The Mammoth Book of Best New Horror 10 - [Anthology]

by Edited By Stephen Jones

  I was seated at the head of the table and flanked by Mr Clubb and Mr Cuff. The salvers and tureens before us overflowed, for Mr Moncrieff, who after embracing each barnie in turn and then entering into a kind of conference or huddle, had summoned from the kitchen a meal far surpassing their requests. Besides several dozen eggs and perhaps two packages of bacon, he had arranged a mixed grill of kidneys, lamb’s livers and lamb chops, and strip steaks, as well as vats of oatmeal and a pasty concoction he described as “kedgeree - as the old Duke fancied it.”

  Sickened by the odors of the food, also by the mush visible in my companions’ mouths, I tried once more to extract their report. “I don’t believe in the grand design,” I said, “and I already face more adversity than my soul could find useful. Tell me what happened at the house.”

  “No mere house, sir,” said Mr Clubb. “Even as we approached along — Lane, Mr Cuff and I could not fail to respond to its magnificence.”

  “Were my drawings of use?” I asked.

  “They were invaluable.” Mr Cuff speared a lamb chop and raised it to his mouth. “We proceeded through the rear door into your spacious kitchen or scullery. Wherein we observed evidence of two persons having enjoyed a dinner enhanced by a fine wine and finished with a noble champagne.”

  “Aha,” I said.

  “By means of your guidance, Mr Cuff and I located the lovely staircase and made our way to the lady’s chamber. We effected an entry of the most praiseworthy silence, if I may say so.”

  “That entry was worth a medal,” said Mr Cuff.

  “Two figures lay slumbering upon the bed. In a blamelessly professional manner we approached, Mr Cuff on one side, I on the other. In the fashion your client of this morning called the whopbopaloobop, we rendered the parties in question even more unconscious than previous, thereby giving ourselves a good fifteen minutes for the disposition of instruments. We take pride in being careful workers, sir, and like all honest craftsmen we respect our tools. We bound and gagged both parties in timely fashion. Is the male party distinguished by an athletic past?” Suddenly alight with barnieish glee, Mr Clubb raised his eyebrows and washed down the last of his chop with a mouthful of cognac.

  “Not to my knowledge,” I said. “I believe he plays a little racquetball and squash, that kind of thing.”

  He and Mr Cuff experienced a moment of mirth. “More like weightlifting or football, is my guess,” he said. “Strength and stamina. To a remarkable degree.”

  “Not to mention considerable speed,” said Mr Cuff with the air of one indulging a tender reminisence.

  “Are you telling me that he got away?” I asked.

  “No one gets away,” said Mr Clubb. “That, sir, is Gospel. But you may imagine our surprise when for the first time in the history of our consultancy,” and here he chuckled, “a gentleman of the civilian persuasion managed to break his bonds and free himself of his ropes whilst Mr Cuff and I were engaged in the preliminaries.”

  “Naked as jaybirds,” said Mr Cuff, wiping with a greasy hand a tear of amusement from one eye. “Bare as newborn lambie-pies. There I was, heating up the steam-iron I’d just fetched from the kitchen, sir, along with a selection of knives I came across in exactly the spot you described, most grateful I was, too, squatting on my haunches without a care in the world and feeling the first merry tingle of excitement in my little soldier -”

  “What?” I said. “You were naked? And what’s this about your little soldier?”

  “Hush,” said Mr Clubb, his eyes glittering. “You refuse, I refuse, it’s all the same. Nakedness is a precaution against fouling our clothing with blood and other bodily products, and men like Mr Cuff and myself take pleasure in the exercise of our skills. In us, the inner and the outer man are one and the same.”

  “Are they, now?” I said, marvelling at the irrelevance of this last remark. It then occurred to me that the remark might have been relevant after all - most unhappily so.

  “At all times,” said Mr Cuff, amused by my having missed the point. “If you wish to hear our report, sir, reticence will be helpful.”

  I gestured for him to go on with the story.

  “As said before, I was squatting in my birthday suit by the knives and the steam iron, not a care in the world, when I heard from behind me the patter of little feet. Hello, I say to myself, what’s this?, and when I look over my shoulder here is your man, bearing down on me like a steam engine. Being as he is one of your big, strapping fellows, sir, it was a sight to behold, not to mention the unexpected circumstances. I took a moment to glance in the direction of Mr Clubb, who was busily occupied in another quarter, which was, to put it plain and simple, the bed.”

  Mr Clubb chortled and said, “By way of being in the line of duty.”

  “So in a way of speaking I was in the position of having to settle this fellow before he became a trial to us in the performance of our duties. He was getting ready to tackle me, sir, which was what put us in mind of football being in his previous life, tackle the life out of me before he rescued the lady, and I got hold of one of the knives. Then, you see, when he came flying at me that way all I had to do was give him a good jab in at the bottom of the throat, a matter which puts the fear of God into the bravest fellow. It concentrates all their attention, and after that they might as well be little puppies for all the harm they’re likely to do. Well, this boy was one for the books, because for the first time in I don’t know how many similar efforts, a hundred -”

  “I’d say double at least, to be accurate,” said Mr Clubb.

