Hound of the Sea

by Garrett McNamara

  DEDICATION

  I am not what has happened to me. I am what I choose to become.

  —Carl Jung

  CONTENTS

  Dedication

  Prologue: The Wipeout

  PART I Escape Artist

  Luther Burbank

  Watermelon Seed on My Ding Dong

  Mad Bob

  In God’s Hands, More or Less

  Gitana

  Tortilla and Butter, Please

  Skyline

  Wolf

  Christ Family

  In the Wind

  Five Brothers

  Uncooperative and Unruly

  Cement City

  Fatties

  Lost at Threes

  The Dreaded 7

  Hurricane

  Da Karma

  Gustavo the Peruvian

  Pipe

  PART II Going Pro

  Making the Most of the Japanese Invasion

  Nami Oki (Surf’s Up)

  My Brother Becomes the One to Watch

  Something Bad Happens

  I’ve Fallen and I Can’t Get Up

  Doldrums

  Tow-in Now

  Family Guy

  Garrett McNamara, Shopkeeper

  PART III Blueprint

  Jaws

  Hound of the Sea

  Teahupoʻo

  Barreled

  Dryland Life

  Glacierized

  Enchanted Evening

  Nazaré, meu coração

  Seventy-Eight Feet

  Incident at Cortes Bank

  Big Mama

  Dharma

  Acknowledgments

  About the Author

  Credits

  Copyright

  About the Publisher

  PROLOGUE

  THE WIPEOUT

  EVERYONE WONDERS WHERE YOU go when you die. I had a preview. I was standing in the living room of my mom’s house in Pūpūkea, on the North Shore of O’ahu, talking on the phone to my doctor when suddenly the lights went out. I apparently dropped to the floor. There was no going toward the light, no reaching for a bright spot at the end of life’s long tunnel. This new place was velvet black, calm, and pain-free. The lack of pain was everything. I lay there, at peace.

  Then I woke up to my brother Liam crying my name.

  TWO WEEKS earlier a buddy had tracked me down to tell me he’d had a dream. “The Bay was macking, bro. You paddled out past all of us and caught the biggest wave we’d ever seen. It made the cover of all the magazines,” he’d said. I was crashing at my mom’s place between surf contests in Japan. I’d made a name for myself there. I had sponsors and my face on a billboard in Tokyo and a bright future, something I’d never dreamed possible.

  Wai-mea, a sheltered bay on the North Shore, is the birthplace of big-wave surfing, the proving ground for surfers from all over the world. It takes a huge Pacific storm to create the giant waves the place is known for. I’d driven down the hill from Pūpū-kea to check it out. The aquamarine water was a lake, so flat you could hold a swim class for toddlers. No dream coming true that day.

  Two weeks later it’s a different story. In the morning the waves were nonexistent but around noon the swells started rolling in, one after another. Two feet, six feet, ten. I grab my board and head over to perform my Wai-mea ritual, which involves smoking a big fatty behind a thick clump of bushes by the paddle-out spot. Usually I would do this alone, but was always happy to share with any other surfers who happened past. Then I would walk across the sand with my board, stand before the waves, and cross myself in a modified Catholic altar-boy way. It’s a ritual I maintain to this day, minus the joint.

  On my way out I got stoked thinking how cool it would be to fulfill my friend’s prophecy. The sets were coming in fast. Ride-of-a-lifetime waves, twenty-thirty-forty-foot faces.

  I catch a ride on the current out to the lineup and there’s my friend. We give each other a nod. When I paddle out past him, past everyone, here comes the dream wave. Except this is no dream.

  I turn around and paddle as fast as I can, until my triceps burn. Before big-wave spots like Pe’ahi (nicknamed “Jaws”) and Mavericks and Teahupoʻo and Cloudbreak and Cortes Bank were on everyone’s radar, Wai-mea was the world’s best-loved big wave, a straightforward drop from top to bottom.

