Complete Works of D.H. Lawrence (Illustrated)

by D. H. Lawrence

  “In what way a dodge?” he cried, white with anger and fear.

  “You think the Indians are simpler than us, and so you’ll enjoy being near them and being a lord over them,” she said. “And you’ll feel so righteous, governing them for their own good. Who are you, to feel righteous? What are you righteous about, in your governing? Your governing stinks. What do you govern for, but to make things there as dead and mean as they are here!”

  “I don’t feel righteous in the least,” he said.

  “Then what do you feel? It’s all such a nothingness, what you feel and what you don’t feel.”

  “What do you feel yourself?” he said. “Aren’t you righteous in your own mind?”

  “Yes, I am, because I’m against you, and all your old, dead things,” she cried.

  She seemed, with the last words, uttered in hard knowledge, to strike down the flag that he kept flying. He felt cut off at the knees, a figure made worthless. A horrible sickness gripped him, as if his legs were really cut away, and he could not move, but remained a crippled trunk, dependent, worthless. The ghastly sense of helplessness, as if he were a mere figure that did not exist vitally, made him mad, beside himself.

  Now, even whilst he was with her, this death of himself came over him, when he walked about like a body from which all individual life is gone. In this state he neither heard nor saw nor felt, only the mechanism of his life continued.

  He hated her, as far as, in this state, he could hate. His cunning suggested to him all the ways of making her esteem him. For she did not esteem him. He left her and did not write to her. He flirted with other women, with Gudrun.

  This last made her very fierce. She was still fiercely jealous of his body. In passionate anger she upbraided him because, not being man enough to satisfy one woman, he hung round others.

  “Don’t I satisfy you?” he asked of her, again going white to the throat.

  “No,” she said. “You’ve never satisfied me since the first week in London. You never satisfy me now. What does it mean to me, your having me — ” She lifted her shoulders and turned aside her face in a motion of cold, indifferent worthlessness. He felt he would kill her.

  When she had roused him to a pitch of madness, when she saw his eyes all dark and mad with suffering, then a great suffering overcame her soul, a great, inconquerable suffering. And she loved him. For, oh, she wanted to love him. Stronger than life or death was her craving to be able to love him.

  And at such moments, when he was made with her destroying him, when all his complacency was destroyed, all his everyday self was broken, and only the stripped, rudimentary, primal man remained, demented with torture, her passion to love him became love, she took him again, they came together in an overwhelming passion, in which he knew he satisfied her.

  But it all contained a developing germ of death. After each contact, her anguished desire for him or for that which she never had from him was stronger, her love was more hopeless. After each contact his mad dependence on her was deepened, his hope of standing strong and taking her in his own strength was weakened. He felt himself a mere attribute of her.

  Whitsuntide came, just before her examination. She was to have a few days of rest. Dorothy had inherited her patrimony, and had taken a cottage in Sussex. She invited them to stay with her.

  They went down to Dorothy’s neat, low cottage at the foot of the downs. Here they could do as they liked. Ursula was always yearning to go to the top of the downs. The white track wound up to the rounded summit. And she must go.

  Up there, she could see the Channel a few miles away, the sea raised up and faintly glittering in the sky, the Isle of Wight a shadow lifted in the far distance, the river winding bright through the patterned plain to seaward, Arundel Castle a shadowy bulk, and then the rolling of the high, smooth downs, making a high, smooth land under heaven, acknowledging only the heavens in their great, sun-glowing strength, and suffering only a few bushes to trespass on the intercourse between their great, unabateable body and the changeful body of the sky.

