The Age of Water Lilies

by Theresa Kishkan

  The Age of Water Lilies

  Theresa Kishkan

  Contents

  Title Page

  Dedication/Epigraph

  Part One

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Part Two

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Part Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Chapter Twenty-Seven

  Chapter Twenty-Eight

  Chapter Twenty-Nine

  Chapter Thirty

  Chapter Thirty-One

  Chapter Thirty-Two

  Chapter Thirty-Three

  About the Author

  Acknowledgments

  Copyright

  For my parents, the Fairfield years

  ~

  To remember Walhachin is to set a place

  at the table for the absent . . .

  —Stephen Hume

  PART ONE

  Grace

  ONE

  April 1962

  Begin with rain, the soft water splashing down from broad new leaves and needles onto the pavement, the call of crows unearthly over the graves. Primroses show yellow blooms, daisies dust the ground like snow, daffodils emerge in the wide clearances of grass, while the voices of children ring out from the breakwater where a seal has washed ashore, half its belly eaten. A girl is on her stomach, oblivious to rain, her ear against the earth, listening.

  Begin with that girl, age seven, riding a bike along the verdant narrow lanes of the Ross Bay Cemetery, past the blind angels, the obelisks, past the exotic trees planted on the slope of land overlooking the Strait of Juan de Fuca, the lights of Port Angeles twinkling in the distance as dusk settles on the neighbourhood. A girl who has played under the floor joists of Stewart Monumental Works in sand ground down from slabs of granite and marble shaped into tombstones, hoardings used for cement, to anchor the stones of memory. She has breathed in the dust of both the dead and their markers in air stung with salt, broken by gulls. This girl has gone to sit in a kitchen near the corner of May Street and Memorial Crescent where an elderly lady poured tea into cups of thin china mottled with roses and offered biscuits from a tin crowned with dour Queen Victoria. There were also squares of oatcake filled with sweet dates.

  “If you lie on the ground by the Spencers, you can hear the buried stream,” the girl told the woman. “You can hear it in the park by our house too, gurgling under the far corner, almost where your fence is. But it’s loudest by Mr. Spencer’s obelisk. Did you know his family still runs his store downtown? It’s where we go to shop for clothes for going back to school. There, and sometimes Tang’s Pagoda.”

  “A good store,” agreed the woman, who had shopped at Spencer’s Store for nearly fifty years. She liked to enter the cool premises, to move between the tables stacked with sturdy sweaters that sailors might wear, and then up one step to where the Ladies’ Apparel hung neatly on railings with curtained fitting rooms kept swept and waiting. It was an entirely serviceable store. “And why do you like to listen to water?”

  “It seems wrong somehow for a creek to travel underground. You can see where one comes out at the sea if you stand on the breakwater. Why would anyone bury a stream?”

  The woman smiled. “My dear, more is buried in a cemetery than you could imagine. Think of its secrets. I often do. Notes tucked into burial suits, two stones placed at a woman’s feet, unspoken names on the lips of the people who have just died. And the living think of the dead as their anchors, keeping them close and steady. One day I will tell you about one of the graves, speaking of secrets. But you will be older, I think, and might not be so interested. And perhaps I should not talk to you about such things so I will pass you this plate and you may help yourself to another matrimonial square.”

  The girl could not imagine a day when she would be uninterested in the cemetery and its secrets. It was her favourite place to play. There, and the shelter under the monumental works office, where tall posts supported the back part of the building—it was built on a hill—where bins of sand waited for children to bury themselves like the dead. The girl and her brothers played there, the fine sand, pink and grey and bone white, lingering afterwards in their socks and shoes, the cuffs of their trousers where they were rolled up to last over a growth spurt. Brushing the children’s clothing off on the veranda before allowing them into the house, their mother would sigh and make them remove their shoes. She shook the sand into beds of peonies and azaleas planted against the foundation. The girl remembered the weight of sand on her chest when her brothers buried her the last time, new creamy sand, fresh and clean, untouched yet by cats. In the yard of the monumental works, the men laboured on a stone and called hello as the children darted under the joists.

  In the pink house with its gracious windows looking out to the cemetery, the girl gazed around her as she drank her tea, milky and lukewarm. There were paintings everywhere, and drawings framed by thin wood. Some of the drawings showed a girl, some showed rows of trees and a big sky stretched over top. One was a village with stone walls, soft colour washed over ink. Somehow there was sunlight in it. One showed two horses in stomach-high grass, a shed off to one side.

  “Were the horses yours?” the girl asked.

  The woman, who was Miss Oakden, looked for a long time at that drawing. “No,” she said finally. “No, they belonged to someone else. They were special horses. The one with his head down is the one I rode. His name was Agate and he really was that colour, like caramel. The other one was Flight and she could run. Oh, my, she could run! The Indians had races on the flats by the river, and Flight would put all the other horses to shame, even the quick Indian ponies.”

