Three Doors to Death (The Rex Stout Library)

by Rex Stout

  "No matter. Mrs. Whitten?"

  "She's in on the lie, of course. Probably she clucked them into it. During Landy's life he was absolutely the rooster, and she merely came along with the flock, but when he died she took command and kept it. She is of the flock, by the flock, and for the flock, or at least she was until Whitten got his hooks in. Since her marriage she has unquestionably been for Whitten, though there has been no sign that she intended to swear off clucking – at least there wasn't until a month ago, when she installed Whitten in the big corner office that had been Landy's. Pompa never moved into it. She is fifty-four, fairly bright, watches her figure, and looks as healthy as she is."

  "Have you seen her?"

  "How could I? She wouldn't even talk to you on the phone."

  "The son, Mortimer. Is he really in a scrape? Does he urgently need money?"

  "Sure, I suppose so, like lots of other people, but this girl trouble is apparently nothing desperate, only enough of a mess so they could drag it in. About people urgently needing money, who knows? Maybe they all do. Jerome owns part of a real estate business, but he's a big spender. Mortimer could owe a million. Eve and her husband might be betting on horse races, if you want to be trite. Phoebe may want to finance a big deal in narcotics, though that would be pretty precocious at twenty-four. There are plenty -"

  "Archie. Quit talking. Report."

  I did so. It filled an hour and went on into the second, my display of all the little scraps I had collected, while Wolfe leaned back with his eyes closed and Marko obviously got more and more irritated. When the question period was finished too Marko exploded.

  "Sacred Father above! If I prepared a meal like this my patrons would all starve to death! Pompa will die not of fear but of old age!"

  Wolfe made allowances. "My friend," he said patiently, "when you are preparing a meal the cutlet or loin does not use all possible resource, cunning, resolution, and malice to evade your grasp. But a murderer does. Assuming that Mr. Pompa is innocent, as I do on your assurance, manifestly one of those six people is behind a shield that cannot be removed by a finger's flick. They may even be in concert, if one of them went upstairs and dealt with Mr. Whitten while Mrs. Whitten and Mr. Pompa were in the living room. But before I can move I must start." Wolfe looked at the clock on the wall, which said ten past ten, and then at me. "Archie."

  "Yes, sir."

  "Get them down here. As many of them as possible."

  "Yeah. During the week?"

  "Tonight. Now."

  I gawked at him. "You don't mean it."

  "The devil I don't." He was positively serious. "You probably can't do it, but you can try. Confound it, look at Marko! At least you can bring the younger daughter. A woman that age likes to be with you no matter where you go, heaven knows why."

  "It's my glass eye and wooden leg." I stood up. "This is Wednesday. Hold your breath until Saturday." I crossed to the door, and asked over my shoulder, "Have you any suggestions?"

  "None. The circumstances may offer one."

  IV

  Since there would be no parking problem in the East Seventies at that hour, I decided to take my own wheels and went around the corner to the garage for the car.

  On the way uptown I went over it. I was quite aware that Wolfe didn't really expect me to deliver, not even Phoebe. He merely wanted to get Marko off his neck, and sending me out to pass a miracle was his first and most natural notion, and also the least trouble for him. He knew it would make me sore, so the first thing I decided was not to be sore. When, stopping for a light on Fifth Avenue in the Forties, I caught myself muttering, "The fat lazy bum," I saw that wasn't working very good and took a fresh hold. I parked a few yards west of the house I wanted to get into, on the same side of the street, just back of a dark gray sedan with an MD plate alongside the license. Sitting there with my eyes on the house entrance, which was the sort of granite portal to be expected in that upper-bracket neighborhood, I tried going over it again. I could get the door to open just by pushing the bell button. I could get inside by the momentum of 180 pounds. There were even simple stratagems that would probably get me to Mrs. Whit-ten. But what about from there on? With the house right there in front of me I got ambitious. It would be nice to make a delivery that Wolfe didn't expect. The notion of playing it straight, saying that we had been engaged by Pompa and would like to have a conversation with the family, had been rejected before I had got to 42nd Street. I had other notions, some risky, some screwy, and some clever, but nothing that seemed to fit all the requirements. When I looked at my wrist watch and saw 10:40 I decided I had better settle for one and shoot it, did so, and climbed out to the sidewalk. As I swung the car door shut, I saw a man emerging from the entrance I was bound for. The light wasn't very bright there, but there was plenty to see that it wasn't either of the sons or the son-in-law. He was past middle age, and he was carrying the kind of black case that means doctor anywhere. He crossed the sidewalk to the gray sedan with an MD plate on it, got in, and rolled away. Naturally, with my training and habits, I automatically noted the license number and filed it.