  “- in at least a hundred, anyhow, avoiding immodesty, I underestimated the speed and agility of the lad, and instead of planting my weapon at the base of his neck stuck him in the side, a manner of wound which in the case of your really aggressive attacker, who you come across in about one out of twenty, is about as effective as a slap with a powder puff. Still, I put him off his stride, a welcome sign to me that he had gone a bit loosey-goosey over the years. Then, sir, the advantage was mine, and I seized it with a grateful heart. I spun him over, dumped him on the floor, and straddled his chest. At which point I thought to settle him down for the evening by taking hold of a cleaver and cutting off his right hand with one good blow.

  “Ninety-nine times out of a hundred, sir, chopping off a hand will take the starch right out of a man. He settled down pretty well. It’s the shock, you see, shock takes the mind that way, and because the stump was bleeding like a bastard, excuse the language, I did him the favor of cauterizing the wound with the steam iron because it was good and hot, and if you sear a wound there’s no way that bugger can bleed any more. I mean, the problem is solved, and that’s a fact.”

  “It has been proved a thousand times over,” said Mr Clubb.

  “Shock being a healer,” said Mr Cuff. “Shock being a balm like salt water to the human body, yet if you have too much of either, the body gives up the ghost. After I seared the wound, it looked to me like he and his body got together and voted to take the next bus to what is generally considered a better world.” He held up an index finger and stared into my eyes while forking kidneys into his mouth. “This, sir, is aprocess. A process can’t happen all at once, and every reasonable precaution was taken. Mr Clubb and I do not have, nor ever have had, the reputation for carelessness in our undertakings.”

  “And never shall,” said Mr Clubb. He washed down whatever was in his mouth with half a glass of cognac.

  “Despite the process underway,” said Mr Cuff, “the gentleman’s left wrist was bound tightly to the stump. Rope was again attached to the areas of the chest and legs, a gag went back into his mouth, and besides all that I had the pleasure of whapping my hammer once and once only on the region of his temple, for the purpose of keeping him out of action until we were ready for him in case he was not boarding the bus. I took a moment to turn him over and gratify my little soldier, which I trust was in no way exceeding our agreement, sir.” He granted me a look of the purest innocence.

  “C
ontinue,” I said, “although you must grant that your tale is utterly without verification.”

  “Sir,” said Mr Clubb, “we know one another better than that.” He bent over so far that his head disappeared beneath the table, and I heard the undoing of a clasp. Resurfacing, he placed between us on the table an object wrapped in one of the towels Marguerite had purchased for Green Chimneys. “If verification is your desire, and I intend no reflection, sir, for a man in your line of business has grown out of the habit of taking a fellow at his word, here you have wrapped up like a birthday present the finest verification of this portion of our tale to be found in all the world.”

  “And yours to keep, if you’re taken that way,” said Mr Cuff.

  I had no doubts whatsoever concerning the nature of the trophy set before me, and therefore I deliberately composed myself before pulling away the folds of toweling. Yet for all my preparations the spectacle of the actual trophy itself affected me more greatly than I would have thought possible, and at the very center of the nausea rising within me I experienced the first faint stirrings of my enlightenment. Poor man, I thought, poor mankind.

  I refolded the material over the crab-like thing and said, “Thank you. I meant to imply no reservations concerning your veracity.”

  “Beautifully said, sir, and much appreciated. Men like ourselves, honest at every point, have found that persons in the habit of duplicity often cannot understand the truth. Liars are the bane of our existence. And yet, such is the nature of this funny old world, we’d be out of business without them.”

  Mr Cuff smiled up at the chandelier in rueful appreciation of the world’s contradictions. “When I replaced him on the bed, Mr Clubb went hither and yon, collecting the remainder of the tools for the job at hand.”

  “When you say you replaced him on the bed,” I broke in, “is it your meaning -”

  “Your meaning might differ from mine, sir, and mine, being that of a fellow raised without the benefits of a literary education, may be simpler than yours. But bear in mind that every guild has its legacy of customs and traditions which no serious practitioner can ignore without thumbing his nose at all he holds dear. For those brought up into our trade, physical punishment of a female subject invariably begins with the act most associated in the feminine mind with humiliation of the most rigorous sort. With males the same is generally true. Neglect this step, and you lose an advantage which can never be regained. It is the foundation without which the structure cannot stand, and the foundation must be set in place even when conditions make the job distasteful, which is no picnic, take my word for it.” He shook his head and fell silent.

  “We could tell you stories to curl your hair,” said Mr Clubb. “Matter for another day. It was on the order of nine-thirty when our materials had been assembled, the preliminaries taken care of, and business could begin in earnest. This is a moment, sir, ever cherished by professionals such as ourselves. It is of an eternal freshness. You are on the brink of testing yourself against your past achievements and those of masters gone before. Your skill, your imagination, your timing and resolve will be called upon to work together with your hard-earned knowledge of the human body, because it is a question of being able to sense when to press on and when to hold back, of I can say having that instinct for the right technique at the right time you can build up only through experience. During this moment you hope that the subject, your partner in the most intimate relationship which can exist between two people, owns the spiritual resolve and physical capacity to inspire your best work. The subject is our instrument, and the nature of the instrument is vital. Faced with an out-of-tune, broken-down piano, even the greatest virtuoso is up shit creek without a paddle. Sometimes, sir, our work has left us tasting ashes for weeks on end, and when you’re tasting ashes in your mouth you have trouble remembering the grand design and your wee part in that majestical pattern.”

