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The Illustrated Gormenghast Trilogy

Page 36

by Mervyn Peake


  Steerpike’s head and shoulders now appeared fully in view through the broken window. He peered into the crimson smoke. ‘Nice work,’ he said to himself, and then shouted, ‘Glad I found you! I’m just coming!’

  Nothing could have gone more deliciously according to plan. But there was no time to waste. No time to crow. He could see that the floorboards had caught and there was a snake of fire slithering its way beneath the table.

  Steerpike lifted his voice. ‘The Heir of Gormenghast!’ he shouted. ‘Where is Lord Titus? Where is Lord Titus?’

  Prunesquallor had already reached Mrs Slagg, who had collapsed over the child, and he lifted them both together in his arms and ran swiftly back to the ladder. The Countess was there; they were all there at the foot of the pine; all except Sourdust, whose sacking had begun to smoulder. Fuchsia had dragged Irma across the floor by her heels and she lay as though she had been washed ashore by a tempest. Steerpike had crawled through the window and was a third of the way down the bole. Prunesquallor, climbing to the third rung, was able to pass Titus to the youth, who retreated through the window backwards and was down the outer ladder in a flash.

  He left the infant among the ferns under the library wall and swarmed up the ladder for the old nurse. The tiny, limp midget was almost as easy to deal with as Titus, and Prunesquallor passed her through the window as though he were handling a doll.

  Steerpike laid her next to Titus, and was suddenly back at the window. It was obvious that Irma was the next on the list, but it was with her that the difficulties began. The moment she was touched she began to thrash about with her arms and legs. Thirty years of repression were finding vent. She was no longer a lady. She could never be a lady again. Her pure white feet were indeed composed of clay and now with all the advantages of a long throat she renewed her screaming, but it was weaker than before, for the smoke which had coiled around her vocal cords had taken their edge away, and they were now more in the nature of wool than gut. Something had to be done with her, and quickly. Steerpike swarmed to the top half of the pole and dropped to the library floor. Then, at his suggestion, he and the Doctor began to strip away lengths of her dress with which they bound her arms and legs, stuffing the remainder in her mouth. Together, with the help of Flay and Fuchsia, they heaved the writhing Irma by degrees up the ladder, until Steerpike, climbing through the window, was able to drag her through into the night air. Once through, she was treated with still less decorum, and her descent of the wall was abrupt, the boy with the high shoulders merely seeing to it that she should not break more bones than was necessary. In point of fact she broke none, her peerless flesh sustaining only a few purple bruises.

  Steerpike had now three figures in a row among the cold ferns. While he was swarming back, Fuchsia was saying, ‘No, I don’t want to. You go now, please, you go now.’

  ‘Silence, you child,’ answered the Countess. ‘Don’t waste time. As I tell you, girl! as I tell you! At once.’

  ‘No, Mother, no –’

  ‘Fuchsia dear,’ said Prunesquallor, ‘you will be out in a brace of shakes and ladders! ha, ha, ha! It will save time, gipsy! Hurry now.’

  ‘Don’t stand there gawping, girl!’

  Fuchsia glanced at the Doctor. How unlike himself he looked, the sweat pouring from his forehead and running between his eyes.

  ‘Up you go! up you go,’ said Prunesquallor.

  Fuchsia turned to the ladder and after missing her foothold once or twice disappeared above them.

  ‘Good girl!’ shouted the Doctor. ‘Find your Nannie Slagg! Now, then, now, then, your Ladyship, up you go.’

  The Countess began to climb, and although the sound of the wooden stubs being broken on either side of the pole accompanied her, yet her progress towards the window held a prodigious inevitability in every step she took and in every heave of her body. Like something far larger than life, her dark dress shot with the red of the fire, she ploughed her way upwards to the window. There was no one on the other side to help her, for Steerpike was in the library, and yet for all the contortions of her great frame, for all the ungainliness of her egress, a slow dignity pervaded her which gave even to the penultimate view – that of her rear disappearing hugely into the night – a feeling rather of the awesome than the ludicrous.

  There remained only Lord Sepulchrave, Prunesquallor, Flay and Steerpike.