  The girl, who was Tessa, wondered about that for a moment. And then, “Which Indians do you mean?” The only Indians she could think of were the ones on television, with war paint and bonnets made of feathers. There were some out at Tsawout, near where her family sometimes went for picnics at Island View Beach. Tessa had watched a girl and her mother dig clams where the public beach ended and the Reserve began. But she had never seen horses there.

  “It was such a long time ago, Tessa. Another world, really. One day I will tell you. But now I think I want to have a rest. Take some squares home to your brothers, my dear. Here, I will wrap them up for you.”

  TWO

  April–May 1913

  A small girl dozes on a blanket under an apple tree in an orchard of flowering trees, her body warm in the layers of dress and pinafore, stockings, bloomers, undervest. She is almost asleep and doesn’t hear her name for the first few calls. Flora, Flora. The voice comes closer. Flora, come and see what I’ve found. And she is awake, rubbing her eyes, rising, calling, Where are you, George? And, unseen, he is directing her to find her way through a gap in the hedge, a small passage that only a child as young as five could fit through, and into the pasture, the one sloping down to the water meadows by the river.

  She runs in the direction of her brother’s voice. She sees him coming across the pasture, something over his shoulders. Is it, is it . . .
? She doesn’t know what it is. She runs closer. Flora, look what I found in the swamp. Do you remember old Dobbin? And she sees he is carrying a rocking horse on his back, the head looking over his shoulders. Mud falls from the burden, long weeds drip from its body. For a moment she doesn’t know what to think. Why would . . . ? But then she recognizes the horse. It is a moment heavy with memory and recognition.

  Dobbin. How could she have forgotten Dobbin?

  He had been her favourite plaything, a horse to ride by the nursery window where she watched the hunt gathering on the cobbles of the front drive, her father seeing her in the window and waving his crop, handsome in his scarlet coat and bowler, the hounds taut on their leads as the Master waited for the moment when they could be released to take the hunt far over the fields in pursuit of the fox. She would make Dobbin gallop as she watched and waved. When she was three, she asked her brother to move Dobbin out to the wide stone terrace, so she could ride him in air pungent with horses. Her mother would not allow her down off the half-moon of stone, fearful of what might happen in the excitement of dogs and mounts. A few of the horses danced sideways as their riders drank a stirrup-cup of mulled wine before heading out onto the field.

  Dobbin had been forgotten overnight on the terrace. The next morning, he was nowhere to be found. Later, when Flora’s father, Henry Oakden, tried to work out what might have happened, the cook remembered that gypsies had come with a cart to sharpen knives and it was assumed they had taken the horse, though when their camp was approached, the patriarch questioned, any knowledge of a child’s plaything was denied. Henry and his groom were invited to look inside the caravans themselves, if they liked.

  And Flora had forgotten about her rocking horse. Two years later, she was the owner of a fat grey Welsh pony, her own riding habit, pretty boots. And she had been dozing in the orchard after a picnic lunch, her mother having left her in the safety of grass to deadhead the roses while the nanny took the basket back to the house. Now this: Dobbin returning over the pasture, a gift of sorts from her older adored brother, who was saying that he didn’t suppose the rocking horse could be cleaned of its long residence in the slough but that he would give it to their gardener, Higgins, to see what might be done.

  Flora, Flora. She could still hear her brother calling but realized she was not at Watermeadows at all. She was lying on ground among the apple trees at Walhachin. You could not yet call it a mature orchard, although the settlers were optimistic about the future. Rows of thin trees, a few blossoms opening to the sun, some of the rows in between the trees planted with potatoes and onions, some with tobacco. Grass and sage grew also, and plants with burrs or sticky pods or prickles. Nothing was lush or verdant. Flora had been warned to watch at all times for rattlesnakes although they were found more commonly among the rocks leading down to the river.

  Flora rose from the warm ground and oriented herself to the voice, smoothing her dress, checking for twigs in her hair. Sometimes it seemed to her that George had such expectations of her that she was nervous she could never meet them. She had imagined that there would be more freedom in this new country, spacious and open to match its skies, the wide expanses of earth undulating in the heat, hills shimmering in the distance like mirages. And for some, perhaps there was freedom, or moments of it. She admired the women hanging out sheets on sunny mornings, their bare arms, ruddy and freckled, rising to the lines. Sometimes she’d see them drinking tea on a laundry stoop afterwards, in damp aprons, tendrils of hair escaping from pins. Or walking with children and dogs, bare-headed, laughing, their feet stockingless in sandals. George and Flora had driven to a farm near Ashcroft to take possession of a box of young birds from Norah Careless, who raised chickens and geese and beautiful vegetables and greeted them wearing sturdy trousers and a work shirt such as the labourers wore. There was nothing deferential about her manner. In fact, she corrected almost everything George said until finally he paid her quickly and put the box of young pullets in the boot of the car. He expostulated noisily half the way home.

  “A woman like that, well, it’s no wonder she hasn’t a husband,” sputtered George.

  Flora refrained from commenting that he, in turn, did not have a wife.