  As if to supplant the taste in question and without benefit of knife and fork, Mr Clubb bit off a generous portion of steak and moistened it with a gulp of cognac. Chewing with loud smacks of the lips and tongue, he thrust a spoon into the kedgeree and began moodily slapping it onto his plate while seeming for the first time to notice the Canalettos on the walls.

  “We started off, sir, as well as we ever have,” said Mr Cuff, “and better than most times. The fingernails was a thing of rare beauty, sir, the fingernails was prime. And the hair was on the same transcendant level.”

  “The fingernails?” I asked. “The hair?”

  “Prime,” said Mr Clubb with a melancholy spray of food. “If they could be done better, which they could not, I should like to be there as to applaud with my own hands.”

  I looked at Mr Cuff, and he said, “The fingernails and the hair might appear to be your traditional steps two and three, but they are in actual fact steps one and two, the first procedure being more like basic groundwork than part of the performance-work itself. Doing the fingernails and the hair tells you an immense quantity about the subject’s pain level, style of resistance, and aggression/passivity balance, and that information, sir, is your virtual Bible once you go past step four or five.”

  “How many steps are there?” I asked.

  “A novice would tell you fifteen,” said Mr Cuff. “A competent journeyman would say twenty. Men such as us know there to be at least a hundred, but in their various combinations and refinements they come out into the thousands. At the basic or kindergarten level, they are, after the first two: foot-soles; teeth; fingers and toes; tongue; nipples; rectum; genital area; electrification; general piercing; specific piercing; small amputation; damage to inner organs; eyes, minor; eyes, major; large amputation; local flaying; and so forth.”

  At mention of “tongue”, Mr Clubb had shoved a spoonful of kedgeree into his mouth and scowled at the two paintings directly across from him. At “electrification”, he had thrust himself out of his chair and crossed behind me to scrutinize them more closely. While Mr Cuff continued my education, he twisted in his chair to observe his partner’s actions, and I did the same.

  After “and so forth”, Mr Cuff fell silent. The two of us watched Mr Clubb moving back and forth in evident agitation between the two large paintings. He settled at last before a depiction of a regatta on the Grand Canal and took two deep breaths. Then he raised his spoon like a dagger and drove it into the painting to slice beneath a handsome ship, come up at its bow, and continue cutting until he had deleted the ship from the painting. “Now that, sir, is local flaying,” he said. He moved to the next picture, which gave a view of the Piazetta. In seconds he had sliced all the canvas from the frame. “And that, sir, is what is meant by general flaying.” He crumpled the canvas in his hands, threw it to the ground, and stamped on it.

  “He is not quite himself,” said Mr Cuff.

  “Oh, but I am, I am myself to an alarming degree, I am,” said Mr Clubb. He tromped back to the table and bent beneath it. Instead of the second folded towel I had anticipated, he produced his satchel and used it to sweep away the plates and serving dishes in front of him. He reached within and slapped down beside me the towel I had expected. “Open it,” he said. I unfolded the towel. “Are these not, to the last particular, what you requested, sir?”

  It was, to the last particular, what I had requested. Marguerite had not thought to remove her wedding band before her assignation, and her ... I cannot describe the other but to say that it lay like the egg perhaps of some small sandbird in the familiar palm. Another portion of my eventual enlightenment moved into place within me, and I thought: here we are, this is all of us, this crab and this egg. I bent over and vomited beside my chair. When I had finished, I grabbed the cognac bottle and swallowed greedily, twice. The liquor burned down my throat, struck my stomach like a branding iron, and rebounded. I leaned sideways and, with a dizzied spasm of throat and guts, expelled another reeking contribution to the mess on the carpet.

  “It is a Roman conclusion to a meal, sir,” said Mr Cuff.

&nb
sp; Mr Moncrieff opened the kitchen door and peeked in. He observed the mutilated paintings and the two objects nested in the striped towel and watched me wipe a string of vomit from my mouth. He withdrew for a moment and reappeared holding a tall can of ground coffee, wordlessly sprinkled its contents over the evidence of my distress, and vanished back into the kitchen. From even the depths of my wretchedness I marvelled at the perfection of this display of butler decorum.

  I draped the toweling over the crab and the egg. “You are conscientious fellows,” I said.

  “Conscientious to a fault, sir,” said Mr Cuff, not without a touch of kindness. “For a person in the normal way of living cannot begin to comprehend the actual meaning of that term, nor is he liable to understand the fierce requirements it puts on a man’s head. And so it comes about that persons in the normal way of living try to back out long after backing out is possible, even though we explain exactly what is going to happen at the very beginning. They listen, but they do not hear, and it’s the rare civilian who has the common sense to know that if you stand in a fire you must be burned. And if you turn the world upside-down, you’re standing on your head with everybody else.”