The Year's Best Dark Fantasy & Horror 2012

by Guran, Paula

  Jodi rolls onto her back, breathing hard, and holds her half-frozen arm to her chest. Water pools beside her on the ice. She pictures a turkey’s breastbone, arterial purple in the cold.

  It would be so easy to stay here. To never leave.

  She blinks hard.

  Once, twice.

  Then she repositions herself beside the ice-hole and thrusts her arm back into the water. This time she doesn’t stop until her hand grazes the sludgy bottom. Leaves stick to her arm like leeches. Something solid—dead fish, maybe. Bird with a broken wing, lying in a footprint filled with snowmelt. Jodi’s hand closes around something cold and metal. She pulls the wire cutters free of the water and they thud beside her on the ice. She drags herself to her knees. Standing now, her hands numb, she pries open the wirecutters and positions them on the barbed wire that runs between the fenceposts.

  When she cuts through the steel line it recoils like a springing deer.

  She cuts the next wire, and the next, until nothing separates her from the other side. It takes all her strength to do the job. She knows now that the little girl never stood a chance, that she never could have cut her way through this wire, no matter how desperately she’d wanted to follow her father into the sunlit morning.

  On the other side of the open fence she sees an old woman in the field. Her head is bowed before a stone that might be a shadow. Something inside Jodi breaks, splinters like ice, slivers her heart like falling glass. How old you’ve become, she thinks. And: Has it been so long?

  She steps into the indigo twilight.

  II.

  It’s colder now that the sun’s gone down.

  The Ghost Woman glances at the plum-colored sky, cracks her arthritic knuckles. Crocus-purple veins twist across the backs of them, road maps to places she’s never been. These can’t be the hands she remembers from her youth. Someone else must have buried her little girl. Someone else must have broken the shovel blade on that hard ground because she couldn’t have done it with these ruined claws.

  It was on an afternoon in March, just like today.

  The sun reflecting on the slough. The shadow of a bird on the snow.

  A sudden departure, from this world to the next . . .

  The Ghost Woman turns over her hands in the fading light. Seems I can see right through them, she thinks. But that’s what comes from being alone. No one sees you, eventually you stop seeing yourself.

  She must have passed on. That’s what they say.

  Passed on, eh? When was that?

  Oh, must be years now. Least, I haven’t heard anything.

  They never sold that property, did they?

  Couldn’t say.

  Sometimes people see the Ghost Woman’s flashlight dancing in the night sky. Will-o’-the-wisp of the prairies. But no one comes near. Not in daylight, not at night. Because it’s only fields and fence, and frozen water. Someone else’s sorrows.

  The Ghost Woman collects checks the government still sends once a month to the rail route box. Sometimes she walks five miles into town to cash them when she remembers, like an afterthought, that she needs bread or cornflakes or milk. No one pays her any mind as she shuffles down the highway in a beaver coat that smells of decaying birds. She still wears the workboots her husband left on the doorstep. Shoelaces trail behind like earthworms curled on the sidewalk after a rain. In springtime, grass sprouts from soles that never seem to dry out and still hold forty summers of mud from the field.

  The sun has fallen behind the windbreak and the bare trees look like hands. An old woman’s hands. Crippled and useless, but still holding on by bare roots. But what’s left to hold on to after all these years? the Ghost Woman wonders. Old bones crumbling in the earth . . . the remains of love. If she waits long enough perhaps those bones will return to her someday, the way a broken saucer or a plough handle works through the soil in the direction of sunlight.

  It’s in the waiting that you pass on, the Ghost Woman knows. Waiting for the change of seasons. Waiting for the right time to pick berries or cook turkey or cut your daughter’s hair. Waiting for your husband to return home, for the little girl who slipped through your hands as easily as a ray of light. Enough time passes and there’s nowhere you belong. Even stones don’t last forever. Wind and rain wear them down. Glaciers retreat and scatter them in a field miles from home. People move the stones and move on themselves. They don’t remember you’re lying under them and if they do . . . well, the world goes on, always does.

  How could she have left her child lying under a piece of prairie, swallowed by grass in summer, buried beneath a mountain of snow in winter? The pickup jolting down to the highway while she watched her little girl’s stone recede in the mirror? It would be as if she had never lived at all.

  The stone itself has no name carved on it. Sand yellow, faded tan, blackberry preserve; a bruise when the hurt’s begun to mend or the grass has died but not quite, no—there’s still a little green down deep. The stone hadn’t been so big the Ghost Woman couldn’t lift it. She was a strong woman then and she’d estimated its heaviness, weighed it in her mind the way some do footsteps across an empty field.

  A voice whispers, deep in the earth. The Ghost Woman strains her eyes in the gathering darkness. Nothing there, she tells herself. Just bones settling. They sleep through winter.

  Bones, or the wind in the grass . . .

  This has always been a restless place.

  But the Ghost Woman knows she’s alone out here.

  There’s nothing beyond the fence that stretches clear to the horizon, where field and sky melt into purple twilight, where this world ends and another begins.

  You were right, Mama, Jodi tells the bundled figure kneeling by the stone. It is the same on the other side.

