my noble sport, but like someone who has learned to play the blues by listening to Led Zeppelin, they missed a few things. They had the taste but hadn’t mastered the flavor. I looked around for a guy in a zebra-striped shirt. No luck. Apparently, I was also the referee. This created an interesting conflict of interest—I was to introduce the wrestlers, then help the bad guy creatively carve up the babyface, and then count the poor fucker out and send him on his way. A referee would have been a nice detail, but what the hell? I could do this.

  I entered the ring in full Rocket Train regalia—silver cape, matching boots, leopard-skin fez, and wraparound shades—what the Grand Wizard might have worn to a punk rock wrestling blast if he bought his clothes at a thrift store on Mars.

  I got into a pretty good groove clobbering the good guys with the mic, or garroting them with the cord and jamming a stiff thumb to the throat when they fell out of the ring (the dreaded Oriental Spike, banned on five continents). Then I delivered the three count and called for the bell. What a racket! The girls danced between matches, and I strutted around and kissed them, like the Marquis de Sade on a bender.

  The final match of the night featured Looch Vibrato, an animal who is also one of France’s fiercest guitar players. His band, the Magnetix, a duo that also features his sexy cavewoman girlfriend Aggie Sonora, had been backing me up on that tour, and now I was managing his entrée into a brave new world of headbutts and neckbreakers.

  Looch was booked into a handicap match against two of the ugliest men I have ever seen, a couple of goons covered in green paint who called themselves Les Hulks. Looch was going to chew on these guys like breath mints.

  Unfortunately, traditional tag-team rules had not loomed large in these so-called Hulks’ study of professional wrestling, and when the bell rang, they immediately double-teamed Looch and forced him into the corner, where the timekeeper thumped him on the head with the hammer he had been using to ring the bell. They were cheating! I had no choice but to interfere.

  I jumped into the fray, turned to slug the timekeeper, and caught the bell straight in the face.

  Did you know that when you get hit in the face with a big brass bell, you actually see stars and little tweety birds? I always thought that Bugs Bunny made that shit up.

  I still had enough sense to check my nose (not broken) and my teeth (mostly intact), but I was juicing plenty. There was blood everywhere.

  At this point, I’ve got exactly two things on my mind. First, I must look absolutely gorgeous covered in all this blood and I hope someone is taking pictures. Second, It’s clobberin’ time!!! I pulled that underhanded no-good cross-dressing timekeeper through the ropes and laid him out with an old-school, Memphis-style Hanging Fist Drop.

  But in another second those filthy Hulks were on me. It was chaos in the ring: wrestlers were coming out of the dressing room to brawl, and even the cheerleaders were back in the ring, jiggling their tits. The crowd was going nuts—people were screaming, beer was flying. It was awesome.

  Clearly the script called for Looch and me to pound the green guys into paté and then dance giddily around their supine bodies. But apparently, no one had told them that. I drove Hulk No. 1’s head into the floor with a thundering Skullcrusher, but he had the audacity to get up. I was dripping blood on him and trying to mentally transmit the Big Finish. Actually, I was just screaming. “Stay down mutherfucker . . . let me pound you on the head a few times and then get your ass on that stretcher . . .” But he wasn’t having any of it. I was beginning to get light-headed from the loss of blood, and starting to wonder if it wasn’t me who was going out in an ambulance. Looch, who had nearly decapitated Hulk No. 2 with a vicious Lariat Clothesline, was finally fed up with Hulk No. 1’s French insouciance and flattened him with a hard elbow to the brain. I counted to three and declared Looch the winner.

  The crowd was nearly rioting now. Although our match was more State Fair than Madison Square Garden, for Strasbourg, this was an unprecedented cultural revolution.

  There was still the small matter of my face, which was in sore need of repair. My top lip was split in two by the impact of the bell, and I was dripping red stuff like a busted pomegranate. Before I knew what was happening, I was being helped out of the ring by a paramedic (a real one) and taken to the hospital.

  The doctor did a fine job. He suggested that it might be best if I gave up any aspirations I may have harbored toward growing a mustache, but the scar was going to be a handsome souvenir indeed. I gave him fifty-five euros for twenty-five stitches and a tetanus shot, a bargain any way you looked at it. And then I hitched a ride back to the arena and joined the party already in progress. There were some cheerleaders there who were concerned about me.

  I felt like a champion, just waiting for my belt.

