Bright Book of Life : Novels to Read and Reread (9780525657279)

by Bloom, Harold

  Is it that by its indefiniteness it shadows forth the heartless voids and immensities of the universe, and thus stabs us from behind with the thought of annihilation, when beholding the white depths of the milky way? Or is it, that as in essence whiteness is not so much a color as the visible absence of color, and at the same time the concrete of all colors; is it for these reasons that there is such a dumb blankness, full of meaning, in a wide landscape of snows—a colorless, all-color of atheism from which we shrink? And when we consider that other theory of the natural philosophers, that all other earthly hues—every stately or lovely emblazoning—the sweet tinges of sunset skies and woods; yea, and the gilded velvets of butterflies, and the butterfly cheeks of young girls; all these are but subtile deceits, not actually inherent in substances, but only laid on from without; so that all deified Nature absolutely paints like the harlot, whose allurements cover nothing but the charnel-house within; and when we proceed further, and consider that the mystical cosmetic which produces every one of her lures, the great principle of light, for ever remains white or colorless in itself, and if operating without medium upon matter, would touch all objects, even tulips and roses, with its own blank tinge—pondering all this, the palsied universe lies before us a leper; and like wilful travellers in Lapland, who refused to wear colored and coloring glasses upon their eyes, so the wretched infidel gazes himself blind at the monumental white shroud that wraps all the prospect around him. And of all these things the Albino whale was the symbol. Wonder ye then at the fiery hunt?

  This is the American blank, derived ultimately from Shakespeare and from Milton, adapted by Emerson and then by Melville, Emily Dickinson, Walt Whitman, Robert Frost, and obsessively by Wallace Stevens. The dumb blank is the colorless, all-color of atheism. When I lie awake at night reciting parts of Moby-Dick to myself, I keep returning to Ishmael’s crucial maxim: “Though in many of its aspects this visible world seems formed in love, the invisible spheres were formed in fright.”

  The deepest, darkest element in Captain Ahab expresses itself in the Parsee whaleboat crew he has smuggled aboard the Pequod, and in particular his strange double, the harpooner Fedallah:

  But at this critical instant a sudden exclamation was heard that took every eye from the whale. With a start all glared at dark Ahab, who was surrounded by five dusky phantoms that seemed fresh formed out of air.

  The phantoms, for so they seemed, were flitting on the other side of the deck, and, with a noiseless celerity, were casting loose the tackles and bands of the boat which swung there. This boat had always been deemed one of the spare boats, though technically called the captain’s, on account of its hanging from the starboard quarter. The figure that now stood by its bows was tall and swart, with one white tooth evilly protruding from its steel-like lips. A rumpled Chinese jacket of black cotton funereally invested him, with wide black trowsers of the same dark stuff. But strangely crowning this ebonness was a glistening white plaited turban, the living hair braided and coiled round and round upon his head. Less swart in aspect, the companions of this figure were of that vivid, tiger-yellow complexion peculiar to some of the aboriginal natives of the Manillas;—a race notorious for a certain diabolism of subtilty, and by some honest white mariners supposed to be paid spies and secret confidential agents on the water of the devil, their lord, whose counting-room they suppose to be elsewhere.

  While yet the wondering ship’s company were gazing upon these strangers, Ahab cried out to the white-turbaned old man at their head, “All ready there, Fedallah?”

  “Ready,” was the half-hissed reply.

  “Lower away then; d’ye hear?” shouting across the deck. “Lower away there, I say.”

  Such was the thunder of his voice, that spite of their amazement the men sprang over the rail; the sheaves whirled round in the blocks; with a wallow, the three boats dropped into the sea; while, with a dexterous, off-handed daring, unknown in any other vocation, the sailors, goat-like, leaped down the rolling ship’s side into the tossed boats below.

  Hardly had they pulled out from under the ship’s lee, when a fourth keel, coming from the windward side, pulled round under the stern, and showed the five strangers rowing Ahab, who, standing erect in the stern, loudly hailed Starbuck, Stubb, and Flask, to spread themselves widely, so as to cover a large expanse of water. But with all their eyes again riveted upon the swart Fedallah and his crew, the inmates of the other boats obeyed not the command.