  The Ghost Woman shivers, pulls up the threadbare collar of her beaver coat.

  How cold it is. Just now.

  Snow falls from her knees as she hauls herself up. A bird perches on the stone as if listening to a voice beyond the limits of human perception. Its eyes are trained on something just outside the old woman’s line of sight.

  How still, the Ghost Woman thinks. How still it is.

  We are there, then not there—

  The bird stares at her a moment, then is gone in a blur of wings.

  Crossroads are bad places. Magicians and devils are bad news. Dusk and dawn and noon overhead are bad times. Every child knows this . . .

  Crossroads

  Laura Anne Gilman

  John came to the crossroads at just shy of noon, where a man dressed all in black stared up at another man hanging from a gallows-tree. No, not hanging; he was being hung, the loop still slack around his neck, his body dangling in mid-air. That, John thought, his pack heavy on his shoulder and his hat pulled low, was not something a wise man would get involved in. And yet, he could not resist asking, “What did he do?”

  The man in black turned around and glared at John. “He asked too many impertinent questions.”

  The man with the rope around his neck laughed at that, a rueful, amused sound, and John decided he liked the dead man.

  “You might want to move on,” the man in black continued in a voice that wasn’t a suggestion. “This is a bad place to be for a lone traveler.”

  “Looks like he might agree,” John said, but slung his pack off his shoulder, resting it on the ground, and looked up at the hanging man. “You okay with this?”

  “It’s not my first choice for nuncheon,” the man admitted, but did not try to explain or ask for help.

  John stepped forward and around, circling the man in black and coming up alongside the gallows-tree, carefully out of reach of the hanging man’s potential to kick. You met a stranger out here, miles from the nearest town or farm, it paid to suss him out. They were both long, lean men, their boots spit-shined where John’s were dusty and worn, but he did not mistake either for city-folk. The man in black still stared at the hanging man, who seemed to be watching something far over the horizon,
unconcerned by his predicament.

  John studied them both, casually, the way a catamount watches a man. No, not city-folk, nor farm-folk, either. Didn’t take a college boy to figure it out. Crossroads were bad places. Magicians and devils were bad news. Dusk and dawn and noon overhead were bad times. Every child knew that.

  John rocked back on his heels, considering. Magician or devil, this wasn’t his place, this wasn’t his business. It wasn’t his responsibility. He should just move on, and not get involved. Let them do what they would do, and be done.

  A prickling against his chest reminded him it wasn’t all that simple, for him. He slipped the pack down from his shoulder, feeling the smooth leather, the shape of his belongings below. He breathed in through his nose, out through his mouth. The air was warm already, and filled with the dust of the road.

  Sunrise and sunset, and high noon overhead. The crossroads. Places and times of transit, of coming upon and slipping away. Power ebbed and flowed and could be taken from another, if you knew how.

  John knew what he was about, as another might not. He had sworn an oath.

  These two were no business of his, by the letter of that oath. The spirit, though . . .

  Every step of the road was a choice.

  “Some things, there’s no real choice at all,” he said softly, and slid his hand under the flap of the pack, his fingers touching cool metal.

  “Stay out of this, boy,” the man in black said, misinterpreting his action.

  John hadn’t been a boy in decades. The slip made the edge of his mouth curl slightly, even as he tilted his head to look at the man in black from under the brim of his hat. Magician or devil, it made no difference to John. Immortals were always trouble. Two immortals meant twice as much trouble.

  The silver flask under his fingers seemed to almost shiver, and John drew it out slowly, not allowing his actions to be misinterpreted. “Was just planning to drink to your health,” he said to the hanging man, raising the flask in salute. “Might I know your name afore you aren’t using it no more?”

  “Benjamin,” the hanging man said. “Benjamin West.”

  Magician, then. Magicians took their names from one of the four weatherly winds. Devils took their names from their masters.

  “Your memory, master Benjamin West,” John said, and took a swig. Cool, fresh water washed down his throat. Others might think he carried rotgut or whiskey; water was safer. Water couldn’t be magicked. Silver and water, and the dead man’s name; that should cover all possibilities. . . .

  “So what question did he ask?” Folly, to query a magician, but every detail could help.

  The man in black had turned back to the hanging man, his hands raised as though to cast the final spell. John’s question arrested the movement, although the man’s back and shoulders did not betray any emotion.

  “Why do you care?”

  John shrugged, letting the silver flask hang from his hand, casually. “Naturally curious?”

  “I wanted to know where he got that lovely walking stick.” The hanging man’s voice was filled with laughter. Laughing at himself, laughing at John. He knew. He knew what John intended to do.

  John didn’t look around for a stick, but kept his gaze on the man in black. He wasn’t so easily caught, him: The dead man was as dangerous as the man in black, and only a fool lost sight of that. “Is that so?”

  “What do you think?” The man in black’s voice was gritty and hard now, and although he lowered his arms, he didn’t turn around.

  “Must have been a hell of a question you didn’t want to answer.” John took another swig from the flask, his body loose and gangly, just passin’ time, three strangers on the road. He could play the fool, when it suited him.

