The Illustrated Gormenghast Trilogy

by Mervyn Peake

  Seeing how the young vagrant made no response Muzzlehatch grinned, and turning the stag about he made to pass his guest as though he were not there, when Titus, remembering how his host-of-one-night had saved him from capture and had fed him and slept him, lifted his hand as though to halt the stag. Staring at the stag-rider, Titus realized that he had never really seen that face before, for he was no longer tired nor were his eyes blurred, and the head had come into a startling focus – a focus that seemed to enlarge rather than contract, a head of great scale with its crop of black hair, its nose like a rudder, and its eyes all broken up with little flecks and lights, like diamonds or fractured glass, and its mouth, wide, tough, lipless, almost blasphemously mobile, for no one with such a mouth could pray aloud to any god at all, for the mouth was wrong for prayer. This head was like a challenge or a threat to all decent citizens.

  Titus was about to thank this Muzzlehatch, but on gazing at the craggy face he saw that his thanks would find no answer, and it was Muzzlehatch himself who volunteered the information that he considered Titus to be a soft and rancid egg if he imagined that he, Muzzlehatch, had ever lifted a finger to help anyone in his life, let alone a bunch of rags out of the river.

  If he had helped Titus it was only to amuse himself and to pass the time, for life can be a bore without action, which in its turn can be a bore without danger.

  ‘Besides,’ he continued, gazing over Titus’ shoulder at a distant baboon, ‘I dislike the police. I dislike their feet. I dislike that whiff of leather, oil and fur, camphor and blood. I dislike officials, who are nothing, my dear boy, but the pip-headed, trash-bellied putrid scrannel of earth. Out of darkness it is born.’

  ‘What is?’ said Titus.

  ‘There is no point in erecting a structure,’ said Muzzlehatch, taking no notice of Titus’ question, ‘unless someone else pulls it down. There is no value in a rule until it is broken. There is nothing in life unless there is death at the back of it. Death, dear boy, leaning over the edge of the world and grinning like a boneyard.’

  He swung his gaze from the distant baboon and pulled back the antlers of the mottled stag until the creature’s head pointed at the sky. Then he stared at Titus.

  ‘Don’t burden me with gratitude, dear boy. I have no time for –’

  ‘Don’t bother,’ said Titus. ‘I will never thank you.’

  ‘Then go,’ said Muzzlehatch.

  The blood ran into Titus’ face and his eyes shone.

  ‘Who do you think you are talking to?’ he whispered.

  Muzzlehatch looked up sharply. ‘Well,’ he said, ‘who am I talking to? Your eyes blaze like the eyes of a beggar – or of a lord.’

  ‘Why not?’ said Titus. ‘That is what I am.’

  FIFTEEN

  He made his way back through the tunnel and across the quadrangle and so out of the grounds until he came to a spider’s web of tortuous lanes, and walking on and on, found himself at last upon a wide stone highway.

  From there he saw the river far below and smoke rising in rosy plumes from countless chimneys.

  But Titus turned his back on the vista and, as he climbed, two long cars, side by side, flashed by without a sound. There could have been no more than an inch of space between them as they sped.

  At the back of the cars, one in each, and very upright, sat two dark, bejewelled, deep-bosomed women who had no eyes for the flying landscape but smiled at each other with unhealthy concentration.

  Far behind in the wake of the cars and farther with every passing moment, a small ugly black dog with its legs far too short for its body, tore with a ridiculous concentration of purpose down the centre of the long winding road.

  As Titus climbed and as the trees closed in on either side, he wondered at a change that had come over him. The remorse that had filled him lately with so black a cloud had spent itself and there was a ripple in his blood and a spring in his step. He knew himself to be a deserter; a traitor to his birthright, the ‘shame’ of Gormenghast. He knew how he had wounded the castle, wounded the very stones of his home; wounded his mother … all this he knew in his head, but it did not affect him.

  He could only see now the truth of it – that he could never turn back the pages.

  He was Lord Titus, Seventy-Seventh Lord of Gormenghast, but he was also a limb of life, a sprig, an adventurer, ready for love or hate: ready to use his wits in a foreign world; ready for anything.

