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Mendelssohn: A Life in Music

Page 97

by Todd, R. Larry


  ———. Mendelssohn: “The Hebrides” and Other Overtures . Cambridge, 1993.

  ———, ed. Schumann and his World . Princeton, 1994.

  ———. “New Light on Mendelssohn’s Freie Phantasie (1840).” In G. C. Orth, ed. Literary and Musical Notes: A Festschrift for Wm. A. Little . Bern, 1995, 205–18.

  ———. “On Mendelssohn’s Operatic Destiny: Die Lorelei Reconsidered.” in C. M. Schmidt, 113–40, 1997.

  ———. “Mendelssohn.” in D. Kern Holoman, ed. The Nineteenth-Century Symphony . New York, 1997, 78–107, 1997b.

  ———. “The Chamber Music of Mendelssohn.” In Stephen E. Hefling, ed. Nineteenth-Century Chamber Music . New York, 1998, 170–207.

  ———. “Felix Mendelssohn-Bartholdy, Overture to Elijah , Arrangement for Piano Duet (1847).” In Jon Newsom and Alfred Mann, ed. Music History from Primary Sources: A Guide to the Moldenhauer Archives . Washington, D.C., 2000, 313–20.

  ———. “Felix Mendelssohn (-Bartholdy).” The New Grove Dictionary of Music and Musicians, Second Edition . Edited by S. Sadie. London, 2001, XVI, 389–424.

  ———. “Piano Music Reformed: The Case of Felix Mendelssohn Bartholdy.” In Seaton, The Mendelssohn Companion , 579–620, 2001b.

  ———. “On Stylistic Affinities between the Works of Fanny Hensel and Felix Mendelssohn Bartholdy.” In J. Michael Cooper and Julie D. Prandi, 245–61, 2002.

  ———. “‘Ein wenig still und scheu ’—Clara Wieck/Schumann as Colleague of Felix Mendelssohn Bartholdy.” In Bernhard R. Appel, Ute Bär, and Matthias Wendt, eds. Schumanniana Nova: Festschrift Gerd Nauhaus zum 60. Geburtstag . Sinzig, 2002, 767–84, 2002b.

  Toews, John E. “Memory and Gender in the Remaking of Fanny Mendelssohn’s Musical Identity: The Chorale in ‘Das Jahr.’” MQ 77 (1993): 727–48.

  Treitschke, Heinrich von. History of Germany in the Nineteenth Century . Edited by Gordon A. Craig, trans. E. and C. Paul. Chicago, 1975.

  Treue, Wilhelm. “Das Bankhaus Mendelssohn als Beispiel einer Privatbank im 19. und 20. Jahrhundert.” MS 1 (1972): 29–80.

  Tudur, Alwyn. “Mendelssohn’s Visit to Wales.” Welsh Music 4/4 (1973): 43–49.

  Turner, J. Rigbie. “Mendelssohn’s Letters to Eduard Devrient: Filling in Some Gaps.” In R. L. Todd, ed. Mendelssohn Studies , 200–239, 1992.

  Uldall, Hans. Das Klavierkonzert der Berliner Schule . Leipzig, 1928, repr. 1976.

  Vana, Marilee A. “Fanny Mendelssohn Hensel’s Festspiel, MA Ms. 37 : A Modern Edition and Conductor’s Analysis for Performance.” D.M.A. diss., University of North Carolina at Greensboro, 1995.

  Van der Linden, Albert. “Un fragment inédit du ‘Lauda Sion’ de F. Mendelssohn.” Acta musicologica 26 (1954): 48–64.

  Varnhagen von Ense, K. A. Denkwürdigkeiten und vermischte Schriften . Leipzig, 1843–1859. Wagner, Cosima. Diaries . Edited by Martin Gregor-Dellin and Dietrich Mack, trans. Geoffrey Skelton. New York, 1976–1978. 2 vols.

  Wagner, Richard. Sämtliche Briefe . Edited by Gertrud Strobel and Werner Wolf. Leipzig, 1970, II.

  ———. On Conducting . In Three Wagner Essays . Trans. Robert L. Jacobs. London, 1979.

  Waidelich, Till Gerrit. “‘Wer zog gleich aus der Manteltasche ein Opernsujet?’ Helmina von Chézys gescheiterte Libretto-Projekte für Felix Mendelssohn Bartholdy.” MS 12 (2001): 149–78.

  Walker, Alan. Franz Liszt: The Virtuoso Years 1811–1847 . New York, 1983.

  Walker, Ernest. “Mendelssohn’s ‘Die einsame Insel .’” ML 26 (1945): 148–50.

