Devil's Bride with Bonus Material

by Stephanie Laurens

  His clenched teeth trumped her clenched teeth. The words, his tone, slid through her, evoking—as he’d no doubt intended—a nebulous, purely instinctive fear.

  By the time she shook free of it, he was smoothly, apparently unhurriedly, steering her through the guests thronging the foyer.

  “No—don’t bother answering.” He didn’t look down; he had the open front door in his sights. “I don’t care what ninnyhammerish notion you’ve taken into your head. You’re leaving. Now.”

  Hale, whole, virgin intacta. Breckenridge only just bit back the words.

  “There is no reason whatever for you to interfere.” Her voice vibrated with barely suppressed fury.

  He recognized her mood well enough—her customary one whenever he was near. Normally he would respond by giving her a wide berth, but here and now he had no choice. “Do you have any idea what your cousins would do to me— let alone your brothers—if they discovered I’d seen you in this den of iniquity and turned a blind eye?”

  She snorted and tried, surreptitiously but unsuccessfully, to free her elbow. “You’re as large as any of them—and demonstrably just as much of a bully. You could see them off.”

  “One, perhaps, but all six? I think not. Let alone Luc and Martin, and Gyles Chillingworth—and what about Michael? No, wait—what about Caro, and your aunts, and . . . the list goes on. Flaying would be preferable—much less pain.”

  “You’re overreacting. Lady Herford’s house hardly qualifies as a den of iniquity.” She glanced back. “There’s nothing the least objectionable going on in that salon.”

  “Not in the salon, perhaps—at least, not yet. But you didn’t go further into the house—trust me, a den of iniquity it most definitely is.”

  “But—”

  “No.” Reaching the front porch—thankfully deserted— he halted, released her, and finally let himself look down at her. Let himself look into her face, a perfect oval hosting delicate features and a pair of stormy gray-blue eyes lushly fringed with dark brown lashes. Despite those eyes having turned hard and flinty, even though her luscious lips were presently compressed into a thin line, that face was the sort that had launched armadas and incited wars since the dawn of time. It was a face full of life. Full of sensual promise and barely restrained vitality.

  And that was before adding the effect of a slender figure, sleek rather than curvaceous, yet invested with such fluid grace that her every movement evoked thoughts that, at least in his case, were better left unexplored.

  The only reason she hadn’t been mobbed in the salon was because none but Furlough had shaken free of the arrestation the first sight of her generally caused quickly enough to get to her before he had.

  He felt his face harden, fought not to clench his fists and tower over her in a sure-to-be-vain attempt to intimidate her. “You’re going home, and that’s all there is to it.”

  Her eyes narrowed to shards. “If you try to force me, I’ll scream.”

  He lost the battle; his fists clenched at his sides. Holding her gaze, he evenly stated, “If you do, I’ll tap you under that pretty little chin, knock you unconscious, tell everyone you fainted, toss you in a carriage, and send you home.”

  Her eyes widened. She considered him but didn’t back down. “You wouldn’t.”

  He didn’t blink. “Try me.”

  Heather inwardly dithered. This was the trouble with Breckenridge—one simply couldn’t tell what he was thinking. His face, that of a Greek god, all clean planes and sharp angles, lean cheeks below high cheekbones and a strong, square jaw, remained aristocratically impassive and utterly unreadable no matter what was going through his mind. Not even his heavy-lidded hazel eyes gave any clue; his expression was perennially that of an elegantly rakish gentleman who cared for little beyond his immediate pleasure.

  Every element of his appearance, from his exquisitely understated attire, the severe cut of his clothes making the lean strength they concealed only more apparent, to the languid drawl he habitually affected, supported that image—one she was fairly certain was a comprehensive façade.

  She searched his eyes—and detected not the smallest sign that he wouldn’t do precisely as he said. Which would be simply too embarrassing.

  “How did you get here?”

  Reluctantly, she waved at the line of carriages stretching along the curving pavement of Wadham Gardens as far as they could see. “My parents’ carriage—and before you lecture me on the impropriety of traveling across London alone at night, both the coachman and groom have been with my family for decades.”

  Tight-lipped, he nodded. “I’ll walk you to it.”

  He reached for her elbow again.

