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The Price of Murder

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by Bruce Alexander




  Table of Contents

  Title Page

  Copyright Page

  Dedication

  ONE

  TWO

  THREE

  FOUR

  FIVE

  SIX

  SEVEN

  EIGHT

  NINE

  TEN

  ELEVEN

  TWELVE

  Praise for the Sir John Fielding Mysteries

  The Price of Murder

  “Alexander’s got it all: a heroic central figure, a setting that both fascinates and appalls, and a gift for concocting plots that weave in and out of social classes. Also, unlike many writers in this genre, who lay on historical details with a trowel, Alexander brings Georgian England alive with facts fitting the acting. Alexander’s detective is a real-life one . . . This fact-based device gives the novels a sort of Nero Wolfe and Archie Goodwin feel.”—Booklist (starred review)

  “Enjoyable.” —Publishers Weekly

  “An outstanding historical.” —Library Journal

  An Experiment in Treason

  “As vivid and sharp-witted as a Hogarth sketch.”

  —The Seattle Times

  “The fascinating enigma of Benjamin Franklin . . . is the fuel that drives Bruce Alexander’s formidable narrative engine in [An Experiment in Treason] . . . Alexander’s perfect sense of pitch and proportion for the period makes every page glow with a most welcome blend of trust and amazement.”

  —Chicago Tribune

  Smuggler’s Moon

  “Bruce Alexander has mastered the uncommon knack of deftly capturing a period-perfect historical time without endangering the liveliness of the story with excessive detail.”

  —Los Angeles Times

  “Maritime action a la Patrick O’Brian.” —Kirkus Reviews

  The Color of Death

  “History has a thrilling way of hitting home in Bruce Alexander’s Georgian mysteries.” —The New York Times Book Review

  “Packed with details of the age, including a cameo appearance by Dr. Samuel Johnson.” —The Dallas Morning News

  Death of a Colonial

  “The author renders [the London streets] with the marveling eye of a time traveler . . . a rich rewarding trip for everyone.”

  —The New York Times

  “Charles Dickens and Arthur Conan Doyle must be beaming down from literary heaven at Bruce Alexander’s splendid series. Alexander’s eye for period detail is sharp and subtle; he brings historic England back to life in layers.”

  —Chicago Tribune

  Jack, Knave and Fool

  “If there’s truth to the raucous scenes of urban life in Bruce Alexander’s atmospheric period mysteries, then London in the 18th century was a carnival of thieves, cutthroats and refined folk who ate with their hands.” —The New York Times

  “A fascinating tale. Alexander does a great job of acquainting the reader with the dirty, grubby back streets of London and the high-ceilinged snobbery of the upper classes.”

  —Sarasota Herald-Tribune

  Person or Persons Unknown One of Publishers Weekly’s Best Books of the Year

  “The Dickensian detail and characters bring life to the sordid streets and alleys around London’s Covent Garden . . . Highly recommended, especially for lovers of historical mysteries who like to see another time and place blaze into life as they read.” —The Washington Post Book World

  Watery Grave

  “Wonderful . . . The high-minded and always astute Sir John is as companionable as ever in Watery Grave. And young Jeremy, wide-eyed but maturing fast, makes for a winning narrator . . . Packed with history and lore.” —The Washington Post

  “Enthralling . . . It’s a joy to watch the great magistrate apply his formidable intellect to this sordid business.”

  —The New York Times Book Review

  Murder in Grub Street A New York Times Notable Book of the Year

  “A fine tale ... Historical fiction done this entertainingly is as close to time travel as we’re likely to get.” —Newsday

  “First-rate, original, and persuasive.” —The Boston Globe

  Blind Justice

  “Blind Justice is as much fun to read as it must have been to write. Bruce Alexander has done a fine job of depicting mid-eighteenth century London.” —The Washington Post Book World

  “A shocking solution . . . Lively characters, vivid incidents, clever plotting, and a colorful setting . . . A robust series kick-off.” —Publishers Weekly

  “Alexander works in a vigorous style that captures with gusto the lusty spirit of the era. Sir John and young Jeremy are an irresistible team in what promises to be a lively series.”

  —The New York Times Book Review

  ALSO BY BRUCE ALEXANDER

  Blind Justice

  Murder in Grub Street

  Watery Grave

  Person or Persons Unknown

  Jack, Knave and Fool

  Death of a Colonial

  The Color of Death

  Smuggler’s Moon

  An Experiment in Treason

  If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.”

  This is a work of fiction. Names, characters, places, and incidents either

  are the product of the author’s imagination or are used fictitiously, and

  any resemblance to actual persons, living or dead, business

  establishments, events, or locales is entirely coincidental.