  We can share in the astonishment of the Pequod’s crew. The narrator more than gratifies our initial response:

  Among whale-wise people it has often been argued whether, considering the paramount importance of his life to the success of the voyage, it is right for a whaling captain to jeopardize that life in the active perils of the chase. So Tamerlane’s soldiers often argued with tears in their eyes, whether that invaluable life of his ought to be carried into the thickest of the fight.

  But with Ahab the question assumed a modified aspect. Considering that with two legs man is but a hobbling wight in all times of danger; considering that the pursuit of whales is always under great and extraordinary difficulties; that every individual moment, indeed, then comprises a peril; under these circumstances is it wise for any maimed man to enter a whaleboat in the hunt? As a general thing, the joint-owners of the Pequod must have plainly thought not.

  Ahab well knew that although his friends at home would think little of his entering a boat in certain comparatively harmless vicissitudes of the chase, for the sake of being near the scene of action and giving his orders in person, yet for Captain Ahab to have a boat actually apportioned to him as a regular headsman in the hunt—above all for Captain Ahab to be supplied with five extra men, as that same boat’s crew, he well knew that such generous conceits never entered the heads of the owners of the Pequod. Therefore he had not solicited a boat’s crew from them, nor had he in any way hinted his desires on that head. Nevertheless he had taken private measures of his own touching all that matter. Until Cabaco’s published discovery, the sailors had little foreseen it, though to be sure when, after being a little while out of port, all hands had concluded the customary business of fitting the whaleboats for service; when some time after this Ahab was now and then found bestirring himself in the matter of making thole-pins with his own hands for what was thought to be one of the spare boats, and even solicitously cutting the small wooden skewers, which when the line is running out are pinned over the groove in the bow: when all this was observed in him, and particularly his solicitude in having an extra coat of sheathing in the bottom of the boat, as if to make it better withstand the pointed pressure of his ivory limb; and also the anxiety he evinced in exactly shaping the thigh board, or clumsy cleat, as it is sometimes called, the horizontal piece in the boat’s bow for bracing the knee against in darting or stabbing at the whale; when it was observed how often he stood up in that boat with his solitary knee fixed in the semi-circular depression in the cleat, and with the carpenter’s chisel gouged out a little here and straightened it a little there; all these things, I say, had awakened much interest and curiosity at the time. But almost everybody supposed that this particular preparative heedfulness in Ahab must only be with a view to the ultimate chase of Moby Dick; for he had already revealed his intention to hunt that mortal monster in person. But such a supposition did by no means involve the remotest suspicion as to any boat’s crew being assigned to that boat.

  The other outsiders are of little interest compared with Fedallah, who from this point on is crucial to the epic. No reader can respond to Fedallah without considerable unease:

  But be all this as it may, certain it is that while the subordinate phantoms soon found their place among the crew, though still as it were somehow distinct from them, yet that hair-turbaned Fedallah remained a muffled mystery to the last. Whence he came in a mannerly world like this, by what sort of unaccountable tie he soon evin
ced himself to be linked with Ahab’s peculiar fortunes; nay, so far as to have some sort of a half-hinted influence; Heaven knows, but it might have been even authority over him; all this none knew. But one cannot sustain an indifferent air concerning Fedallah. He was such a creature as civilized, domestic people in the temperate zone only see in their dreams, and that but dimly; but the like of whom now and then glide among the unchanging Asiatic communities, especially the Oriental isles to the east of the continent—those insulated, immemorial, unalterable countries, which even in these modern days still preserve much of the ghostly aboriginalness of earth’s primal generations, when the memory of the first man was a distinct recollection, and all men his descendants, unknowing whence he came, eyed each other as real phantoms, and asked of the sun and the moon why they were created and to what end; when though, according to Genesis, the angels indeed consorted with the daughters of men, the devils also, add the uncanonical Rabbins, indulged in mundane amours.

