Complete Works of D.H. Lawrence (Illustrated)

by D. H. Lawrence

  Ah! it was beauty, beauty absolute, at any hour of the day: whether the perfect clarity of morning or the mountains beyond the simmering desert at noon, or the purple lumping of northern mounds under a red sun at night. Or whether the dust whirled in tall columns, travelling across the desert far away, like pillars of cloud by day, tall, leaning pillars of dust hastening with ghostly haste: or whether, in the early part of the year, suddenly in the morning a whole sea of solid white would rise rolling below, a solid mist from melted snow, ghost-white under the mountain sun, the world below blotted out: or whether the black rain and cloud streaked down, far across the desert, and lightning stung down with sharp white stings on the horizon: or the cloud travelled and burst overhead, with rivers of fluid blue fire running out of heaven and exploding on earth, and hail coming down like a world of ice shattered above: or the hot sun rode in again: or snow fell in heavy silence: or the world was blinding white under a blue sky, and one must hurry under the pine trees for shelter against that vast, white, back-beating light which rushed up at one and made one almost unconscious, amid the snow.

  It was always beauty, always! It was always great, and splendid, and, for some reason, natural. It was never grandiose or theatrical. Always, for some reason, perfect. And quite simple, in spite of it all.

  So it was, when you watched the vast and living landscape. The landscape lived, and lived as the world of the gods, unsullied and unconcerned. The great circling landscape lived its own life, sumptuous and uncaring. Man did not exist for it.

  And if it had been a question simply of living through the eyes, into the distance, then this would have been Paradise, and the little New England woman on her ranch would have found what she was always looking for, the earthly paradise of the spirit.

  But even a woman cannot live only into the distance, the beyond. Willy-nilly she finds herself juxtaposed to the near things, the thing in itself. And willy-nilly she is caught up into the fight with the immediate object.

  The New England woman had fought to make the nearness as perfect as the distance: for the distance was absolute beauty. She had been confident of success. She had felt quite assured, when the water came running out of her bright brass taps, the wild water of the hills caught, tricked into the narrow iron pipes, and led tamely to her kitchen, to jump out over her sink, into her wash-basin, at her service. “There!” she said. “I have tamed the waters of the mountain to my service.”

  So she had, for the moment.

  At the same time, the invisible attack was being made upon her. While she revelled in the beauty of the luminous world that wheeled around and below her, the grey, rat-like spirit of the inner mountains was attacking her from behind. She could not keep her attention. And, curiously, she could not keep even her speech. When she was saying something, suddenly the next word would be gone out of her, as if a pack-rat had carried it off. And she sat blank, stuttering, staring in the empty cupboard of her mind, like Mother Hubbard, and seeing the cupboard bare. And this irritated her husband intensely.

  Her chickens, of which she was so proud, were carried away. Or they strayed. Or they fell sick. At first she could cope with their circumstances. But after a while, she couldn’t. She couldn’t care. A drug-like numbness possessed her spirit, and at the very middle of her, she couldn’t care what happened to her chickens.

  The same when a couple of horses were struck by lightning. It frightened her. The rivers of fluid fire that suddenly fell out of the sky and exploded on the earth nearby, as if the whole earth had burst like a bomb, frightened her from the very core of her, and made her know, secretly and with cynical certainty, that there was no merciful God in the heavens. A very tall, elegant pine tree just above her cabin took the lightning, and stood tall and elegant as before, but with a white seam spiralling from its crest, all down its tall trunk, to earth. The perfect scar, white and long as lightning itself. And every time she looked at it, she said to herself, in spite of herself: “There is no Almighty loving God. The God there is shaggy as the pine trees, and horrible as the lightning.” Outwardly, she never confessed this. Openly, she thought of her dear New England Church as usual. But in the violent undercurrent of her woman’s soul, after the storms, she would look at that living, seamed tree, and the voice would say in her, almost savagely: ‘What nonsense about Jesus and a God of Love, in a place like this! This is more awful and more splendid. I like it better.’ The very chipmunks, in their jerky helter-skelter, the blue jays wrangling in the pine tree in the dawn, the grey squirrel undulating to the tree-trunk, then pausing to chatter at her and scold her, with a shrewd fearlessness, as if she were the alien, the outsider, the creature that should not be permitted among the trees, all destroyed the illusion she cherished, of love, universal love. There was no love on this ranch. There was life, intense, bristling life, full of energy, but also, with an undertone of savage sordidness.

  The black ants in her cupboard, the pack-rats bouncing on her ceiling like hippopotami in the night, the two sick goats: there was a peculiar undercurrent of squalor, flowing under the curious tussle of wild life. That was it. The wild life, even the life of the trees and flowers seemed one bristling, hair-raising tussle. The very flowers came up bristly, and many of them were fang-mouthed, like the dead-nettle: and none had any real scent. But they were very fascinating, too, in their very fierceness. In May, the curious columbines of the stream-beds, columbines scarlet outside and yellow in, like the red and yellow of a herald’s uniform — farther from the dove nothing could be: then the beautiful rosy-blue of the great tufts of the flower they called bluebell, but which was really a flower of the snap-dragon family: these grew in powerful beauty in the little clearing of the pine trees, followed by the flower the settlers had mysteriously called herb honeysuckle: a tangle of long drops of pure fire-red, hanging from slim invisible stalks of smoke colour. The purest, most perfect vermilion scarlet, cleanest fire-colour, hanging in long drops like a shower of fire-rain that is just going to strike the earth. A little later, more in the open, there came another sheer fire-red flower, sparking, fierce red stars running up a bristly grey ladder, as if the earth’s fire-centre had blown out some red sparks, white-speckled and deadly inside, puffing for a moment in the day air.

