The Cave Painters
Page 24
——. The Tears of Eros, translated by P. Connor. San Francisco: City Lights, 1989.
——. The Cradle of Humanity: Prehistoric Art and Culture, edited by S. Kendall; translated by M. Kendall and S. Kendall. New York: Zone Books, 2005.
Beaune, S. A. de. “Palaeolithic Lamps and Their Specialization: A Hypothesis.” Current Anthropology28, no. 4 (1987): 569—577.
——. “Nonflint Stone Tools of the Early Upper Paleolithic.” In Before Lascaux: The Complex Record of the Early Upper Paleolithic, edited by H.Knecht, A. Pike-Tay, and R. White, 163—191. Boca Raton, FL: CRC Press, 1993.
——. Les hommes au temps de Lascaux. Paris: Hachette, 1995.
——. “Chamanisme et prehistoire.” L'Homme147 (1998): 203—219.
Beaune, S. A. de., and R. White. “Ice Age Lamps.” Scientific American, March 1993,108-113.
Bednarik, R. G. “Le cas des lions hermaphrodites.” L'Anthropologie96, nos. 2/3 (1992): 609-612.
——. “Art Origins.” Anthropos89 (1994): 169—180.
——. “A Taphonomy of Palaeoart.” Antiquity68, no. 258 (1994): 68-75.
——. “Concept-Mediated Marking in the Lower Palaeolithic.” Current Anthropology36, no. 4 (1995): 605-634.
Begouen, H. “The Magic Origin of Prehistoric Art.” Antiquity3 (1929): 5—19.
Begouen, H., and H. Breuil. Les cavernes du Volp. Paris: Arts et Metiers Graphiques, 1958.
Begouen, R., and J. Clottes. “Apports mobiliers dans les cavernes du Volp.” Altamira Symposium, Madrid-Asturias-Santander, 1981.
——. “Grotte des Trois Freres.” In L'art des cavernes. Paris: Ministere de la
Culture—Imprimerie nationale, 1984.
——. “Les Trois Freres After Breuil.” Antiquity61 (1987): 180-187.
——. “Portable and Wall Art in the Volp Caves, Montesquieu-Avantes (Ariege).” Proceedings of the Prehistoric Society(London) 57, pt. 1 (1991): 65-79.
Beltran, A., ed. The Cave of Altamira. New York: Abrams, 1998.
Berger, T. D., and E. Trinkaus. “Patterns of Trauma among the Neandertals.” Journal of Archaeological Science22 (1995): 841—852.
Berghaus, G., ed. New Perspectives on Prehistoric Art. Westport, CT: Praeger, 2004.
Bisson, M. S. “Nineteenth-Century Tools for Twenty-First-Century Archaeology? Why the Middle Paleolithic Typology of Francois Bordes Must Be Replaced.” Journal of Archaeological Method and Theory7, no. 1 (2000): 1-48.
Bocquet-Appel, J.-P., and P.-Y. Demars. “Neanderthal Contraction and Modern Human Colonization of Europe.” Antiquity74 (2000): 544-552.
——. “Population Kinetics in the Upper Palaeolithic in Western Europe.” Journal of Archaeological Science27 (2000): 551—570.
Boule, M. “Emile Cartailhac.” LAnthropologie31, nos. 5/6 (1921): 587—608.
Boyle, M. “Recollections of the Abbe Breuil.” Antiquity37, no. 145 (1963): 12-18.
Breuil, H. “Essai de stratigraphie des depots de l'Age du Renne.” Perigueux: Premiere Congres Prehistorique de France, 1905.
——. Beyond the Bounds of History. London: Gawthorn, 1949.
——. Four Hundred Centuries of Cave Art, translated by M. E. Boyle. Montignac: Dordogne Centre d'etudes et de documentation prehistoriques, 1952.
Breuil, H., and Raymond Lantier. The Men of the Old Stone Age {Paleolithic & Mesolitkic), translated by B. B. Rafter. New York: St. Martin's Press, 1965.
Brodrick, A. H. Father of Prehistory: The Abbe Breuil. Westport, CT: Greenwood Press, 1973. First published 1963 by Morrow.
Byrne, R. Introduction to Part 1, Creativity in Human Evolution and Prehistory, edited by S. Mithen. London: Routledge, 1998.
