The Illustrated Gormenghast Trilogy

by Mervyn Peake

  His physical vitality had begun to find its outlet through solitary exploration of the castle and the surrounding country but it was the expeditions of his imagination, of his day dreams, that drew him further and further away from companionship.

  He had been, virtually, an orphan. That his mother, deep in her heart, too deep for her own recognition, had a strange need for him, as a son of the Line, was of no value to him, for he knew nothing of it.

  To be alone was nothing new to him. But to have defied his mother and his subjects as he had done this day was new, and this knowledge of his treachery made him feel, for the first time since he had escaped from the carver’s balcony, lonely in the extreme. Lonely, not for his home, but lonely in the knowledge of his inward isolation.

  He took a step nearer the cave. The rain, surging over his head, had so glued-down his hair that his skull showed its shape like a boulder. His slightly heavy cheekbones, his blunt nose, his wide mouth were by no means handsome in themselves, but, held in by the oval outline of the face, they formed a kind of simple harmony that was original and pleasant to the eye.

  But his habit of drawing down his eyebrows and scowling to hide his feelings was making him look more than his seventeen years, and it appeared that a young man rather than a boy was approaching the cave. Directly he had decided to wait no longer, and had passed under the rough natural archway he was startled at the freedom of his head and body from the battering of the rain. He had become so used to it that standing there in the dry dust beneath the vaulting roof of the tunnel, he felt a sudden buoyancy as though a burden had been lifted.

  And now another wave of fatigue heaved up in him, and he longed for nothing so much as sleep in a dry place. The air was warm in the cave, for the rain, heavy as it was, had done nothing to relieve the heat. He longed to lie down, in his newfound lightness of body, and with nothing pouring down upon him from above, to sleep for ever.

  Now that he was inside the cave, the melancholy atmosphere of desertion had lost its potency. Perhaps he was too tired and his emotions too blunted to be conscious any more of such subtleties.

  When he came to the main, inner chamber with its ample space, its natural shelves, its luxuriating ferns he could hardly keep his eyes open. He hardly noticed that a number of small woodland animals had taken shelter and were lying upon the stone shelves, or squatting on the ferny floor, watching him with bright eyes.

  Automatically he tore off his clinging clothes and stumbling to a dark corner of a cave lay down beneath the arched arms of a great fern and fell, incontinently, fast asleep.

  SIXTY-SEVEN

  As Titus slept the small animals were joined by a drenched fox and a few birds which perched on outcrops of rock near the doming roof. The boy was all but invisible where he lay beneath the overhang of the ferns. So deep was his sleep that the lightning that had begun to play across the sky and illumine the mouth of the cave had no effect upon him. The thunder, when it came, for all that it was louder than before was equally powerless to wake him. But it was drawing closer all the while, and the last of the bull-throated peals caused him to turn over in his sleep. By now it was afternoon but the air had darkened so that there was now less light than there was when Titus sat upon the ‘look-out’ rock.

  The roaring and hissing of the rain was mounting steadily in volume and the noise of it upon the stones and the earth outside the mouth of the cave made all but the most violent of the thunder-peals inaudible. A hare with its ears laid along its back sat motionless with its eyes fixed upon the fox. The cave was filled with the noise of the elements, and yet there was a kind of silence there, a silence within the noise; the silence of stillness, for nothing moved.

  When the next flash of lightning skinned the landscape, ripping its black hide off it so that there was no part of its anatomy that was not exposed to the floodlight, the reflections of that blinding illumination were fanned to and fro across the cavern walls so that the birds and beasts shone out like radiant carvings among the radiant ferns, and their shadows flew away across the walls and contracted again as though they were made of elastic: and Titus stirred beneath the archery of the giant hearts-tongue which shielded him from the momentary glare, so that he did not waken, and he could not see that at the mouth of the cave stood the ‘Thing’.

  SIXTY-EIGHT

  I

  It was hunger that finally woke him. For a while as he lay with his eyes still closed he imagined himself to be in his room at the castle. Even when he opened his eyes and found on his right-hand side the rough wall of a rock and on his left a curtain of thick ferns he could not remember where he was. And then he became aware of a roaring sound and all at once he remembered how he had escaped from the castle and had made his way through an eternity of rain until he had come to a cave … to Flay’s cave … to this cave in which he was now lying.

  It was then that he heard something move. It was not a loud sound and it was only audible above the thrumming of the storm because of its nearness.

  His first thought was that it was one of the animals, perhaps a hare, and his hunger made him cautious as he rose upon his elbow and parted the long tongue of the ferns.

  But what he saw was something that made him forget his hunger as though it had never been: that made him start backwards against the rock and sent the blood rushing to his head. For it was she! But not as he remembered her. It was she! But how different!

  What had his memory done to her that he should now be seeing a creature so radically at variance with the image that had filled his mind?