  Melville invents Fedallah’s name, though it could be parsed as a diabolic enemy of Allah. Fedallah is a Parsee, a Zoroastrian from the group that fled Persia for India. Evidently, he and Ahab have a shared past, during which the captain from Nantucket was a Zoroastrian fire-worshipper. The reference to uncanonical Rabbins is to the Book of Enoch, where the giants in the earth copulate with the daughters of men.

  In an extraordinary scene, involving the corpusants or Saint Elmo’s fire, Ahab repudiates Fedallah’s faith and converts himself to Herman Melville’s palpable Gnosticism:

  Now, as the lightning rod to a spire on shore is intended to carry off the perilous fluid into the soil; so the kindred rod which at sea some ships carry to each mast, is intended to conduct it into the water. But as this conductor must descend to considerable depth, that its end may avoid all contact with the hull; and as moreover, if kept constantly towing there, it would be liable to many mishaps, besides interfering not a little with some of the rigging, and more or less impeding the vessel’s way in the water; because of all this, the lower parts of a ship’s lightning-rods are not always overboard; but are generally made in long slender links, so as to be the more readily hauled up into the chains outside, or thrown down into the sea, as occasion may require.

  “The rods! the rods!” cried Starbuck to the crew, suddenly admonished to vigilance by the vivid lightning that had just been darting flambeaux, to light Ahab to his post. “Are they overboard? drop them over, fore and aft. Quick!”

  “Avast!” cried Ahab; “let’s have fair play here, though we be the weaker side. Yet I’ll contribute to raise rods on the Himmalehs and Andes, that all the world may be secured; but out on privileges! Let them be, sir.”

  “Look aloft!” cried Starbuck. “The corpusants! the corpusants!”

  All the yard-arms were tipped with a pallid fire; and touched at each tri-pointed lightning-rod-end with three tapering white flames, each of the three tall masts was silently burning in that sulphurous air, like three gigantic wax tapers before an altar.

  “Blast the boat! let it go!” cried Stubb at this instant, as a swashing sea heaved up under his own little craft, so that its gunwale violently jammed his hand, as he was passing a lashing. “Blast it!”—but slipping backward on the deck, his uplifted eyes caught the flames; and immediately shifting his tone, he cried—“The corpusants have mercy on us all!”

  Sensible sailors follow superstition by finding fright in the corpusants, but Captain Ahab welcomes them:

  At the base of the mainmast, full beneath the doubloon and the flame, the Parsee was kneeling in Ahab’s front, but with his head bowed away from him; while near by, from the arched and overhanging rigging, where they had just been engaged securing a spar, a number of the seamen, arrested by the glare, now cohered together, and hung pendulous, like a knot of numbed wasps from a drooping, orchard twig. In various enchanted attitudes, like the standing, or stepping, or running skeletons in Herculaneum, others remained rooted to the deck; but all their eyes upcast.

  “Aye, aye, men!” cried Ahab. “Look up at it; mark it well; the white flame but lights the way to the White Whale! Hand me those mainmast links there; I would fain feel this pulse, and let mine beat against it; blood against fire! So.”

  Then turning—the last link held fast in his left hand, he put his foot upon the Parsee; and with fixed upward eye, and high-flung right arm, he stood erect before the lofty tri-pointed trinity of flames.

  “Oh! thou clear spirit of clear fire, whom on these seas I as Persian once did worship, till in the sacramental act so burned by thee, that to this hour I bear the scar; I now know thee, thou clear spirit, and I now know that thy right worship is defiance. To neither love nor reverence wilt thou be kind; and e’en for hate thou canst but kill; and all are killed. No fearless fool now fronts thee. I own thy speechless, placeless power; but to the last gasp of my earthquake life will dispute its unconditional, unintegral mastery in me. In the midst of the personified impersonal, a personality stands here. Though but a point at best; whencesoe’er I came; wheresoe’er I go; yet while I earthly live, the queenly personality lives in me, and feels her royal rights. But war is pain, and hate is woe. Come in thy lowest form of love, and I will kneel and kiss thee; but at thy highest, come as mere supernal power; and though thou launchest navies of full-freighted worlds, there’s that in here that still remains indifferent. Oh, thou clear spirit, of thy fire thou madest me, and like a true child of fire, I breathe it back to thee.”