  ACKNOWLEDGMENTS

  Brain-busting gracias to Jeremy Tepper; Sharky’s Machine; Carmine Bellucci and everyone at Crescent (Drake) Publications; GG Allin (RIP); Michael Kennedy and High Times magazine; the Pleasure Fuckers y su pandilla en Malasaña y mas alla; Hustler magazine; Dave “Grip and Grin” Allocca; Gretchen Viehmann and Melch; Victor Colliccio and the cast and crew of Potluck; Amos Harvey; Joe Naylor and Reverend Musical Instruments; Manly, the World’s Strongest Cat, and “God’s Own Kitten,” Sebastian; Max Lenderman; Peter Halley and index magazine; Jennifer Bleyer and Heeb magazine; Tim and Micha Warren (Crypt Records); Larry and Leslie (Carbon 14); NASA; Dig It ’zine, Human Bretzel Records, Wrestling Baby Blast, and the Magnetix (France); El Bratto; Ruta 66 magazine (Spain); Eric Danville; Chip Mahoney; Paul Armstrong; Saori Kuno; Nancy Huff; Handsome Dick Manitoba; Screaming Lord Overdrunk; Dave “Viking” Pederson; KGB bar; David Smith at the New York Public Library; Sweet Joey Valentine and all past and future members of the Edison Rocket Train; Page Six and the New York Post; the irrepressible Paula Kakalecik Manzanero; Eisenberg’s Sandwich Shop; and to everyone who was part of this book or somehow contributed to these savage tales—the doctors, dealers, bartenders, and random punks, musicians, promoters, fans, editors, writers, and anyone I am shamefully forgetting, subconsciously repressing, or dutifully omitting—thank you. I hope you had as much fun as I did.

  Special piledriving appreciation and huzzahs to John Holmstrom and Punk magazine; to Kevin Hein, Al Goldstein, and Screw magazine; to Jon Spencer and family, and the Blues Explosion; and to my favorite chimp, Cliff Mott.

  Lots of crazy Sharky Love to my brothers in arms, the Raunch Hands: Mike Mariconda, George Sulley, and Mr. Michael Chandler.

  My unwavering, spine-crushing gratitude goes out to the A-Team: my agent, the redoubtable Jane Dystel, and her posse at Dystel & Goderich; my mutherfucking pit bull of a lawyer, friend, and consigliere, Blaine “Three Box” Bortnick; Mad man Rick Tulka; and everyone at Faber and Faber/FSG who worked so hard to make this book a reality (special thanks to kopy kats John McGhee, who helped keep the edges sharp, and the late, great Robert Legault, a post-punk proofreader without peer; Jessica Ferri, the great facilitator; Aaron Artessa, a design dude with a positive ’tude; publicista suprema Kathy Daneman; and those crack legal eagles and defenders of free speech, Mark Fowler and Diana Frost)—but above all, to my editor, Denise Oswald, a woman of vast intelligence, good taste, patience, and wit. If there is any coherence or grace evident in this story, blame her.

  I am especially grateful to my dad, who has provided much more than the unwitting comic relief that peppers this saga, and my mom, who has been no less than spectacular in her support. While I am certain she loves me enough to root for me no matter what, I am hoping she knows me well enough to skip the book and go right to this page.

  This book is lovingly dedicated to th
e memory of my friend Dave Insurgent.