  There she sat, the Thing, balanced upon her heels, unbelievably small, the light of a fresh fire flickering over her as she swivelled a plucked bird on a spit above the flames. All about her were scattered the feathers of a magpie. Was this the lyric swallow? The fleet limbed hurdler?

  Was this small creature who was now squatting there like a frog in the dust, and scratching her thigh with a dirty hand the size of a beech leaf, was this what had floated through his imagination in arrogant rhythms that spanned the universe?

  Yes, it was she. The vision had contracted to the small and tangible proportions of the uncompromising urchin – the rarefaction had become clay.

  And then she turned her head and Titus saw a face that shocked and thrilled him. All that was Gormenghast within him shuddered: shuddered and bridled up in a kind of anger. All that was rebellious in him cried with joy: with the joy of witnessing the heart of defiance. The confusion in his breast was absolute. His memory of her, of a proud and gracile creature, was now destroyed. It was no longer true. It had become trite, shallow and saccharine. Proud, she was and vibrant in all conscience. And graceful, perhaps in flight – but not now. There was nothing graceful in the way her body, uninhibited as an animal’s, crouched over the flames. This was something new and earthy.

  Titus who had been in love with an arrogance and a swallow-like beauty of limb, so that he longed savagely and fearfully to clasp it was now aware of how there were these new dimensions, this dark reality of slaughtered birds, of scattered feathers, of an animal’s posture and above all of an ignorant originality that was redolent in her every gesture.

  Her head had turned. He had seen her face. He was staring at an original. It was not that the face had any unique peculiarity of proportion or feature but that it was so blatant an index of all she was.

  And yet it was not through any particular mobility of the features that it conveyed the independence of her life. The line of the mouth seldom altered, save when, in devouring the roasted bird, she bit with an undue ferocity. No: the face was more mask-like than expressive. It symbolized her way of life, not her immediate thoughts. It was the colour of a robin’s egg, and as closely freckled. Her hair was black and thick but she had hacked it away, a little above her shoulders. Her rounded neck was set upright upon her shoulders, and was so flexible that the liquid ease with which she turned it was reminiscent of a serpent.

  It was through such motions as this, and the movement
s of her small shoulders and in the quickness of her fingers that she conveyed to Titus, more vividly than any expression of the features could ever do, the quality of her fanatical independence.

  As he watched she tossed the bones of the magpie over her shoulder, and dipping her hand into the shadows at her side drew up, out of the darkness that she cast, the little carving of the raven. Turning it round and round in her hand she stared at it intently, but no vestige of an expression crossed her face. She placed it on the ground at her side, but the earth was uneven and it fell forwards upon its face. Without a moment’s hesitation she struck it with her clenched fist as a child might strike a toy in anger, and then, rising in a smooth and single action to her feet, she flicked it out of her way with her foot so that it lay upon its side against the wall.

  Upon her feet she had become another thing. It was difficult to reconcile her with the creature who had squatted by the fire. She had become a sapling. Her face was turned to where the water streamed across the cave-mouth. For a few moments she stared expressionlessly at the rain-filled opening and then she moved towards it, but at her third step she stopped and as her body tautened her head gyrated on her neck. Her shoulders had not moved, but as her head swivelled, her eyes sped around the walls of the cave. Something had disturbed her.

  Her slender body was poised for instantaneous action. Again her eyes flew across the walls piercing every shadow, and then for a moment they stayed their flight and Titus could see from his dark recess that she had seen his shirt where it lay, torn and sodden, on the floor of the cave.

  She turned and with a tread both light and apprehensive approached the garment that lay in a pool of its own making. She sat down on her heels at its side, and again she was a frog, an almost repellent thing. Her eyes still moved about the cave, suspiciously. For a little while they lingered upon the giant ferns that, arching over Titus, hid him in their shadows.

  Swivelling her head she stared backwards to the mouth of the cave, but only for a second; for the next moment she had taken the shirt, and held it up before her. A stream of rain water slid from its folds to the floor; she crushed the cloth together and then began to wring it out with a surprising strength and then spreading it out upon the ground she gazed at it, her expressionless head upon one side like a bird’s.

  Titus, half numbed by his cramped position, was forced to lie back and rest his arms and straighten his leg. When he rose again upon his elbow she was no longer by the shirt but was standing at the cave-mouth. He knew that he could not stay where he was for ever. Sooner or later he must make his presence known – and he was about to get to his feet whatever the consequences when a glare of lightning showed him the Thing silhouetted against the brilliance, her backbone arched a little, her head thrown back to catch the stream of translucent rain that golden as the lightning itself was falling directly into her upturned mouth. For that split second of time she was something cut out of black paper, her head meticulous in its contour, the mouth wide open as though to drink the sky.

  And then the dark came down, and he saw her appear out of the gloom and grow more visible as she approached the embers of the fire. It was evident that the shirt fascinated her, for she paused when she reached it, and stared at it now from one angle, now from another. Finally she took it up and pulling it over her head and thrusting her arms through the sleeves she stood, as though in a nightgown.