  (Sudden, repeated flashes of lightning; the nine flames leap lengthwise to thrice their previous height; Ahab, with the rest, closes his eyes, his right hand pressed hard upon them.)

  “I own thy speechless, placeless power; said I not so? Nor was it wrung from me; nor do I now drop these links. Thou canst blind; but I can then grope. Thou canst consume; but I can then be ashes. Take the homage of these poor eyes, and shutter-hands. I would not take it. The lightning flashes through my skull; mine eye-balls ache and ache; my whole beaten brain seems as beheaded, and rolling on some stunning ground. Oh, oh! Yet blindfold, yet will I talk to thee. Light though thou be, thou leapest out of darkness; but I am darkness leaping out of light, leaping out of thee! The javelins cease; open eyes; see, or not? There burn the flames! Oh, thou magnanimous! now I do glory in my genealogy. But thou art but my fiery father; my sweet mother, I know not. Oh, cruel! what hast thou done with her? There lies my puzzle; but thine is greater. Thou knowest not how came ye, hence callest thyself unbegotten; certainly knowest not thy beginning, hence callest thyself unbegun. I know that of me, which thou knowest not of thyself, oh, thou omnipotent. There is some unsuffusing thing beyond thee, thou clear spirit, to whom all thy eternity is but time, all thy creativeness mechanical. Through thee, thy flaming self, my scorched eyes do dimly see it. Oh, thou foundling fire, thou hermit immemorial, thou too hast thy incommunicable riddle, thy unparticipated grief. Here again with haughty agony, I read my sire. Leap! leap up, and lick the sky! I leap with thee; I burn with thee; would fain be welded with thee; defyingly I worship thee!”

  The right worship of the fathering flame is defiance. But the puzzle is the absent mother. It is pure Gnosticism when Ahab dimly sees “some unsuffusing thing” beyond the fire, the true breath or inmost soul that is no part of the Creation-Fall. The sweet mother is the Primal Abyss from which the fiery Demiurge stole the very stuff of existence. Here is Melville’s “Fragments of a Lost Gnostic Poem of the Twelfth Century” (1866):

  Found a family, build a state,

  The pledged event is still the same:

  Matter in end will never abate

  His ancient brutal claim.

  Indolence is heaven’s ally here,

  And energy the child of hell:

  The Good Man pouring from his pitcher clear,

  But brims the poisoned well.

  This homage to the doomed Cathars of southern F
rance, destroyed by the Albigensian Crusade (1209–29) of the Roman Catholic Church and its warriors, has the distinct accent of William Blake, but I know of no evidence that Melville had read him. The Cathars called themselves the Good Men and were slaughtered totally, women, children, men, at the orders of a bishop who is supposed to have cried out, “Kill them all; God will know His own.”

  I am not suggesting that Moby-Dick is a Gnostic epic. When the White Whale swims away with the drowned Ahab tied to him, the Pequod sunk, and all its mariners save one destroyed, I find myself dividing my deep respect between mad Ahab, his heroic crew, and the tormented but triumphant Leviathan. There remains Ishmael, somewhat beyond my understanding but strong in my affection. I revere survivors.

  Moby-Dick achieves a total poignance in the great Chapter 132, “The Symphony”:

  Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there.

  Ahab turned.

  “Starbuck!”

  “Sir.”

  “Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day—very much such a sweetness as this—I struck my first whale—a boy-harpooneer of eighteen! Forty—forty—forty years ago!—ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without—oh, weariness! heaviness! Guinea-coast slavery of solitary command!—when I think of all this; only half-suspected, not so keenly known to me before—and how for forty years I have fed upon dry salted fare—fit emblem of the dry nourishment of my soil!—when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts—away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow—wife? wife?—rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey—more a demon than a man?—aye, aye! what a forty years’ fool—fool—old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arms at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!—crack my heart!—stave my brain!—mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!—lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!”