  THE PRICE OF MURDER

  Copyright © 2003 by Bruce Alexander.

  eISBN : 978-0-425-19807-0

  BERKLEY®

  Berkley Prime Crime Books are published by The Berkley Publishing

  Group, a division of Penguin Putnam Inc.,

  375 Hudson Street, New York, New York 10014.

  The name BERKLEY PRIME CRIME and the BERKLEY PRIME

  CRIME design are trademarks belonging to Penguin Group (USA) Inc.

  http://us.penguingroup.com

  For Merritt Moon

  ONE

  In which Sir John is moved to fury at the death of a child

  I, who had recently become engaged to be engaged with Clarissa Roundtree, did walk with her on a Thursday morning in April 1774. We went hand in hand, as was her wish. Through the great market in Covent Garden we went. In the usual way of it, the “Garden,” which it was most often called, was strong-smelling, crowded, and noisy. Greengrocers hawked the quality of their carrots and new potatoes. Ballad sellers sang their wares. All England, it seemed, had gathered there that they might make proper preparations for the coming Easter holiday.

  As it happened, this year’s Easter held special significance for Clarissa. She was quite determined that we publish our banns of marriage as soon as the Lenten season had passed.

  “But Clarissa,” said I, objecting, “what use is there publishing our banns when we cannot yet marry?”

  “Oh Jeremy, you know far better than I that we need not be married after the banns are posted. It’s simply that we can be married thereafter. We shall then be officially engaged.”

  “Yet what then is the use of being officially engaged when we shall not have money enough to marry for years to come?”

  At that her face quite fell. “Years?” she echoed, as if having learned of this for the first time. It was always the same: she urging us forward, racing ahead, and I given the uncomfortable job of applying the brake. She knew the realities of our situation as well as I. Still, each time we discussed it, it seemed necessary to get her to admit that she knew what she knew.

&
nbsp; I set about to do just that. Did I convince her? I doubted it. And she proved me right shortly thereafter by making me go through it all once again. Probably I did wrong by taking the same tack over and over. I did ever return to the matter of money. One could not marry if one had not enough of it to support a wife. That much seemed simple enough, did it not? Ah, but Clarissa was clever, for, each time she introduced the matter of marriage, she did so in some new way. This time, as an instance, she brought in the matter of the banns. What, I objected, was the use of posting banns if there could be no marriage for two years to come (when I should reach my majority and pass the bar)? Yet I understood her design well enough: she thought to marry me by degrees. Knowing full well that we could not be married till the banns first be posted, she meant to have that out of the way, so that she might then concentrate upon getting us before a priest. Much as I would have her—and have her at the soonest—I saw no way for it but to wait. I loved Clarissa dearly, yet I would not give up the career in the law that I dreamed of—no, not even for her.

  Besides, what would Sir John and Lady Fielding say? They depended upon us now more than ever. We knew better than they that Molly Sarton, our cook, would soon be leaving them. She and Mr. Donnelly—surgeon, physician, and my great friend—would be married by the end of the year. Though Sir John and his lady were not privy to the information, as we were, they knew, or assumed, this was what lay in the near future for them. For this reason, Clarissa was being readied to take her place. Under Molly’s cool supervision, she was learning her lessons well, yet in this week to come, she would be put to the test. Molly had agreed to hold a cooking class for the girls and women at Lady Fielding’s Magdalene Home for Penitent Prostitutes. It had been agreed that Molly could not cook and teach simultaneous, and so it fell to Clarissa to do all that needed to be done at home, unsupervised and independent. Needless to say, this would include buying food for the family in the Garden. Thus had we set out together that morning—I to teach her where the best might be bought, and she to learn.

  As for myself, it seemed that Sir John found more uses for me than ever before. First and most frequent, a magistrate, and most specially a blind magistrate (as he was), depended greatly upon his clerk, and Sir John’s clerk, Mr. Marsden, was less and less dependable (and this through no fault of his own). Truth to tell, the clerk had never fully recovered himself following his bout with influenza late the year before. His lungs were the trouble, right enough. He wheezed and coughed and generally behaved as one not far from the grave. I did at first believe ’twas naught but a nasty catarrh that hung upon him all through the winter, and told myself that as spring approached he would improve. Yet he did not, and when I questioned Mr. Donnelly about it, he shook his head and said he thought it was something more serious, though he could not say exactly what it was. Then did he add: “If he would but give up that pipe of his, or at least cut down his smoking of it, he would be much improved.” Yet, when I passed this on to Mr. Marsden, he laughed at me straightaway and said that life without the pipe would be no life at all. He must have missed a good quarter of his days beside Sir John, and who was there to take his place? None but your humble and obedient servant. In his absence, I discharged his duties as best I could and heard no complaint from Sir John Fielding. For myself, I quite enjoyed working in Mr. Marsden’s stead. He knew something of the law, and I knew a great deal more. I specially liked interrogating the prisoners and the disputants before they were to have their time before the magistrate. It helped me ever after in the work of cross-examination.

  Clarissa had been with me on earlier days during a number of my trips to the market. Yet there was then naught for her to learn upon such occasions, and she did simply hang on my arm and marvel at my ability to choose exactly the right vegetables for a stew. Today, of course, was different. She was here to discover all she might about how a potato got its “eyes” and what they, if sprouting, might portend; how to tell a tasty carrot from one that simply filled your belly; and what, if anything, a mushroom might tell you about its possibly poisonous nature. She was, in other words, learning all that she could from me in as short a time as possible. Thus did we spend the better part of an hour there in Covent Garden with no further talk of banns or marriage. ’Twas for me a blessed relief.