  This was what lay beyond those far horizons. This was the pith of it. New cities and new mountains; new rivers and new creatures. New men and new women.

  But then a shadow came over his face. How was it that they were so self-sufficient, those women in their cars, or Muzzlehatch with his zoo – having no knowledge of Gormenghast, which was of course the heart of everything?

  He climbed on, his shadow climbing beside him on the beautiful white stone of which the road was built, until he had almost reached a dividing of the highway, the eastern arm, an aisle of great oaks, and the western … but Titus was not able to fix his attention upon the trees nor upon anything else, for moving out of the shade into the sunlight, with a dreadful unhurried pace, were the two tall figures, identical in every way, their helmets casting a deep shade across their eyes, their bodies moving smoothly across the ground.

  SIXTEEN

  Without waiting for any orders from the brain a demon in his feet had already carried Titus deep into the flanking trees, and through the great park-like forest he ran and ran and ran, turning now this way and now that way until one would say he was irrevocably lost, were it not that he was always so.

  But when, having fallen exhausted, he got to his knees and parted some branches, he found himself gazing at the very road from which he had fled. But there was no one there and after some while he walked out boldly and stood in the centre of the road as though to say, ‘Do your worst.’ But nothing happened except that what Titus had taken to be an old thorn bush got to its feet and shambled its way towards him, its shadow like a crab on the white stone highway. When it had come so close to Titus that he could have touched it with an outstretched foot the thorn bush spoke.

  ‘I am a beggar,’ it said, and the soft grit of its dreadful voice sent Titus’ heart into his mouth. ‘That is why I am stretching out my withered arm. Do you see it? Eh? Would you call it beautiful with that claw at the end of it – can you see it?’

  The beggar stared at Titus through the red circles of his eyelids, and alternately shook his old knuckly fist and opened it out with the palm upwards.

  The palm of that hand was like the delta of some foul dried-up river. At its centre was a kind of callus or horny disc, a telltale shape that argued the receipt and passage of many coins.

  ‘What do you want?’ said Titus. ‘I have no money for you. I thought you were a thorn bush.’

  ‘I’ll thorn you!’ said the beggar. ‘How dare you refuse me! Me! An emperor! Dog! Whelp! Cur! Empty your gold into my sacred throat.’

  ‘Sacred throat! What does he mean by that?’ thought Titus, but only for a moment, for suddenly the beggar was no longer there but was twenty feet away and was staring down the white highway looking more like a thorn bush than ever. One of his arms, like a branch, was crook’d so that the claw at the end of it was conveniently cupped at the ear.

  Then Titus heard it – the distant whirring sound of a fast machine, and a moment later a yellow car the shape of a shark sped from the south.

  It seemed that the cantankerous old mendicant was about to be run down, for he stood on the crown of the road with his arms out like a scarecrow, but the yellow shark swerved past him, and as it did so a coin was tossed into the air by the driver, or by the shape that could only be the driver, for there was nothing else at the wheel but something in a sheet.

  It was gone as quietly as it had arrived and Titus turned his face to the beggar, who had retrieved the coin. Seeing that he was being scrutinized the beggar leered at Titus and threw out his tongue like the mildewed tongue of a boot.
Then to Titus’ amazement the foul old man swung back his head and, dropping the silver coin into his mouth, swallowed it at a gulp.

  ‘Tell me, you dirty old man,’ said Titus softly, for a kind of hot anger filled him and a desire to squash the creature beneath his feet, ‘why do you eat money?’ And Titus picked up a rock from beside the road.

  ‘Whelp!’ said the beggar at last. ‘Do you think I’d waste my wealth? Coins are too big, you dog, to sidle through me. Too small to kill me. Too heavy to be lost! I am a beggar.’

  ‘You are a travesty,’ said Titus, ‘and when you die the earth will breathe again.’

  Titus dropped the heavy stone he had lifted in anger, and with not a backward glance made for the right-hand fork where, with a prodigious sigh, an avenue of cedars inhaled him, as though he were a gnat.