Cachel, S. “Dietary Shifts and the European Upper Palaeolithic Transition.” Current Anthropology38, no. 4 (1997): 579—603.
Camps, G. “Cro-Magnon: Une decouverte en perpetuel devenir.” Les dossiers d'archeologie156 (1991): 4—13.
Capitan, L., and Jean Bouyssonie. Limeuil: Son gisement a gravures surpierres de l'Age du Renne. Paris: Librairie Emile Nourry, 1924.
Cartailhac, E. LAge de Pierre dans les souvenirs et les superstitions populaires.
Paris: 1877.
——. Les Ages prehistoriques de l'Espagne et du Portugal. Paris: Reinwald, 1886.
——. “Les cavernes ornees de dessins. La grotte d'Altamira, Espagne. ‘Mea culpa’ d'un sceptique.” L'Anthropologie13, no. 1 (1902): 348-354.
Cartailhac, E., and H. Breuil. La Caverne d'Altamira a Santillanepres Santander (Espagne). Monaco: 1906.
Chase, P. G., and April Nowell. “Taphonomy of a Suggested Middle Paleolithic Bone Flute from Slovenia.” Current Anthropology39, no. 4 (1998): 549—553.
Chauvet, J.-M., E. B. Deschamps, and C. Hillaire. Dawn of Art: The Chauvet Cave. New York: Abrams, 1996.
Chippindale, C. “Current Issues in the Study of Paleolithic Images.” American Journal of Archaeology103, no. 1 (1999): 113—117.
——. “Studying Ancient Pictures as Pictures.” In Handbook of Rock Art Research, edited by D. S. Whitley, 247-272. Walnut Creek, CA: AltaMira Press, 2001.
Chollot, M. Catalog, Collection Piette, by Musee des antiquites nationales. Paris: Editions des Musees nationaux, 1964.
Christensen, J. “Heaven and Earth in Ice Age Art: Topography and Iconography at Lascaux.” Mankind Quarterly36, no. 3/4 (1996): 247-259.
Churchill, S. E., and F. Smith. “Makers of the Early Aurignacian of Europe.” Yearbook of Physical Anthropology43 (2000): 61—115.
Clark, G. A. “Migration as an Explanatory Concept in Paleolithic Archaeology.” Journal of Archaeological Method and Theory z, no. 4 (1994): 305—343.
——. “The Logic of Inference in Transition Research.” In Questioning the Answers: Re-solving Fundamental Problems of the Early Upper Paleolithic, edited by M. A. Hays and P. T. Thacker. Oxford: Archaeopress, 2001, 39-47.
Cleuziou, S-, etal. “The Use of Theory in French Archaeology.” In ArchaeologicalTheory in Europe, edited by I. Hodder, 91—128. London: Routledge, 1991.
Clottes, J. “The Parietal Art of the Late Magdalenian.” Antiquity64, no. 244 (1990): 527-548.
——. “Paint Analyses from Several Magdalenian Caves in the Ariege Region ofTrance.” Journal ofArchaeological Science20 (1993): 2.23—2.35.
——. Les Cavernes de Niaux: Art prehistorique en Ariege. Paris: Seuil, 1995.
——. “Perspectives and Traditions in Paleolithic Rock Art Research in France.” In Perceiving Rock Art: Social and Political Perspectives; ACRA, The Aha Conference on Rock Art, edited by K. Helskog and B. Olsen. Oslo: Novus forlag, 1995.
——. “Rhinos and Lions and Bear (Oh, MY!).” Natural History, May 19, 1995:30-34.
——. “Thematic Changes in Upper Paleolithic Art: A View from the Grotte Chauvet.” Antiquity70 (1996): 276-288.
——. “Art of the Light and Art of the Depths.” In Beyond Art: Pleistocene Image and Symbol, edited by M. Conkey et al. 203—216. San Francisco: California Academy of Sciences, 1997.
——. Voyage enprehistoire. Paris: Maison des roches, 1998.
——. La vie et l'art des Magdaleniens en Ariege. Paris: Maison des roches, 1999.
——. Grandes girafes etfourmis vertes. Paris: Maison des roches, 2000.