  INDEX

  A-Bones, 99–100

  Abu-Jamal, Mumia, 204

  acid, see LSD

  Adonis, Frank, 265, 268

  Advance Media, 184

  agnès b., 306

  Aladdin Hotel, 96–97

  Ali, Muhammad, 6, 40, 95

  Ali and His Gang vs. Mr. Tooth Decay, 95

  Ali Champion Brand Shoe Polish, 95, 97

  Allen, Woody, 263, 264, 304

  Allin, GG, 24–26, 62–63, 71, 101, 149–51, 154, 179, 249, 303

  Allin, Merle, 151

  Allman Brothers, 268

  Allocca, Dave, 259–61, 262, 273

  Alpacka, Ally, 171–73, 177–78, 181, 183, 208

  Ambien, 308

  Amnesty International, 173

  Amos, 284

  amphetamine (speed), 34, 130, 132

  Amsterdam Centrum, 49

  Anchor Steam Beer, 171

  Andre the Giant, 99

  Anheuser-Busch, 171

  Animal House, 263

  Anslinger, Harry, 186, 187

  Anti-Defamation League (ADL), 304

  Any Given Sunday, 264

  Architectural Digest, 108

  Are Men Necessary? (Dowd), 320

  Armstrong, Neil, 93

  Asbury Lanes, 286

  Austin, Steve, 228–29

  Baby Doll Lounge, 286

  Bach, Johann Sebastian, 61

  Backlund, Bob, 9–10, 11

  Bad Lieutenant, 265

  Baez, Joan, 194

  Baker, Ox, 56

  Baker, Tammy Faye, 26

  B&H Dairy, 119

  Barbarella, 55

  Barely Legal, 160

  Bauer, Judah, 308–10, 311

  Beach Boys, 285

  Beatles, 125, 163–65, 190, 233, 234, 286, 307

  Beck, 286

  Bell, Alexander Graham, 79

  Bellucci, Carmine, 80–81, 83, 85, 90, 91, 113, 115, 118, 170

  Bennett, Tony, 85

  Berlin Wall, 71

  Bernard, Paul, 264

  Berra, Yogi, 190

  Berry, Chuck, 61, 249

  Best of Cheri, 87

  Best of High Society, 87

  Best of High Times, 220

  Bevan, Bev, 41

  Big Combo, The, 135

  Big Sleep, The, 200

  bin Laden, Osama, 322

  Björk, 307

  Black, Bobby, 224, 291

  Black Beauties, 34

  Black Sabbath, 41, 107–108, 194–96; see also Osbourne, Ozzy

  Blade Runner, 141

  Blaine, David, 320–21

  Blanchard, Tully, 67

  Bleyer, Jennifer, 292–93, 301, 302, 303, 305

  Bloom, Steve, 126–27, 190, 193–94, 206, 209, 214–15, 220, 221, 227, 257, 261–62, 264, 265, 279, 291, 316

  Bloomberg, Michael, 321

  Board, Mykel, 25

  Bolan, Marc, 61

  bongs, 32

  Bon Jovi, 27

  Bono, 286

  Borges, Jorge Luis, 173

  Bosch, Hieronymus, 145

  Bowie, David, 32, 71

  Boyd, Jonathan, 65–66, 67, 68

  Branca, Glenn, 70

  Brandenburg Concertos (Bach), 61

  Brando, Marlon, 177, 266

  Bratto, El, 160–61, 163, 296, 297–99

  Brautigan, Richard, 19

  Breslin, Jimmy, 290

  Brezhnev, Leonid, 147

  Bridge Over the River Kwai, 125

  Bring Out the Dead, 265

  Brooklyn Museum, 242, 304

  Brown, James, 128, 242, 286

  Bruce, Lenny, 24, 288

  Bugs Bunny (char.), 324

  Bullets Over Broadway, 263

  Burnside, RL, 284

  Burroughs, William, 10, 126

  Bush, George H. W., 104–105

  Bush, George W., 310, 322

  Bushwackers, 66

  Busting Susan’s Cherry, 22–23

  Butler, Geezer, 41

  Buxom, 91

  Buzzbee, 32, 257, 269

  Caesar, Julius, 237

  Caesars Palace, 93–94, 249

  Cannabis Cup, 240, 243

  Canned Heat, 309

  Capone, Al, 189

  “Captain’s Log” column, 24

  Carlin, George, 201

  Carlito, 173

  Carnegie, Dale, 70

  Carson, Johnny, 14

  Carter, Jimmy, 70

  Casino, 265

  Cat Club, 25

  Cat Power, 307

  Cavestomp!, 248

  CBGB, 12, 169, 266, 286–87

  CBS, 310

  Celebrity Skin, 78, 79, 87, 114

  Central Intelligence Agency (CIA), 103, 157, 185, 233

  Cervantes, Jorge, 235

  Challenger space shuttle, 55

  Championship Wrestling from Florida, 59

  Chandler, Michael, 119, 123, 128–29, 131, 132–33, 145, 156, 167–68, 250–51, 282, 311–12

  Chandler, Raymond, 19

  Chaplin, Charlie, 39

  Chayefsky, Paddy, 271

  Cheech, Marin, 50, 263, 268

  Cheney, Dick, 321

  Cheri, 75–78, 79, 80–81, 87, 88, 108, 277; see also Drake Publishing

  Cheri Bomb, 80

  Chong, Tommy, 50, 262, 263, 264, 268, 269, 271

  ChroniCaster, 269–71

  Chun, Danny, 289–90

  Circus, 41

  Circus Circus, 92–93, 95, 97

  Citizen Kane, 269

  Clash, The, 36

  Cleese, John, 236

  Clinton, Bill, 260

  Clinton, Hillary, 318

  Clooney, Rosemary, 85

  Clueless, 272

  CNN, 293

  cocaine, 33, 74, 76, 85, 104–105, 107, 108, 119, 130, 131, 137, 139, 143, 159, 171, 185, 225, 250, 255, 282, 306