  The monster rears up behind me and I take off, crouch low, solid and focused. I’m making this wave without much effort. It feels good and I stand up tall, all casual and cool. I’m on my 9′6″ Willis Brothers board, big, thick, single fin. Just as I start thinking I’ve got this, a big boil pops up in front of me, ten, maybe fifteen yards down the wave, a white-fringed circle of unstable water created when the wave passes over an irregularity on the bottom, usually a rock, coral head, or cave. The boil can turn a great ride into your worst nightmare in a split second. At Wai-mea you never take off outside the boil unless the waves are huge.

  Just as the nose of my board hits the boil some backwash grabs the rail. Suddenly I’m staring up at the sun. My board and feet have disconnected, and the board is falling beneath me. The leash tugs at my ankle. I spin around in midair. Now I’m watching my board land in the trough, fin faceup, and I land on the fin, between two ribs. Pain slingshots around my torso. I look up and see a huge, glassy barrel—the biggest I’ve ever seen—gathering itself up, and in a second it engulfs me. I don’t remember being scared. I just go with it. Let myself get pummeled.

  I know this: the wave will pass.

  I come up for a gulp of air. That monster wave was the first of the set. After it rolls over me, I resurface and take a giant breath, then settle in for two more beatings. Finally, I pop up. My board is still in one piece, my leash still connected to my ankle. I pull my board back, slide on, and start paddling back out. Stoked and fired up, ready for another one. I get out to the lineup, sit up, and cough blood into my fingers.

  My friend Kolohe Blomfield is standing on the point, watching. Kolohe is a respected North Shore regular, now a longtime lifeguard, and one of the guys I looked up to. When I come in, still coughing, having trouble breathing, he dashes over to me. “Man, that was the heaviest wipeout I’ve ever seen.”

  I take it to mean I’m invincible, that I can handle anything the ocean has to dish out. I’m twenty-two years old, 147 pounds soaking wet.

  I don’t bother with going to the doctor, much less get any X-rays, but I’m pretty sure I’ve fractured a rib. I self-prescribe a two-week rest. But after only a week Wai-mea is breaking again, and I decide that if I wear two wet suits, for the extra padding and compression, I’ll be fine. I think about the barrel that pounded me. It was at least a twenty-footer and my goal at that time in my life was to get barreled in just such a wave. Getting barreled is perhaps the most common surfer fantasy, speeding along inside a wave’s perfect tube, completely hidden from view in your own private glassy green room, where time seems to stand still. It rarely happened at Wai-mea because the waves tend to stand up, hollow out a bit, then close quickly, like a clam shell snapping shut. Rather than peel perfectly, the way they do down the road at Pipeline, the waves hit the boil, pitch up, and slam closed. Boom.

  I drop my board in the water and paddle out. Today’s board is magic, or so I thought at the time, a white 10′0″ Willis Brothers single fin. It’s a typical North Shore winter day, partly cloudy with a strong offshore wind. I’ve put all my faith in my own invincibility, and in that extra wet suit holding my busted rib in place. I fail to see this for what it is: idiocy and a fundamental lack of respect for the power of the ocean.

  When I arrive at the Bay, the conditions are perfect, the waves clean and glassy. I watch them for a moment, cross myself, and then start paddling out. It’s maybe eighteen feet on the set wa
ves, big, not too big. I take off. The wave starts doubling up. This is what happens when the waves are generated from a powerful storm; the swells come so quickly the second one piles on the first, creating twice the energy and a greater likelihood it will hollow out: perfect conditions for getting barreled. But as the waves meet, the water gets heavier, its movement less predictable. I’m rocketing down the face of the first wave when it doubles. I air-drop ten feet and reconnect with the wave. Seconds later, another air-drop, reconnect again, and now I’m on the bottom of the wave and I look up and the lip is above me, hollow and starting to barrel.

  Part of the art of getting barreled involves knowing how much to stall, so the lip can catch up to you and cover you up. When you are twenty-two, invincible, slightly stoned, and injured, your timing isn’t the best. I’m a little manic now, a little too eager to pull inside the barrel. So I don’t wait, or I don’t wait long enough. I set my edge and, summoning all my strength, turn myself back into the wave. Suddenly, my board goes straight and I fall flat on my face. Water moving at this speed is as hard as concrete, so I skip down the surface of the wave like a stone.