  So it was! The alfalfa field was one raging, seething conflict of plants trying to get hold. One dry year, and the bristly wild things had got hold: the spiky, blue-leaved thistle-poppy with its moon-white flowers, the low clumps of blue nettle-flower, the later rush, after the sereneness of June and July, the rush of red sparks and Michaelmas daisies, and the tough, wild sunflowers, strangling and choking the dark, tender green of the clover-like alfalfa! A battle, a battle, with banners of bright scarlet and yellow.

  When a really defenceless flower did issue, like the moth-still, ghost-centred mariposa lily, with its inner moth-dust of yellow, it came invisible. There was nothing to be seen but a hair of greyish grass near the oak scrub. Behold, this invisible long stalk was balancing a white, ghostly, three-petalled flower, naked out of nothingness. A mariposa lily!

  Only the pink wild roses smelled sweet, like the old world. They were sweet-briar roses. And the dark blue harebells among the oak scrub, like the ice-dark bubbles of the mountain flowers in the Alps, the Alpenglocken.

  The roses of the desert are the cactus flowers, crystal of translucent yellow or of rose-colour. But set among spines the devil himself must have conceived in a moment of sheer ecstasy.

  Nay, it was a world before and after the God of Love. Even the very humming-birds hanging about the flowering squaw-berry bushes, when the snow had gone, in May, they were before and after the God of Love. And the blue jays were crested dark with challenge, and the yellow-and-dark woodpecker was fearless like a warrior in war-paint, as he struck the wood. While on the fence the hawks sat motionless, like dark fists clenched under heaven, ignoring man and his ways.

  Summer, it was true, unfolded the tender cotton-wood leaves, and the tender aspen. But what a tangle and a ghostly
aloofness in the aspen thickets high up on the mountains, the coldness that is in the eyes and the long cornelian talons of the bear.

  Summer brought the little wild strawberries, with their savage aroma, and the late summer brought the rose-jewel raspberries in the valley cleft. But how lonely, how harsh-lonely and menacing it was, to be alone in that shadowy, steep cleft of a canyon just above the cabins, picking raspberries, while the thunder gathered thick and blue-purple at the mountain-tops. The many wild raspberries hanging rose-red in the thickets. But the stream bed below all silent, waterless. And the trees all bristling in silence, and waiting like warriors at an outpost. And the berries waiting for the sharp-eyed, cold, long-snouted bear to come rambling and shaking his heavy, sharp fur. The berries grew for the bears, and the little New England woman, with her uncanny sensitiveness to underlying influences, felt all the time she was stealing. Stealing the wild raspberries in the secret little canyon behind her home. And when she had made them into jam, she could almost taste the theft in her preserves.

  She confessed nothing of this. She tried even to confess nothing of her dread. But she was afraid. Especially she was conscious of the prowling, intense aerial electricity all the summer, after June. The air was thick with wandering currents of fierce electric fluid, waiting to discharge themselves. And almost every day there was the rage and battle of thunder. But the air was never cleared. There was no relief. However, the thunder raged, and spent itself, yet, afterwards, among the sunshine was the strange lurking and wandering of the electric currents, moving invisible, with strange menace, between the atoms of the air. She knew. Oh, she knew!

  And her love for her ranch turned sometimes into a certain repulsion. The underlying rat-dirt, the everlasting bristling tussle of the wild life, with the tangle and the bones strewing: Bones of horses struck by lightning, bones of dead cattle, skulls of goats with little horns: bleached, unburied bones. Then the cruel electricity of the mountains. And then, most mysterious but worst of all, the animosity of the spirit of place: the crude, half-created spirit of place, like some serpent-bird for ever attacking man, in a hatred of man’s onward struggle towards further creation.

  The seething cauldron of lower life, seething on the very tissue of the higher life, seething the soul away, seething at the marrow. The vast and unrelenting will of the swarming lower life, working forever against man’s attempt at a higher life, a further created being.

  At last, after many years, the little woman admitted to herself that she was glad to go down from the ranch, when November came with snows. She was glad to come to a more human home, her house in the village. And as winter passed by and spring came again, she knew she did not want to go up to the ranch again. It had broken something in her. It had hurt her terribly. It had maimed her for ever in her hope, her belief in paradise on earth. Now she hid from herself her own corpse, the corpse of her New England belief in a world ultimately all for love. The belief, and herself with it, was a corpse. The gods of those inner mountains were grim and invidious and relentless, huger than man, and lower than man. Yet man could never master them.