  SEVENTEEN

  Tree after tree slid by to the pace of his footsteps. In the gloom of the cedars his heart was happy. Happy in the chill of the tunnel. Happy in the danger of it all. Happy to remember his own childhood and how he had acquitted himself in a tract of ivy. Happy in spite of the helmeted spies, though they awoke within him a dark alarm.

  He had lived on his wits for what seemed so long a while that he was very different now from the youth who had ridden away.

  It had seemed that the avenue was endless, but suddenly and unexpectedly the last of the cedars floated away behind him as though from a laying-on of hands, and the wide sky looked down, and there before him was the first of the structures.

  He had heard of them but had not expected anything quite so far removed from the buildings he had known, let alone the architecture of Gormenghast.

  The first to catch his eye was a pale-green edifice, very elegant, but so simple in design that Titus’ gaze could find no resting place upon its slippery surface.

  Next to this building was a copper dome the shape of an igloo but ninety feet in height, with a tapering mast, spider-frail and glinting in the sunlight. An ugly crow was sitting on the cross-tree and fouling from time to time the bright dome beneath.

  Titus sat down by the side of the road and frowned. He had been born and bred to the assumption that buildings were ancient by nature, and were and always had been in the process of crumbling away. The white dust lolling between the gaping bricks; the worm in the wood. The weed dislodging the stone; corrosion and mildew; the crumbling patina; the fading shades; the beauty of decay.

  Unable to remain seated, for his curiosity was stronger than his longing to rest, he got to his feet and, wondering why there was no one about, began to make his way to whatever lay beyond the dome, for the buildings curved away as though to obscure some great circle or arena. And indeed it was something of this kind that broke upon his view as he rounded the dome, and he came to a halt through sheer amazement; for it was vast. Vast as a grey desert, its marble surface glowing with a dull opaque light. The only thing that could be said to break the emptiness was the reflection of the structures that surrounded it.

  The farthest away of these buildings, in other words those that fanned out in a glittering arc on the opposite side of the arena, were, to Titus’ gaze, no larger than stamps, thorns, nails, acorns, or tiny crystals, save for one gigantic edifice out-topping all the rest, which was like an azure match-box on its end.

  EIGHTEEN

  Had Titus come across a world of dragons he could hardly have been more amazed than by these fantasies of glass and metal; and he turned himself about more than once as though it were possible to catch a last glimpse of the tortuous, poverty-stricken town he had left behind him, but the district of Muzzlehatch was hidden away by a fold in the hills and the ruins of Gormenghast were afloat in a haze of time and space.

  And yet, though his eyes shone with the thrill of his discovery, he suffered at the same time a pang of resentment – a resentment that this alien realm should be able to exist in a world that appeared to have no reference to his home and which seemed, in fact, supremely self-sufficient. A region that had never heard of Fuchsia and her death, nor of her father, the melancholy earl, nor of his mother the countess with her strange liquid whistle that brought wild birds to her from distant spinneys.

  Were they coeval; were they simultaneous? These worlds; these realms – could they both be true? Were there no bridges? Was there no common land? Did the same sun shine upon them? Had they the constellations of the night in common?

  When the storm came down upon these crystal structures, and the sky was black with rain, what of Gormenghast? Was Gormenghast dry? And when the thunder growled in his ancient home was there never any echo hereabouts?

  What of the rivers? Were they separate? Was there no tributary, even, to feel its way into another world?

  Where lay the long horizons? Where throbbed the frontiers? O terrible division! The near and the far. The night and the day. The yes and the no.

  A VOICE. ‘O Titus, can’t you remember?’

  TITUS. ‘I can remember everything except …’

  VOICE. ‘Except …?’

  TITUS. ‘Except the way.’

  VOICE. The way where?’

  TITUS. ‘The way home.’

  VOICE. ‘Home?’

  TITUS. ‘Home. Home where the dust gathers and the legends are. But I have lost my bearings.’

  VOICE. ‘You have the sun and the North Star.’