——. “Paleolithic Europe.” In Handbook of Rock Art Research, edited by D. S. Whitley, 459-481. Walnut Creek, Ca: AltaMira Press, 2001.
——. “Caves as Landscapes.” Det Kongelige Norske Videnskabers Selskab4 (2003a): 11-30.
——. Passion Prehistoire. Paris: Maison des roches, 2003.
Clottes, J., and J. Courtin. The Cave Beneath the Sea: Paleolithic Images at Cosquer, translated by M. Garner. New York, Abrams, 1996.
Clottes, J., and D. Lewis-Williams. Les chamanes de la prehistoire: Trans e magie dam les grottes. Paris: Seuil, 1996.
——. The Shamans of Prehistory: Trance and Magic in the Painted Caves, translated by S. Hawkes. New York: Abrams, 1998.
——. Les chamanes de la prehistoire: tex
te integral, polemique et reponses. Paris: Maison des roches, 2001.
Clottes, J-, et al. “La grotte Cosquer.” Bulletin de la Societe Prehistorique Francaise89, no. 4 (1992): 98—128. Clottes, J., et al. Chauvet Cave: The Art of Earliest Times, translated by P. G. Bahn. Salt Lake City: University of Utah Press, 2003. Cohen, C. “Andre Leroi-Gourhan, chasseur de prehistoire.” Critique15, no. 444 (1984): 384-403.
——. “Abbe Henri Breuil.” In Murray, Encyclopedia of Archaeology: The Great Archaeologists(1999), 1:301—312.
——. The Fate of the Mammoth: Fossils, Myth, and History, translated by W. Rodamor. Chicago: University of Chicago Press, 2002.
——. La femme des engines. Paris: Belin-Herscher, 2003.
Cole, S. C. “The Middle to Upper Paleolithic Transition in Southwest France.” Athena Review2, no. 4 (2001): 47—52.
Conard, N. J., and M. Bolus “Radiocarbon Dating the Appearance of Modern Humans and Timing of Cultural Innovations in Europe: New Results and New Challenges.” Journal of Human Evolution44 (2003):
331-371.
Conkey, M. W. “On the Originsof Paleolithic Art.” In The MousterianLegacy: Human Biological Change in the Upper Pleistocene, edited by E. Trinkaus. B.A.R. International Series 164:201—227. Oxford: B.A.R., 1983.
——. “New Approaches in the Search for Meaning? A Review of Research
in ‘Paleolithic Art.’ “ Journal of Field Archaeology14, no. 4 (1987): 413—430.
——. “Humans as Materialists and Symbolists: Image Making in the Upper Paleolithic.” In The Origin and Evolution of Humans and Humanness, edited by D. T. Rasmussen, 95-118. Boston: Jones & Bartlett, 1993.
——. “Structural and Semiotic Approaches.” In Handbook of Rock Art Research, edited by D. S. Whitley, 273-310. Walnut Creek, CA: AltaMira Press, 2001.
Coudart, A. “Andre Leroi-Gourhan.” In Murray, Encyclopedia of Archaeology: The Great Archaeologists(1999). 1: 653—664.
——. “France.” In Murray, Encyclopedia of Archaeology: The Great Archaeologists(1999), 2: 522—534.
Couraud, C. “Pigments utilisent en prehistoire: Provenance, preparation, mode d'utilisation.” L'Anthropologie92, no. 1 (1988): 17—28.
Coye, N. La prehistoire en parole et en acte. Paris: L'Harmattan, 1997.
Cremades, M. “La representation des variations saisonnieres dans l'art paleolithique.” LAnthropologie101, no. 1 (1997): 36—82.
Currat, M., and L. Excoffier. “Modern Humans Did Not Admix with Neanderthals During Their Range Expansion into Europe.” PLoSBiology2, no. 12 (2004): 2264-2274.
Dams, L. “Preliminary Findings at the ‘Organ’ Sanctuary in the Cave of Nerja, Malaga, Spain.” Oxford Journal of Archaeology 3,(1984): I—15.
——. “Paleolithic Lithophones: Descriptions and Comparisons.” Oxford Journal of Archaeology4, no. 1 (1985): 31—46.