  I walked to the portal, entered the vestibule, and pushed the button. In a moment the door opened enough to show me a baldheaded guy in conventional black, with a big pointed nose, and to show me to him.

  "My name is Archie Goodwin," I informed him, "and I would like to see Mrs. Whitten."

  He said authoritatively, "No newspapermen are being admitted," and started to close the door. My foot stopped it after a couple of inches.

  "You have newspapermen on the brain," I told him courteously but firmly. "I happen to be a detective." I got my card case from my pocket. "Like this." I pulled my license card, with photograph and thumbprint, from under the cellophane and handed it to him, and he inspected it.

  "This does not indicate," he asserted, "that you are a member of the police force."

  "I didn't say I was. I merely -"

  "What's the trouble, Borly?" a voice came from behind him. He turned, and the pressure of my foot made the door swing in more. Since an open door is universally regarded as an invitation to enter, I crossed the threshold.

  "There's no trouble, Mr. Landy," I said cheerfully. "The butler was just doing his duty." As I spoke two other men came in sight from a door to the right, which made it four to one. I was going on. "My name's Goodwin, and I work for Nero Wolfe, and I want to see Mrs. Whitten."

  "The hell you do. On out." With a gesture he indicated the door he wished me to use. "I said out!"

  He took a step toward me. I was mildly confused because I hadn't expected to have to deal with a whole quartet immediately on entering. Of course it was no trick to spot them, from their pictures in the papers and descriptions. The one outing me, which he might possibly have done since he was a little bigger, up to heavyweight specifications, with a big red face having eyes too far apart, was Mortimer. The one with dark hair slicked back, wirier and smaller and smarter looking, was his elder brother Jerome. The middle-sized one, who looked like a washed-out high school teacher, was their brother-in-law, the famous columnist who was more widespread than Ambrosia, Daniel Bahr.

  "You can," I admitted, "put me out, but if you wait half a minute you can still put me out. I have come to see Mrs. Whitten on behalf of Miss Julie Alving. It would be only fair to let Mrs. Whitten herself decide whether she wants to see someone who wishes to speak for Miss Alving. If you -"

  "Beat it." He took another step. "You're damn right we can put you out -"

  "Take it easy, Mort." Jerome was approaching, in no haste or alarm. He saw the license card in the butler's hand, took it and glanced at it, and handed it to me. "My mother's upstairs asleep. I'm Jerome Landy. Tell me what you want to say for Miss Alving and I'll see that it gets attention."

  "She's asleep?"

  "Yes."

  "Who's sick?"

  "Sick?"

  "Yeah. 111."

  "I don't know. Not me. Why?"

  "I just saw a doctor le
ave here carrying his case, and of course if he gave her sleeping pills and then stopped for a chat with you, naturally she would be asleep now. It's the way a detective's mind works, that's all." I grinned at him. "Unless she's not the patient. One of your sisters maybe? Anyhow, I have nothing to say for Miss Alving except direct to Mrs. Whitten. I don't know whether she would agree that it's urgent and strictly personal, and there's no way of deciding but to ask her. By tomorrow it might be too late. I don't know about that either."

  "Ask him," suggested Daniel Bahr, who had joined us, "whether it's a request for money. If it is an attempt at a shakedown there is only one possible answer."

  "If that was it," I said, "our blackmail department would be handling it, and I've been promoted from that. That's as far as I can go except to Mrs. Whitten."