  Cold War, 43, 44, 89

  Coleman, Ornette, 35

  Colicchio, Victor, 261, 262–63, 264, 265, 266, 267, 268, 270–71

  Collins, Albert, 35

  Columbia University, 169, 292; Edison as journalism student at, 56, 60–62, 63

  Columbine shootings, 207

  Concert Kit, 32

  Condé Nast, 184, 202, 317

  Cooper, Alice, 26, 32, 150, 249

  Cornelius (char.), 91

  Cosell, Howard, 95

  Cosloy, Gerard, 62

  Couric, Katie, 321

  Cramps, 260

  Cream, 283

  Creedence Clearwater Revival, 35

  Crescent Publishing Group, see Drake Publishing

  Cripple, Paul, 46

  Cronkite, Walter, 55

  Crosby, David, 194, 207

  Crosby, Stills, Nash, and Young, 207

  Cruise, Tom, 318

  Crypt Records, 285

  Curtis, Tony, 263

  Cypress Hill, 210, 258

  Dalai Lama, 70

  Dale, Dick, 128

  Davis, Miles, 35, 242

  Day the Earth Stood Still, The, 285

  Dead Kennedys, 45

  Dean, James, 42

  Declaration of Independence, 186

  Deep Purple, 41

  Deep Throat, 77

  De Kooning, Willem, 172

  Democratic National Convention (1968), 43

  Democratic National Convention (1984), 45

  De Niro, Robert, 47

  de Sade, Marquis, 323–24

  Dexedrina, 133

  Dick, 272

  Dick the Bruiser, 56

  Dictators, 284, 286

  Diddley, Bo, 70

  Dietrich, Marlene, 71

  Dig It!, 295, 300

  Dillon, J. J., 67

  Dinosaur Jr., 25

  DiRienzo, Paul, 203–205, 223

  Dirty Harry, 38

  Doggie Village, 189–90, 233, 236

  dope, see marijuana

  Dostoyevsky, Fyodor, 5, 228

  Double Barrel Sunshine, 34

  Dowd, Maureen, 320


  Dracula (char.), 286

  Drake Publishing, 78–86, 87, 89–92, 108–110, 113–14, 115, 117–19, 136–37, 177, 245, 277; see also specific publications

  “Drink, Fight, and Fuck,” 25

  Dr. Seuss, 313

  Drug Enforcement Agency (DEA), U.S., 188, 227

  drugs, drug use, 72, 73; and anti-drug campaigns, 186–87, 188–89; border searches for, 146–48; by Edison in teens, 31, 32, 33, 34, 35, 36–38; and 420 code, 206–208; in Japan, 125–26; paraphernalia for, 32–33, 257, 269; see also specific drugs

  Dr. Zayus (char.), 91

  Dugout, The, 47

  Duvalier, Papa Doc, 257

  Dworkin, Andrea, 89

  Dylan, Bob, 14, 35, 40, 124, 163, 190, 207

  Easy Rider, 241

  Ecstasy Club, 53, 73

  Edison, Mike: Beatles disliked by, 163–65, 233; broken hand and, 297–301; brothers of, 31, 34, 158; at Cheri, see Cheri; Drake Publishing; childhood of, 9, 31–37; teenage drinking of, 34, 35; teenage pot smoking of, 31, 32, 33, 34, 35, 36–38; as college dropout, 17, 18, 47, 63; European solo tours of, 295–301, 315, 322–25; father of, 5, 9, 13–14, 31, 34, 37–38, 47, 92, 159, 280; Gonzo trip to Vegas of, 92–98; grandmother of, 280; at High Times, see High Times; in High Times Potluck, 266–67; living in Spain, 133, 135, 142–46, 149, 151, 155–58, 159, 160–65; at Main Event, see Wrestling’s Main Event; mother of, 31, 34, 36–37, 38, 47, 63, 92, 280; as musician, 35, 49–53, 54, 61–63, 179–81; see also specific bands; pseudonyms used by, 7, 15, 20, 277, 278, 283, 320; relationships with women, 17, 28–29, 74, 76, 78, 100–101, 111, 112, 113, 117, 119, 121, 141–42, 151, 155–56, 179, 180–82, 215–17, 230–31, 246–48, 249, 250–51, 279, 280–81, 286–87, 313; on Rock against Reagan tour, 43, 44–47; sexual harassment accusations against, 244–46; stabbed at White Castle, 111–13; on trip to Fez, 156–58, 255; as writer, 18–23, 47, 49, 53–55, 61, 62, 75, 136–37, 159–60; see also specific publications and columns

  Edison Cure, 53, 73, 141, 167, 301

  Edison Rocket Train, 282–87, 295, 296, 312; solo tours, 295–301, 315, 322–25

  egg cream, chocolate, 167

  “Eight Days a Week,” 164

  Electric Bowling Trophy, 35

  Electric Light Orchestra (ELO), 41

  Ellis, Bret Easton, 306–308

 

‹ Prev