Daubisse, P., et al. The Font-de-Gaume Cave, translated by Alain Spiquel. Perigueux: Fanlac, 1994. Dauvos, M. “Son et Musique Paleolithiques.” Les dossiers d'archeologie142 (November 1989): 2— 11.
Davenport, D., and M. Jochim. “The Scene in the Shaft at Lascaux.” Antiquity 62 (1988): 558-562.
Davidson, I. “The Power of Pictures.” In Beyond Art: Pleistocene Image and Symbol, edited by M. Conkey, et al., 125-159. San Francisco: California Academy of Sciences, 1997.
Davidson, I., andW. Noble. “The Archaeology of Perception.” Current Anthropology30, no. 2 (1989): 25-155.
——. “Why the First Colonisation of the Australian Region is the Earliest Evidence of Modern Human Behavior.” Archaeology in Oceania27, no. 3 (1992):113-119.
Davies, W. “A Very Model of a Modern Human Industry: New Perspectives on the Origins and Spread of the Aurignacian in Europe.” Proceedings of the Prehistoric Society(London) 67 (2001): 195—217.
Davies, W., et al. “The Human Presence in Europe During the Last Glacial Period III.” In Neanderthals and Modern Humans in the European Landscape During the Last Glaciation, edited by T. H. van Andel and W. Davies, 191-220. Cambridge, England: McDonald Institute for Archaeological Research, Oxford, dist. by Oxbow Books, 2003.
Davis, W. “The Origins of Image Making.” Current Anthropology27, no. 3 (1986): 193-215.
de Balbin Behrmann, R., and J. Alcolea Gonzalez. “Vie quotidienne et vie religieuse: Les sanctuaires dans l'art paleolithique.” L'Anthropologie103, no.1 (1999): 23-49.
Delluc, B., and G. Delluc. Connaitre Lascaux. Bordeaux: Sud-Ouest, 1989.
——. “Images de la main dans notre Prehistoire.” Les dossiers d'archeologie 178 (1993): 32-45.
——. “Les figures feminines schematiques du Perigord.” L'Anthropologie99, nos. 2/3 (1995): 236-257.
——. Lascaux Retrouve. Perigueux: Pilote 24, 2003.
——. “Marcel Ravidat, inventeur de Lascaux.” Bulletin de la Societe historique et archeologique du Perigord133 (2003): 491—510.
Delluc, B., G. Delluc, and F. Guichard. “La grotte ornee de Saint-Cirq (Dor-dogne).” Bulletin de la Societe Prehistorique Francaise84, nos. 10—12 (1987): 364-393.
Delluc, G-, with B. Delluc. “Le Sang, la souffrance et la mort dans l'art paleolithique.” L'Anthropologie93, no. 2 (1989): 389—406.
Delluc, G-, with B. Delluc and M. Rogues. La nutrition prehistorique. Perigueux: Pilote 24, 1995.
Delporte, H. L'image de lafemme dans l'art prehistorique. Paris: Picard, 1979.
——. Piette, pionnier de laprehistoire. Paris: Picard, 1987.
Delporte, H., and L. Mons. “Hommage de la S.P.F. ä Andre Leroi-Gourhan.” Bulletin de la Societe Prehistorique Francaise84, nos. 10—12 (1987): 324—327.
Demars, P.-Y. “Circulation des silex dans le nord de l'Aquitaine au Paleolithique Superieur.” Gallia Prehistoire40 (1998): 1—28.
d'Errico, F. “Technology, Motion, and the Meaning of Epipaleolithic Art.” Current Anthropology33, no. 1 (1992): 94—109.
——. “Birds of the Grotte Cosquer: the Great Auk and Palaeolithic Prehistory.” Antiquity68, no. 258 (1994): 39-48.
——. “Notation Versus Decoration in the Upper Palaeolithic: A Case Study
from Tossal de la Roca, Alicante, Spain.” Journaloj'Archaeological Science21 (1994): 185-200.
——. “A New Model and Its Implications for the Origin of Writing: The La Marche Antler Revisited.” Cambridge Archaeological Journal5, no. 2 (1995): 163-206.
——. “The Invisible Frontier: A Multiple Species Model for the Origin of Behavioral Modernity.” Evolutionary Anthropology12 (2003): 188—202.