  "Wait here," Jerome instructed me, and made for the stairs.

  I stood in quiet dignity, but allowed my eyes to move. This, of course, was the reception hall, with the stairs at the left, the door to the living room on the right, and at the far end the door to the dining room, where the secret meeting of sons and daughters had been held. The hall was large and high-ceilinged and not overfurnished, except maybe a pink marble thing against the wall beyond the living-room door. It had a bare look because there was nothing but a couple of straw mats on the floor, but since it was July that was understandable. The only action while Jerome was gone was Mortimer's dismissing the butler, who disappeared through the door to the dining room.

  It wasn't too long before Jerome came halfway down the stairs and called to me.

  "Up here, Goodwin."

  I mounted to join him. On the landing above he turned to face me.

  "You'll keep it brief. I'm telling you. Is that understood?"

  "Sure."

  "My mother's in bed but not asleep. The doctor didn't give her sleeping pills because she doesn't need them. Her heart isn't as good as it might be, and what happened here night before last, and these two days – I tried to persuade her not to see you, but she takes a lot of persuading. You'll make it brief?"

  "Sure."

  I followed him up to the third floor, which seemed a bad location for a woman with a weak heart, and into a room at the front. Inside I halted. Within range there was not one woman, but three. The one standing over by the bed, dark and small like Jerome, was Eve. The one who had been doing something at a bureau and turned as we entered was Phoebe, the child who, according to my day's collection of scraps, most resembled her father. My quick glance at her gave me the impression that Father could have asked for no nicer compliment. Jerome was pronouncing my name, and I advanced to the bedside. As I did so there were steps to my rear and I swiveled my neck enough to get a glimpse of Mortimer and Daniel Bahr entering. That made it complete – all the six that Wolfe wanted to see!

  But not for long. A voice of authority came from the bed.

  "You children get out!"

  "But mother -"

  They all protested. From the way she insisted, not with any vehemence, it was obvious that she took obedience for granted, and she got it, though for a moment I thought Phoebe, who was said to resemble her father, might stick it. But she too went, the last one out, and closed the door after her as instructed.

  "Well?" Mrs. Whitten demanded. She took in a long breath, with a long loud sigh. "What about Miss Alving?"

  She was lying flat on her back with a thin blue silk coverlet nearly up to her throat, and against the blue pillow her face was so pale that I might not have recognized her from the pictures and descriptions. That made her look older, of course, and then her hair was in no condition for public display. But the snap and fire were in her eyes, as specified, and the firm pointed chin was even exaggerated at that angle.

  "What about her?" she repeated impatiently.

  "Excuse me," I apologized. "I was wondering if I should bother you after all – right now. You look sick."

  "I'm not sick. It's only – my heart." She took a long sighing breath. "What would you expect? What about Miss Alving?"

  I could and would have done better if my mind had been on it, but it wasn't. I couldn't even remember which tack I had decided to take, because an interesting idea had not only entered my head but evicted all the previous tenants. But I couldn't just turn on my heel and blow, so I spoke.

  "I don't want to be crude, Mrs. Whitten, but you understand that while you have your personal situation and problems, other people have theirs. At least you will grant that the death of Floyd Whitten means more to Miss Alving than it does to people who never knew him, though they're all reading about it and talking about it. The idea was for Nero Wolfe to have a little talk with you regarding certain aspects of the situation which are of special interest to Miss Alving."

  "I owe Miss Alving nothing." Mrs. Whitten had raised her head from the pillow, aiming her eyes at me, but now she let it fall back, and again she sighed, taking in all the air she could get. "It is no secret that my husband knew her once, but their – it was ended when he got married. That is no secret either."

  "I know that," I agreed. "But I couldn't discuss things even if I knew about them. I'm just a messenger boy. My job was to arrange for Mr. Wolfe to talk with you, and it looks as if I'll have to pass it up for now, since he never leaves his house to see anyone on business, and you can't very well be expected to leave yours if your doctor has put you to bed." I grinned down at her. "That's why I apologized for bothering you. Maybe tomorrow or next day?" I backed away. "I'll phone you, or Mr. Wolfe will."