  She whisked back. “Don’t bother.” Frustration erupted; she felt sure he would inform her brothers that he’d found her at Lady Herford’s, which would spell an end to her plan—one which, until he’d interfered, had held real promise. She gave vent to her temper with an infuriated glare. “I can walk twenty yards by myself.”

  Even to her ears her words sounded petulant. In reaction, she capped them with, “Just leave me alone!”

  Lifting her chin, she swung on her heel and marched down the steps. Head determinedly high, she turned right along the pavement toward where her parents’ town carriage waited in the line.

  Inside she was shaking. She felt childish and furious— and helpless. Just as she always felt when she and Brecken-ridge crossed swords.

  Blinking back tears of stifled rage, knowing he was watching, she stiffened her spine and marched steadily on.

  From the shadows of Lady Herford’s front porch, Breckenridge watched the bane of his life stalk back to safety. Why of all the ladies in the ton it had to be Heather Cynster who so tied him in knots he didn’t know; what he did know was that there wasn’t a damned thing he could do about it. She was twenty-five, and he was ten years and a million nights older; he was certain she viewed him at best as an interfering much older cousin, at worst as an interfering uncle.

  “Wonderful,” he muttered as he watched her stride fearlessly along. Once he saw her safely away . . . he was going to walk home. The night air might clear his head of the distraction, of the unsettled, restless feeling dealing with her always left him prey to—a sense of loneliness, and emptiness, and time slipping away.

  Of life—his life—being somehow worthless, or rather, worth less—less than it should.

  He didn’t, truly didn’t, want to think about her. There were ladies among the crowd inside who would fight to provide him with diversion, but he’d long ago learned the value of their smiles, their pleasured sighs.

  Fleeting, meaningless, illusory connections.

  Increasingly they left him feeling cheapened, used. Unfulfilled.

  He watched the moonlight glint in Heather’s wheat gold hair. He’d first met her four years ago at the wedding of his biological stepmother, Caroline, to Michael AnstrutherWetherby, brother of Honoria, Duchess of St. Ives and queen of the Cynster clan. Honoria’s husband, Devil Cynster, was Heather’s oldest cousin.

  Although Breckenridge had first met Heather on that day in sunny Hampshire, he’d known the male Cynster cousins for more than a decade—they moved in the same circles, and before the cousins had married, had shared much the same interests.

  A carriage to the left of the house pulled out of the line. Breckenridge glanced that way, saw the coachman set his horses plodding, then looked right again to where Heather was still gliding along.

  “Twenty yards, my arse.” More like fifty. “Where the damn hell is her carriage?”

  The words had barely left his lips when the other carriage, a traveling coach, drew level with Heather.

  And slowed.

  The coach’s door swung open and a man shot out. Another leapt down from beside the driver.

  Before Breckenridge could haul in a breath, the pair had slipped past the carriages lining the pavement and grabbed Heather. Smothering her shocked cry, they hoisted her up, carried her to the coach, a
nd bundled her inside.

  “Hey!” Breckenridge’s shout was echoed by a coachman a few carriages down the line.

  But the men were already tumbling through the coach door as the coachman whipped up his horses.

  Breckenridge was down the steps and racing along the pavement before he’d even formed the thought of giving chase.

  The traveling coach disappeared around the curve of the crescent that was Wadham Gardens. From the rattle of the wheels, the coach turned right up the first connecting street.

  Reaching the carriage where the coachman who’d yelled now sat stunned and staring after the kidnappers’ coach, Breckenridge climbed up and grabbed the reins. “Let me. I’m a friend of the family. We’re going after her.”

  The coachman swallowed his surprise and released the reins.

  Breckenridge swiftly tacked and, cursing at the tightness, swung the town carriage into the road. The instant the conveyance was free of the line, he whipped up the horses. “Keep your eyes peeled—I have no idea which way they might go.”

  “Aye, sir—my lord. . . .”

  Briefly meeting the coachman’s sideways glance, Breckenridge stated, “Viscount Breckenridge. I know Devil and Gabriel.” And the others, but those names would do.

  The coachman nodded. “Aye, my lord.” Turning, he called back to the groom, hanging on behind. “James—you watch left and I’ll watch right. If we miss seeing them, you’ll need to hop down at the next corner and look.”