  She did not like to disagree with George. Or disappoint him. It took so little. Surely he hadn’t always been like this? She remembered him as a patient and helpful brother when she was young. When he was away at school, she’d send him a little story within a letter, and he’d write back, full of praise, with gentle corrections of her spelling. On his holidays he’d teach her things, help her with projects, include her in outings with his tutors. Now it seemed he was determined that Flora should observe high standards of behaviour and dress. At the sign of a lapse, he would brood in silence until she had seen the error of her ways. Which might have been as slight as not wearing gloves to the hotel for tea. He did not like her to argue with him, although their own parents had had tremendous differences of opinion. The senior Oakdens had led separate lives to some extent, had separate bedrooms, dressing rooms; her father did his botanizing and her mother did needlework when she was not in a dark room with a cool cloth over her eyes. But Flora’s father listened to her mother’s ideas about everything, women’s suffrage included; although he argued with her vigorously, it was without anger. Both parents came from families long planted in rural Wiltshire, each tracing a line back to the Domesday Book. Each was accustomed to people paying attention when he or she spoke. Neither had bothered much with Flora, apart from arranging her debut into society in 1909 and encouraging one or two desultory attempts at courtship by young men who were sniffing for fortune but who did not seem in the least interested in Flora herself.

  There were times Flora wished for someone, a friend, in order to share a particularly potent moment. For instance, at a meeting, Mr. Footner, the man who built most of the houses at Walhachin, had argued heatedly in favour of women having the vote. Flora had been so surprised to hear men refuse to acknowledge that their wives, the women who bore and raised their children and ran their homes, might actually be able to make a wise decision about leadership. These were women who organized dances for the community, raised money, taught piano, and were generally as capable as could be imagined at every task before them. One man shouted, “What next? If they have the vote, there is no saying what they will ask for next!”

  Although she lowered her eyes and said nothing, Flora thought the man deserved a swift retort of the kind she knew she ought to have had at the ready. But if she had difficulty expressing an opinion to George, surely it would be that much harder to reply to a stranger. Still, in her imagination, she was accumulating a list of responses. She was dreaming of a way to be the kind of woman she admired though she had not come up with a way to abandon her gloves just yet. She wished for someone to ask how a vote might be so dangerous a thing for a woman to have that it would incite men to anger and shouts.

  Flora hurried towards her brother’s voice, finding him with their two horses saddled and bridled. “I am taking Fred out to the flume,” he told her, “and I won’t be back for dinner. Mary has put up a lunch for me, and I’ll eat when I can.”

  Mary was the woman who did for them, an Indian from Skeetchestn, the Deadman River village. She hummed as she went about her work, something George did not like but made no objection to, fearing that the woman might decide to leave their service. She really was an efficient worker, polishing the woodwork with lavender wax and keeping the windows clear as the sky. Her biscuits were light, she skimmed the milk and made lovely butter, and she was not averse to cleaning the chicken house. Most households that could afford help had Chinamen; the native women were not thought suitable for inside work. Mary was good, perhaps an exception, though they still might yet come to grief, Flora was told by one matron of the community who sniffed as though she expected to be proven right. Flora had answered airily, “If we come to grief, I am certain it will not be the fault of Mary.” The matron’s face had turned livid. Flora fou
nd it easier somehow, standing up for Mary, who was so hard-working and reliable.

  Flora watched George ride away, mounted on Titan, his gelding, and leading the grey mare for Fred. She wished herself back asleep under the trees, a child again. Or else mounted on the mare, sleeves rolled up to help George with the work ahead. The flume required constant attention. It carried water for the orchards and fields from a creek on the north side of the river, something like twenty miles away, through a system of troughs and trestles made of wood milled in Savona. The weight of water constantly undermined the structure, so the boards warped from water and hot sun; George was not alone in thinking that far too much water was being wasted before it ever reached the trees. One of the labourers, a taciturn fellow called Fred Dunne, shared his frustration. Fred had been involved in the initial construction of the flume before George had arrived from England, but her brother was inclined to listen when Fred suggested ideas for improving the system. They would ride out along the miles of wooden troughs, checking for leaks, for debris, and might not come back to the community until well after dark. Upon his return, George would expect a bath to be ready, clean towels warming on the fender. These were things a servant would do at home at Watermeadows, but this small household ran only with the assistance of Mary, who would be long gone by the time George wanted his bath. So Flora watched the skyline for the sight of the horses and had the bathtub filling as her brother removed his boots and tossed his saddlebag to the floor of the kitchen.

  After his bath, George appeared on the veranda, lighting the oil lamp on the table before him; he drank a small whisky while moths made soft noise around the lamp, a whirr of wings, a click as they touched the glass of the globe, a quiet hiss as they disintegrated in the heat. Flora sat with him while he spoke of the flume, pointing north towards the tracing of its structure on the hill. She wondered what the whisky tasted like but was refused a drink of her own.

  “Whisky is a man’s drink, Flora. Come now! I can’t have my sister drink such a thing. But I will fix you a Pimm’s Cup! How would that be?”