  TITUS. ‘But is it the same sun? And are the stars the stars of Gormenghast?’

  He looked up and was surprised to find himself alone. His hands were cold with sweat, and the dread of being lost and having no proof of his own identity filled him with a sudden stabbing terror.

  He looked about him at this sheer and foreign land, and then, all in a breath, something fled across the sky. It made no sound other than the slither of a finger across a slate, though it seemed to have passed as close as a scythe.

  By now it was settling, a speck of crimson on the far side of the marble desert where the furthest mansions glinted. It had seemed to have no wings but an incredible purpose and beauty, like a stiletto or a needle, and as Titus fixed his eyes upon the building in whose shadow it lay, he thought he could see not one, but a swarm.

  And this was so. Not only was there already quite a fleet of fish-shaped, needle-shaped, knife-shaped, shark-shaped, splinter-shaped devices, but all kinds of land-machines of curious design.

  NINETEEN

  Before him lay stretched the grey marble, a thousand acres of it, with its margins filled with the reflections of the mansions.

  To walk alone across it, in view of all the distant windows, terraces, and roof-gardens was to proclaim arrogance, naked and culpable. But this is what he did, and when he had been walking for some while a small green dart detached itself from the planes on the far side of the arena and sped towards him, its glass-green belly skimming the marble, and an instant later it was upon him, only to veer at the last moment and sing away into the stratosphere, only to plunge, only to circle Titus’ head in narrowing gyres, only to return like a whippet of the air to the black mansion.

  Bewildered, startled as he was, Titus began to laugh, though his laughter was not altogether without a touch of hysteria.

  This exquisite beast of the air; this wingless swallow; this aerial leopard; this fish of the water-sky; this threader of moonbeams; this dandy of the dawn; this metal play-boy; this wanderer in black spaces; this flash in the night; this drinker of its own speed; this godlike child of a diseased brain – what did it do?

  What did it do but act like any other petty snooper, prying upon man and child, sucking information as a bat sucks blood; amoral; mindless; sent out on empty missions, acting as its maker would act, its narrow-headed maker – so that its beauty was a thing on its own, beautiful only because its function shapes it so; and having no heart it becomes fatuous – a fatuous reflection of a fatuous concept – so that it is incongruous, or gobbles incongruity to such an outlandish degree that laughter is the only way out.

  And so Titus laughed, and as he laughe
d, high-pitched and uncontrolled (for at the back of it all he was scared and little relished the idea of being singled out, pin-pointed, and examined by a mechanical brain), while he laughed, he began at the same time to run, for there was something ominous in the air, ominous and ludicrous – something that told him that to stay any longer on this marble tract was to court trouble, to be held a vagrant, a spy, or a madman.

  Indeed the sky was beginning to fill with every shape of craft, and little clusters of people were spreading out across the arena like a stain.

  TWENTY

  Seen from above Titus must have appeared very small as he ran on and on. Seen from above, it could also be realized how isolated in the wide world was the arena with its bright circumference of crystal buildings: how bizarre and ingenious it was, and how unrelated it was to the bone-white, cave-pocked, barren mountains, the fever-swamps and jungles to the south, the thirsty lands, the hungry cities, and the tracts beyond of the wolf and the outlaw.

  It was when Titus was within a hundred yards of the olive palace, and as the princes of maintenance turned or paused in their work to stare at the ragged youth, that a gun boomed, and for a few minutes there was a complete silence, for everyone stopped talking and the engines were shut off in every craft.

  This gun-boom had come just in time, for had it been delayed a moment longer Titus must surely have been grabbed and questioned. Two men, halted in their tracks by the detonation, drew back their lips from their teeth and scowled with frustration, their hands halted in mid-air.

  On every side of him were faces; faces for the most part turned towards him. Malignant faces, speculative faces, empty faces, ingenuous faces – faces of all kinds. It was quite obvious that he would never pass unnoticed. From being lost and obscure he was the focus of attention. Now, as they posed at every angle, as stiff as scarecrows caught in the full flight of living, their halfway gestures frozen – now was his time to escape.