  Prunesquallor and Steerpike turned to Sepulchrave quickly in order to motion him to follow his wife, but he had disappeared. There was not a moment to lose. The flames were crackling around them. Mixed with the smell of the smoke was the smell of burning leather. There were few places where he could be, unless he had walked into the flames. They found him in an alcove a few feet from the ladder, a recess still hidden to some extent from the enveloping heat. He was smoothing the backs of a set of the Martrovian dramatists bound in gold fibre and there was a smile upon his face that sent a sick pang through the bodies of the three who found him. Even Steerpike watched that smile uneasily from beneath his sandy eyebrows. Saliva was beginning to dribble from the corner of his Lordship’s sensitive mouth as the corners curved upwards and the teeth were bared. It was the smile one sees in the mouth of a dead animal when the loose lips are drawn back and the teeth are discovered curving towards the ears.

  ‘Take them, take your books, your Lordship, and come, come quickly!’ said Steerpike fiercely. ‘Which do you want?’

  Sepulchrave turned about sharply and with a superhuman effort forced his hands stiffly to his sides and walked at once to the pine ladder. ‘I am sorry to have kept you,’ he said, and began to climb swiftly.

  As he was lowering himself on the far side of the window they heard him repeat as though to himself: ‘I am sorry to have kept you.’ And then there was a thin laugh like the laugh of a ghost.

  There was no longer any time for deciding who was to follow whom; no time for chivalry. The hot breath of the fire was upon them. The room was rising around them, and yet Steerpike managed to keep himself back.

  Directly Flay and the Doctor had disappeared he ran up the pine-bole like a cat, and sat astride the window ledge a moment before he descended on the far side. With the black autumn night behind him he crouched there, a lurid carving, his eyes no longer black holes in his head but glittering in the blood red light like garnets.

  ‘Nice work,’ he said to himself for the second time that night. ‘Very nice work.’ And then he swung his other leg over the high sill.

  ‘There is no one left,’ he shouted down into the darkness.

  ‘Sourdust,’ said Prunesquallor, his thin voice sounding singularly flat. ‘Sourdust has been left.’

  Steerpike slid down the pole.

  ‘Dead?’ he queried.

  ‘He is,’ said Prunesquallor.

  No one spoke.

  As Steerpike’s eyes became accustomed to the darkness he noticed that the earth surrounding the Countess was a dusky white, and that it was moving, and it was a few moments before he realized that white cats were interweaving about her feet.

  Fuchsia, directly her mother had followed her down the ladder, began to run, stumbling and falling over the roots of trees and moaning with exhaustion as she staggered on. When after an eternity she had reached the main body of the Castle she made her way to the stables, and at last had found and ordered three grooms to saddle the horses and proceed to the library. Each groom led a horse by the side of the one he rode. On one of these, Fuchsia was seated, her body doubled forward. Broken by the shock she was weeping, her tears threading their brackish paths over the coarse mane of her mount.

  By the time they had reached the library the party had covered some distance of the return journey. Flay was carrying Irma over his shoulder. Prunesquallor had Mrs Slagg in his arms and Titus was sharing the warbler’s nest in the Countess’s bosom. Steerpike, watching Lord Sepulchrave very closely, was guiding him in the wake of the others, deferentially holding his Lordship’s elbow.

  When the horses arrived the processi
on had practically come to a standstill. The beasts were mounted, the grooms walking at their sides holding the bridles, and staring over their shoulders with wide, startled eyes at the raw patch of light that danced in the darkness like a pulsating wound between the straight black bones of the pine trees.

  During their slow progress they were met by indistinguishable crowds of servants who stood to the side of the track in horrified silence. The fire had not been visible from the Castle, for the roof had not fallen and the only window was shielded by the trees, but the news had spread with Fuchsia’s arrival. The night which had so dreadful a birth continued to heave and sweat until the slow dawn opened like an icy flower in the east, and showed the smoking shell of Sepulchrave’s only home. The shelves that still stood were wrinkled charcoal, and the books were standing side by side upon them, black, grey, and ash white, the corpses of thought. In the centre of the room the discoloured marble table still stood among a heap of charred timber and ashes, and upon the table was the skeleton of Sourdust. The flesh was gone, with all its wrinkles. The coughing had ceased for ever.

