Complete Works of D.H. Lawrence (Illustrated)

by D. H. Lawrence

  She went on, drawing near. She was aware of the great flash of hoofs, a bluish, iridescent flash surrounding a hollow of darkness. Large, large seemed the bluish, incandescent flash of the hoof-iron, large as a halo of lightning round the knotted darkness of the flanks. Like circles of lightning came the flash of hoofs from out of the powerful flanks.

  They were awaiting her again. They had gathered under an oak tree, knotting their awful, blind, triumphing flanks together, and waiting, waiting. They were waiting for her approach. As if from a far distance she was drawing near, towards the line of twiggy oak trees where they made their intense darkness, gathered on a single bank.

  She must draw near. But they broke away, they cantered round, making a wide circle to avoid noticing her, and cantered back into the open hillside behind her.

  They were behind her. The way was open before her, to the gate in the high hedge in the near distance, so she could pass into the smaller, cultivated field, and so out to the high-road and the ordered world of man. Her way was clear. She lulled her heart. Yet her heart was couched with fear, couched with fear all along.

  Suddenly she hesitated as if seized by lightning. She seemed to fall, yet found herself faltering forward with small steps. The thunder of horses galloping down the path behind her shook her, the weight came down upon her, down, to the moment of extinction. She could not look round, so the horses thundered upon her.

  Cruelly, they swerved and crashed by on her left hand. She saw the fierce flanks crinkled and as yet inadequate, the great hoofs flashing bright as yet only brandished about her, and one by one the horses crashed by, intent, working themselves up.

  They had gone by, brandishing themselves thunderously about her, enclosing her. They slackened their burst transport, they slowed down, and cantered together into a knot once more, in the corner by the gate and the trees ahead of her. They stirred, they moved uneasily, they settled their uneasy flanks into one group, one purpose. They were up against her.

  Her heart was gone, she had no more heart. She knew she dare not draw near. That concentrated, knitted flank of the horse-group had conquered. It stirred uneasily, awaiting her, knowing its triumph. It stirred uneasily, with the uneasiness of awaited triumph. Her heart was gone, her limbs were dissolved, she was dissolved like water. All the hardness and looming power was in the massive body of the horse-group.

  Her feet faltered, she came to a standstill. It was the crisis. The horses stirred their flanks uneasily. She looked away, failing. On her left, two hundred yards down the slope, the thick hedge ran parallel. At one point there was an oak tree. She might climb into the boughs of that oak tree, and so round and drop on the other side of the hedge.

  Shuddering, with limbs like water, dreading every moment to fall, she began to work her way as if making a wide detour round the horse-mass. The horses stirred their flanks in a knot against her. She trembled forward as if in a trance.

  Then suddenly, in a flame of agony, she darted, seized the rugged knots of the oak tree and began to climb. Her body was weak but her hands were as hard as steel. She knew she was strong. She struggled in a great effort till she hung on the bough. She knew the horses were aware. She gained her foot-hold on the bough. The horses were loosening their knot, stirring, trying to realise. She was working her way round to the other side of the tree. As they started to canter towards her, she fell in a heap on the other side of the hedge.

  For some moments she could not move. Then she saw through the rabbit-cleared bottom of the hedge the great, working hoofs of the horses as they cantered near. She could not bear it. She rose and walked swiftly, diagonally across the field. The horses galloped along the other side of the hedge to the corner, where they were held up. She could feel them there in their huddled group all the while she hastened across the bare field. They were almost pathetic, now. Her will alone carried her, till, trembling, she climbed the fence under a leaning thorn tree that overhung the grass by the high-road. The use went from her, she sat on the fence leaning back against the trunk of the thorn tree, motionless.

  As she sat there, spent, time and the flux of change passed away from her, she lay as if unconscious upon the bed of the stream, like a stone, unconscious, unchanging, unchangeable, whilst everything rolled by in transience, leaving her there, a stone at rest on the bed of the stream, inalterable and passive, sunk to the bottom of all change.