  Below she saw the villages and the woods of the weald, and the train running bravely, a gallant little thing, running with all the importance of the world over the water meadows and into the gap of the downs, waving its white steam, yet all the while so little. So little, yet its courage carried it from end to end of the earth, till there was no place where it did not go. Yet the downs, in magnificent indifference, bearing limbs and body to the sun, drinking sunshine and sea-wind and sea-wet cloud into its golden skin, with superb stillness and calm of being, was not the downs still more wonderful? The blind, pathetic, energetic courage of the train as it steamed tinily away through the patterned levels to the sea’s dimness, so fast and so energetic, made her weep. Where was it going? It was going nowhere, it was just going. So blind, so without goal or aim, yet so hasty! She sat on an old prehistoric earth-work and cried, and the tears ran down her face. The train had tunnelled all the earth, blindly, and uglily.

  And she lay face downwards on the downs, that were so strong, that cared only for their intercourse with the everlasting skies, and she wished she could become a strong mound smooth under the sky, bosom and limbs bared to all winds and clouds and bursts of sunshine.

  But she must get up again and look down from her foothold of sunshine, down and away at the patterned, level earth, with its villages and its smoke and its energy. So shortsighted the train seemed, running to the distance, so terrifying in their littleness the villages, with such pettiness in their activity.

  Skrebensky wandered dazed, not knowing where he was or what he was doing with her. All her passion seemed to be to wander up there on the downs, and when she must descend to earth, she was heavy. Up there she was exhilarated and free.

  She would not love him in a house any more. She said she hated houses, and particularly she hated beds. There was something distasteful in his coming to her bed.

  She would stay the night on the downs, up there, he with her. It was midsummer, the days were glamorously long. At about half-past ten, when the bluey-black darkness had at last fallen, they took rugs and climbed the steep track to the summit of the downs, he and she.

  Up there, the stars were big, the earth below was gone into darkness. She was free up there with the stars. Far out they saw tiny yellow lights — but it was very far out, at sea, or on land. She was free up among the stars.

  She took off her clothes, and made him take off all his, and they ran over the smooth, moonless turf, a long way, more than a mile from where they had left their clothing, running in the dark, soft wind, utterly naked, as naked as the downs themselves. Her hair was loose and blew about her shoulders, she ran swiftly, wearing sandals when she set off on the long run to the dew-pond.

  In the round dew-pond the stars were untroubled. She ventured softly into the water, grasping at the stars with her hands.

  And then suddenly she started back, running swiftly. He was there, beside her, but only on sufferance. He was a screen for her fears. He served her. She took him, she clasped him, clenched him close, but her eyes were open looking at the stars, it was as if the stars were lying with her and entering the unfathomable darkness of her womb, fathoming her at last. It was not him.

  The dawn came. They stood together on a high place, an earthwork of the stone-age men, watching for the light. It came over the land. But the land was dark. She watched a pale rim on the sky, away against the darkened land. The darkness became bluer. A little wind was running in from the sea behind. It seemed to be running to the pale rift of the dawn. And she and he darkly, on an outpost of the darkness, stood watching for the dawn.

  The light grew stronger, gushing up against the dark sap-hire of the transparent night. The light grew stronger, whiter, then over it hovered a flush of rose. A flush of rose, and then yellow, pale, new-created yellow, the whole quivering and poising momentarily over the fountain on the sky’s rim.

  The rose hovered and quivered, burned, fused to flame, to a transient red,
while the yellow urged out in great waves, thrown from the ever-increasing fountain, great waves of yellow flinging into the sky, scattering its spray over the darkness, which became bluer and bluer, paler, till soon it would itself be a radiance, which had been darkness.

  The sun was coming. There was a quivering, a powerful terrifying swim of molten light. Then the molten source itself surged forth, revealing itself. The sun was in the sky, too powerful to look at.

  And the ground beneath lay so still, so peaceful. Only now and again a cock crew. Otherwise, from the distant yellow hills to the pine trees at the foot of the downs, everything was newly washed into being, in a flood of new, golden creation.

  It was so unutterably still and perfect with promise, the golden-lighted, distinct land, that Ursula’s soul rocked and wept. Suddenly he glanced at her. The tears were running over her cheeks, her mouth was working strangely.

  “What is the matter?” he asked.

  After a moment’s struggle with her voice.