  Wallace, S. M. H. “The Gartenlieder , Op. 3, by Fanny Mendelssohn Hensel (1805–1847).” D.M.A. diss., Michigan State University, 2000.

  Wanner, G. A. Felix Mendelssohn Bartholdy und Basel . Basel, 1974.

  Ward Jones, Peter. “The Library of Felix Mendelssohn Bartholdy.” Festschrift Rudolf Elvers zum 60. Geburtstag . Edited by E. Herttrich and H. Schneider. Tutzing, 1985, 289–328.

  ———. Catalogue of the Mendelssohn Papers in the Bodleian Library, Oxford, Vol. III . Tutzing, 1989.

  ———. “Mendelssohn and his English Publishers.” In Todd, Mendelssohn Studies , 240–55, 1992.

  ———. “Mendelssohn’s Opus 1: Bibliographical Problems of the C minor Piano Quartet.” In Sundry Sorts of Music Books: Essays Presented to O. W. Neighbour on his 70 th Birthday . Edited by C. Banks, A. Searle, and M. Turner. London, 1993, 264–73.

  ———, ed. The Mendelssohns on Honeymoon. The 1837 Diary of Felix and Cécile Mendelssohn Bartholdy . Oxford, 1997; German ed. Felix und Cécile Mendelssohn Bartholdy: Das Tagebuch der Hochzeitsreise . Zurich, 1997.

  ———. Mendelssohn: An Exhibition to Celebrate the Life of Felix Mendelssohn Bartholdy (1809–1847) . Oxford, 1997, 1997b.

  ———. “Mendelssohn Scores in the Library of the Royal Philharmonic Society.” In C. M. Schmidt, 64–75, 1997c.

  ———. “Felix Mendelssohn Bartholdys Tod: Der Bericht seiner Frau.” MS 12 (2001): 205–26.

  ———. “Mendelssohn’s First Composition.” In J. M. Cooper and J. D. Prandi, 101–13, 2002.

  Warrack, John. Carl Maria von Weber . London, 1968.

  ———. “Mendelssohn’s Operas.” Music and Theatre: Essays in Honor of Winton Dean . Edited by N. Fortune. Cambridge, 1987, 263–97.

  Wasielewski, W. J. von. “Felix Mendelssohn-Bartholdy und Robert Schumann.” DR 19 (1894): 329–41.

  ———. Aus siebzig Jahren: Lebenserinnerungen . Stuttgart, 1897.

  Webern, Emil von. “Felix Mendelssohn Bartholdy aus den Erinnerungen des Generalleutnants Karl Emil von Webern.” DM 12/4 (1913): 67–94.

  Wehmer, Carl, ed. Ein tief gegründet Herz: Der Briefwechsel Felix Mendelssohn-Bartholdys mit Johann Gustav Droysen . Heidelberg, 1959.

  Wehner, Ralf. Studien zum geistlichen Chorschaffen des jungen Felix Mendelssohn Bartholdy . Sinzig, 1996.

  ———. “‘… ich zeigte Mendelssohns Albumblatt vor und Alles war gut’: Zur Bedeutung der Stammbucheintragungen und Albumblätter von Felix Mendelssohn Bartholdy.” In C. M. Schmidt, 37–63, 1997.

  ———. “Bibliographie des Schrifttums zu Felix Mendelssohn Bartholdy von 1972 bis 1994.” In C. M. Schmidt, 297–351, 1997a.

  ———. “‘… das sei nun alles für das Düsseldorfer Theater und dessen Heil …’: Mendelssohns Musik zu Immermanns Vorspiel ‘Kurfürst Johann Wilhelm im Theater’ (1834).” Mf 55 (2002): 145–61.

  ———“‘It Seems to Have Been Lost’: On Missing and Recovered Mendelssohn Sources.” In Cooper and Prandi, 3–15, 2002b.

  Weiss, Hermann F. “Neue Zeugnisse zu Felix Mendelssohn Bartholdy und Johann Paul von Falkenstein.” MS 9 (1995): 53–88.

  Wellek, René. A History of Modern Criticism 1750–1950 . Cambridge, 1981. Vol. 2.

  Wendler, Eugen “‘Das Band der ewigen Liebe’: Clara Schumanns Briefwechsel mit Emilie und Elise List . Stuttgart, 1996.

  Werner, Eric. “Two Unpublished Mendelssohn Concertos.” ML 36 (1955): 126–38.

  ———. “New Light on the Family of Felix Mendelssohn.” Hebrew Union College Annual 26 (1955): 543–65, 1955b.

  ———. “Mendelssohn.” Die Musik in Geschichte und Gegenwart 9 (1961): 59–98.