  She lay still a long time, with her back against the thorn tree trunk, in her final isolation. Some colliers passed, tramping heavily up the wet road, their voices sounding out, their shoulders up to their ears, their figures blotched and spectral in the rain. Some did not see her. She opened her eyes languidly as they passed by. Then one man going alone saw her. The whites of his eyes showed in his black face as he looked in wonderment at her. He hesitated in his walk, as if to speak to her, out of frightened concern for her. How she dreaded his speaking to her, dreaded his questioning her.

  She slipped from her seat and went vaguely along the path — vaguely. It was a long way home. She had an idea that she must walk for the rest of her life, wearily, wearily. Step after step, step after step, and always along the wet, rainy road between the hedges. Step after step, step after step, the monotony produced a deep, cold sense of nausea in her. How profound was her cold nausea, how profound! That too plumbed the bottom. She seemed destined to find the bottom of all things to-day: the bottom of all things. Well, at any rate she was walking along the bottom-most bed — she was quite safe: quite safe, if she had to go on and on for ever, seeing this was the very bottom, and there was nothing deeper. There was nothing deeper, you see, so one could not but feel certain, passive.

  She arrived home at last. The climb up the hill to Beldover had been very trying. Why must one climb the hill? Why must one climb? Why not stay below? Why force one’s way up the slope? Why force one’s way up and up, when one is at the bottom? Oh, it was very trying, very wearying, very burdensome. Always burdens, always, always burdens. Still, she must get to the top and go home to bed. She must go to bed.

  She got in and went upstairs in the dusk without its being noticed she was in such a sodden condition. She was too tired to go downstairs again. She got into bed and lay shuddering with cold, yet too apathetic to get up or call for relief. Then gradually she became more ill.

  She was very ill for a fortnight, delirious, shaken and racked. But always, amid the ache of delirium, she had a dull firmness of being, a sense of permanency. She was in some way like the stone at the bottom of the river, inviolable and unalterable, no matter what storm raged in her body. Her soul lay still and permanent, full of pain, but itself for ever. Under all her illness, persisted a deep, inalterable knowledge.

  She knew, and she cared no more. Throughout her illness, distorted into vague forms, persisted the question of herself and Skrebensky, like a gnawing ache that was still superficial, and did not touch her isolated, impregnable core of reality. But the corrosion of him burned in her till it burned itself out.

  Must she belong to him, must she adhere to him? Something compelled her, and yet it was not real. Always the ache, the ache of unreality, of her belonging to Skrebensky. What bound her to him when she was not bound to him? Why did the falsity persist? Why did the falsity gnaw, gnaw, gnaw at her, why could she not wake up to clarity, to reality. If she could but wake up, if she could but wake up, the falsity of the dream, of her connection with Skrebensky, would be gone. But the sleep, the delirium pinned her down. Even when she was calm and sober she was in its spell.

  Yet she was never in its spell. What extraneous thing bound her to him? There was some bond put upon her. Why could she not break it through? What was it? What was it?

  In her delirium she beat and beat at the question. And at last her weariness gave her the answer — it was the child. The child bound her to him. The child was like a bond round her brain, tightened on her brain. It bound her to Skrebensky.

  But why, why did it bind her to Skrebensky? Could she not have a child of h
erself? Was not the child her own affair? all her own affair? What had it to do with him? Why must she be bound, aching and cramped with the bondage, to Skrebensky and Skrebensky’s world? Anton’s world: it became in her feverish brain a compression which enclosed her. If she could not get out of the compression she would go mad. The compression was Anton and Anton’s world, not the Anton she possessed, but the Anton she did not possess, that which was owned by some other influence, by the world.

  She fought and fought and fought all through her illness to be free of him and his world, to put it aside, to put it aside, into its place. Yet ever anew it gained ascendency over her, it laid new hold on her. Oh, the unutterable weariness of her flesh, which she could not cast off, nor yet extricate. If she could but extricate herself, if she could but disengage herself from feeling, from her body, from all the vast encumbrances of the world that was in contact with her, from her father, and her mother, and her lover, and all her acquaintance.