  “It is so beautiful,” she said, looking at the glowing, beautiful land. It was so beautiful, so perfect, and so unsullied.

  He too realised what England would be in a few hours’ time — a blind, sordid, strenuous activity, all for nothing, fuming with dirty smoke and running trains and groping in the bowels of the earth, all for nothing. A ghastliness came over him.

  He looked at Ursula. Her face was wet with tears, very bright, like a transfiguration in the refulgent light. Nor was his the hand to wipe away the burning, bright tears. He stood apart, overcome by a cruel ineffectuality.

  Gradually a great, helpless sorrow was rising in him. But as yet he was fighting it away, he was struggling for his own life. He became very quiet and unaware of the things about him, awaiting, as it were, her judgment on him.

  They returned to Nottingham, the time of her examination came. She must go to London. But she would not stay with him in an hotel. She would go to a quiet little pension near the British Museum.

  Those quiet residential squares of London made a great impression on her mind. They were very complete. Her mind seemed imprisoned in their quietness. Who was going to liberate her?

  In the evening, her practical examinations being over, he went with her to dinner at one of the hotels down the river, near Richmond. It was golden and beautiful, with yellow water and white and scarlet-striped boat-awnings, and blue shadows under the trees.

  “When shall we be married?” he asked her, quietly, simply, as if it were a mere question of comfort.

  She watched the changing pleasure-traffic of the river. He looked at her golden, puzzled museau. The knot gathered in his throat.

  “I don’t know,” she said.

  A hot grief gripped his throat.

  “Why don’t you know — don’t you want to be married?” he asked her.

  Her head turned slowly, her face, puzzled, like a boy’s face, expressionless because she was trying to think, looked towards his face. She did not see him, because she was pre-occupied. She did not quite know what she was going to say.

  “I don’t think I want to be married,” she said, and her naive, troubled, puzzled eyes rested a moment on his, then travelled away, pre-occupied.

  “Do you mean never, or not just yet?” he asked.

  The knot in his throat grew harder, his face was drawn as if he were being strangled.

  “I mean never,” she said, out of some far self which spoke for once beyond her.

  His drawn, strangled face watched her blankly for a few moments, then a strange sound took place in his throat. She started, came to herself, and, horrified, saw him. His head made a queer motion, the chin jerked back against the throat, the curious, crowing, hiccupping sound came again, his face twisted like insanity, and he was crying, crying blind and twisted as if something were broken which kept him in control.

  “Tony — don’t,” she cried, starting up.

  It tore every one of her nerves to see him. He made groping movements to get out of his chair. But he was crying uncontrollably, noiselessly, with his face twisted like a mask, contorted and the tears running down the amazing grooves in his cheeks. Blindly, his face always this horrible working mask, he groped for his hat, for his way down from the terrace. It was eight o’clock, but still brightly light. The other people were staring. In great agitation, part of which was exasperation, she stayed behind, paid the waiter with a half-sovereign, took her yellow silk coat, then followed Skrebensky.

  She saw him walking with brittle, blind steps along the path by the river. She could tell by the strange stiffness and brittleness of his figure that he was still crying. Hurrying after him, running, she took his arm.

  “Tony,” she cried, “don’t! Why are you like this? What are you doing this for? Don’t. It’s not necessary.”

  He heard, and his manhood was cruelly, coldly defaced. Yet it was no good. He could not gain control of his face. His face, his breast, were weeping violently, as if automatically. His will, his knowledge had nothing to do with it. He simply could not stop.

  She walked holding his arm, silent with exasperation and perplexity and pain. He took the uncertain steps of a blind man, because his mind was blind with weeping.

  “Shall we go home? Shall we have a taxi?” she said.

  He could pay no attention. Very flustered, very agitated, she signalled indefinitely to a taxi-cab that was going slowly by. The driver saluted and drew up. She opened the door and pushed Skrebensky in, then took her own place. Her face was uplifted, the mouth closed down, she looked hard and cold and ashamed. She winced as the driver’s dark red face was thrust round upon her, a full-blooded, animal face with black eyebrows and a thick, short-cut moustache.