  SWELTER LEAVES HIS CARD

  The winds of the drear interim that lies between the last of autumn and the first of winter had torn the few remaining leaves from even the most sheltered of the branches that swung in the Twisted Woods. Elsewhere the trees had been skeletons for many weeks. The melancholy of decay had given place to a less mournful humour. In dying, the chill season had ceased to weep, and arising from its pyre of coloured leaves had cried out with such a voice as had no hint of tears – and something fierce began to move the air and pace across the tracts of Gormenghast. From the death of the sap, of the bird-song, of the sun, this other life-in-death arose to fill the vacuum of Nature.

  The whine was yet in the wind; the November whine. But as night followed night its long trailing note became less and less a part of the mounting music which among the battlements was by now an almost nightly background to those who slept or tried to sleep in the castle of the Groans. More and more in the darkness the notes of grimmer passions could be discerned. Hatred and anger and pain and the hounding voices of vengeance.

  One evening, several weeks after the burning, at about an hour before midnight, Flay lowered himself to the ground outside Lord Sepulchrave’s bedroom door. Inured though he was to the cold floorboards, for they had been his only bed for many years, yet on this November evening they struck a chill into his flinty bones and his shanks began to ache. The wind whistled and screamed about the Castle and gelid draughts skidded along the landing, and Flay heard the sound of doors opening and shutting at varying distances from him. He was able to follow the course of a draught as it approached from the northern fastnesses of the Castle, for he recognized the sound that was peculiar to each distant door as it creaked and slammed, the noises becoming louder and louder until the heavy mildewy curtains which hung at the end of the passage, forty feet away, lifted and muttered and the door which lay immediately beyond them grated and strained at its only hinge, and Flay knew that the icy spearhead of a fresh draught was close upon him.

  ‘Getting old,’ he muttered to himself, rubbing his thighs and folding himself up like a stick-insect at the foot of the door.

  He had slept soundly enough last winter when the snow had lain deeply over Gormenghast. He remembered with distaste how it had coated the windows, clinging to the panes, and how when the sun sank over the Mountain the snow had appeared to bulge inwards through the window panes in a lather of blood.

  This memory disturbed him, and he dimly knew that the reason why the cold was affecting him more and more during these desolate nights had nothing to do with his age. For his body was hardened to the point of being more like some inanimate substance than flesh and blood. It was true that it was a particularly bad night, rough and loud, but he remembered that four nights ago there had been no wind and yet he had shivered as he was shivering now.

  ‘Getting old,’ he muttered grittily to himself again between his long discoloured teeth; but he knew that he lied. No cold on earth could make his hairs stand up like tiny wires, stiffly, almost painfully along his thighs and forearms, and at the nape of his neck. Was he afraid? Yes, as any reasonable man would be. He was very afraid, although the sensation was rather different in him from that which would have been experienced in other men. He was not afraid of the darkness, of the opening and shutting of distant doors, of the screaming wind. He had lived all his life in a forbidding, half-lit world.

  He turned over, so as to command a view of the stairhead, although it was almost too dark to see it. He cracked the five knuckles of his left hand, one by one, but he could hardly hear the reports for a new wave of the gale rattled every window and the darkness was alive with the slamming of doors. He was afraid; he had been afraid for weeks. But Flay was not a coward. There was something tenacious and hard in his centre; something obstinate which precluded panic.

  All of a sudden the gale seemed to hurl itself to a climax and then to cease utterly, but the interim of dead silence was over as soon as it had started, for a few seconds later, as though from a different quarter, the storm unleashed another of its armies of solid rain and hail, pouring its broadsides against the Castle from the belly of a yet more riotous tempest.

  During the few moments of what seemed to be an absolute silence between the two storms, Flay had jerked his body forward from the ground, and had sat bolt upright, every muscle frozen. He had forced a knuckle between his teeth to stop them from chattering, and with his eyes focused upon the dark stairhead he had heard, quite plainly, a sound that was both near and far away, a sound hideously distinct. In that lacuna of stillness the stray sounds of the Castle had become wayward, ungaugable. A mouse nibbling beneath floorboards might equally have been within a few feet or several halls away.