  As I fall my board shoots out from under me. The lip of the wave explodes square on my shoulders and head. The muffled sound of the surf roars. Underwater, I feel something hit me on the back of the head. At first I think I’ve hit a rock, but below me is nothing but sandy bottom. The realization that I’ve kicked myself in the head with my own heels brings with it a surge of nausea.

  I’m underwater getting pounded, wind knocked out of me, searing back pain. The ocean pops me back up and out of habit I take a gulp of air. Black and white stars in my peripheral vision, no feeling in my legs. Then another wave, and another wave. I think I’m probably stuck in the shore break, the impact zone where you can’t swim out and you can’t swim in. I’m just floating, my board long gone.

  Alec Cooke happens to be paddling by. He’s no stranger to being pummeled to near death, is famous for being dropped into the huge swells on the outer reef by helicopter. Many years later, in 2015, he will go missing after a surfing session at this very spot, never to be found. “You okay?” he asks.

  I can’t speak. I make a noise that must have sounded like the most wounded animal in God’s creation, because without giving it a thought Alec gives me his board and helps me get to the beach.

  Something bad has happened, about that there is no doubt. Jeff, who was renting a room in my mom’s house at the time, is waiting on the beach. He takes my arm, helps lie me down. A crowd forms. People asking was I okay. Asking what happened out there. Saying they couldn’t believe I didn’t drown.

  I yell at them to get away, leave me alone. I’m in so much pain I can’t deal with everyone rushing toward me, the chorus of “Are you okay?”s. To Jeff I say, “My back, it’s my back.” He holds my arm as I stagger across the beach, lightning crack of pain down my body, down both legs, black and white stars, the pull of nausea.

  I had an old VW Rabbit with a sunroof. It needed a new transmission. The shift was dodgy and I was the only human alive who knew how to baby it through the gears. Jeff tries to drive it but can’t. Somehow I manage to drive us the mile uphill to my mom’s place in Pūpū-kea.

  My mom must have been around, but I have no memory of her there. Inside the house I shuffle to the bathroom. I fill the bathtub to the top, grab a snorkel and mask, get in, and curl into the fetal position. This was my idea of pain management. I stay there for hours. Eventually the water is stone cold and I drag myself out of the tub and crawl out to the living room, where I collapse on the futon.

  I wake up early the next morning. I’ve had nothing to eat or drink in close to twenty-four hours. I’d hoped the pain would go away after a night’s sleep, but it’s worse than ever, deep and knifelike. I know without a doubt that this is bad, that I’m going to need a doctor. It’s while I’m on the phone telling the medical assistant what has happened that I pass out, collapsing onto the floor.

  Luckily, Jeff is there to catch me. I’m flat on the floor, lying there a minute or an hour, coddled by the blackness, blessedly out of pain. It was the most peaceful place I’ve ever been. I had no desire to come back. Suddenly, I hear my brother Liam crying and saying my name. His voice rouses me, but as I climb back to consciousness the pain comes with me, and I think, Ah no, not this place, not this pain.

  Slowly it dawns on me that I might not surf again.

  PART I

  A family portrait, taken soon after moving to Hawaiʻi in 1978. The author (bottom right) with his mother, Malia (top left); his then-stepfather, Darryl (top right); and his brother, Liam (bottom left).

  (Courtesy of the author)

  ESCAPE ARTIST

  IT’S 1969 AND ALREADY I’m racing, running, going, charging down a dirt path in a diaper. Heels hit the hard ground. Wind all around me. Leaves clapping overhead. Free. While no one was looking I crawled out of my stroller and I ran out of the campus dining room, out the front door, and across the school grounds. A little dog catches up with me and trots alongside.

  My mom, Malia, then calling herself Debbie, assures me now that there was never any little dog, but in my memory there was one, around then. Jenny. We reached the highway, turned, and started walking along the sandy berm. I was maybe eighteen months old. It’s family lore, this story. I have no memory of it, other than a general sense that even as a diapered baby I had the urge to fling myself into the wider world.

  I was born at Stockbridge, the famous progressive boarding school a mile down the road from the Tanglewood music festival in western Massachusetts. It was international, interracial, and coeducational, based on the ideals of the UN Charter. My dad, Laurence, taught English and Latin and was also the basketball coach. My mom was the housemother in the boys’ dorm.