  “Where to, lady?” he said, his white teeth showing. Again for a moment she was flustered.

  “Forty, Rutland Square,” she said.

  He touched his cap and stolidly set the car in motion. He seemed to have a league with her to ignore Skrebensky.

  The latter sat as if trapped within the taxi-cab, his face still working, whilst occasionally he made quick slight movements of the head, to shake away his tears. He never moved his hands. She could not bear to look at him. She sat with face uplifted and averted to the window.

  At length, when she had regained some control over herself, she turned again to him. He was much quieter. His face was wet, and twitched occasionally, his hands still lay motionless. But his eyes were quite still, like a washed sky after rain, full of a wan light, and quite steady, almost ghost-like.

  A pain flamed in her womb, for him.

  “I didn’t think I should hurt you,” she said, laying her hand very lightly, tentatively, on his arm. “The words came without my knowing. They didn’t mean anything, really.”

  He remained quite still, hearing, but washed all wan and without feeling. She waited, looking at him, as if he were some curious, not-understandable creature.

  “You won’t cry again, will you, Tony?”

  Some shame and bitterness against her burned him in the question. She noticed how his moustache was soddened wet with tears. Taking her handkerchief, she wiped his face. The driver’s heavy, stolid back remained always turned to them, as if conscious but indifferent. Skrebensky sat motionless whilst Ursula wiped his face, softly, carefully, and yet clumsily, not as well as he would have wiped it himself.

  Her handkerchief was too small. It was soon wet through. She groped in his pocket for his own. Then, with its more ample capacity, she carefully dried his face. He remained motionless all the while. Then she drew his cheek to hers and kissed him. His face was cold. Her heart was hurt. She saw the tears welling quickly to his eyes again. As if he were a child, she again wiped away his tears. By now she herself was on the point of weeping. Her underlip was caught between her teeth.

  So she sat still, for fear of her own tears, sitting close by him, holding his hand warm and close and loving. Meanwhile the car ran on, and a soft, midsummer dusk began to gather. For a long while they sat motionles
s. Only now and again her hand closed more closely, lovingly, over his hand, then gradually relaxed.

  The dusk began to fall. One or two lights appeared. The driver drew up to light his lamps. Skrebensky moved for the first time, leaning forward to watch the driver. His face had always the same still, clarified, almost childlike look, impersonal.

  They saw the driver’s strange, full, dark face peering into the lamps under drawn brows. Ursula shuddered. It was the face almost of an animal yet of a quick, strong, wary animal that had them within its knowledge, almost within its power. She clung closer to Krebensky.

  “My love?” she said to him, questioningly, when the car was again running in full motion.

  He made no movement or sound. He let her hold his hand, he let her reach forward, in the gathering darkness, and kiss his still cheek. The crying had gone by — he would not cry any more. He was whole and himself again.

  “My love,” she repeated, trying to make him notice her. But as yet he could not.

  He watched the road. They were running by Kensington Gardens. For the first time his lips opened.

  “Shall we get out and go into the park,” he asked.

  “Yes,” she said, quietly, not sure what was coming.

  After a moment he took the tube from its peg. She saw the stout, strong, self-contained driver lean his head.

  “Stop at Hyde Park Corner.”

  The dark head nodded, the car ran on just the same.

  Presently they pulled up. Skrebensky paid the man. Ursula stood back. She saw the driver salute as he received his tip, and then, before he set the car in motion, turn and look at her, with his quick, powerful, animal’s look, his eyes very concentrated and the whites of his eyes flickering. Then he drove away into the crowd. He had let her go. She had been afraid.

  Skrebensky turned with her into the park. A band was still playing and the place was thronged with people. They listened to the ebbing music, then went aside to a dark seat, where they sat closely, hand in hand.