  ———. Mendelssohn: A New Image of the Composer and His Age . New York, 1963; rev. German ed., Mendelssohn: Leben und Werk in neuer Sicht . Zurich, 1980.

  ———. “Mendelssohniana dem Andenken Wilhelm Fischer.” Mf 28 (1975): 19–33.

  ———. “Felix Mendelssohn’s Commissioned Composition for the Hamburg Temple: The 100th Psalm (1844).” Musica Judaica 7/1 (1984–1985): 54–57.

  Werner, Jack. “Felix and Fanny Mendelssohn.” ML 28 (1947): 303–37.

  ———. “The Mendelssohnian Cadence.” MT 97 (1956): 17–19.

  ———. Mendelssohn’s “Elijah.” London, 1965.

  Werner, Rudolf. “Felix Mendelssohn Bartholdy als Kirchenmusiker.” Diss., Universität Frankfurt am Main, 1930.

  Whaley, Joachim. Religious Tolerati
on and Social Change in Hamburg: 1529–1819 . Cambridge, 1985.

  Wilhelmy, Petra. Der Berliner Salon im 19. Jahrhundert (1780–1914) . Berlin, 1989.

  Wilson, Marian. “Felix Mendelssohn’s Works for Solo Piano and Orchestra: Sources and Composition.” Ph.D. diss., Florida State University, 1993.

  Wirth, Irmgard. Die Künstlerfamilie Begas in Berlin . Berlin, 1968.

  Wolff, Ernst. Felix Mendelssohn Bartholdy . Berlin, 1906.

  ———. “Briefe von Felix Mendelssohn-Bartholdy an seine rheinischen Freunde.” Rheinische Musik- und Theater-Zeitung 10 (1909): 86–88, 104–6, 121–22, 136–37, 149–51, 163–65, 182–83.

  Wolff, Hellmuth Christian. “Mendelssohn and Handel.” MQ 45 (1959): 175–90.

  Wollny, Peter. “Sara Levy and the Making of Musical Taste in Berlin.” MQ 77 (1993): 651–88.

  Worbs, H. C. “Die Entwürfe zu Mendelssohns Violinkonzert e-moll.” Mf 12 (1959): 79–82.

  Woringen, Ferdinand von. “Felix Mendelssohn-Bartholdy in Düsseldorf in den Jahren 1833–35.” Neue Berliner Musikzeitung 1/48 (November 16, 1847). Trans. in Brown, 2003, 124–37.

  Wulfhorst, Martin. “Hill, Spohr, Mendelssohn and Beethoven’s Ninth Symphony: A Mid-Nineteenth-Century Music Festival in New York.” Newsletter of the Institute for Studies in American Music 15/2 (1986): 8–11.

  Wullschlager, Jackie. Hans Christian Andersen: The Life of a Storyteller . New York, 2001.

  Youens, Susan. “Behind the Scenes: Die schöne Müllerin before Schubert.” 19 CM 15 (1991): 3–22. Zappalà, Pietro. Le “Choralkantaten” di Felix Mendelssohn-Bartholdy . Venice, 1991.

  ———. “Di alcuni mottetti giovanili di Felix Mendelssohn Bartholdy.” In F. Izzo and J. Streicher, eds. Ottocento e oltre: Scritti in onore di Raoul Meloncelli . Rome, 1993, 203–33.

  ———. “Autographe von Felix Mendelssohn Bartholdy in Italien.” MS 10 (1997): 77–95.

  ———. “Dalla Spree al Tevere: il diario del viaggio di Felix Mendelssohn Bartholdy verso l’Italia (1830–1831). Edizione e commento.” In Giacomo Fornari, ed. Album Amicorum Albert Dunning . Brepols, 2002, 713–88.

  Zelter, Karl Friedrich. Karl Friedrich Christian Fasch . Berlin, 1801, repr. 1983.

  Zywietz, Michael. Adolf Bernhard Marx und das Oratorium in Berlin . Eisenach, 1996.

  Index of Mendelssohn’s Works

  Bold numbers refer to pages with musical examples.

  Ach Gott, vom Himmel sieh’ darein (chorale cantata; 1832), 233, 255 , 301

  Album-Blatt , piano, Op. 117, E minor, 324

  Allegretto, organ, D minor (1844), 478

  Allegretto, piano, A major (1837), 350

  Allegro, organ, D minor (1844), 478

  Allegro brillant , piano duet, Op. 92, A major, 411

  Allein Gott in der Höh’ sei Ehr (new harmonization, 1843), 465, 466

  Am Seegestad (song; 1823), 114

  An die Künstler , Op. 68, 514, 520, 521

  Andante, organ, D major (1823), 114

  Andante, organ, F major (1844), 478

  Andante, piano, A major (May/June 1830; for Ottilie von Goethe), 227

  Andante, piano, A major (June 1830; for Fanny), 230

  Andante, piano, Eb major (1842), 613n79

  Andante and Allegro brillant . See Allegro brillant , Op. 92.