——. “Neandertal Extinction and the Millennial Scale Climatic Variability of OIS 3.” Quaternary Science Reviews22 (2003): 769—788.
d'Errico, F., and P. Villa. “Holes and Grooves: The Contribution of Microscopy and Taphonomy to the Problem of Art Origins.” Journal ojHuman Evolution(1997): 1— 31.
d'Errico, F., et al. “A Middle Paleolithic Origin of Music?” Antiquity72, no. 275 (1998): 65-80. d'Errico, F., et al. “Archaeological Evidence for the Emergence of Language, Symbolism, and Music: An Alternative Multidisciplinary Perspective.” Journal of World Prehistory17, no. 1 (2003): 1—70.
d'Errico, F., et al. “Neanderthal Acculturation in Western Europe?” Current Anthropology39 (June 1998): S 1-S44.
Dickson, D. B. The Dawn of Belief: Religion in the Upper Paleolithic of Southwestern Europe. Tucson: University of Arizona Press, 1990.
Duhard, J.-P. “Images de la chasse au paleolithique.” Oxford Journal of Archaeology10, no. 2 (1991): 127—157.
——. “The Shape of Pleistocene Women.” Antiquity65 (1991): 552—562.
——. “La dichotomie sociale sexuelle dans les figurations humaines magdaleniennes.” Rock Art Research9, no. 2 (1992): in—118.
——. “Les groupements humains dans l'art mobilier paleolithique francais.” Bulletin de la Societe Prehistorique Francaise89, no. 6 (1992): 172-183.
Eastham, A., and M. Eastham. “The Wall Art of the Franco-Cantabrian Deep Caves.” Art History2, no. 4 (1979): 365-387.
&nbs
p; Elkins, J. “On the Impossibility of Close Reading.” Current Anthropology37, no. 4 (1996): 185-226.
Eshleman, C. Juniper Fuse: Upper Paleolithic Imagination and the Construction of the Underworld. Middletown, CT: Wesleyan University Press, 2003.
Forbes, A, Jr., and T. Crowder. “The Problem of Franco-Cantabrian Abstract Signs: Agenda for a New Approach.” World Archaeology10, no. 3 (1979): 350-366.
Formicola, V., et al. “The Upper Paleolithic Triple Burial of Dolni Vestonice: Pathology and Funerary Behavior.” American Journaloj'PhysicalAnthropology15 (2001): 372-379.
Franciscus, R. G., and S. E. Churchill. “The Costal Skeleton of Shanidar 3 and a Reappraisal of Neandertal Thoracic Morphology.” Journal of Human Evolution42 (2002): 303—356.
Freeman, L. G., et al. Altamira Revisited, and Other Essays on Early Art. Chicago: Institute for Prehistoric Investigations, 1987.
Fritz, C. “Towards the Reconstruction of Magdalenian Artistic Techniques: The Contribution of Microscopic Analysis of Mobiliary Art.” Cambridge ArchaeologicalJournal9, no. 2 (1999): 189—208.
Gamble, C. “Interaction and Alliance in Palaeolithic Society.” Man17, no. 1 (1982): 92-107.
——. The Palaeolithic Settlement of Europe. Cambridge: Cambridge University Press, 1986.
——. “The Social Context for European Palaeolithic Art.” Proceedings of the Prehistoric Society(London) 57, pt. 1 (1991): 3—15-
——. “Palaeolithic Society and the Release from Proximity: A Network Approach to Intimate Relations.” World Archaeology29, no. 3 (1998): 426-449.
——. The Palaeolithic Societies of Europe. Cambridge: Cambridge University Press, 1999.
Garcia, M. A. “La piste de pas humains de la grotte Chauvet a Vallon-Pont-d'Arc.” InternationalNewsletter on Rock Art 24(1999): 1—4.
Garcia, M. A., and H. Duday. “Les empreintes de mains dans l'argile des grottes ornees.” Les dossiers d'archeologie178 (1993): 56—59.
Garcia Guinea, M. A. Altamira: The Beginning of Art. Madrid: 1979.
Gargett, R. H. “Grave Shortcomings: The Evidence for Neanderthal Burial.” Current Anthropology30 (April 1989): 157—190.
——. “Middle Palaeolithic Burial Is Not a Dead Issue.” Journal of Human Evolution37 (1999): 27—90.