  Repeatedly, in an ache of utter weariness she repeated: “I have no father nor mother nor lover, I have no allocated place in the world of things, I do not belong to Beldover nor to Nottingham nor to England nor to this world, they none of them exist, I am trammelled and entangled in them, but they are all unreal. I must break out of it, like a nut from its shell which is an unreality.”

  And again, to her feverish brain, came the vivid reality of acorns in February lying on the floor of a wood with their shells burst and discarded and the kernel issued naked to put itself forth. She was the naked, clear kernel thrusting forth the clear, powerful shoot, and the world was a bygone winter, discarded, her mother and father and Anton, and college and all her friends, all cast off like a year that has gone by, whilst the kernel was free and naked and striving to take new root, to create a new knowledge of Eternity in the flux of Time. And the kernel was the only reality; the rest was cast off into oblivion.

  This grew and grew upon her. When she opened her eyes in the afternoon and saw the window of her room and the faint, smoky landscape beyond, this was all husk and shell lying by, all husk and shell, she could see nothing else, she was enclosed still, but loosely enclosed. There was a space between her and the shell. It was burst, there was a rift in it. Soon she would have her root fixed in a new Day, her nakedness would take itself the bed of a new sky and a new air, this old, decaying, fibrous husk would be gone.

  Gradually she began really to sleep. She slept in the confidence of her new reality. She slept breathing with her soul the new air of a new world. The peace was very deep and enrichening. She had her root in new ground, she was gradually absorbed into growth.

  When she woke at last it seemed as if a new day had come on the earth. How long, how long had she fought through the dust and obscurity, for this new dawn? How frail and fine and clear she felt, like the most fragile flower that opens in the end of winter. But the pole of night was turned and the dawn was coming in.

  Very far off was her old experience — Skrebensky, her parting with him — very far off. Some things were real; those first glamorous weeks. Before, these had seemed like hallucination. Now they seemed like common reality. The rest was unreal. She knew that Skrebensky had never become finally real. In the weeks of passionate ecstasy he had been with her in her desire, she had created him for the time being. But in the end he had failed and broken down.

  Strange, what a void separated him and her. She liked him now, as she liked a memory, some bygone self. He was something of the past, finite. He was that which is known. She felt a poignant affection for him, as for that which is past. But, when she looked with her face forward, he was not. Nay, when she looked ahead, into the undiscovered land before her, what was there she could recognise but a fresh glow of light and inscrutable trees going up from the earth like smoke. It was the unknown, the unexplored, the undiscovered upon whose shore she had landed, alone, after crossing the void, the darkness which washed the New World and the Old.

  There would be no child: she was glad. If there had been a child, it would have made little difference, however. She would have kept the child and herself, she would not have gone to Skrebensky. Anton belonged to the past.

  There came the cablegram from Skrebensky: “I am married.” An old pain and anger and contempt stirred in her. Did he belong so utterly to the cast-off past? She repudiated him. He was as he was. It was good that he was as he was. Who was she to have a man according to her own desire? It was not for her to create, but to recognise a man created by God. The man should come from the Infinite and she should hail him. She was glad she could not create her man. She was glad she had nothing to do with his creation. She was glad that this lay within the scope of that vaster power in which she rested at last. The man would come out of Eternity to which she herself belonged.

  As she grew better, she sat to watch a new creation. As she sat at her window, she saw the people go by in the street below, colliers, women, children, walking each in the husk of an old fruition, but visible through the husk, the swelling and the heaving contour of the new germination. In the still, silenced forms of the colliers she saw a sort of suspense, a waiting in pain for the new liberation; she saw the same in the false hard confidence of the women. The confidence of the women was brittle. It would break quickly to reveal the strength and patient effort of the new germination.