  Andante and Scherzo, string quartet, Op. 81, Nos. 1–2, 564

  Andante cantabile e Presto agitato , piano, B major (1838), 366–367

  Andante con moto , organ, G minor, 600n78

  Andreas Hofer (incidental music), 297

  Antigone , Op. 55, 419–421 –423 –424, 425, 430, 435, 458, 492, 500, 501, 520, 551, 568, 613n53

  Arrangements:

  Bach, J. S., Chaconne (BWV 1004), 389

  Beethoven sonatas, 292–293

  Handel, Acis and Galatea , 185, 195

  Handel, Dettingen Te Deum , 305

  Handel, Israel in Egypt , 281

  Handel, Solomon , 236

  Handel, Te Deum , 195

  Mozart, Marriage of Figaro Overture, 36

  Athalie , Op. 74, 445, 453, 457, 458, 465, 471, 475, 483, 502, 504–505 –506 –507, 508; War March of the Priests , 505

  Aus tiefer Noth . See Kirchenmusiken , Op. 23, No. I.

  Ave Maria (song; 1820), 62–63 –64

  Ave Maria (1830). See Kirchenmusiken , Op. 23, No. II.

  Ave maris stella (1828), 184–185

  Bärentanz , piano (1842), 437

  Battle of Prague, The . See Konzertstück , Op. 113.

  Beiden Neffen, Die (1823), 98, 100, 103, 109, 124–125 –126

  Beiden Pädagogen, Die (1821), 52, 67–70 , 71, 90

  Cadenzas for Mozart piano concerti: K.365, Eb major, 259, 388; K.466, D minor, 268, 276, 314; K. 491, C minor, 268, 364

  Calm Sea and Prosperous Voyage . See Meeresstille und glückliche Fahrt .

  Camacho . See Die Hochzeit des Camacho .

  Canon, 2 pt., C minor (1840; for H. C. Andersen), 406

  Canon, 3 pt. (for Chopin), 253

  Cantique pour l’Eglise wallonne . See Venez et chantez .

  Capriccio, piano, E ♭ minor (ca. 1823–24), 129

  Capriccio, piano, Op. 5, F# minor, 147, 307, 320–321

  Capriccios, Three, piano, Op. 33, 315–316

  No. 1, A minor, 315, 316, 601n145

  No. 2, E major, 315, 316

  No. 3, Bb minor, 315, 316

  Capriccio, piano, Op. 118, E minor, 354

  Capriccio, string quartet, Op. 81, No. 3, E minor, 457

  Capriccio brillant , piano and orchestra, Op. 22, B minor, 229, 249, 259, 268, 293, 310, 427 , 428

  Chaoslieder , 228

  Charakterstücke, Sieben , piano, Op. 7, 158–159, 488

  Ch’io t’abbandono (aria; 1825), 147, 148

  Christe, Du Lamm Gottes (cantata; 1827), 180

  Christus , Op. 97 (unfinished oratorio), 302, 555 –556

  Composition exercises (MDM c. 43), 45, 53–54, 59, 577n100

  Concerto, cello (lost; post 1844), 546

  Concerto, piano, A minor (1822), 91, 94–95 , 96, 103, 112

  Concerto, piano, No. 1, Op. 25, G minor (1831), 94, 95 , 249–250, 253, 254, 259, 268, 284, 287, 310, 315, 328, 360, 363, 404, 458, 464, 508

  Concerto, piano, No. 2, Op. 40, D minor, xxii, 349, 350, 352, 355, 356, 357, 358, 360, 361 , 376, 383, 393, 435, 438, 444

  Concerto, piano, [No. 3], E minor (ca. 1842–44; unfinished), 435, 471, 479–480

  Concerto, 2 pianos, A ♭ major (1824), 113, 132–133 , 135, 167, plate 17

  Concerto, 2 pianos, E major (1823), 111–113, 135, 208

  Concerto, violin, D minor (1822), 95–96

  Concerto, violin, Op. 64, E minor, xx, 366, 368, 401, 479–480 –482 , 500, 546, 564

  Concerto, violin, piano and string orchestra, D minor (1823), 111–112, 118

  “Defend me, Lord, from shame” (Psalm 31: hymn setting; 1839), 373

 

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