  The little woman in her flower-garden away below, by the stream-irrigated village, hid away from the thought of it all. She would not go to the ranch any more.

  The Mexicans stayed in charge, looking after the goats. But the place didn’t pay. It didn’t pay, not quite. It had paid. It might pay. But the effort, the effort! And as the marrow is eaten out of a man’s bones and the soul out of his belly, contending with the strange rapacity of savage life, the lower stage of creation, he cannot make the effort any more.

  Then also, the war came, making many men give up their enterprises at civilisation.

  Every new stroke of civilisation has cost the lives of countless brave men, who have fallen defeated by the ‘dragon’, in their efforts to win the apples of the Hesperides, or the fleece of gold. Fallen in their efforts to overcome the old, half-sordid savagery of the lower stages of creation, and win to the next stage.

  For all savagery is half sordid. And man is only himself when he is fighting on and on, to overcome the sordidness. And every civilisation, when it loses its inward vision and its cleaner energy, falls into a new sort of sordidness, more vast and more stupendous than the old savage sort. An Augean stable of metallic filth.

  And all the time, man has to rouse himself afresh to cleanse the new accumulations of refuse. To win from the crude, wild nature the victory and the power to make another start, and to cleanse behind him the century-deep deposits of layer upon layer of refuse: even of tin cans.

  The ranch dwindled. The flock of goats declined. The water ceased to flow. And at length the trader gave it up.

  He rented the place to a Mexican, who lived on the handful of beans he raised, and who was being slowly driven out by the vermin.

  And now arrived Lou, new blood to the attack. She went back to Santa Fe, saw the trader and a lawyer, and bought the ranch for twelve hundred dollars. She was so pleased with herself.

  She sent upstairs to tell her mother.

  “Mother, I’ve bought a ranch.”

  “It is just as well, for I can’t stand the noise of automobiles outside here another week.”

  “It is quiet on my ranch, mother: the stillness simply speaks.”

  “I had rather it held its tongue. I am simply drugged with all the bad novels I have read. I feel as if the sky was a big cracked bell and a million clappers were hammering human speech out of it.”

  “Aren’t you interested in my ranch, mother?”

  “I hope I may be, by and by.”

  Mrs. Witt actually got up the next morning and accompanied her daughter in the hired motor-car, driven by Phoenix, to the ranch: which was called Las Chivas. She sat like a pillar of salt, her face looking what the Indians call a False Face, meaning a mask. She seemed to have crystallised into r neutrality. She watched the desert with its tufts of yellow greasewood go lurching past: she saw the fallen apples on the ground in the orchards near the adobe cottages: she looked down into the deep arroyo, and at the stream they forded hi, the car, and at the mountains blocking up the sky ahead, all with indifference. High on the mountains was snow: lower, blue-grey livid rock: and below the livid rock the aspens were expiring their daffodil yellow, this year, and the oak scrub was dark and reddish, like gore. She saw it all with a sort of stony indifference.

  “Don’t you think it’s lovely?” said Lou.

  “I can see it is lovely,” replied her mother.

  The Michaelmas daisies in the clearing as they drove up to the ranch were sharp-rayed with purple, like a coming night. Mrs. Witt eyed the two log cabins, one of which was dilapidated and practically abandoned. She looked at the rather rickety corral, whose long planks had silvered and warped in the fierce sun. On one of the roof-planks a pack-rat was sitting erect like an old Indian keeping watch on a pueblo roof. He showed his white belly, and folded his hands and lifted his big ears, for all the world like an old immobile Indian.

  “Isn’t it for all the world as if he were the real boss of the place, Louise?” she said cynically.

  And turning to the Mexican, who was a rag of a man but a pleasant, courteous fellow, she asked him why he didn’t shoot the rat.

  “Not worth a shell!” said the Mexican, with a faint, hopeless smile.

  Mrs. Witt paced round and saw everything: it did not take long. She gazed in silence at the water of the spring, trickling out of an iron pipe into a barrel, under the cotton-wood tree in an arroyo.

  “Well, Louise,” she said. “I am glad you feel competent to cope with so much hopelessness and so many rats.”

  “But, mother, you must admit it is beautiful.”

  “Yes, I suppose it is. But to use one of your Henry’s phrases, beauty is a cold egg, as far as I am concerned.”

  “Rico never would have said that beauty was a cold egg to him.”

  “No, he wouldn’t. He sits on it like a broody old hen on a china imitation. — Are you going to bri
ng him here?”

  “Bring him I — No. But he can come if he likes,” stammered Lou.

  “Oh — h! won’t it be beau — ti — ful!” cried Mrs. Witt, rolling her head and lifting her shoulders in savage imitation of her son-in-law.

  “Perhaps he won’t come, mother,” said Lou, hurt.

  “He will most certainly come, Louise, to see what’s doing: unless you tell him you don’t want him.”

  “Anyhow, I needn’t think about it till spring,” said Lou, anxiously pushing the matter aside.

  Mrs. Witt climbed the steep slope above the cabins to the mouth of the little canyon. There she sat on a fallen tree and surveyed the world beyond: a world not of men. She could not fail to be roused.