  In everything she saw she grasped and groped to find the creation of the living God, instead of the old, hard barren form of bygone living. Sometimes great terror possessed her. Sometimes she lost touch, she lost her feeling, she could only know the old horror of the husk which bound in her and all mankind. They were all in prison, they were all going mad.

  She saw the stiffened bodies of the colliers, which seemed already enclosed in a coffin, she saw their unchanging eyes, the eyes of those who are buried alive: she saw the hard, cutting edges of the new houses, which seemed to spread over the hillside in their insentient triumph, the triumph of horrible, amorphous angles and straight lines, the expression of corruption triumphant and unopposed, corruption so pure that it is hard and brittle: she saw the dun atmosphere over the blackened hills opposite, the dark blotches of houses, slate roofed and amorphous, the old church-tower standing up in hideous obsoleteness above raw new houses on the crest of the hill, the amorphous, brittle, hard edged new houses advancing from Beldover to meet the corrupt new houses from Lethley, the houses of Lethley advancing to mix with the houses of Hainor, a dry, brittle, terrible corruption spreading over the face of the land, and she was sick with a nausea so deep that she perished as she sat. And then, in the blowing clouds, she saw a band of faint iridescence colouring in faint colours a portion of the hill. And forgetting, startled, she looked for the hovering colour and saw a rainbow forming itself. In one place it gleamed fiercely, and, her heart anguished with hope, she sought the shadow of iris where the bow should be. Steadily the colour gathered, mysteriously, from nowhere, it took presence upon itself, there was a faint, vast rainbow. The arc bended and strengthened itself till it arched indomitable, making great architecture of light and colour and the space of heaven, its pedestals luminous in the corruption of new houses on the low hill, its arch the top of heaven.

  And the rainbow stood on the earth. She knew that the sordid people who crept hard-scaled and separate on the face of the world’s corruption were living still, that the rainbow was arched in their blood and would quiver to life in their spirit, that they would cast off their horny covering of disintegration, that new, clean, naked bodies would issue to a new germination, to a new growth, rising to the light and the wind and the clean rain of heaven. She saw in the rainbow the earth’s new architecture, the old, brittle corruption of houses and factories swept away, the world built up in a living fabric of Truth, fitting to the over-arching heaven.

  WOMEN IN LOVE

  Women in Love was first published in 1920. It is the sequel to The Rainbow (1915), and follows the continuing loves and lives of the Brangwen sisters, Gudrun and Ursula. Gudrun Brangwen, an artist,
pursues a destructive relationship with Gerald Crich, an industrialist. Lawrence contrasts this pair with the love that develops between Ursula and Rupert Birkin, an alienated intellectual who articulates many opinions associated with the author. The emotional relationships thus established are given further depth and tension by an unadmitted homoerotic attraction between Gerald and Rupert. The novel ranges over the whole of British society at the time of the First World War and eventually ends high up in the snows of the Swiss Alps. As with most of Lawrence’s works, Women in Love caused controversy over its sexual subject matter.

  Moorgreen Reservoir, where the drowning incident in Women in Love was based (Whilley Water)

  CONTENTS

  CHAPTER I.

  CHAPTER II.

  CHAPTER III.

  CHAPTER IV.

  CHAPTER V.

  CHAPTER VI.

  CHAPTER VII.

  CHAPTER VIII.

  CHAPTER IX.

  CHAPTER X.

  CHAPTER XI.

  CHAPTER XII.

  CHAPTER XIII.

  CHAPTER XIV.

  CHAPTER XV.

  CHAPTER XVI.

  CHAPTER XVII.

  CHAPTER XVIII.

  CHAPTER XIX.

  CHAPTER XX.

  CHAPTER XXI.

  CHAPTER XXII.

  CHAPTER XXIII.

  CHAPTER XXIV.

  CHAPTER XXV.

  CHAPTER XXVI.

  CHAPTER XXVII.

  CHAPTER XXVIII.