  Breckenridge concentrated on the horses. Luckily there was little other traffic. He made the turn into the same street the coach had taken. All three of them immediately looked ahead. Light from numerous street flares garishly illuminated an odd-angled four-way intersection ahead.

  “There!” came a call from behind. “That’s them— turning left into the bigger street.”

  Breckenridge gave thanks for James’s sharp eyes; he’d only just glimpsed the back of the coach himself. Urging the horses on as quickly as he dared, they reached the intersection and made the turn—just in time to see the coach turn right at the next intersection.

  “Oh,” the coachman said.

  Breckenridge flicked a glance his way. “What?”

  “That’s Avenue Road they’ve just turned into—it merges into Finchley Road just a bit along.”

  And Finchley Road became the Great North Road, and the coach was heading north. “They might be heading for some house out that way.” Breckenridge told himself that could be the case . . . but they were following a traveling coach, not a town carriage.

  He steered the pair of blacks he was managing into Avenue Road. Both the coachman and James peered ahead.

  “Yep—that’s them,” the coachman said. “But they’re a way ahead of us now.”

  Given the blacks were Cynster horses, Breckenridge wasn’t worried about how far ahead their quarry got. “Just as long as we keep them in sight.”

  As it transpired, that was easier said than done. It wasn’t the blacks that slowed them but the plodding beasts drawing the seven conveyances that got between them and the traveling coach. While rolling along the narrow carriage-ways through the outskirts of the sprawling metropolis, past Cricklewood through to Golders Green there was nowhere Breckenridge could pass. They managed to keep the coach in sight long enough to feel certain that it was, indeed, heading up the Great North Road, but by the time they reached High Barnet with the long stretch of Barnet Hill beyond, they’d lost sight of it.

  Inwardly cursing, Breckenridge turned into the yard of the Barnet Arms, a major posting inn and one at which he was well known. Halting the carriage, to the coachman and James he said, “Ask up and down the road—see if you can find anyone who saw the coach, if they changed horses, any information.”

  Both men scrambled down and went. Breckenridge turned to the ostlers who’d come hurrying to hold the horses’ heads. “I need a curricle and your best pair—where’s your master?”

  Half an hour later, he parted from the coachman and James. They’d found several people who’d seen the coach, which had stopped briefly to change horses at the Scepter and Crown. The coach had continued north along the highway.

  “Here.” Breckenridge handed the coachman a note he’d scribbled while he’d waited for them to return. “Give that to Lord Martin as soon as you can.” Lord Martin Cynster was Heather’s father. “If for any reason he’s not available, get it to one of Miss Cynster’s brothers, or, failing them, to St. Ives.” Breckenridge knew Devil was in town, but he was less certain of the others’ whereabouts.

  “Aye, my lord.” The coachman took the note, raised a hand in salute. “And good luck to you, sir. Hope you catch up with those blackguards right quick.”

  Breckenridge hoped so, too. He watched the pair climb up to the box seat of the town carriage. The instant they’d turned it out of the yard, heading back to London, he strode to the sleek phaeton waiting to one side. A pair of grays the innkeeper rarely allowed to be hired by anyone danced between the shafts. Two nervous ostlers held the horses’ heads.

  “Right frisky, they are, m’lord.” The head ostler followed him over. “They haven’t been out in an age. Keep telling the boss he’d be better off letting them out for a run now and then.”

  “I’ll manage.” Breckenridge swung up to the phaeton’s high box seat. He needed speed, and the combination of phaeton and high-bred horses promised that. Taking the reins, he tensioned them, tested the horses’ mouths, then nodded to the ostlers. “Let ’em go.”

  The ostlers did, leaping back as the horses surged.

  Breckenridge reined the pair in only enough to take the turn out of the yard, then he let them have their heads up Barnet Hill and on along the Great North Road.

  For a while, managing the horses absorbed all of his attention, but once they’d settled and were bowling along, the steady rhythm of their hooves eating the miles with little other traffic to get in their way, he could spare sufficient attention to think.

  To give thanks the night wasn’t freezing given he was still in his evening clothes.