  I believe we were at the stall of Mrs. Malter, who always seemed to have the best apples to be found in the Garden, when I happened to glance up and see before me a girl of sixteen or seventeen, who was staring quite intently at us. Who was she? She looked familiar to me, but in the course of the day, I saw so many in a city as large as London. Yet it was at Clarissa that she seemed to be staring and not at me. Then, as she began to move across the fifteen feet or so that separated us, I nudged Clarissa and nodded toward the unknown girl.

  “Do you know her?” I asked. “She seems to know you.”

  Indeed she did. As Clarissa looked up, the girl saw her better, and, having her doubts thus removed, she fair flew at us, arms open wide.

  “Elizabeth Hooker!” cried Clarissa. “Is it you, truly?”

  “Clarissa!”

  Then, arms wrapped so close round each other that they seemed as a single being, they danced before Mrs. Malter’s stall, each talking at the other, neither able to hear for the noise she made.

  It was quite unlike Clarissa to make such a spectacle of herself in a place so public. I knew not whether to attempt to pull them apart or to allow them simply to exhaust themselves then and there. At last, having run out of energy, they stopped, stared each at the other, and fell to laughing quite uproariously. The next few minutes were spent asking and answering questions. Both were from Lichfield. Each had come to London within months of the other (Elizabeth, I believe, had come later than Clarissa). Their fathers had died, and both girls had gone into service—Elizabeth as a kitchen slavey in the residence of Richard Turbott, silversmith, of Chandos Street; and Clarissa as a secretary and personal assistant (and, sometimes, maid and cook, as well) for Lady Fielding. The two made plans to visit the next day, since Miss Hooker had been given free the entire time from Friday to Monday, as the Turbotts would be out of town for Easter.

  I listened as they reminisced, and I was interested enough in their two stories that I thought it merely amusing to note that in the excitement of their chance meeting they had quite forgotten me. Yet I was not to be long excluded from Clarissa’s thoughts. Just as the two were about to part, she threw up her hands in dismay.

  “Oh dear God,” said she, “what could I have been thinking of? Elizabeth, you have not met Jeremy!”

  “Jeremy?” Her friend turned to me with an amused smile upon her face. She saw the humor of it.

  Clarissa, on the other hand, did not. “This is he,” said she, grasping my arm and pulling me forward. “Jeremy Proctor, allow me to present you to my oldest and dearest friend, Elizabeth Hooker.” This was accomplished with a great sense of dignity and brought to a conclusion with a most graceful gesture of the hand. Ah, well done, Clarissa!

  So well done, in truth, that I thought to return her gallantry with a bit of my own. I bowed quite the grandest bow I have ever done. And Elizabeth, for her part, floated down into a curtsy that would have done honor to a duke. Then, of a sudden, applause burst forth on every side of us. We three looked round and saw we had attracted a crowd of onlookers—an audience, no less—and they showed their appreciation in the old-fashioned way. And why should they not? We had put on a bit of a show for them, had we not? We three had played at being gentle folk, as if upon the stage, and had had our efforts applauded. What fun! We felt so jolly that we did laugh as we bowed and curtsied our thanks to them (though not in a manner so grand as before). But already our audience had begun to drift away.

  Clarissa and Elizabeth then said their goodbyes, and Clarissa promised faithfully to visit upon the afternoon of the next day. Yet then, as they parted, still waving as they backed away, Clarissa called after her friend, ran to her, and whispered in her ear. At that, Elizabeth’
s eyes widened; she looked at me and, giggling, ran off through the crowd.

  “What was that all about?” I asked of Clarissa.

  “What was what all about?”

  “That last. What did you whisper to her?”

  “Oh, that? Nothing much to it, really. I simply told her that we two are betrothed.”

  “That was a bit hasty, was it not?” said I. “It’s supposed to be a secret.”

  “Well, it won’t be after we have posted the banns.”

  You see, reader, what I had to contend with.

  Having spent some time in Covent Garden, we had collected two or three bags full of fruits and vegetables. Still, we had yet another stop to make, and probably the most important of all. Mr. Tolliver, our butcher and indeed the only one there in the Garden, was but two stalls down from Mrs. Malter’s. He was busy that day, as he usually was, and, while waiting in line, I had the opportunity to enlighten and instruct Clarissa in his ways. He took care of each customer according to her needs (all were women), and so there was more than ample time to whisper to her of Mr. Tolliver’s involvement with Lady Fielding before Sir John appeared and quite dazzled her with his knighthood. Since then, of course, things had gone well for the butcher. He had married, and married well—a widowed dressmaker from his home in Bristol, who earned money enough in her shop so that they might move from the two rooms in which they had begun their married life. They now lived in a modest house in the lower, respectable part of St. Martin’s Lane.

  “His only complaint today,” I concluded, “is that his diligent and resourceful wife is apparently a bit too old to bear children. But then, if she were not, she would have the very devil of a time running her shop and cutting her copies of the latest in French fashions, with children all round.”

 

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