  Her head had come up again. "You're going to tell me," she said in a tone that could not have been called a cluck, "exactly why Miss Alving sent you here to annoy me."

  "I can't," I told her from the door. "Because I don't know. And I promised your son I'd make it brief." I turned the knob and pulled. "You'll be hearing from us."

  Two daughters and a son were out on the landing. "Okay," I told them cheerfully, got by, and started down. Bahr and Mortimer were in the reception hall, and I nodded as I breezed past, opened the door for myself, and was out.

  Since what I wanted was the nearest phone booth, I turned left, toward Madison, and one block down, at the corner, entered a drug store.

  Routine would have been to call Wolfe and get his opinion of my interesting idea, but he had sicked me onto them with nothing to go by but his snooty remark that circumstances might offer suggestions, so I went right past him. I could have got what I wanted from 20th Street, but if I got a break and my hunch grew feathers I didn't want the Homicide boys in on it, so the number I dialed was that of the Gazette office. Lon Cohen was always there until midnight, so I soon had him.

  "I'm looking," I told him, "for a good doctor to pierce my ears for earrings, and I think I've found one. Call me at this number" – I gave it to him – "and tell me who New York license UMX four three three one seven belongs to."

  He had me repeat it, which shouldn't have been necessary with a veteran newspaperman. I hung up and did my waiting outside the booth, since the temperature inside was well over a hundred. The phone rang in five minutes, exactly par for that routine item of research, and a voice – not Lon's, for he was a busy man at that time of night – gave me a name and address: Frederick M. Cutler, M.D., with an office on East 65th and a residence on Park Avenue.

  It was ten blocks away, so I went for the car and drove it, parked on the avenue a polite distance from the canopy with the number on it, and went in. The lobby was all it should have been in that locality, and the night man took exactly the right attitude toward a complete stranger. On my way I had decided what would be exactly the right attitude for me.

  "Dr. Frederick M. Cutler," I said. "Please phone up."

  "Name?"

  "Tell him a private detective named Goodwin has an important question to ask him about the patient he was visiting forty minutes ago."

  I thought that would do. If that got me to him my hunch would already have an attractive fuzz on its bare pink skin. So when, after finish
ing at the phone, he crossed to the elevator with me and told his colleague I was to be conveyed to 12C, my heart had accelerated a good ten per cent.

  At 12C I was admitted by the man I had seen leaving the Whitten house with his black case. Here, with a better view of him, I could note such details as the gray in his hair, his impatient gray-blue eyes, and the sag at the corners of his wide full mouth. Also I could see, through an arch, men and women at a couple of card tables in the large room beyond.

  "Come this way, please," my victim said gruffly, and I followed him down a hall and through a door. This was a small room, its walls solid with books, and a couch, a desk, and three chairs, leaving no space at all. He closed the door, confronted me, and was even gruffer.

  "What do you want?"

  The poor guy had already given me at least half of what I wanted, but of course he would have had to be very nifty on the draw not to.

  "My name," I said, "is Archie Goodwin, and I work for Nero Wolfe."

  "So that's who you are. What do you want?"

  "I was sent to see Mrs. Floyd Whitten, and while I was parking my car in front I saw you leaving her house. Naturally I recognized you, since you are pretty well known." I thought he might as well have a lump of sugar. "I went in and had a little talk with Mrs. Whitten up in her bedroom. Her son said, and she said, that the trouble was her heart. But then how come? There is a widespread opinion that she is in splendid health and always has been. At her age she plays tennis. She walks up two flights to her bedroom.

  People who know her admire her healthy complexion. But when I saw her, there in bed, she was as pale as a corpse, in fact she was pale like a corpse, and she kept taking long sighing breaths. I'm not a doctor, but I happen to know that those two symptoms – that kind of pallor and that kind of breathing – go with a considerable loss of blood, say over a pint. She didn't have a cardiac hemorrhage, did she?"

  Cutler's jaw was working. "The condition of my patient is none of your business. But Mrs. Whitten has had an extremely severe shock."