  Casually, he made a tip of the flask, here, and a step and a step and a third step away, then another tip of the flask. Bare splutters in the dust, a dark splatter left behind. Step and a step and a step, all the way around the gallows-tree, all the way around the man in black and the hanging man: locking all three within. Locking any innocents out.

  Damn magicians never gave a thought to the innocent.

  “If you’re to kill him, don’t let my bein’ here pause you,” John said conversationally as he walked, taking another sip when he was done. “I’ve no mule in this pull.”

  A hesitation in the breath of the world. John’s fingers sweated against the cool silver, his pack abandoned outside the circle, the leather shape casting a low shadow on the dirt. The dead man’s gaze sharpened like he saw something coming over that horizon, and the man in black growled. John felt the sharp knife of risk scratch against his spine, but merely let his fingers rest on the flask, and studied the sun overhead.

  “Mighty warm out, once the sun hits directly. Be a mercy to finish him off by then. Or not, if’n that’s what you’re aiming for.”

  The flask was near-empty now, and it shimmered again under his hand, like a warning. Sun directly overhead. The man in black had no choice but to choose, and now, or the dead man’s power died with him.

  John’s heart beat too hard, his chest tight until he felt the first whisper of enchantment like the roll of thunder in the distance, barely recognizable until it swept down over the plains and knocked you out of the saddle or off your feet.

  The dead man didn’t move, not resigned so much as simply waiting. They had forgotten John now, dismissed him in the greater business of their battle.

  Taking advantage of their concentration, he tilted the silver flask in the four directions, making an offering of spirit if not flesh, and then tilted it in towards the center of his water-bound circle, to where the two magicians posed, gathering their will.

  After that first warning rumble, the wind was still, the air silent, the sun too hot for a spring afternoon. A normal man, a man set about his own business, would think it odd; suspect a storm rising, or a predator in the woods. He would not be wrong. John let his breath exhale, and waited.

  The sun shifted, barely a twitch in the shadows, and the man in black set himself hard against the ground and raised his arms until his hands cupped the sun, settling into position directly above.

  “Hang or fly,” the hanging man said, lifting his hands to the mid of his chest, palms pressed together, fingers likewise pointing toward the sky.

  Magician duels were iffy things. To chance upon one was rare and risky, and it could easily all go wrong. John moved his arm slow, taking that last drink of water. Silver and fresh water, and a dead man’s name. If he was wrong . . .

  Dying at the crossroads meant being trapped there, forever.

  When it happened, it happened all at once.

  The man in black did not move but his shadow did, the first direct shaft of sunlight dancing it forward, reaching up and yanking the rope tight. The hanging man jerked, legs kicking high and arms falling low, and the shadow swarmed but John moved faster, the water in his mouth spitting high and clear.

  Shadow and water spluttered and sparked like an old campfire, and the man in black swore but did not turn. A battle of nerves, now, as the hanging man danced and stilled, water dripping down shadow, shadow sizzling-dry water, and the dead man’s power hanging between them.

  John had no sweat, no moisture for his breath, everything he had gone to tie him into the battle raging around him. The silver flask fell to the ground and water spilled into the dirt, his throat cracking and swelling like the fever had taken him, but he did not relent.

  Magicians named themselves for one of the four winds, drifting across the surface of the Earth, unstoppable, mostly unseen. And they killed each other; only each other, never anyone else, and so nobody cared, because one less magician in the world did nobody any harm. But John knew better. One magician dead meant one less magician, not one less bit of magic.

  Crossroad rules: Killer had claim, killer took the power, and made it his own. Master Benjamin West had been caught and killed fair by his rules.

  But their rules didn’t allow for someone like John
, with clean water and pure silver, and the strength of his oath to drive him on.

  The man in black whispered one single word, sweet and ragged, too strange for John to hear, but it hit the air like a rock into water. The rope turned bronze, then black under the direct noon light, and the hanging man’s skin seemed to ripple, like wheat under wind, and tightened around his bones.

  “Give over,” the man in black ordered. “Fair caught, fair bound, under the midday sun. Give over. It is mine.”

  “Take it,” the dead man said, but meant “if you can.”

  Thunder cracked. The air smelt burnt, the dry dust at their feet swirling faintly. Magic filled the air, an ugly black-blue hiss. John felt his skin crawl, sweat now running under his clothing like a summer’s blast, but he held steady, bending to pick up the silver flask, holding it with its mouth angled out and up toward the two magicians. The water he had dripped into the soil sizzled, and the magic curled back around, turning like eddies in a stream, like souls in a devil’s hand.

  “I will,” the man in black said, and clenched his fingers together. The dead man’s skin burst into flames, the rope squeezing tight, and his heels kicked up, drumming at the air. The man in black sucked in his breath, and the magic, thick and strong, streamed toward him.

  Magic went to the strongest, the quickest, the most determined to win. But that did not mean it always went to the magician.

  “Benjamin West,” John whispered. The flask shimmered, the flask filling; clear water resisting the magic’s pull, holding it still and safe.

  The man in black, cheated, snarled in rage, and the dead man danced at the end of his rope; John screwed the cap on tight. A dead man’s name bound the magic he once held while breath still warmed his lungs, if not one beat longer. More fool them, if they did not guard such knowledge from men such as him.