  Titus, whose conception of the Thing had been flung from one side of his mind to the other, so that he hardly knew whether she was a frog, a snake, or a gazelle, was now powerless to assimilate the bizarre transfiguration that now stood within a few feet of him.

  All he knew was that what he had so avidly sought was with him in the cave, had sheltered, like himself, from the storm and was now standing like a child, staring down at his shirt that fell in wet folds almost to the ankles.

  And he forgot the wilderness within her. He forgot her ignorance. He forgot the raw blood and the speed. He only saw the stillness. He only saw the deceptive grace of her head as it hung forward. And seeing only this he pushed aside the ferns and rose to his feet.

  II

  The effect of his sudden appearance upon the Thing was so violent that Titus took a step backwards. Encumbered as she was with her new garment she leapt to the side of the cave where the floor was littered with loose stones, and all in a breath she had snatched at one and flung it with a vicious speed at Titus. He jerked his head to one side but the rough stone scraped his cheekbone and stung him badly, the blood running down his neck.

  The pain and surprise which lit his face were in contrast to her inscrutable features. But it was his body that was still, and hers that moved.

  She had swarmed up the rock face on her side of the cave and was leaping from ledge to ledge in an attempt to circumscribe the rough circle of wall beneath the dome. Titus had been between her and the entrance tunnel, and she was even now springing to a position from which she could swing herself over his head and drop on the stormward side – and so away.

  But Titus, just in time to realize what she was doing, retreated further down the tunnel, so that he blocked the way for her escape. But he was still in a position to observe her. Thwarted in her plan, she sprang backwards to one of the higher ledges that she had already used, and there, twelve feet above him, her head among the ferns that hung downwards from the roof, she directed her gaze upon him, her freckled face expressionless, but her head moving continuously from side to side like an adder’s.

  The effect of the blow on his cheek was to waken Titus out of his adulation. His temper flared out, and his fear of her lessened, not because she was not dangerous, but because she had resorted to so ordinary a means of warfare as the flinging of a stone. That was something he could understand.

  Had she been able to pluck out rocks from the fern-cloaked roof she would even now be doing so, and hurling them down upon him. But even as he stared up at her with angry amazement, he felt an irrational longing for her, for what was she doing but defying, through him, the very core of Gormenghast? And it was this solitary insurrection that had first affected him with wonder and excitement. And while the stinging of his cheekbone angered him so that he wished to shake her, strike her and subdue her, at the same time the ease with which she had flitted from ledge to perilous ledge, the long wet garment slapping on the rocks as she sped, had made him lust for her small breasts and her slender limbs. He yearned to crush and master them. And yet he was angry.

  How it was that she had been able to move at all across the rock face with his shirt impeding the freedom of her legs, let alone travel so speedily, he could not tell. The long sleeves flapped about her hands, but somehow or other she had been able to flick out her fingers from the folds, time after time, to grasp the cavern outcrops.

  Now, as she crouched in the upper shadows, the damp cloth clinging to her and taking the form of her narrow limbs as though it had been sculptured, Titus, watching from below, cried out suddenly in a voice that seemed not his own.

  ‘I am your friend! Your friend! Can’t you understand? I am Lord Titus! Can’t you hear me?’

  The face like a robin’s egg stared down at him from among the ferns, but there was no reply, save what sounded like a distant hissing.

  ‘Listen to me,’ he shouted again, more loudly than before, although his heart beat wildly and the words were difficult to form.

  ‘I have followed you. Don’t you see? … followed you … O, can’t you understand! I’ve run away …’ He took a step nearer the wall so that she was almost directly overhead …

  ‘And I’ve found you! So speak to me, for God’s sake, can’t you? Can’t you?’

  He saw her mouth open above him, and at that moment she might have been a giant phantom, something too earthless to be held in by the worldly dimensions of this cave, something beyond measurement. And her open mouth gave him the answer to his question.

  ‘So speak,’ he shouted, ‘can’t you?’ And this is what she could not do, for the
first sound which Titus heard her utter bore no relation to human speech. Nor did the tone of it convey that he was being answered even in a language of her own. It was a sound, quite solitary and detached. It had no concern with communication. It was inward and curiously pitched.

  So divorced was it, this nameless utterance from the recognized sounds of the human throat, that it left Titus in no doubt that she was incapable of civilized speech and not only this but that she had not understood a word he had said.

  What could he do to show her he was not her enemy, that he had no wish to avenge himself for the blood on his cheek? The thought of his wound gave him an idea, and he immediately lowered himself to his knees, never taking his eyes off her, and felt about him for a stone, her eyes following his every movement with the concentration of a cat. He could see the tenseness of her body vibrating through the shirt. When his fingers closed upon a stone he rose to his feet, stretched out his hand with the missile displayed upon his open palm. Surely she must realize that it was now in his power to fling the thing at her. For a moment or two he showed her the stone, and then tossed it backwards over his shoulder where it clanged on the solid rock of the wall behind him.