  The sound that Flay heard was of a knife being deliberately whetted. How far away he had no means of telling. It was a sound in vacuo, an abstract thing, yet so enormously it sounded, it might well have been within an inch of his craning ear.

  The number of times the blade moved across the hone had no relation to the actual length of time which Flay experienced as he listened. To him the mechanical forward and backward movement of steel against stone lasted the night itself. Had the dawn broken as he listened he would not have been surprised. In reality it was but a few moments, and when the second tempest flung itself roaring against the Castle walls, Flay was on his hands and knees with his head thrust forward toward the sound, his lips drawn back from his teeth.

  For the rest of the night the storm was unabated. He crouched there at his master’s door, hour after hour, but he heard no more of that hideous scraping.

  The dawn, when it came, powdering with slow and inexorable purpose the earthy blackness with grey seeds, found the servant open-eyed, his hands hanging like dead weights over his drawn-up knees, his defiant chin between his wrists. Slowly the air cleared, and stretching his cramped limbs one by one he reared up stiffly to his feet, shrugging his shoulders to his ears. Then he took the iron key from between his teeth and dropped it into his jacket pocket.

  In seven slow paces he had reached the stairhead and was staring down into a well of cold. The stairs descended as though for ever. As his eyes moved from step to step they noticed a small object in the centre of one of the landings about forty feet below. It was in the shape of a rough oval. Flay turned his head to Lord Sepulchrave’s door.

  The sky was drained of its fury and there was silence.

  He descended, his hand on the banisters. Each step awoke echoes from below him, and fainter echoes from above him, away to the east.

  As he reached the landing a ray of light ran like a slender spear through an eastern window and quivered in a little patch on the wall, a few feet from where he stood. This thread of light intensified the shadows below and above it, and it was only after some groping that Flay came across the object. In his harsh hands it felt disgustingly soft. He brought it close to his eyes and became awar
e of a sickly, penetrating smell; but he could not see what it was that he held. Then, lifting it into the sunbeam so that his hand cast a shadow over the lozenge of light upon the wall, he saw, as though it were something supernaturally illumined, a very small, richly and exquisitely sculpted gateau. At the perimeter of this delicacy, a frail coral-like substance had been worked into the links of a chain, leaving in the centre a minute arena of jade-green icing, across whose glacid surface the letter ‘S’ lay coiled like a worm of cream.

  THE UN-EARTHING OF BARQUENTINE

  The Earl, tired from a day of ritual (during part of which it was required of him to ascend and descend the Tower of Flints three times by the stone staircase, leaving on each occasion a glass of wine on a box of wormwood placed there for the purpose on a blue turret) had retired to his room as soon as he was able to get away from the last performance of the day and had taken a more powerful dose of laudanum than he had previously needed. It was noticed that he now brought to his work during the day a fervour quite unprecedented. His concentration upon detail and his thoroughness in the execution and understanding of the minutiae involved in the monotonous ceremonies were evidence of a new phase in his life.

  The loss of his library had been a blow so pulverizing that he had not yet begun to suffer the torment that was later to come to him. He was still dazed and bewildered, but he sensed instinctively that his only hope lay in turning his mind as often as possible from the tragedy and in applying himself unstintingly to the routine of the day. As the weeks passed by, however, he found it more and more difficult to keep the horror of that night from his mind. Books which he loved not only for their burden, but intrinsically, for varying qualities of paper and print, kept reminding him that they were no longer to be fingered and read. Not only were the books lost and the thoughts in the books, but what was to him, perhaps, the most searching loss of all, the hours of rumination which lifted him above himself and bore him upon their muffled and enormous wings. Not a day passed but he was reminded of some single volume, or of a series of works, whose very positions on the walls was so clearly indented in his mind. He had taken refuge from this raw emptiness in a superhuman effort to concentrate his mind exclusively upon the string of ceremonies which he had daily to perform. He had not tried to rescue a single volume from the shelves, for even while the flames leapt around him he knew that every sentence that escaped the fire would be unreadable and bitter as gall, something to taunt him endlessly. It was better to have the cavity in his heart yawning and completely empty than mocked by a single volume. Yet not a day passed but he knew his grip had weakened.

 

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