  I was a Summer of Love baby, delivered August 10, 1967. It was a few months before the release of the epic counterculture ballad “Alice’s Restaurant,” written by Stockbridge’s most famous alum, Arlo Guthrie, about the time he got arrested there for littering on Thanksgiving Day. Alice was the librarian at Stockbridge before she opened her restaurant.

  Among her various duties Malia also supervised the dining room. The students, wealthy and scholarship alike, had chores, among them setting and clearing the tables after meals, doing the dishes, and cleaning the kitchen.

  I was the only baby on the premises. Throughout the day students and staff stopped and peered at me, captive in my stroller. They liked to shake my feet, tickle my belly, say “Hey little baby, what’s up?” As far as I was concerned the world was a fine and friendly place.

  The day I hit the road Malia had parked me near the door to the dining hall so that she, or anyone else who happened past, could keep an eye on me. Malia’s parenting style was on the far side of casual. She left the room or became involved in a conversation with a student or in some other way stopped paying attention. I saw my chance and was on my way.

  I stumbled along until a cop car pulled up beside me. In all likelihood it was the same officer who busted Arlo only a few years back. He scooped me up by my armpits. Captured. They sat me on a hard chair at the station. Cop called around, finally reaching someone at Stockbridge. Anyone missing a baby girl?

  They’d taken my blond curls at face value.

  The woman who answered the phone in the front office tracked down Malia. She checked my stroller, saw I’d gone AWOL.

  “Tell them to check the diaper,” she said. “It’s got to be Garrett.”

  The police drove me back, dropped me in my mom’s arms. She was more amused than anything. It was the times, and she was that kind of parent.

  LUTHER BURBANK

  WE MOVED TO BERKELEY, California, later the same year, rolling into town on the day of a student protest. The streets were crowded with hippies carrying placards, and cops in riot gear. At a stoplight we watched students with wire cutters snipping through a chain link fence surrounding the People’s Park.

  The Berkeley campus was a hav
en for communist sympathizers, protesters, and sexual deviants, or so said the governor, Ronald Reagan. Even though my mom and dad weren’t students, they fit right in. And my mom had come into a small inheritance, money that allowed them to pick up everything and move west. There, my brother Liam was born.

  Did I know I’d just been granted an ally, a partner in crime? I was only a toddler myself, just two years old. Still, looking at infant Liam was like looking at myself in the mirror, and I absorbed the fact that I was now no longer the baby of the family.

  We moved into a big square-shingled house with a tall redwood tree in the backyard and with a bunch of other people. There was a couple sleeping in a VW van in the driveway, and another couple sleeping in the toolshed, and another couple sleeping in the pantry. I had a little room in the eaves.

  They were all just back from the Peace Corps in India. They smoked pot in a chillum, a carved stone pipe that I liked to carry around the house. The place smelled like incense and pizza, which was what my babysitters fed me when my dad was at work as a waiter and my mom was somewhere out hatching one of her plans. Our babysitters were the other women in the house, all with long, center-parted hair. When no one was looking, which was most of the time, I would go outside to our weedy yard and catch bees with my bare hands. There were huge, overgrown rosebushes and jasmine vines and plenty of bees. From the front porch I could hear them buzzing. I was stung repeatedly, but it was part of the joy of catching them, the feeling of their wings beating between my palms.

  Down the street there was a woman named Geraldine True who’d come to Berkeley from Greece, where she owned a weaving factory. She was a big-deal weaver. My mom bragged about her to the others. Geraldine’s weavings hung in a museum in New York. She was a single mother, her husband an atomic engineer who’d committed suicide at the thought of the bombs he’d had a hand in creating. One day she moved into one of our closets. She and my mother spent hours poring through the Whole Earth Access catalogue, a handbook for people who wanted to get back to the land. They found a forty-acre parcel near a little town called Cazadero in Sonoma County, seven hills east of the Pacific, part of an old sheep ranch. Geraldine knew some other people interested in communal living, including two professors from Stanford named Barbara and Richard, who were eager to invest in the property so that they could study this new trend.