The Man Who Lost the Sea
Page 2
The sun’s upper rim thrusts itself above the horizon with a flash of green, instantly gone. There is no dawn, just the green flash and then a clear white blast of unequivocal sunup. The sea could not be whiter, more still, if it were frozen and snow-blanketed. In the west, stars still blaze, and overhead the crinkled satellite is scarcely abashed by the growing light. A formless jumble in the valley below begins to resolve itself into a sort of tent-city, or installation of some kind, with tubelike and saillike buildings. This would have meaning for the sick man if his head were working right. Soon, it would. Will. (Oh…)
The sea, out on the horizon just under the rising sun, is behaving strangely, for in that place where properly be-longs a pool of unbearable brightness, there is instead a notch of brown. It is as if the white fire of the sun is drinking dry the sea-for look, look! the notch becomes a bow and the bow a crescent, racing ahead of the sunlight, white sea ahead of it and behind it a cocoa-dry stain spreading across and down toward where he watches.
Beside the finger of fear which lies on him, another finger places itself, and another, making ready for that clutch, that grip, that ultimate insane squeeze of panic. Yet beyond that again, past that squeeze when it comes, to be savored if the squeeze is only fear and not panic, lies triumph-triumph, and a glory. It is perhaps this which constitutes his whole battle: to fit himself, prepare himself to bear the utmost that fear could do, for if he can do that, there is a triumph on the other side. But … not yet. Please, not yet awhile,
Something flies (or flew, or will fly-he is a little confused on this point) toward him, fiom the far right where
-the stars still shine. It is not a bird and it is unlike any aircraft on earth, for the aerodynamics are wrong. Wings so wide and so fragile would be useless, would melt and tear away in any of earth’s atmosphere but the outer fringes. He sees then (because he prefers to see it so) that it is the kid’s model, or part of it, and for a toy, it does very well indeed.
It is the part called Gamma, and it glides in, balancing, parallels the sand and holds away, holds away slowing, then settles, all in slow motion, throwing up graceful sheet-fountains of fine sand from its skids. And it runs along the ground for an impossible distance, letting down its weight by the ounce and stingily the ounce, until look out until a skid look out fits itself into a bridged crevasse look out, look out! and still moving on, it settles down to the struts. Gamma then, tired, digs her wide left wingtip carefully into the racing sand, digs it in hard; and as the wing breaks off, Gamma slews, sidles, slides slowly, pointing her other triangular tentlike wing at the sky, and broadside crushes into the rocks at the valley’s end.
As she rolls smashing over, there breaks from her broad back the sausage, the little Delta, which somersaults away to break its back upon the rocks, and through the broken hull, spill smashed shards of graphite from the moderator of her power-pile. Look out! Look out! and at the same instant from the finally checked mass of Gamma there explodes a doll, which slides and tumbles into the sand, into the rocks and smashed hot graphite from the wreck of Delta.
The sick man numbly watches this toy destroy itself: what will they think of next?-and wjth a gelid horror prays at the doll lying in the raging rubble of the atomic pile:
don’t stay there, man-get away! get away! that’s hot, you know? But it seems like a night and a day and half another night before the doll staggers to its feelt and, clumsy in its
pressure-suit, runs away up the valleyside, climbs a sand-topped outcrop, slips, falls, lies under a slow cascade of cold ancient sand until, but for an arm and the helmet, it is buried.
The sun is high now, high enough to show the sea is not a sea, but brown plain with the frost burned off it, as now it burns away from the hills, diffusing in air and blurring the edges of the sun’s disk, so that in a very few minutes there is no sun at all, but only a glare in the east. Then the valley below loses its shadows, and like an arrangement in a diorama, reveals the form and nature of the wreckage below: no tent-city this, no installation, but the true real ruin of Gamma and the eviscerated hulk of Delta. (Alpha was the muscle, Beta the brain; Gamma was a bird, but Delta, Delta was the way home.)
And from it stretches the line of footprints, to and by the sick man, above to the bluff, and gone with the sand-slide which had buried him there. Whose footprints?
He knows whose, whether or not he knows that he knows, or wants to or not. He knows what satellite has (give or take a bit) a period like that (want it exactly?-it’s 7.66 hours). He knows what world has such a night, and such a frosty giare by day. He knows these things as he knows how spilled radioactives will pour the crash and mutter of - surf into a man’s earphones.
Say you were that kid: say, instead, at last, that you are the sick man, for they are the same; surely then you can understand why of all things, even while shattered, shocked, sick with radiation calculated (leaving) radiation computed (arriving) and radiation past all bearing (lying in the wreckage of Delta) you would want to think of the sea. For no farmer who fingers the soil with love and knowledge, no poet who sings of it, artist, contractor, engineer, even child bursting into tears at the inexpressible beauty of a field of daffodils-none of these is as intimate with Earth as those who live on, live with, breathe and drift in its seas. So of these things you must think; with these you must dwell until you are less sick and more ready to face the truth.
The truth, then, is that the satellite fading here is Phobos, that those footprints are your own, that there is no sea here, that you have crashed and are killed and will in a moment be dead. The cold hand ready to squeeze and still your heart is not anoxia at even fear, it is death. Now, if there is something more important than this, now is the time for it to show itself.
The sick man looks at the line of his own footprints, which testify that he is alone, and at the wreckage below, which states that there is no way back, and at the white east and the mottled west and the paling flecklike satellite above. Surf sounds in his ears. He hears his pumps. He hears what is left of his breathing. The cold clamps down and folds him round past measuring, past all limit.
Then he speaks, cries out: then with joy he takes his triumph at the other side of death, as one takes a great fish, as one completes a skilled and mighty task, rebalances at the end of some great daring leap; and as he used to say “we shot a fish” he uses no “I”:
“God,” he cries, dying on Mars, ‘God, we made it!”
FB2 document info
Document ID: aa277e24-9841-48f2-a3a0-bce77e3c9be0
Document version: 1
Document creation date: 31.3.2012
Created using: calibre 0.8.10 software
Document authors :
Theodore Sturgeon
Paul Williams
Jonathan Lethem
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