  To grapple with the realization that if he hadn’t insisted Heather leave Lady Herford’s villa—hadn’t allowed her to walk the twenty-cum-fifty yards along the pavement to her carriage alone—she wouldn’t have been in the hands of unknown assailants, wouldn’t have been subjected to whatever indignities they’d already visited on her.

  They would pay, of course; he’d ensure that. But that in no way mitigated the sense of horror and overwhelming guilt that it was due to his actions that she was now in danger.

  He’d intended to protect her. Instead . . .

  Jaw clenched, teeth gritted, he kept his eyes on the road and raced on.

  IN PURSUIT OF ELIZA CYNSTER INTERVIEW:

  Eliza is a subtly different sort of heroine to your usual type. Why is this?

  Put simply, Eliza is the middle sister. Any middle sibling has different character traits to either the oldest or the youngest. So Eliza emerged as the sister who was less inclined to outdoor pursuits – who in her own words, enjoys embroidering! She plays the pianoforte and the harp and sings like an angel. She’s quieter, but neither shy nor truly reserved. At the start of the story, in her eyes, and that of society, she is the quiet, softer, gentler sister—and she believes she’s less adventurous, and, even if she never puts it into words, she believes she’s distinctly less capable than Heather or Angelica. What happens during the story challenges, tests, and ultimately rescripts that view. The physical journey of her kidnapping, rescue, and escape to safety parallels a personal journey of self-discovery as she is lifted out of her comfortable world and placed into another, more difficult and dangerous world, and faced with hurdle after hurdle which, together with the hero, she must overcome. More than any other heroine of mine, Eliza is a heroine who transforms. And love—falling in love, learning how to deal with that and fighting to hold onto it—plays a big part in her end result.

  Jeremy is also a new play on the old archetyp
e – what were the reasons for him being so?

  Jeremy is a character I established long ago (in The Lady Chosen) and have had simmering on my back burner ever since. I needed the right heroine, and the right sort of plot, to bring him to the boil, so to speak – to fully realize him as a hero, I had to have the right challenge. We first met him as a scholar; he is now a world-renown expert on hieroglyphics. His identity is firmly established as “scholar,” not just in his mind but in that of all others. He is comfortable and his life appears full and rewarding, except...his emotional future looks empty and potentially bleak. At the start of the story, he has accepted that all is not perfect in his world, that he wants a wife and family, as all those around him—warriors though they may be—have. But of course, being a scholar, his view of the wife he needs is of someone quiet, mild, and capable. But the thought has barely occurred when he is distracted by having to rescue Eliza. Only he can, and he accepts that he must. What Jeremy discovers through the chase, rescue, and escape, is that he is not just a scholar, but that he, too, possesses a “warrior” side. His interaction with Eliza evokes this warrior side, and through pursuing a relationship with her, he merges and embeds this until now dormant side of his personality into who he becomes. He, too, changes through the story, although in his case, it’s more in the way of adding and integrating the missing piece of himself into his whole. And because he is not solely a “warrior” but a “scholar-warrior” and therefore potentially something more, this changes how he, at the end, approaches the question of acknowledging love – what he does is very definitely a new twist on the old archetype!

  Were there any special challenges in plotting this book?

  In writing the second work in a trilogy, there’s always a balance to be struck between what can be revealed and what must be withheld for the third book. Book 1 is usually easy, because you have so much to set up and can race into the story. Book 3 – well, in this case, I knew most of what happens in the last book before I started writing the first. But Book 2 is often the hardest to pull off – in this case, I was very grateful I had two such strong and fascinating characters as hero and heroine to claim center stage…and in the background our mysterious laird and his motives are being more and more revealed. However, in this trilogy, there was an additional challenge – both Book 1 and Book 2 had to involve abduction, chase, rescue, and escape – in other words, a journey. In the first book, the “journey” was pretty evenly divided between chase, rescue and escape, and the escape wasn’t under serious and immediate threat. In this second book, it needed to have a different feel – so Book 2’s journey is quick on abduction and chase, has more rescue, but is mostly about the escape—and that escape is under serious and constant threat. So Book 1 and Book 2, although moving through similar plot sequences, “read” very differently – the experience the reader gets from each book will be different and unique.